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Hypnotic Review | Robert Rodriguez’s Studio Bankrupting Actioner Is His Worst-Ever Film

Robert Rodriguez’s latest movie is his worst-ever project yet, with a baffling script and ridiculously inert performances from its leads.



Imagine a studio paying so much money for a screenplay that it literally bankrupted them. That’s what happened when Solstice Studios acquired Robert Rodriguez’s Hypnotic, which, on paper, does sound quite interesting: the film chronicles a police detective’s (Ben Affleck) quest to find Lev Dellrayne (William Fichtner), the person who kidnapped his daughter. Dellrayne is hypnotic, meaning he can easily manipulate someone’s mind and perception of reality by uttering a few words to someone.

Detective Rourke (Affleck) teams up with Diana Cruz (Alice Braga), a powerful hypnotic, to take town Dellrayne, but things are quickly not as they seem… Again, that sounds like an interesting premise, and it is seemingly very much a riff on Christopher Nolan’s Memento, Inception, and Tenet (perhaps in 2010, it would’ve been a box office juggernaut), but its execution is amazingly sloppy and barely watchable.

Rodriguez has always been known for making movies through a cheap and no-nonsense style, and it has worked to great effect in his El Mariachi trilogy and even in the Spy Kids flicks. Hell, The Adventures of Sharkboy and Lavagirl is a guilty pleasure for many, even if its screenplay is one of the worst ever written, and the CGI is an absolute nightmare to watch. Rodriguez has also proven himself to direct massive blockbusters like Alita: Battle Angel and episodes of The Mandalorian and The Book of Boba Fett. He is an incredibly versatile filmmaker, but his filmography has been mostly inconsistent.

You’d think that a scenario like Hypnotic would mean success for Rodriguez as he gives his own spin on Nolan’s trippiest movies, but he cannot save this film from being anything more than a disaster. There isn’t a single actor that gives a good performance here. Affleck looks particularly bored trying to assimilate every ounce of exposition Braga and Fichtner consistently deliver. None of the characters feel like they are human or live in a human world with extraordinary circumstances. The dialogue is mostly flat and unengaging, with Braga’s character being the worst offender of them all.

I cannot for the life of me explain to you all what a “Hypnotic” truly is because the film keeps adding more information to the concept without necessarily explaining how that’s important. Such an expository-heavy movie needs more time to make the audience understand exactly what’s going on, but it continuously jumps the shark whenever it gets quasi-interesting and has “fun” blurring the line between reality and fiction. Is what you’re seeing even real? Is it a construct of Rourke’s imagination? Is Dellrayne an actual character? Who knows, and who cares!

The film gives the audience little motivation or interest to care about what’s happening because it overexplains the concept of hypnotics to the point where no one truly understands their purpose and underexplains everything else. Of course, it’s fine for a movie to be ambiguous and suspend certain elements. But for the movie to do that, its narrative must be tight, and its thematic elements must be strong. Hypnotic doesn’t have any of that.

It also doesn’t help that none of the action scenes are remotely engaging. They’re shot with the energy of an Asylum flick and edited in the vein of an Olivier Megaton picture. You cannot see a damn thing, but what you actively see are the actors sleepwalking through the setpieces. There’s no engagement from any of the stars — they perform in those sequences as if they were handcuffed and desperately want to leave.

But the worst part of the film is its midpoint twist, which changes everything that came before and is ridiculously uninspired. It feels like a total cop-out. I won’t spoil what it is, and you’re better off discovering it on your own, but it is amazingly lazy and insults the audience’s patience and intelligence. It also thinks it’s smart to add in so many twists and turns to subvert audience expectations after its “core” twist, but they all fall flat and deliver absolutely nothing of note for the viewer.

There’s no fun to be had watching Hypnotic. Even Rodriguez’s worst films have a campy quality to them that makes them watchable. Hypnotic isn’t unintentionally hilarious, nor campy enough for me to have cared. It’s not worth anyone’s time, and it certainly wasn’t worth bankrupting an emerging studio for having paid way too much money for such a mediocre script…


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Arthur the King is an Epic Masterpiece



Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.


Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

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A Must-See Satanic Panic Horror – Late Night With the Devil




Written and directed by Cameron Cairnes & Colin Cairnes, Late Night With the Devil follows a late night TV host Jack Delroy, fighting the plummeting viewership of his show by welcoming in people from the occult in order to change that, but of course, everything doesn’t go as smooth as planned.

