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Drama

Elizabeth Debicki’s Diana Stars Despite Major Fumbles In ‘The Crown’

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WARNING: SPOILERS AHEAD

On November 16, 2023, the first instalment of Netflix’s final season of “The Crown” premiered, leaving me feeling disappointed. Despite my eagerness to watch, life’s commitments often took precedence, making it challenging to indulge in any content. However, after finally catching up, I found myself wishing I hadn’t bothered.

With an ensemble of Imelda Staunton as Queen Elizabeth II; Dominic West as Prince Charles, Elizabeth Debicki as Princess Diana, Jonathan Pryce as Prince Philip, Lesley Manville as Princess Margaret, Salim Daw as Mohamed Al-Fayed, Khalid Abdalla as Dodi Fayed, and Olivia Williams as Camilla Parker Bowles, the first instalment of four episodes is set a year after Charles and Diana’s divorce and traces the events to the late princess and her alleged romantic partner Dodi. 

I get the fact that Diana’s death was a significant event in modern British history, but the show did not feel like I was watching ‘The Crown’, I felt as if I were watching some Diana propaganda movie for the first half. Even with a legendary cast like the above-mentioned, there’s no escaping terrible writing, unfortunately. The script was demanding way too much from the cast and some scenes had me pulling my hair out. 

But the worst was yet to come, after Diana’s death, there comes Ghost Diana, who has conversations with the Queen and the Prince of Wales and at this point, my eyes were staring at the ceiling rather than the screen as I heard the ghost Diana interactions with the queen and Charles, Another point of annoyance was the petulance of Charles and this public perception war with Diana which made me ask the question: Why? To the point that he hires a royal photographer to show his fatherly side. 

The portrayal of Diana’s relationship with Dodi was cringeworthy, to say the least. The fact that Mohd. Fayed was pulling the strings to get Diana and Dodi together was drama that I was not looking for: and for what? Validation from the royal family? To be considered British? The fact that he bribed journalists to stalk Dodi and Diana was going way beyond the line of fictional liberties. These liberties were taken by Peter Morgan throughout the first half of the final season making it pretty unwatchable. I somehow got through it all. I am really on the fence with creative liberties but this season, in particular, was shallow and completely unnecessary. 

But there are some moments worth praise, even though they are very few and very far in between. The scene where Charles tells William and Harry that their mother has passed away in a car accident or the scene where Harry is writing the card with the envelope titled ‘Mummy’ which is placed at the top of her coffin were moments that stood out for me personally more than Ghost Diana and the whole series at large.

Moreover, Debecki essayed Diana’s role in season five and this season, particularly Diana’s last eight weeks of her life were simply outstanding especially considering how bad the script was. The very moving scene for me was when Diana rejects Dodi’s proposal and Dodi finally manning up to his father; then the two talk about following their passions. This scene showed more maturity than perhaps the entire season before her death. 

Perhaps The Crown is plagued by the extraordinary brilliance of the first four seasons that the fifth season and the sixth season tend to fall flat, as noted by The Guardian. And more outlets across the world have dismissed it as clumsy and predictable. I know it was history and creative liberties were taken–but the show just dragged along and it was simply one-dimensional throughout. 

At this point, my expectations for the second half of the final season are way down after watching this show. The season is supposed to end with Charles marrying Camilla and William and Kate meeting at the University of St. Andrews. 

The second instalment will hit Netflix on December 14. 

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Drama

Netflix’s Damsel: Millie Bobby Brown’s Medicore Fantasy Drama Fails Angela Bassett and Robin Wright

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Robin Wright, Millie Bobby Brown and Angela Basett in Netflix's Damsel

Netflix’s latest 109-minute original movie, starring Millie Bobby Brown, unfortunately fails to conquer its audience. The twisted dark fairy tale turns into a fantasy survival thriller as the “damsel in distress” faces betrayal and hardships. Directed by Juan Carlos Fresnadillo and written by Dan Mazeau, Damsel offers a beautiful concept with a weak story.

