Reviews

Transformers: Rise of the Beasts – Do I miss Micheal Bay?

Published

3 months ago

June 16, 2023

So I saw ‘Transformers: Rise of the Beasts’ this week, and what can I say about it? I enjoyed it. However I’m gonna say something that might be slightly controversial, I miss Michael Bay and I miss that Bayhem.

Transformers: Rise of the Beasts is a sequel to the Bumblebee soft reboot that came out in 2018, starring Hailee Steinfeld. Stephen Caple Jr, takes the helm for this one, he recently directed, Creed two and the film stars, Anthony Ramos as Noah, Peter Cullen returns as the voice of Optimus prime, Pete Davidson, as Mirage and Ron Perlman voices, Optimus primal.

I feel like if you were a child of the 80s or 90s (myself a child of the 90s) you would really love this film and I feel like if this film came out around that time around the early 2000s and this was the first exposure to Transformers, you would think this film is best thing since sliced bread ( insert Simpsons reference ) Beast Wars was the first time I was ever exposed to Transformers as a kid so I was super excited to see this film, for a long time Optimus Primal was my Optimus Prime. It has a lot going for it in terms of the character development. The designs of the transformers themselves and the overall cast is brilliant. There’s a lot of chemistry there between Anthony Ramos’s Noah and Pete Davidson’s Mirage, which I think is really creates a connection with the audience as if you know these characters already. It’s something that we wanted from Shia Le Beouf and Bumblebee in the original transformers films. Instead of being a protector instead of being a watchful Guardian, Noah and Mirage are like friends, more like Bros imagine a buddy cop comedy vibe.

Transformers: Rise of the Beasts [credit: Paramount Pictures]

The film itself is filled with stunning visuals. One thing I will say going for this film is that you can tell who is fighting who in the fight scenes, which I think is really key and it’s something was missing from the Michael Bay films. The voice acting is incredible. Like I said Pete Davidson as Mirage is inspired casting and I feel like that he is absolutely perfect for the Transformers franchise, Cullen is excellent as always as Optimus prime the day that man dies, will have to have a national holiday due to the fact that his voice is just so so iconic

The film itself suffers ever so slightly by the story, visuals are really good, chemistry between the cast are amazing, but the story its self is very generic. Once again we have a McGuffin if I’m being honest with you, I couldn’t tell you exactly what that McGuffin was called, as like in the past installments, we’ve had the all spark with had the matrix of leadership and all these majestic sounding objects to protect, but in this one we have another version of that but this time its going to open a portal, for a world ending villain to show up, this really does feel like paramount and hasbro making a Hasbro version of the MCU, setting up big bad’s and threats that are on the horizon, but I mean if you’re going into this expecting Martin Scorsese‘s Goodfellas than what what are you doing? What it lacks for in story it once again makes up for an action, it has a lot of heart, and also the score is brilliant. The new score for a new Transformers is really good, but obviously fans of the original Transformers, the Michael Bay films will be surprised to see a subtle hint to a fan favourite

Transformers: Rise of the Beasts [credit: Paramount Pictures]

I had a good time with this film. I’m a big fan of the Transformers franchise, but as I said earlier I feel like it does miss something from Michael Bay and it is that Michael Bay pizzazz and by this I mean how everyone is sweaty, or how every everything is exploding around them. I feel like some of that is missing within this film, it is what we have come to expect from this franchise and I think sometimes the lack of this slows down some of the more dramatic moments ( please don’t come at me in the comments).

You need to see this on the big screen if possible to take in all that is being done. The film’s end fight scene is incredible and a really good treat for the eyes. There’s lots of humour but most of all I feel like it captures a good essence of what the Transformers should be, and I am excited for the future of this franchise.

Overall I’d give this film, a solid, 3.5 out of 5. It’s a treat for the eyes and a treat for the ears, but I wouldn’t expect Oscar-winning writing in the form of its story.–

FILM RATING

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Reviews

Sex Education Season 4 is a Spectacular (and Overstuffed) Conclusion to One of Netflix’s Extraordinary Series

Published

2 hours ago

September 21, 2023

Aayush Sharma

Official posted of 'Sex Education' Season 4 (Netflix)

When the first season of Sex Education came out on Netflix in 2019, it felt pretty daring and exciting for everyone. While there were many shows about teenagers and sex, ‘Sex Education’ stood out because it talked about these topics openly and covered them in a pretty detailed manner. Without any guesses, the show became really popular and is now considered a classic on Netflix. For 3 long seasons, viewers have seen students of Moordale, and everyone around them, dealing with a lot of complications, but now, it’s time to say goodbye to some of our character as the Netflix series has returned for its fourth and final edition.

At the end of Season 3, Moordale Secondary School closed down. This means that Otis, Eric, Aimee, Jackson, Vivienne, Cal, and Ruby have to go to a new school, Cavendish Sixth Form College. Some of them fit in well, while others struggle. And while Otis tries to focus on his therapy work, he finds out that there are other young people who are experts on relationships and sex in town.

