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Indiana Jones and the Dial Of Destiny – Review

Published

3 months ago

June 30, 2023

James Mangold takes directing duties for the fifth and final adventure for Harrison Ford’s Indiana Jones. Steven Spielberg stays on as executive producer, helping bring to life a new adventure in a very new era. It’s taken a while to get here, but now it’s ready for the world to see.

We join Indy in 1969 as he retires from teaching, but is immediately thrust into a race against time to retrieve the fabled Antikythera, a dial that can predict fissures time and invented by Greek mathematician Archimedes. Former Nazi astrophysicist Jürgen Voller (Mads Mikkelsen) is also hunting down the dial, as is Indy’s god-daughter Helena (Waller-Bridge). Indy works with Helena in a shaky alliance to seek out the dial before Voller does, who intends to change the course of history and ensure a German victory in World War 2.

In a nutshell, a solid and enjoyable entry into the franchise that gives Indy a fitting and fond farewell. It sits comfortably beneath the golden trilogy and high above ‘Kingdom Of The Crystal Skull’ in terms of how it delivers. There is far less goofy humour, silly CGI action and cluttered cast.

The main man Harrison Ford delivers, as ever. 80 years old he may be, and yes, he is slower, more fragile and not able to do as much as he did in the past, but why should he? This is the final stage of his journey as Indy, and we’ve seen him grow through the decades. Mangold and the team don’t make light of Indy’s age but play it seriously and don’t have him do too much impossible action, letting Ford remind us how Indy is faring after a rather turbulent few years certainly feeling his age. But this does not mean Ford plays it gruff and grumbly; with his trademark twinkle and scowl, he injects warmth, humour and heart and quite possibly gives the most emotional performance for Indy across all five films.

Phoebe Waller-Bridge will ruffle feathers as she has a mouth, has hard fists and lots of spunk and isn’t afraid to bite back. She dominates her scenes and really pushes back against what Indy stands for, as she has her own personal motives and desires. But she takes a journey with Indy too, a simple arc that has her go from likeable, to not likable, and then a bit more likeable than before. Waller-Bridge attracts all the wrong kind of attention in the industry from many fans (often male) who can’t sit comfortably with her “strong, independent woman” schtick through her work than often has he pull apart established characters and films. She has that here a little bit, but certainly doesn’t de-rail the film and works well with Ford – two strong minded characters together make for a good bout of chemistry.

Sadly, we don’t have enough Mads Mikkelsen. It’s a crime when villains are underused in films and are just there to remind us that there are “bad guys” on the loose to push along the good. Mikkelsen is a fantastic actor, and plays the cunning, ruthless villain very well with menace oozing out of every pour, and has done through many blockbuster films. Here, however, his Nazi, Voller, needed more screentime to truly let us get under his skin, to allow him to become the threat that he eventually reveals himself to be. It’s just too little, too late when he really gets stuck into the meat of his motivation. That, if anything, is the biggest disappointment. He is a good mix of ‘Raiders Of The Lost Ark’ Belloq and ‘The Last Crusade’ Donovan, but we just don’t get enough of him.

The wider support cast is not too bloated all do well – Ethann Isidore as Teddy, Helena’s Moroccan “Short Round”, is harmless and adds a little to proceedings without being irritating. Boyd Holbrook plays the rather violent trigger-happy henchman Klaber, and we have a warm return for John Rhys-Davies as Sallah who will generate the biggest smile from fans in his limited screentime. Antonio Banderas and Karen Allen are present, but in more blink and you’ll miss them sort of roles.

For Indiana Jones, the action has always been a benchmark for the genre. Innovative ideas, practical stunts and a big main sequence. In ‘Dial Of Destiny’, the action is good, but not great. It’s safe. The opening 20mins set in 1944 and in / around an exploding castle and loot train harkens that classic Indy thrill. The main story has lots of chases from the New York ticker-tape parade, the Morocco tuk-tuks to the minimalist Mediterranean boat and airplane sequences. There is nothing very memorable about them; they deliver, but not to the extent of feeling real danger, seeing real stunt performers, or matching the scale of the ‘Raiders Of The Lost Ark’ truck chase or the ‘Temple Of Doom’ rope bridge.

