After their mind-blowing “Spider-Man: Into The Spider-Verse” Oscar-winning producers Phil Lord and Chris Miller alongside directors Kemp Powers, Joaquim Dos Santos, Justin K. Thompson and Sony Animation truly break even more ground with how much further they’ve pushed this incredible art form. While its predecessor’s visuals were on another level, “Across the Spider-Verse” manages to push the boundaries even further with animation creating a superhero epic with artistic flair, character-driven storytelling, and dazzling, swinging sequences which are visually jaw-dropping and groundbreaking not only for animation but the genre as a whole.
It’s truly an epic feat in animation and I must acknowledge the hundreds of artists at Sony Animation/Sony Pictures Imageworks for creating this work of art. From the striking comic book aesthetics of having the characters’ skin flecked with half-tone dots, to the psychedelic fusion of animation techniques. The film’s distinct art styles are made even more compelling especially watching it on the big screen. These new worlds are aesthetically audacious as I became immersed in these jaw-dropping visuals that amplified the narrative. There’s Earth-65 which is where Gwen’s (Hailee Steinfeld) Spider-Woman hails from, her watercolour world was visually spectacular as it changed colours with the mood, this required a new watercolour and mood ring simulation tool which took 18 months to figure out how to teach the computer to paint it. Earth-50101, home to Pavitr Prabhakar (Karan Soni), based on the Spider-Man India comics, which they dubbed “Mumbattan” a mash-up of Mumbai and Manhattan, this world is made using exotic inks and offset-printed so the colours crossed the line showcasing an immersive feeling. Rebellious New London, inhabited by Daniel Kaluuya’s Hobbie, the Spider-Punk is based on poster collages. Homemade torn and cut. And Nueva York, a neo-futuristic world from Marvel 2099 inspired by the illustrations of Syd Mead, where Spider-Man 2099 Miquel O’Hara (Oscar Isaac) lives alongside the Headquarters for The Spider-Society.
Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Okay, let’s do this one last time… “Into the Spider-Verse” delighted fans with its vibrant pop of colours, exhilarating score and soundtrack, and stunning animation. We met the young teen, Miles Morales (voiced by Shameik Moore), who lives in Brooklyn, New York, who gets bit by a radioactive spider and gains super-spider abilities. While struggling to find who he is supposed to be, the brilliant Morales attends Brooklyn Visions Academy, a school for the academically gifted. Morales is passionate about his artwork and graphic design. His parents, though so loving, are embarrassingly overbearing. His father is a police officer and his mother is a nurse. Miles’ uncle Aaron (voiced by Mahershala Ali) is also the Prowler, as Miles soon learns. When Miles gets bitten by the radioactive spider. Once he wakes up with spider powers, Miles returns to the subway station and finds the dead spider glitching on the ground with “Alchemax 42” written on its back. Miles meets Peter Parker’s Spider-Man. Spider-Man fights the Green Goblin but gets caught in the super-collider. As a result, all the Spider-Men who have been bitten by a radioactive spider from other universes are brought into Miles’ universe. He meets Peter B. Parker (Jake Johnson), Gwen Stacy (Hailee Steinfeld), Spider-Man Noir (Nicolas Cage), Peter Porker AKA Spider-Ham (John Mulaney), and Peni Parker.
Once Miles discovers Peter B. Parker, he tells him he needs a mentor. Though Peter B. Parker is an empty shell of the hero — and man — he used to be, taking Miles under his wing reawakens the Spider-Man he once was. Miles and the rest of his Spider-Man allies successfully defeat Kingpin and destroy the super-collider. Through his experience, Miles realises who he is and discovers what it truly means to be Spider-Man.
Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
However Earth-1610 is where we continue the story and we are reunited with “Brooklyn’s one and only Spider-Man” After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighbourhood Spider-Man is catapulted across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. However, when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders. He must soon redefine what it means to be a hero so he can save the people he loves most. This sequel is really important for Mile’s journey which is emotionally resonant as the first one, at its core “Across The Spider-Verse” is about a hero finding himself in a world that doesn’t seem made for him. This hero’s journey of self-discovery takes him to the edges of worlds beyond imagination — right to the cliff-hanging ending of this movie — and what he finds there are the human vulnerabilities that allow us to be heroes. Miles’ relationship with his parents has become strained but during the movie what really got me is how much they truly love Miles and are worried for their son. There’s a touching moment between mother and son, where he can’t tell her that he’s Spider-Man. She can’t figure out what he’s keeping from her. Raising a teen sound terrifying but all Rio (Luna Lauren Velez) wants is for the world to love her boy the way she does and through an emotional and incredible vocal performance from Luna Lauren Velez we see the love she has through the character’s eyes as she makes him promise to never forget how much he means to her.
Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Shameik Moore is the MVP as Miles thanks to a soulful and stirring performance, while Hailee Steinfeld gives a spectacular co-starring role for Gwen Stacy who was also bitten by a radioactive spider. And since then, she’s been the one and only Spider-Woman- at least in her dimension. displaying her expert web-slinging abilities to assist a couple of her fellow Spideys. With her cool confidence and graceful moves — not to mention her sleek, hooded costume — she makes being a superhero look like a breeze. And she definitely makes a big impression on that film’s newest Spider-Man, Miles Morales. But Gwen’s full story isn’t as simple as her brief recap makes it seem. No Spider-Hero ever has it that easy. “Across The Spider-Verse offers a closer look at Gwen and her life back in her own world. It’s a coming-of-age story for both these teenage superheroes as they’re both dealing with the solitude of being the one and only Spideys in their dimension, plus each has their own individual struggles as well. With this sequel, Gwen is dealing with her relationship with her father, and the shift in their dynamic. She’s becoming her own person and all she’s ever longed for is to be someone her dad would be proud of. The thought that her father might disapprove of her secret double life as Spider-Woman is incredibly difficult for Gwen And, like Miles, Gwen’s journey in “Across the Spider-Verse” involves figuring out her place in the world and how to be true to herself and what she believes in.
Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Parent-child relationships factor into the storylines of most of the Spider-Heroes in “Across the Spider-Verse.” Some, like Gwen and Miles, are trying to figure out how to deal with keeping their true selves a secret from their parents, while others, like Peter B. Parker (Jake Johnson) and the newly introduced Jess Drew (Issa Rae), are navigating their roles as Spider-Parents.
One of the biggest surprises stored in this film is the stunningly hilarious, quirky, and intimidating new villain The Spot (Jason Schwartzman) When Miles Morales first encounters The Spot, the bumbling, overconfident goon seems to be just another bad guy. He’s currently trying to steal an ATM from a local convenience store, and he’s not exactly doing a great job. However, once Miles begins fighting the villain, The Spot leads Spider-Man on a teleporting chase across the entire city. Once the two’s chase concludes, The Spot reveals a surprising connection he has with Brooklyn’s One and Only Spider-Man. Spot required 17 new tools during the process of animating him as he evolves throughout the film going from a rough drawing to a fully formed character, with each ink drop in his body looking and behaving differently. The character is thematically interesting taking a villain who seems like a joke and feels left out and alone the same way Miles does.
The artists and technicians made Spot look like a constantly changing environment. They drew him in blue and inked on top. And then the blue disappears during the printing process. It’s a very overwhelming style that with VFX controls the spots proving some hilarious and OMG moments. The technology used just to create his character is just scratching the surface of what is possible in animation.