Gillian Anderson as Jean Milburn in ‘Sex Education’ Season 4 (Netflix)

One of the strengths of Sex Education is its diverse and inclusive representation. The show shines a light on various sexual orientations, gender identities, and cultural backgrounds, providing a platform for underrepresented voices. Season 4 continues to explore these themes, introducing new characters who add depth and complexity to the narrative. On ghe other hand, the only problem with Season 4 is that there are too many things going on at once. There are so many sub-plots that might distract you at times and make you feel that this story might have looked good if there was another season in pipeline.

Even then, the writing remains sharp and witty, creating relatable and genuine teenage characters who grapple with their own insecurities and desires.

Ncuti Gatwa as Eric Effiong in Sex Education Season 4 (Netflix)

The performances in ‘Sex Education’ Season 4 are consistently strong. Asa Butterfield brings vulnerability and charm to his role as Otis, portraying the character’s growth and maturity. Ncuti Gatwa shines as Eric, capturing both his strength and vulnerability as he navigates new relationships and personal challenges. Emma Mackey delivers a nuanced performance as Maeve, showcasing her character’s intelligence and emotional depth. Mimi Keene is stupendous as well and bring another layer to her character which was so nice to see. Meanwhile, Gillian Anderson does what she is best at: deliver another extraordinary performance.

Emma Mackey as Maeve in Sex Education Season 4. (Netflix)

On the other hand, Aimee Lou Wood continues to mesmerise us with her charm and simplicity. Directors should definitely look at her and give her a leading role soon because she deserves it. Another actor that is surely a star in the making is Anthony Lexa, who portrays Abbi in Season 4. Her performance adds an additional charm to the series and gives a hope to Trans actors that they can too achieve their dreams.

A still from ‘Sex Education’ Season 4 (Netflix)

The final edition tackles difficult topics with sensitivity and care, highlighting the importance of consent, communication, and understanding in relationships. The show’s ability to tackle these issues head-on without becoming preachy is a testament to its thoughtful storytelling.

While the final season of ‘Sex Education’ does have some pacing and narrative issues, the strength of the performances, the thoughtful exploration of important issues, and the show’s commitment to inclusivity make it a satisfying and engaging watch. It’s bittersweet to say goodbye to these beloved characters, but the legacy of Sex Education will undoubtedly leave a lasting impact on the television landscape.

Sex Education Season 4. (L to R) Mimi Keene as Ruby, Asa Butterfield as Otis in Sex Education Season 4 (Netflix)

In conclusion, ‘Sex Education’ Season 4 continues to deliver a standout and boundary-pushing narrative that explores sexuality, identity, and personal growth with humor and sensitivity. Despite some minor flaws, the show remains a shining example of inclusive storytelling and offers a heartfelt farewell to its beloved characters.

Some goodbyes are hard and this is certainly one of them.

FILM RATING

Reviews

Flora and Son is a Heartfelt Exploration of Family and Music

Published

2 days ago

September 19, 2023

Aayush Sharma

Eve Hewson and Oren Kinlan in a still from 'Flora and Son' (Apple TV+)

Flora and Son, directed by John Carney, tells the compelling story of Flora, a single mother struggling to navigate the challenges of parenthood and find her own identity. Starring Eve Hewson as Flora, the film dives into the complexities of motherhood, relationships, and the power of music in bringing people together. There have been a lot of musicals in recent times that take a very complex route in telling a story, but Flora and Son is a bit different than all of them. The story is really simple and that’s what makes the film such a treat to watch.

The movie opens with Flora enjoying a night out at a club in Dublin, only to end up in a disappointing hook-up. Flora’s life is far from perfect, as she grapples with her troubled teenage son Max (Orén Kinlan) and a less-than-supportive ex-husband, Ian (Jack Reynor). Flora’s interactions with Max are often tense, filled with sarcastic banter and strained attempts to connect with him. As a single mother, Flora faces numerous hardships and setbacks, leading her to doubt her own potential. Her attempts to do right by her son are often met with indifference or resistance. However, a pivotal moment occurs when Flora acquires a guitar for Max, unaware that it will have a profound impact on her own journey. Flora’s decision to learn to play the guitar leads her to Jeff (Joseph Gordon-Levitt), a songwriter and teacher based in California. Despite the distance between them, their connection is palpable, and through music, they bridge the gap. Jeff encourages Flora to embrace her creativity and express herself authentically, unlocking a passion she didn’t know she possessed.