This goes hand-in-hand with the CGI. In 2008, ‘The Kingdom Of The Crystal Skull’ abused what CGI can offer and sent the world of Indiana Jones into cosmic realms and near physics defying absurdity. It’s good to see ‘Dial Of Destiny’ tone that down and use CGI to enhance certain locations and add a safety net around Ford and the others in the action. Granted, he’s 80 and can’t do as much as he did 42 years ago, so this blanket of CGI to protect him makes sense. It’s noticeable in parts, mostly during the shaky de-aging sequence, but never feels done to excess.

We have a decent score by the maestro John Williams who brings back riffs from past films, but never brings anything too memorable to this entry. Again, all very safe.

As you can see, the theme of this review is “safe”.

DOD doesn’t take big risks or make bold choices in where the story goes. It perhaps should have done in the third act. You think it will go one way, a sweep of emotion and “will they, won’t they”… and then it swerves somewhere else. And regarding the third act, it’s a shame that it feels rushed. As a send-off, it’s more fitting than those crystal skulls, but it came about rather abruptly, and it did not have that same swell of goodbye that TLC did so perfectly. Shaving time from the heavy second act would have been better, reducing the time of generic investigative exploring to focus on the sequences that deserved more time to hit hard.

Yet, it’s hard not to find enjoyment in this adventure romp. Big, bad Nazis are out to scupper the free world and our beloved grizzled leather jacket clad hero needs to punch lots of them in the face (and have lots of people shot?) to stop them, to a score of orchestral pomp and heroic risks. It’s good fun – safe, comfortable Indy fun and it doesn’t disappoint on the whole to deliver one last adventure.

Indiana Jones and the Dial Of Destiny is on general release from today

FILM RATING

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Aquaman and the Lost Kingdom | Official Trailer

Arthur must enlist the help of his half-brother Orm in order to protect Atlantis against Black Manta, who has unleashed a devastating weapon in his obsessive quest to avenge his father’s death.

Published

7 days ago

September 14, 2023

Staff

Aquaman and the Lost Kingdom [credit: Warner Bros. / DC]

Genre:

Action, Adventure, Fantasy

Release Date:

December 20, 2023

Director:

James Wan

Cast:

Jason Momoa, Patrick Wilson, Yahya Abdul-Mateen II

Plot Summary:

Arthur must enlist the help of his half-brother Orm in order to protect Atlantis against Black Manta, who has unleashed a devastating weapon in his obsessive quest to avenge his father’s death.

FILM RATING

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Retribution Movie Review: Mildly Explosive

Published

2 weeks ago

September 6, 2023

Jacques van Zyl

Lionsgate Films

The following piece was written during the 2023 Writers Guild of America (WGA) and Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA) strikes. Without the labor of the writers and actors currently on strike, the movie, Retribution, being covered here wouldn’t exist.

Plot

When a mysterious caller puts a bomb under Matt Turner’s car seat, he begins a high-speed chase across the city to complete a specific series of tasks. With his kids trapped in the back seat and a bomb that will explode if they get out of the car, a normal commute becomes a twisted game of life or death as Matt follows the stranger’s increasingly dangerous instructions in a race against time to save his family.

*Liam Neeson as Matt Turner (Lionsgate Films)*

Did You Know?

This movie is the third remake of the movie titled Retribution.

In 2015, a Spanish-language adaptation, The Stranger (El desconocido) was released. This was the first Retribution movie. A dishonest banker pays the ultimate price for his wrongdoings when he is held hostage in his own speeding car by a bomb-making extortionist.

In 2018, a German-language adaptation, Don’t. Get. Out! (Steig. Nicht. Aus!) was released in Germany. A loving father and husband is extorted by an unknown guy and he is about to lose his life, his money and his family

In 2021, a Korean version, Hard Hit (Balsinjehan) was released. On his way to work, a bank manager receives an anonymous call claiming there’s a bomb under his car seat, and if anyone exits the car, it will explode unless he can pay a ransom.