Miles Morales (Shameik Moore) and Gwen Stacy (Hailee Steinfeld) take on The Spot (Jason Schwartzman) in Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Throughout, “Across The Spider-Verse, people will spend years combing through every frame that’s honestly a work of art trying to find all the hidden references, and it only gets more insane and hilarious when we get to the Spider-Society and wait till you see what’s in store for us. Some of the Easter Eggs are incredibly obvious, while others are going to be difficult for even the most knowledgeable Marvel fans to track down. Those shots of the Spider-Society are proof of the love that went into “Across the Spider-Verse”. As for our various Spider-People, the standouts are Hobart “Hobie” Brown, aka Spider-Punk, Pavitr Prabhakar, aka Spider-Man India alongside a menagerie of Spider-Cat, Spider-Rex, Spider-Monkey and Spider-Horse. Oscar Isaac and Issa Rae are awesome as Miguel O’Hara, aka Spider-Man 2099, and Jessica Drew, aka Spider-Woman, respectively.
Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Composer Daniel Pemberton brings his bombastic rhythmic approach to the film’s music not only giving Miles the introduction he deserved in “Into The Spider-Verse” but his themes have defined the Spider-Verse series as something unique from any score of a superhero movie. Pemberton approached each new world with a different palette. For Gwen’s world he plays off the watercolour textures creating a dreamy sound influenced by 90s, 2000s indy pop. Whereas 2099’s world is incredibly technological and his theme uses elements of that. Mile’s Earth is still heavily influenced by hip-hop culture using record scratching to blend his sound which was used for the first film and he’s continuing that motif throughout the sequel. For Spider-Man India’s world Pemberton was influenced by a guy called Charanjit Singh who made a record called “Ten Ragas to a Disco Beat” It’s a really futuristic Indian record that almost preceded acid house. Pemberton has the ability to take the fun of a bouncy electronic baseline and throw Indian stuff on top of it. ultimately this score is such an adrenaline rush and I can’t wait to hear what he creates for “Beyond The Spider-Verse next March.
Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Final Thoughts
Overall “Across the Spider-Verse “ is a deeply personal story. The conflict which drives Miles is both a universe-ending threat and 100% Spider-Man, making it clear the hero’s roots have by no means been forgotten or overshadowed. After the cliffhanger, only time will tell whether the story wraps up in a way that leaves us with a series of movies that go down as the best superhero trilogy ever made, which it’s certainly pointing in that direction. The film is also a contender for the best Spider-Man film yet and easily the greatest animated movie ever made. Pushing the boundaries of what animation can achieve as Spider-Man: Across the Spider-Verse is a jaw-dropping spectacle, a feast for the eyes, and an instant Marvel classic!
Scott Pilgrim | Official Teaser – Anime Coming Nov. 17th [Netflix]
The titular slacker and in a garage band named Sex Bob-omb with his friends. His life is turned upside down when he meets Ramona Flowers, an American girl who is recently single. But before their love can blossom, Pilgrim finds himself challenged by his love’s seven previous relationships, and must defeat them in over-the-top fashion.
Michael Cera, Chris Evans, Brandon Routh, Brie Larson, Aubry Plaza, Mary Elizabeth Winstead
Plot Summary:
The titular slacker and in a garage band named Sex Bob-omb with his friends. His life is turned upside down when he meets Ramona Flowers, an American girl who is recently single. But before their love can blossom, Pilgrim finds himself challenged by his love’s seven previous relationships, and must defeat them in over-the-top fashion.
“Anime is an amazing medium for telling a truly creative story where Bruce Lee can be Bruce Lee, she said. “I’m so excited for the possibilities for action, fantasy, history, culture, and creativity within this medium.” — Shannon Lee
“Anime is an amazing medium for telling a truly creative story where Bruce Lee can be Bruce Lee, she said. “I’m so excited for the possibilities for action, fantasy, history, culture, and creativity within this medium.” — Shannon Lee
This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labour of the writers and actors currently on strike, TMNT: Mutant Mayhem being covered here wouldn’t exist.
