Despite a predictable story, Love at First Sight works tremendously well thanks to the impassioned performances of Haley Lu Richardson and Ben Hardy.
Happiness for Beginners continues another unfortunate trend for Netflix romantic comedies, pairing actors who aren't a great on-screen match.
Despite narrative shortcomings, Paramount+'s Love in Taipei is still quite enjoyable to watch, and far better than it has any right to be.
Meko Winbush's Gray Matter will unfortunately be remembered as another Project Greenlight blunder instead of a true career-starter.
The Perfect Find boasts decent performances from Keith Powers and Gabrielle Union, but the movie itself is amazingly lethargic.
Jagged Mind contains incredible performances from Maisie Richardson-Sellers and Shannon Woodward who craft a terrifying portrait of abuse.
While Charlie Day's Fool's Paradise assembles one hell of a cast, it's an also painfully unfunny burlesque affair.
Robert Rodriguez's latest movie is his worst-ever project yet, with a baffling script and ridiculously inert performances from its leads.
Peacock's Shooting Stars has noble aspirations, but doesn't amount to anything remotely intriguing or thought-provoking.
"Your Place or Mine" is a disastrous romantic comedy featuring stilted performances from Reese Witherspoon and Ashton Kutcher.
"Poker Face" is one of the most ridiculous movies of the year, anchored by a lousy performance by Russell Crowe.
"Blue's Big City Adventure" is the perfect representation of "Spider-Man: No Way Home" for little kids.
"Love in the Villa" works because of Kat Graham and Tom Hopper who infuse much-needed life inside a contrived plot.
A quasi-R-rated version of "The Kissing Booth" surprisingly works? Color me shocked.
Chloë Grace Moretz gives an impactful performance in Mattson Tomlin's "Mother/Android", but the rest of this sci-fi hybrid picture is quite dull.
Stephen Herek and Victoria Justice fail to make legitimate cinema in Afterlife of the Party, an algorithmic-driven production.
Mark Waters' He's All That demonstrates everything wrong with mainstream American cinema in one single 93-minute film.
Paw Patrol: The Movie is an adaptation of a popular TV show destined solely for die-hard fans (and their parents).
A disaster from all parties involved.
Unhinged and completely preposterous.
Never did I expect to be compeled this much in front of a Hallmark-lite production, but here we are.
Marriage Story.
The Ice Road is a baffling action picture, and a terrible vehicle for Liam Neeson to star in.
Infinite Desperately Wants to Impress With its Style, But Has No Substance.
Blue Miracle succeeds at proposing a unique visual style to distance itself from other formulaic biopics, but can't get past its predictable script.
The Virtuoso can't even get the basics of filmmaking right--which proves for a terribly tedious watch.
Studio Ghibli can probably be considered as the world’s greatest animation studio. It never kowtowed to basic expressions of animation and continued to push the boundaries...
Ricky Staub’s feature film debut. Concrete Cowboy is, at times, an earnest and moving portrayal of the Fletcher Street Urban Riding Club–a fascinating American subculture that...
Eddie Murphy and Arsenio Hall are back–and they haven’t lost a single touch. Directed by Hustle & Flow and Dolemite is My Name filmmaker Craig Brewer,...
Remember the time when SpongeBob SquarePants was an insanely creative children’s television program, filled with colorful characters, the best kind of childish humor, and an overall...
Lee Daniels returns to the director’s chair with another emotionless, shamelessly manipulative biopic containing lots of style and very little substance. His latest film, The United...
It’s been a while since Disney hasn’t made a film that felt like a pure cash-grab and earnestly tries to capture a child’s imaginative spirit. Lena...
Netflix concludes it’s To All the Boys trilogy with another enjoyably lukewarm picture, as Lara Jean Covey (Lana Condor) and Peter Kavinsky (Noah Centineo) enjoy their...
*Warning: This article contains spoilers for Fear of Rain.* In an interview with LRM Online, Fear of Rain director Castille Landon envisioned the film to “shatter...
Mike Cahill’s Bliss presents the concept of utopia/dystopia through a simulation, as it follows Greg Wittle (Owen Wilson), who, after accidentally murdering his boss for firing...
Richard Donner’s The Goonies is one of the greatest family films ever made. Reimagining Steven Spielberg’s Indiana Jones movies’ adventure escapism with a friendlier tone for...
“Spectacular” is a word rarely used when describing Netflix original movies, since so many get released at the same time. Once in a blue moon, a...
The COVID-19 pandemic may have shifted the way we watch movies but has kept the month of January intact. STX’s latest, Horizon Line, represents everything, oh,...