Millie Bobby Brown in Netflix's Damsel

Millie Bobby Brown in Netflix’s Damsel

The opening narration of the movie, “There are many stories of chivalry where the heroic knight saves the damsel in distress. This is not one of them,” sets the tone of the movie as Elodie (Millie Bobby Brown) was ‘sold’ to another kingdom as a bride only to be betrayed by her husband soon after getting married. Hurt, alone, and frightened, the protagonist soon learns that she has been ‘sacrificed’ for the benefit of the kingdom to a dragon. Survival seems hard for the princess as she comes across the dangers of the majestic creature. Brown’s character soon finds out that she is not the first to be sacrificed. Several brides like her have been thrown away for generations like a stick thrown to a dog.

Damsel offers an unusual and strong concept with captivating visuals and cinematography. The traditional classy costumes and rich makeup style match the theme well. As usual, the Stranger Things star offered outstanding dialogue delivery with expectational expressions.

Millie Bobby Brown in Netflix's Damsel

Millie Bobby Brown in Netflix’s Damsel

As much as Millie Bobby Brown’s magnificent performance needs to be applauded one cannot help but notice the waste of fine talents. Yes, we’re talking about multiple award winners, veteran actresses Angela Bassett and Robin Wright, who are highly recognized talents out in the world, famous for their spectacular roles in multiple critically acclaimed projects. Brown’s heavy presence leaves no room for Bassett and Wright to shine. It leaves other actors such as Ray Winstone, Nick Robinson, and Brooke Carter far out from the spotlight.

Damsel includes some heart-wrenching action scenes along with many emotional turning points that make Elodie question her life. She is living in fear, facing betrayal, figuring things out, and most importantly, trying to survive all alone in a dark cave. The bland dialogues in between disrupt the flow of the movie, but the rushed conclusion lashes all hopes to the ground! All the buildup was quickly washed away as the movie ends cursory.

Millie Bobby Brown in Netflix's Damsel

Millie Bobby Brown in Netflix’s Damsel

The period movie challenges patriarchy, inequality, and gender roles. The protagonist Princess Elodie is an open-minded, strong, progressive-thinking character who can do anything for her people – even if it means giving up her dreams and life in an arranged marriage. The women in the movie are bold, strong, rational, and, protective. It is only fitting that Netflix’s Damsel was released on International Women’s Day as the distressed damsel shows she needs no man in shining armor to protect her from the dangers present in the world. She is a brave, daring, sharp-minded young woman who takes revenge and expresses power when it was needed. Game of Thrones may have set a standard for dragons, but this one is no less. We’re sure Khaleesi would be proud of Elodie!

Damsel is available to stream on Netflix.

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Action

Napoleon: Explosive and Victorious!

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Joaquin Phoenix as Napoleon Bonaparte (Sony Pictures Entertainment)

Plot

Napoleon is a spectacle-filled action epic that details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar®-winner Joaquin Phoenix. Against a stunning backdrop of large-scale filmmaking orchestrated by legendary director Ridley Scott, the film captures Bonaparte’s relentless journey to power through the prism of his addictive, volatile relationship with his one true love, Josephine, showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed.

Vanessa Kirby as Josephine Bonaparte and Joaquin Phoenix as Napoleon Bonaparte (Sony Pictures Entertainment)

Movie Review

The movie starts off on a high note, showcasing the end of one of France’s major historical figures while Napoleon watches on. The storyline is centered around some of Napoleon’s highlights in his military career such as the siege of Toulon, the Battles of Austerlitz and Waterloo, as well as his exile to St Helena. Every moment combined with dramatic effect delivers a well-rounded historical war-drama.

We are taken to picturesque locations supported by an epic soundtrack delivered by Martin Phipps (listen below).

Napoleon (Original Soundtrack by Martin Phipps)

The costumes and military regalia is done to perfection. The display of explosive artillery adds to the battle highlights, and watching the movie in a IMAX theatre adds even more value in terms of sound and picture quality.