Cowabunga! Teenage Mutant Ninja Turtles: Mutant Mayhem is an awesome addition to the franchise becoming the definitive Introduction for a New Generation! Throughout, the film features irresistibly crowd-pleasing moments that OOZE with charm, charisma, & Turtle Power! Further showcasing that this epic film was dreamt up and created by fans. Seth Rogan, Evan Goldberg, Dan Hernandez, Benji Samit, Brendan O’Brien and director Jeff Rowe bring love to this 40-year-old universe and characters which shows and shines through in every scene that’s enhanced with stunningly distinctive sketchy animation from Mikros Animation in Montreal and Paris, and Cinesite in Vancouver. It’s a stylistic spectacle reminiscent of oil paintings and stop-motion backed by some incredible vocal talent and a killer soundtrack from Reznor and Ross. Themes that feature are heartwarming messages about belonging, acceptance, fatherhood, brotherhood, and learning to come out of your shell a little each is impactful and central to the story of these teenage Pizza-loving Heroes in a half-shell.
Synopsis
In “Teenage Mutant Ninja Turtles: Mutant Mayhem”, After years of being sheltered from the human world, the Turtle brothers set out to win the hearts of New Yorkers and be accepted as normal teenagers. Their new friend, April O’Neil, helps them take on a mysterious crime syndicate, but they soon get in over their heads when an army of mutants is unleashed upon them.
Photo: Paramount Pictures
History In A Half-Shell
Since its inception, the 40-year-old franchise has repeatedly reinvented itself with new iterations such as live-action features, after-school cartoons, video games, and graphic novels. Now it’s back on the big screen better than ever with a new feature-length animated film titled “Mutant Mayhem”
TMNT was created in 1983 by comic book artists Kevin Eastman and Peter Laird, the “Teenage Mutant Ninja Turtles” were imagined as a postmodern, semi-ironic sendup of the popular superhero comics of the era, particularly from Marvel’s Daredevil. With their punky, slang-heavy bite and easygoing demeanour, they embodied a certain brand of savvy Gen X cool that peaked with the arrival of the 1990s. They were sarcastic and streetwise, borrowing elements from surf culture and hip-hop trends!
The four superpowered, wisecracking heroes in a half-shell at its centre are Raphael, Donatello, Michelangelo and Leonardo, aptly named after Renaissance artists. Throughout the 1980s they became cartoon superstars adored by children across the globe. And like “G.I. Joe” and “Transformers” before it, “Teenage Mutant Ninja Turtles” was created mainly to promote the various tie-in toys produced by Playmates, which are still going on today with their “Mutant Mayhem” line. The Turtle’s merchandise was enormously successful and continued throughout the 90s The animated “Turtles” series, in which the characters trained under their sensei, a rat called Splinter, ran for 10 seasons. Then came a trilogy of live-action films “Teenage Mutant Ninja Turtles” (1990), “The Secret of the Ooze” (1991) and “Teenage Mutant Ninja Turtles III” (1993) which became box office sensations. In the video game world Teenage Mutant Ninja Turtles: Turtles in Time, on the Super Nintendo, became a best-seller.
The Turtles became a versatile brand across ranges of multimedia which in turn helped amplify their popularity, as throughout the 2000s further adaptations to reboot the franchise kept these Ninjas fresh and current which started with a 2003 animated series on Fox and a 2012 digitally animated series on Nickelodeon, both ran for multiple seasons. A 2007 animated movie, and then came two big-budget blockbusters produced by Michael Bay in 2014 and 2016. The animated reboot “Rise of the Teenage Mutant Ninja Turtles” (2018), brings back the basic premise and has introduced younger viewers to the franchise whilst bringing children now adults back to their nostalgia which has effectively fueled the continuing relevance of the TMNT franchise.