David Dastmalchian as Jack Delroy Late Night With the Devil (2023)

David Dastmalchian has appeared in a lot of films however always in smaller roles including The Dark Knight, Prisoners and more recently The Suicide Squad. This film allows Dastmalchian to take on the lead role of Jack Delroy, the host of the late night show at the centre of this film, and he genuinely does a great job. There’s a real range of emotions which his character goes through during the course of this film and he depicts them so well.

If you’re a fan of the horror genre, you’re going to really appreciate the use of practical effects in this. There’s plenty of stretchy and gooey gore for all of the horror fanatics that will have you shouting at the screen. 

From left to right: Laura Gordon, Ingrid Torelli, David Dastmalchian, Ian Bliss

If you want to hear my full thoughts, check out my review over on YouTube and let me know your opinions in the comments.

Late Night With the Devil will be released in cinemas from 22nd March and on Shudder on 19th April.

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‘I Love You, Guys’ Review | A Poignant Exploration of Celebrity Vulnerability and Human Resilience



We are living in an era where celebrities are worshipped like deities and sometimes, people forget that he or she is also a normal human being. If we feel happy or sad at certain moments, they do as well and even though a lot of people always surround them, they get vulnerable too. Although a lot of filmmakers forget to show that aspect of their lives, Billie Melissa Rogan takes the bold approach of showing the truth. Her directorial debut, ‘I Love You, Guys,’ is a poignant story about a celebrity fighting her inner self to maintain her celebrity image. The result is a stunning piece of art that resonates long after the end credits roll in.

The short film opens with a profound close-up of the young singing sensation named Sky (Becky Bush). She has made a name for herself by making and singing really exceptional songs. As a result, she is adored by her fans. Even though it feels like Sky has everything she wants, viewers see her submerged in a bathtub as she tries to battle her anxiety. Just then, Sky gets a phone that she’d be performing state-side. Now, that’s where we get to know about her vulnerable state for the first time. Although she says that she is really happy with the above-mentioned news, her face tells a different story. Despite her impending stardom, Sky has not started to feel the massive weight of mounting pressure, a sentiment audiences get to see in her conversations with bandmate Ryan (Pedro Leandro) and girlfriend Taylor (Celi Crossland).

Becky Bush in a still from ‘I Love You, Guys’ (Jumpcut Studios)

As the story moves forward, we get to know that ‘I Love You, Guys’ is about the fragile nature of the human spirit as much as it is about celebrity culture. It not only navigates themes of depression, it also highlights the turbulent emotional journey of Sky. One of the best aspects of the film is how Rogan masterfully brings Cory Varney’s screenplay to life. She managed to capture every minor detail of Sky’s emotions with utmost precision. Despite the fact that it is her first-ever film as a director, we get a sense that we are watching a flick helmed by a seasoned filmmaker.

Another aspect that makes this film such a compelling watch is its cinematography. Jenni Suitiala has done a phenomenal in showing expressions through vibrant colors and Rogan has made full use of the settings to give viewers a visually striking film. Whether it is heated arguments or silent moments of despair, each frame feels authentic and draws audiences into Sky’s personal life.

Apart from Rogan’s direction, Varney’s script is this film’s biggest strength. The writer has undoubtedly done a stunning job of showing the humanity of these characters. There’s a reason why Sky’s struggles feel very personal and it is because we have endured such moments in life. Moments where we doubt ourselves even when we know we are more than capable of doing a particular thing. Not every smiling person is happy. Sometimes he or she is smiling just so that no one finds out about the tough times they are going through.

A still from ‘I Love You, Guys’ (Jumpcut Studios)

Acting-wise, Becky Bush has given a performance that is surely going to open several doors for her. She delivers a magnificent performance by infusing Sky with a beautiful balance of vulnerability and strength. The way she manages to convey an innumerable amount of emotions is spectacular. I believe this is one of the most apt depictions of mental turmoil. Meanwhile, Pedro Leandro and Celi Crossland are just as spectacular. Every interaction between the characters feels genuine and nuanced.

All in all, ‘I Love You, Guys’ is a testament to how resilient a human spirit can be. In just 15 minutes, Rogan, Varney, and Bush take viewers on a journey that’s thought-provoking and talks about a subject that no one talks about. The writing, direction, and performances achieve a lot more than just viewers’ attention. The film offers a compelling examination of the human cost of pursuing fame and success. A poignant story that touches on themes of ambition, relationships, and self-discovery.

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