Eve Hewson in a still from ‘Flora and Son’ (Apple TV+)

The performances in Flora and Son are exceptional, particularly Eve Hewson’s portrayal of Flora. She effortlessly portrays a range of emotions, from humor and charm to vulnerability and raw emotion. Hewson’s nuanced performance brings depth and authenticity to the character, making her relatable and captivating. It will be a travesty if she is not spotted by a big filmmaker and gives her a chance to lead another extraordinary movie. On the other hand, Joseph Gordon-Levitt is soulful and gives a performance that is really enchanting. The chemistry between Hewson and Gordon-Levitt, even through virtual interactions, adds an extra layer of depth to their characters’ connection.

Carney’s direction creates an intimate yet heartfelt atmosphere in the film. The use of music as a driving force in the narrative is a testament to Carney’s storytelling prowess, showcasing the transformative power of melodies and lyrics. One of the film’s strengths is its refusal to tie everything up neatly in a predictable manner. Instead, Flora and Son choose a more realistic approach, leaving some loose ends and logistics unresolved. This choice allows the characters to continue their journey of self-discovery, leaving viewers with a sense of hope and possibility.

Eve Hewson and Joseph Gordon-Levitt in a still from ‘Flora and Son’ (Apple TV+)

In conclusion, Flora and Son is a touching exploration of a single mother’s journey to find her voice, both as a musician and as a parent. With exceptional performances and a thoughtful narrative, the film resonates with authenticity and emotional depth. Carney’s direction and the film’s emphasis on the transformative power of music make Flora and Son a standout family drama. The simplicity and innocence is what makes it such a heart-warming watch. This film will make your heart sing.

FILM RATING

Reviews

Love at First Sight Review | Netflix Makes A Great Rom-Com [For Once]

Despite a predictable story, Love at First Sight works tremendously well thanks to the impassioned performances of Haley Lu Richardson and Ben Hardy.

Published

2 days ago

September 18, 2023

Maxance Vincent

This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and the actors currently on strike, the movie being covered here wouldn’t exist.

Doesn’t it feel great to watch something that doesn’t feel trite or manipulative? You’ll be surprised to know that this film is coming from Netflix, the king of trite rom-coms. But their latest venture into this world in Love at First Sight is surprisingly good, thanks to the incredible chemistry from Haley Lu Richardson and Ben Hardy.

Directed by Vanessa Caswill and based on Jennifer E. Smith’s The Statistical Probability of Love at First Sight, the film follows Hadley (Richardson), who has unfortunately missed her flight to London by four minutes. She is traveling there for her father’s (Rob Delaney) wedding but dreads seeing him with another woman than her mother. While waiting for her next flight, she meets Oliver (Hardy), who also flies to London for her mother’s (Sally Phillips) memorial.

During the seven-hour flight, the two fall in love, though they get separated before exchanging numbers. At the wedding, she only thinks about reuniting with Oliver, who also longs to be with Hadley during the memorial. Therefore, Hadley attempts to travel through London, hoping to look for him, and you probably know how it will end from there.

Is it predictable? Yes, but it wouldn’t be a rom-com without some familiarity with the proceedings. However, a few effective “twists” prevent the movie from veering into manipulative territory, which is how most Netflix rom-coms usually end up being. For instance, the movie grinds Hadley’s story to a halt by showing us Oliver’s perspective when he gets off the plane, playing with time in a way that makes their relationship stand out above the pact of trite romantic comedies. The near-misses are ridiculous, but you still care about them in the end, even if you know they will fall in love by the time the film’s over. Otherwise, what’s the point?

The movie wouldn’t have worked without solid chemistry from Richardson and Hardy, but the two are dynamite together and perhaps the best pair I’ve seen in a studio-driven romantic comedy this year. They’re funny when they need to be to draw us closer to their surprising match, but they are also deeply human at their core. Some of the movie’s quiet and introspective scenes are strongest, especially near the latter half, where Oliver opens up to Hadley in ways he didn’t think were possible.

Supporting performances from Rob Delaney, Sally Phillips, Dexter Fletcher (yes, that Dexter Fletcher), and Jameela Jamil (playing one of the strangest movie narrators) are also decent, though some character arcs aren’t as developed as others. The way the film presents the narrator isn’t as properly defined as some other movie narrators, though Jamil’s presence is still fun.

The movie falters a bit in the protagonists’ relationships with their parents. It’s developed enough but still needs more meat around the bone for them to feel more complete, especially regarding Oliver’s relationship with her mother. The performances are great, but something feels missing. To talk about it would mean spoiling one of the film’s key subversive moments, which is much smarter than it has any right to be, so I’ll let you discover that on your own.

Still, Love at First Sight is far better than it has any right to be. From the looks of the trailer, it sounded like Netflix was back with yet another fake movie, but it released an earnest and affectionate rom-com that anyone watching will surely enjoy. The cynic in me thought it would be a total waste of time, but it was a breezy and memorable watch, thanks to Haley Lu Richardson and Ben Hardy carrying the film until the end. The statistical probability of love at first sight is quite low, but it’s quite high for this film.

FILM RATING

Love at First Sight is now streaming on Netflix.