Sewer Home
“Mutant Mayhem” once again retells the characters’ origin story. In this film, the teens are still raised by the older mutated rat Splinter (Jackie Chan), but these five animals are of a much larger contamination that occurred in the city 15 years ago, creating an entire host of some familiar and unfamiliar mutants who have previously appeared in various TMNT cartoons and comic books but have never been seen on the big screen until now. Splinter now a helicopter parent raises the Turtles in a New York City sewer, teaches them self-defence and forbids them — with good reason — from interacting with the human world. But these are teenagers, and what they want more than anything is to be embraced by humankind. They dream of high school as they sneak into outdoor movie screenings and otherwise gaze wistfully at humans as they go about their lives.
Photo: Paramount Pictures
To be embraced and accept each other’s differences is the overarching theme of this film as The four boys yearn to be part of the world outside the sewer. The film uses teenage elements to create this coming-of-age story as Leonardo, Donatello, Michelangelo and Raphael seek to be recognized as heroes. One of the most brilliant decisions that the filmmakers made early on is the casting of actual teenagers as the Turtles. Nicolas Cantu (Leonardo), Micah Abbey (Donatello), Shamon Brown Jr (Michelangelo), and Brady Noon (Raphael) already feel like a massive improvement as their vocal performances alongside the writing as the comedy is derived from their turns of phrases, their constant talking over each other and general silliness. All these elements make these characters come to life as each embodies their respective character making them feel authentically young. These aren’t the fully formed versions that we’ve seen in the past, and they’re still developing some of those traits that would grow to become staples of each character.
The Turtles’ sewer-bound existence is upended when they encounter an anxious high-schooler named April O’Neil voiced brilliantly by breakout star of FX’s The Bear, Ayo Edebiri. whom they unwittingly distract as a thief steals her moped. So they give chase, wind up in a lair full of criminals, use a whole bunch of those martial arts skills and, ultimately, out themselves to April. They also wake up to the possibility of humanity’s embrace: They could become superheroes, and possibly even save New York City from the pesky supervillain who’s been stealing parts to build a massive bioweapon.
Meet The Mutants
That supervillain would be Superfly (Ice Cube), a giant mutant housefly. An original character created for the movie that’s heavily influenced by Baxter Stockman, the Scientist voiced by Giancarlo Esposito. Ice Cube brings a certain intimidating flair to the character. This highly intelligent humanoid fly is willing to welcome the half-shelled heroes as “cousins” if they help him and all the other mutants wipe out humanity…. alongside him are his family, an army of all sorts of mutated animals with such creative and crazy designs. You have the staples of the franchise such as Rocksteady (a Rhino voiced by John Cena) and Bebop (a Warthog voiced by Writer/producer Seth Rogan) alongside lesser-known characters that truly made a lasting impression on me. Paul Rudd’s Mondo Gecko is a mutated gecko with a passion for skateboarding. Mondo Gecko and Michelangelo form a very fast friendship in the movie and are obsessed with using the word Bro. He also has a roller skate tied to his tail, as did the toy released by Playmates based on the 1987 Teenage Mutant Ninja Turtlescartoon which was a cool easter egg. Natasia Demetriou’s Wingnut is another standout with an incredible character design based on the character created by Peter Laird.
Another voice I didn’t recognise at first was Maya Rudolph’s Cynthia Utrom and unlike most major characters in “Teenage Mutant Ninja Turtles: Mutant Mayhem,” Cynthia Utrom is an entirely original character. She is an executive working at the Techno Cosmic Research Institute (TCRI), which does experiments with new technology. However, there’s more to her than meets the eye as die-hard TMNT fans like myself will recognise Cynthia’s surname that’s tied to the iconic and classic TMNT villain that is Krang’s alien race. Rudolph is ruthless yet absurd as she brings such a whimsical but intimidating performance.
