Connect with us

Reviews

John Wick Chapter 4 Review | Style Over Substance

This is the best action film of all time?

Published

on

About halfway through John Wick: Chapter 4, Winston (Ian McShane) asks the question that all cinemagoers seeing the film will be asking: “When does it end?” Granted, in the context of the film, he’s asking what the endgame for John Wick (Keanu Reeves) is, seeing that his hopes of gaining freedom dwindle by the hour, but that same question can be asked with the heavyweight blockbuster that is Chapter 4. The nearly three-hour epic is jam-packed with some amazing choreography and cinematography, Western influences and a globe-trotting adventure that takes John all around from Osaka, Berlin and Paris. At its peak, Chapter 4 is the embodiment of what action blockbusters should be — much like its predecessors, along with Mad Max: Fury Road and Bullet Train — but it also falls victim to some of the issues that hamper the other John Wick sequels that bog it down. Let’s not confuse spectacle for quality, folks. 

As most of the John Wick sequels do, Chapter 4 picks up soon after the events of Parabellum; John is left for dead after Winston shot him, and he’s left to pick up the pieces and discover his way out of this life of running. Luckily, there may be a way for John to earn his freedom, but standing in the way is a bevy of obstacles, including former friends who are now foes. 

A still from John Wick: Chapter 4. Photo courtesy of Lionsgate.

In true fashion to its predecessors, John’s journey feels like swimming against the tide. Every sequence that sees him run through nameless bounty hunters and soldiers leaves you catching your breath before an influx of more begins coming after him. The pacing of the action scenes has always been good in the series, but Chapter 4 is a pure adrenaline rush when the foot is on the gas. There are a ton of different people to shout out, but Laurent Demianoff, the fight choreographer/stunt coordinator, and Stephen Dunlevy, another stunt coordinator, really deserve their flowers. 

However, let’s not get ahead of ourselves. The choreography is great, just look at the Berlin club sequence, but the fight sequences are heavily enhanced by the cinematography of Dan Laustsen — who has shot each of the sequels. It’s style over substance if we’re being real. There’s one particular sequence in an old building that’s like a video game (in the most flattering way possible). We get a bird’s eye view of John as he mows through people like how most Call of Duty players at the top of leaderboards think they look. It’s a bit dizzying, but this was a unique way of framing it. You also appreciate the choreography more since you can see all of the things in motion on-screen. 

The Call of Duty analogy also carries over to the action itself. Following John as he runs through nameless bad guys can get repetitive, but the framing and the music are what keep you enthralled. A lot of the kills are just bullets to the face and nunchucks (my favorite weapon in the series) being swung. It’s just mindless if you really break it down (albeit fun), yet we want to call this the best action movie ever. 

A still from John Wick: Chapter 4. Photo courtesy of Lionsgate.

Chapter 4‘s best set piece, which deserves its own mention, is one the one that takes place at the Place Charles de Gaulle. If you thought New Jersey has the worst roundabouts, just wait until you see this! It’s like Grand Theft Auto meets Crossy Road in a sequence that’ll have you on the edge of your seat as cars zoom by the action.

But at the end of the day, while the spectacle elements of the film are great, what really makes these scenes different than the action sequences in the previous films? Just because the John Wick films are notoriously visceral doesn’t make each sequel the “best action movie ever,” a phrase repeated on Twitter ad nauseam. While not the same type of action movie, I think that the Mission: Impossible movies give the John Wick films a run for their money.

Plus, a lot of the action sequences are homages to films that have come before. Much like how Quentin Tarantino has paid homage to Westerns (more on this later) and Japanese films in almost all of his films, the John Wick films owe a lot to the films that have come before. Technology is on the side of John Wick, but some of Bruce Lee’s classics are just as exhilarating and innovative with their action.  

Chapter 4 even borrows from Parabellum. I love the first act of Parabellum for the way it throws John to the wolves in the city that never sleeps. It’s an enthralling chase that Chapter 4 seeks to replicate — just replacing the city that never sleeps with the city of lights. They have their differences, sure, but it did feel a bit redundant outside of its usage of “Paint It, Black” (how have we not used that in one of these films?). 

A still from John Wick: Chapter 4. Photo courtesy of Lionsgate.

