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‘Solo: A Star Wars Story’ | Becoming Solo (2018)

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Solo: A Star Wars Story

20182 h 15 min
Overview

Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.

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Director Ron Howard
Runtime 2 h 15 min
Release Date 23 May 2018
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Movie Rating Not rated
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Brandon started BCactionMR.com in 2012, with the intent of publishing news he found exciting about upcoming and current events in the world of comic book, action and sci-fi movies. A year later, "BC" became a Verified Creator (Paid Writer) for Movie Pilot, a large fan site, dedicated to all things pop culture. [2013-2018] After Movie Pilot closed its doors, Brandon decided he wanted to give others the opportunity to continue writing and sharing their passion and excitement for entertainment news. We now have evolved into an ever-growing community of bloggers, writers and gamers who love to share our opinions with the world. We cover everything from pop culture, indie, horror, television and the most recent trailers to hit the internet. BCactionMR.com is dedicated to J.S.W. Thank you for planting the seed all those years ago. RIP Brother

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Dune | Official Main Trailer | HBO Max

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity’s greatest potential-only those who can conquer their fear will survive.—Warner Bros.

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Genre:

Adventure, Drama, Sci-fi

Release Date:

October 22, 2021

Director :

Denis Villeneuve

Cast:

Timothee Chalamet, Zendaya, Jason Momoa, Rebecca Ferguson, Josh Brolin, Dave Bautista, Oscar Isaac

Plot Summary:

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity’s greatest potential-only those who can conquer their fear will survive.—Warner Bros.

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Reviews

Jolt Review | Lacks Any Spark

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You know that feeling when you get so riled up and so angry that you just want to take your anger out on something or someone? Well due to a lifelong, rare neurological condition dubbed as Intermittent Explosive Disorder, Lindy, played by Kate Beckinsale, does just that in the new action-thriller Jolt.

Lindy is a beautiful and sardonically funny woman, but she’s been unable to live properly due to this condition that she keeps a secret from everyone else. Because of this condition, she experiences sporadic rage-filled murderous impulses. Whenever she sees someone being cruel, deceitful, abusive, or even just a little bit annoying, Lindy reacts violently, normally leaving them in a lot of pain. And there’s only one way that she can stop these impulses. Lindy’s physician Dr Munchin (played by Stanley Tucci) has created an experimental vest that Lindy can wear so that with the press of a button, it sends electric shocks to her brain that stabilizes her and stops her violent impulses.

The film, written by Scott Wascha, provides a really interested premise, one that you know will result in lots of violence. And that’s what happens. Lindy’s never been able to find love or companionship in the world because of her condition until one day she has a date with Justin (Jai Courtney) and she feels a strong connection with him. Unfortunately, she finds that he’s been murdered the following day. Heartbroken and enraged, she embarks on a revenge-filled mission to get to the bottom of it and find who killed Justin. All while being chased by the police who think Lindy is the prime suspect.

The film sets itself up with a lot of potential, but it never really fulfils any of that potential. It never manages accomplish any of the things it sets out to achieve. None of the action scenes are especially memorable. And that’s a big missed opportunity as a film about a woman who pretty much snaps and rages out of control at the smallest things should provide some really great action scenes. But instead, Jolt provides a few short action scenes that never really show much imagination or bring anything exciting to the table.

The film has a few funny moments and there are a couple of amusing juxtapositions as we do see brief glimpses of Lindy snapping and letting loose on people on a few different occasions, but the film is never funny enough to warrant it being an action-comedy. At its centre, the film is an action-thriller but there’s not tons of action and it isn’t particularly thrilling either.

As well as this, Jolt never really explores the character of Lindy that much despite the fact she could have been a character of great interest. She’s a person marked by an endless toggle between hope and despair as she can never experience love or normalcy and she’s trapped in a state of limbo, and yet the film never really dives into this or embraces this character fully so that she does just become a bit of a generic action protagonist. Yes, it’s nice to see a bad-ass female leading the film and Kate Beckinsale does a good job as Lindy, it’s just that the character is never treated with as much personalism as she should be.

To add to that, the film’s final act definitely brings it down another level. Firstly, the film has a bad and predictable twist that to some extent, undermines pretty much the rest of the film. What should be a really exciting action-packed final showdown ends up being quite lame and boring leaving you wanting, and expecting something a bit bigger and more exciting. And to top of the film’s bad ending, the final scene is just unnecessary sequel baiting that will look very out of place if a sequel is never made. Whilst the film does have a good premise, Jolt never inspires as much as it should do and it’s never entertaining enough to deserve a sequel despite the tagged on final scene setting up future adventures.

There was certainly a lot of promise in this film but ultimately it ends up being very bland and forgettable with inadequate entertainment value.

★★☆☆☆

Jolt is released on Amazon Prime Video July 23rd

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HORROR

Separation | Slow Atmosphere and Surprising Twists

Marriage Story.