Photo: Paramount Pictures
Trapped Like A Rat
Throughout many TMNT adaptations, Splinter is central as a master/father, In the 90s Golden Harvest produced films he’s Yoshi’s pet rat who learned the teachings of his owner from his cage. When Hamato Yoshi was killed by Oroku Saki, Splinter breaks out of his cage and claws at the murderer’s face, causing an enraged Saki to slice the rat’s right ear off. In some iterations like “Rise of the TMNT” he’s Hamato Yoshi, a warrior from Japan who got mutated. So when it came to Bay’s live-action production, Splinter (voiced by Tony Shalhoub) is instead a lab rat who was experimented on with the Turtles. April’s father and the villain, Eric Sacks, did that to find a cure for illness, but April released them, which saw them grow up in the sewers. Splinter found a book on martial arts, using it to teach himself and his boys the way of the ninja.
Photo: Paramount Pictures
Those past iterations truly settle on having him be the wise old man who occasionally cracks the odd quip. But here in “Mutant Mayhem” the filmmakers put him in an interesting place showcasing a more personal approach to the character which also explains why he is so fearful of humans. The new backstory for Splinter allows the movie to craft a completely unique version of him while still staying true to the core values that make Splinter who he is and ultimately allows him to grow as a character.
Splinter is an abused rat who found the Turtles and ooze in the sewers of N.Y.C. 15 years ago. He’s a lot more fatherly, interspersed by his paranoia of the outside world. Scenes featuring him bathing and nurturing the Turtle Tots are some of the film’s most heartwarming moments. He’s an overprotective parent that doesn’t want violence in his home and wants the kids to grow up in a place of love and Pizza. He’d eventually learn the art of karate from TV shows and movies, training the kids as their sensei. Voiced by Jackie Chan, Chan digs into his comedic and emotional side as his vocal performance brings such a fatherly caring warmth. His character design and action sequences are some of the best featured.
Photo: Paramount Pictures
Attack On A Titan
“Mutant Mayhem” is another example of mainstream animation that is moving away from hyper-realistic, ultra-clean which showcases the power and ability that CGI can achieve, towards an art form that celebrates the medium’s beginnings. The eye-popping vibrant visuals are passionately imperfect as the textures, scribbles and concept art style feel distinctly human. the animation and backdrops are sketchy and misshapen which to me is reminiscent of the way anyone would draw/doodle as a child or teenager. What’s special about this project is that the film incorporates 2D traditional hand-drawn animation. Mikros Animation FX lead, KÉVIN SIMORRE talks about drawing each frame manually, at around 12 frames per second. A large proportion of the FX was created in 2D, with the remainder in 3D, this created a stylistic blend that reminded me of oil paintings and the movements of classic stop-motion animation. The film also features a technique, where every pose is held for an extra frame, giving scenes a more frantic, frenzied energy with a more gritty and edgy look.
The cinematography also does a phenomenal job of emphasising the teenage aspect of the film. Kent Seki, showcases the youthfulness of our main four by keeping the camera close, handheld, and alive. In contrast with the camerawork when the Turtles are being scolded by Splinter, it’s much steadier. New York City is sketchy, scribbly just like what any kid/teen might draw in the margins of their notebook. The toys and their colour pallet were heavily influential in this film.
Photo: Paramount Pictures
Megamind, Gru-type SH*T
“Teenage Mutant Ninja Turtles: Mutant Mayhem” truly boasts a killer soundtrack and techno-punk score from Trent Reznor and Atticus Ross. Among the 30 tracks released, many feature some pretty wild titles, including names like “Murder The Shreks!,” “What’s The Worst That Could Happen? ” “(The Worst That Could Happen),” “Grand Theft Ice Cream Truck,” “I Just Met You And You Almost Killed Me,” “Puke Girl,” ” “Better Than Mark Ruffalo,” and more.
Final Thoughts
“Teenage Mutant Ninja Turtles: Mutant Mayhem” is one of the funniest, most enduring, and visually captivating renditions of the TMNT. It’s incredibly entertaining, especially after multiple viewings and one in 3D as the film immerses you into its neon-oozed world of sketchy colourful chaos. Congratultions to all the artists who’ve created such nostagic joy-filled ride through an incredibly stylistic world!