On the Western front, one thing Chapter 4 isn’t afraid of is putting its Western influences on full display. Sure, all of the John Wick films have Westerns in their DNA — John himself is akin to a Clint Eastwood-type character minus some of the bravado — but much like how Parabellum ended with an ode to Game of Death, Chapter 4 pays homage to the Westerns of the past. Even the score — co-composed by Tyler Bates (Pearl) and Joel J. Richard (John Wick) — infuses Americana guitar picking into its pieces. These composers are smart, and they pick their spots well. There are plenty of isolated scenes where the sounds of the fight happening on-screen are all that’s heard. Other times, the Western-sounding score is weaved in naturally into scenes. 

All of this is said before even touching on Reeves and the rest of the cast. Reeves is his usual self — a rare case of a movie star who’s bulletproof because of his public persona. He’s just such a likable guy, on and off the screen, that you can’t help but root for him. That’s not to say he has improved much as an actor — he emotes roughly the same when he’s being choked by a rope and when he’s not — but again, who doesn’t love Keanu? And he’s good at this whole action thing, which is all you need in a film like Chapter 4. It’s not like the writers ever try and make Reeves do anything beyond his limitations, after all.

Donnie Yen is the biggest standout of the newcomers. He’s an assassin for the High Table who happens to be blind, but his resourcefulness pays off more times than not. Yen is the best at martial arts in the film, hands down, and outclasses the rest of the cast (though Rina Sawayama as Akira gives him a run for his money). He’s never static in his movements and is the most vibrant from a physical standpoint in the film. Hiroyuki Sanada plays Shimazu, the manager of the Osaka Continental Hotel and Akira’s father. He’s another standout in his limited screen time. My main takeaway from Chapter 4 is that I’ve been gaslit into questioning whether all of these “old friends” have been in previous entries or not.

One cast member that I know is returning is McShane as Winston. His role has continued down the trend of spewing the necessary exposition for our main character. He’s like an NPC in a boring video game, though, because his dialogue is so bland with his character in particular that he makes a duel sound mundane. It’s unfortunate that writers, Shay Hatten and Michael Finch — who served as two of the four writers on Parabellum — couldn’t find more ways to make his dialogue seem more organic rather than him word-vomiting anything important that John needs to hear. It’s sad because I don’t ever remember Winston being this much of a tool; perhaps Derek Kolstad’s presence is missed. 

A still from John Wick: Chapter 4. Photo courtesy of Lionsgate.

Not that any of these films have had stupendous dialogue, but Hatten and Finch’s script does stand out as weaker than some of the previous films — it’s not just Winston, either. The worst line, by far, is when someone calls John “unlucky” (at least that’s what I heard) after he fell 20 feet onto concrete. I’m not sure if this was supposed to be ironic, but no one laughed if that was the case.

I’ll give the writers some credit for the themes they tackle. John has to face the consequences of his actions — something that many franchises veer away from. Even if John himself is practically bulletproof, the things he’s done have a butterfly effect on those closest to him. I applaud the effort, even if it doesn’t always fully pay off, as the likes of Marvel and DC would’ve just put him through the wringer before simply giving him a happy ending full of neat bows and resolution.

Bill Skarsgård is looking more like Joe Burrow than ever as Marquis de Gramont, a member of the High Table who’s attempting to wipe out John. While many fell in love with this campy performance, he’s your typical overzealous and sloppy leader. He’s fine, but he’s not given much to do other than act “menacing” every 25 minutes or so. 

A still from John Wick: Chapter 4. Photo courtesy of Lionsgate.

Which could have been remedied had the runtime been more concise. At a hefty 169 minutes, Chapter 4 is by far the longest of the series and still left more to be desired from Laurence Fishburne and Shamier Anderson (who plays a new character called Nobody). Was it necessary to blow the other runtimes out of the water, though? Parabellum pushed it with the 131-minute runtime, but the extra 40 minutes in Chapter 4 are filled with fluff. After an exhilarating first act, the film hits a lull in the second until things are done to set the third act into motion. From there, it’s once again pedal-to-the-metal, but that second act really could have been trimmed. This is an issue present in both Chapter 2 and Parabellum and not exclusive to Chapter 4, though.

While mixed on Chapter 4, I’d lean more positive because of how fun the action can be (hey, I’m not a complete downer!). No, it’s not the greatest action movie ever, but it mostly sticks the landing of this arc of one John Wick. If anything, the runtime and the writing hold this film back from greatness. Where the franchise goes from here will be interesting, but hopefully, we won’t have to wait too much longer to hear Reeves start a line with “Yeah.” 


John Wick: Chapter 4 will be released in theaters on March 24.