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If you’re a horror fan, chances are you’ve heard of William Brent Bell. His disastrous 2012 found-footage gimmick The Devil Inside was nothing but an upsell to a [now defunct] website link showcased how the film’s “story” ended. The Boy (and its sequel) were also terrible but not as offensive as The Devil Inside. Bell has already made a name for himself with that 2012 film, but he’s back, with a vengeance this time around, with Separation. Aptly titled, the film tells the story of comic book artist Jeff Vahn (Rupert Friend), who is in the process of finalizing a divorce from his wife, Maggie (Mamie Gummer), and determining who will get custody of their child, Jenny (Violet McGraw). However, Maggie suddenly dies after being hit by a car, and Jenny’s custody reverts to Jeff. Maggie’s father, Paul (Brian Cox), believes Jeff had something to do with the accident, but more pressing matters are at hand as Maggie’s spirit begins to haunt Jeff and Jenny, with the latter having some spiritual “attachment” with her. And if you’ve seen Bell’s previous films, it’s no different here. Just a dull and dreary “atmospheric horror” picture with some of the worst acting of the year.

Separation'

Granted, the acting isn’t all bad here. Rupert Friend and Brian Cox manage to hold their own even when the script starts to (quite literally) shit the bed. As of late, Cox has been an expert in playing irredeemable scumbags, and he brilliantly implements the talents he developed from Succession here seamlessly. It doesn’t matter if he pretty much plays the same dickish character as in the popular HBO show; Cox is always entertaining and seems to be the only one that truly cares about whatever film role he landed in, whether good or bad. On the other hand, Friend cannot carry a lead role in any movie. That was apparent in Hitman: Agent 47, but he seems determined to do good in Separation, even if the material is rather hackneyed.

How is it hackneyed, you ask? Well, for starters, it’s not scary. There’s a fairly creepy (if you will) ghost-like figure of a puppet that bends itself à la Pennywise/It that’s somewhat effective, but it’s only featured when Jeff has nightmares. Most of the “scares” happening in the film are inside Jeff (or Jenny’s) mind, which results in a rather weightless horror film. Maggie’s reincarnated spirit is as scary looking like the nightmare fuel wooden puppet in Steve Barron’s The Adventures of Pinocchio, whilst incorporating Udo Kier’s looks from that same film. [Side note: if you want to traumatize the living hell out of children, make them watch that movie]. It’s the only type of comparison I can recall since the film is still highly vivid in my memory, and everything looks so unsettling here. That’s a good thing, though, since the film has some sort of artistic vision.

Separation Cast And Character Guide (with Ending Spoilers)

The problem is: Bell and writers Nick Amadeus and Josh Braun don’t do anything with it to make it interesting in any capacity. Maggie is just…there…and passively haunts Jeff or the babysitter, Samantha (Madeline Brewer). And the more the film progresses, the easier it is to tell how apparent it is that it has absolutely nothing of interest to say about anything. Instead, it needlessly fills its time through tedious sequences in which Jeff has “visions” of “The Darkness,” which will eventually become the inspiration for his next comic, or he’ll try (and fail) to communicate with Maggie’s spirit through an Ayahuasca trip that’s both visually drab and completely unengaging. Heck, a drug this potent merits something truly insane, embracing its dark atmosphere to the fullest extent. Yet Bell never cares about any of that and solely focuses on how the “spirit” quasi-communicates to Jenny instead. But since we don’t spend much time with her, there’s no legitimate emotional connection to her or any of what’s happening in Separation. Oh, poor Jeff, he must fight Maggie’s evil father, who wants to take Jenny away from him, while at the same time worrying about Jenny’s mental state as Maggie’s spirit takes hold of her. If you don’t find that interesting, how about developing a will-they/won’t they relationship between Jeff and Samantha? Feels so 2000’s, right?

It’s also interesting to see how truly cheap the film’s VFX is, which exacerbates, even more, its penchant for early 2000s horror made by large studios. I wouldn’t be surprised if the film’s script were plucked from a list of unproduced movies made around that time that the previously defunct OpenRoad studios decided to…go for it in the hopes that it would revive their business. Spoiler alert: it doesn’t. Once its “twist” on who murdered Maggie gets revealed, Separation never really recovers. I don’t want to give it away because curious people reading this review may want to experience it for themselves at least once in their lives. So I’ll say this: it’s wild. It’s something you half-expect if you’re paying close attention to it, but it still absolutely makes no sense in the broader context of the picture. There’s something Bell likes to do and does it well, craft some of the worst endings I’ve seen in horror. It’s either non-endings, in the case of The Devil Inside, or ludicrous “revelations” in the case of his The Boy films and Separation. Here’s some food for thought: this entire film is ludicrous.

Separation wants to impress with its “slow atmosphere” and surprising twists. Yet, its twist reveals nothing strictly but turns the film’s serious setting into an unintentional comedy, absolutely deserving of every potential Golden Raspberry it will get. If you want a unique cinematic experience and continue to observe how William Brent Bell destroyed Giallo-like endings with his horror movies whilst seeing good potential squandered in an endless cesspool of…nothing…then Separation might be for you. Otherwise, stay as far away as possible [and from The Adventures of Pinocchio too…yikes.]

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