Movie Review

Liam Neeson plays the role of Matt Turner, and is literally in the ‘hot seat’ throughout most of the movie. The movie eases you into the drama and the suspense keeps building as the time passes. No time is wasted to bring A small cast brought an intense situation to life in Retribution, and I need to compliment, especially Liam Neeson, Jack Champion and Lilly Aspell, who played the parts of Matt Turner, Zach Turner and Emily Turner respectively for playing the part in the car to perfection. A plot twist is delivered at the end, but the ending is not as explosive as the bomb in the car.

Overall my rating is 3 out of 5 for the Retribution. There is no post-credits scene, so no need to wait till the end. The trailer doesn’t spoil too much of the movie and serves as a great appetizer for Retribution.

Catch the trailer, and watch Retribution at a cinema near you.

FILM RATING

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Sound of Freedom Movie Review: A Movie That Moves

Published

4 weeks ago

August 22, 2023

Jacques van Zyl

Sound of Freedom (Angel Studios)

Plot

Based on the gripping true story of a man’s mission to rescue children from the darkest corners of the world. This action-packed drama shines a light on the harrowing reality of sex trafficking and the valiant efforts of those who work tirelessly to combat it. After rescuing a boy from ruthless child traffickers, a federal agent, Tim Ballard, learns the boy’s sister is still captive and decides to embark on a dangerous mission to save her. With time running out, he quits his job and journeys deep into the Colombian jungle, putting his life on the line to free her from a fate worse than death.

More About Tim Ballard

Tim Ballard spent more than a decade working as a Special Agent for the Department of Homeland Security, where he was assigned to the Internet Crimes Against Children (ICAC) Task Force and deployed as an undercover operative for the U.S. Child Sex Tourism Jump Team.

He has worked in that role and has seen every type of case in the fight to dismantle child trafficking rings. He’s worked in the United States and in multiple foreign countries to infiltrate child trafficking organizations. He has successfully dismantled dozens of these organizations and rescued children from slavery and exploitation.

While working for the government, Ballard saw how much more is needed in the fight against child trafficking and exploitation across the world. In 2013, he and a team of former government operatives left the security of their careers to accomplish the work of rescuing children as a private foundation – Operation Underground Railroad.

Read more about the work Operation Underground Railroad is doing in the fight against sex trafficking.

Movie Review

The movie starts off immediately with a scene depicting a potential scenario in how human traffickers lure unsuspecting victims into their hold, through job interviews and modelling auditions. The first savior moment is short-lived as the protagonist learns there are more victims, with the focus being on the sister. The story keeps you glued to the screen. Just as you think that the big moment is now, you realize there are so more hurdles, making this more than just a movie, but making it real for so many viewers. A special message was shared in the mid-credits as well as a photo of Tim Ballard.

The movie really hits home with the message of child trafficking. You could feel every emotion in this movie, every tear was felt, the fear and anxiety shared amongst fellow moviegoers and the message was delivered in a way to inspire and give hope to others to join the fight against a crime that is taking place worldwide.

Jim Caviezel plays the part of Tim Ballard and his performance was truly spectacular. I really want to applaud the cast of Sound of Freedom and Angel Studios for bringing this masterpiece to life.

I rate this movie a 5 out of 5. The movie delivers a message that is powerful, eye-opening and a life-changer. I left the cinemas in tears, not just of sadness but of hope as well. I hope this movie reaches everyone and touches the hearts of many. I also want to thank the donors who are making it possible for others to watch this movie. Share the link of Angel Studios with your family and friends and invite them to access a movie ticket or to pay it forward so that more people can watch Sound of Freedom.

In closing, I hope you get to experience Sound of Freedom on the big screen. God’s children are not for sale, and I encourage you to join the fight to end child trafficking.

Catch the trailer, and watch Sound of Freedom at a cinema near you.