Even though the movie contains historical inaccuracies, a well dramatised historical account of Napoleon Bonaparte is offered, and Joaquin Phoenix delivers a performance worthy of a medal. Vanessa Kirby plays the part of Empress Joséphine, and delivers

One movie would never be enough to share all of the highlights of the French Revolution and the Napoleonic Wars, but I feel this movie really summed up some of the stories quite well. The movie is filled with non-stop action between the battlefields and political halls of France. Ridley Scott delivers a war movie that gives us a shortened but powerful glimpse of the legacy of Napoleon Bonaparte. Give him a medal!

I would personally have loved a see an entire series dedicated to the stories of Napoleon Bonaparte.

I rate this movie 4 out of 5. Not for sensitive viewers. Lots of action with a few violent scenes. There are a few sexual scenes but with no graphic nudity.

The movie trailer doesn’t spoil too much of the movie content and is a brilliant appetizer for the history buffs among us. There is no post-credits scene though, so no need to wait till the end.

Watch Napoleon at a cinema near you!

Napoleon Official Trailer (Sony Pictures Entertainment)

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Comedy

Netflix’s Crashing Eid Review: Love, Culture, and Differences

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Crashing Eid

If you are curious about other cultures, or maybe want to see how your culture is represented in mainstream media, then you should binge-watch Netflix’s Arabic Comedy series Crashing Eid this weekend. It’s a 4-episode long series with each episode of roughly 47 minutes. The series revolves around culture, love, differences, family, and drama.

The story focuses on Razan (Summer Shesha) as she finds love for the second time in her life but struggles to convince her family for marriage. Razan is shown to be living in the UK with her daughter Lamar (Bateel Qamlo) and finds her British-Pakastani boyfriend Sameer (Hamza Haq) as a suitable match for herself. She proposes to him for marriage before traveling to Saudi Arabia, her home, to celebrate Eid. Her family is convinced that she is back in Saudi for good but Razan has other plans. She tries to tell them about Sameer but constantly fails due to fear and lack of ‘perfect’ timing. She tells Sameer that her parents have agreed to their marriage as she panics to tell him the truth.

Summer Shesha and Bateel Qamlo in Crashing Eid

Summer Shesha as Razan, Bateel Qamlo as Lamar in Crashing Eid

Here comes the twist – Sameer reaches Saudi to surprise Razan and to meet her parents! She tries her best to handle the situation and hide their relationship with the help of her daughter Lamar. At the end of the episode, the truth uncovers itself and everyone is left disappointed. The story follows Razan’s family drama, bitter relations with her mother, previous abusive marriage, her brother Hasan’s (Yasir Alsaggaf) struggle to connect with his son after losing custody, etc. Her previous marriage with her cousin affected her relationship with her own mother as she blames Razan for the failed marriage.

Summer Shesha’s portrayal of a strong woman struggling with every close person in her life but still managing to face everything with bravery is appreciable. Khalid Alharbi deserves applause for his sweet, loving, and understanding role as Razan’s father.

Yasir Alsaggaf, Summer Shesha and Amani Idrees in Crashing Eid

Yasir Alsaggaf, Summer Shesha, and Amani Idrees in Crashing Eid

Despite a fun twist challenge, representation, and Khalid Alharbi’s brilliant performance, a few parts lack perspective. The story doesn’t completely revolve around Razan yet it fails to involve Lamar’s (Bateel Qamlo) emotions in the family drama. She is seen upset at times but it’s never completely addressed. She plays the role of a typical elder daughter helping out her mother in everything and neglecting herself at times. The ending felt rushed as it doesn’t properly elaborate on how Razan’s mother (Amani Idrees) suddenly changed her mind about her daughter. Emotions take time and that’s what felt rushed.

Summer Shesha, Hamza Haq and Khalid Alharbi in Crashing Eid

Summer Shesha, Hamza Haq, and Khalid Alharbi in Crashing Eid

Crashing Eid  offers strong cultural representation, women empowerment, and how love can help you deal with almost everything. It focuses strongly on social taboos surrounding women and Muslim culture.

Crashing Eid is now available to stream on Netflix.

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