FILM RATING

Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

Continue Reading
Advertisement
Click to comment
Subscribe
Notify of
guest

0 Comments
Inline Feedbacks
View all comments

Comic Book Movies

X-Men ’97 Review | Nostalgic, Epic & Marvelous!

Published

on

X-Men '97 (Disney)

Get ready for action-packed adventure, many surprise cameos and a storyline that takes

Plot

A band of mutants use their uncanny gifts to protect a world that hates and fears them; they’re challenged like never before, forced to face a dangerous and unexpected new future.

X-Men ’97 (Disney)

Review

X-Men ’97 is a revival of the classic 1990s animated television series. The storyline picks up directly after the events of the original series, maintaining continuity and preserving the beloved elements that made the original a hit show back in the day. Many of the original voice cast members have returned, including Cal Dodd as Wolverine, Lenore Zann as Rogue, George Buza as Beast, Alison Sealy-Smith as Storm and Adrian Hough as Kurt Wagner/Nightcrawler, which adds a layer of originality and contributes to the overall nostalgia of the television show​. Here I’m feeling like a little kid again, watching the show on a Saturday morning. I was 7 years old when it was on television in the early mornings, and it still brings back fond memories.

There were a number of new stars who joined the show such as Ray Chase who replaced Norm Spencer as Cyclops, Jennifer Hale who replaced Catherine Disher as Jean Grey, Holly Chou who replaced Alyson Court as Jubilee, A.J. LoCascio as Gambit, Matthew Waterson as Magneto, J.P. Karliak as Morph, Isaac Robinson-Smith as Bishop, Ross Marquand as Professor Charles Xavier and Gui Agustini as Roberto da Costa/Sunspot.

X-Men ’97 (Disney)

The series starts off in a world where the X-Men grapple with the loss of Professor Charles Xavier. Amidst all the chaos and uncertainty, Magneto rises to the occasion and becomes the new leader of the X-Men. This provides additional drama and the team dynamics is frequently tested with the new leadership. While dealing with the new leadership dynamics the X-Men finds themselves still dealing with people who would stop at nothing to end all mutants. The storyline doesn’t hold back on the action sequences and themes such as grief, loss and acceptance are touched on throughout the series.

The trailer of the show doesn’t spoil anything for the viewer, and I highly encourage you to watch every intro and try to spot any new changes. The show provides many cameos and easter eggs, keeping my hopes alive of a potential crossover.

The story ends with a twist, leaving you hungry for the next season, and as any Marvel movie or television show would have it, a mid-credits scene to whet your appetite for what’s to come. If you are new to X-Men you can still jump in and watch the television series, but I highly recommend watching the original series to get you up to date with most of the lore and history of the X-Men.

X-Men ’97 keeps the legacy of our favorite mutants alive with a well-written story that is filled with emotion, surprises and promises of more adventures.

Thank you Beau DeMayo for an eXcellent story! I rate this show a 5 out of 5!

Will we skip the intro song? No! I don’t think we will. Make sure to catch the show on Disney Plus!

https://youtu.be/mp1Pax-QHlA?si=-fFlVYBRIPnLQyVO
X-Men ’97 Final Trailer (Marvel Entertainment)

FILM RATING
Continue Reading

Reviews

‘The Present’ Review | A Heartfelt Family Adventure with a Magical Twist

Published

on

The Present
A still from 'The Present' (The Movie Partnership)

In the heartwarming film ‘The Present,’ a young boy stumbles upon a mysterious grandfather clock with the extraordinary ability to transport him through time. Driven by the hope of reuniting his parents, he embarks on a magical journey with his siblings to prevent their family from falling apart. As they face challenges together, they discover the enduring power of love and the true meaning of family.

Over the years, we have seen a lot of time-travel movies, but ‘The Present’ is a bit different from those movies. It’s not about saving the world and defending the universe from aliens. It’s all about keeping a family together and feeling loved again. In Christian Ditter’s cute romantic-comedy film, we see Jen (Isla Fisher) and Eric (Greg Kinnear) having a dinner with their three children: Emma (Shay Rudolph), Max (Mason Shea Joyce), and Taylor (Easton Rocket Sweda). However, things go downhill when the parents announce that they are separating. The next day, an old clock that used to be in Eric’s father’s house arrives at their house and they decide to keep it in their basement. Something is written on the clock, and it reads, “This clock can help you now and then, but only you can change events.” Soon, Taylor finds out that the clock can be used to time travel and alter events. As a result, he stitches a plan, along with his siblings, to bring their parents together.

Shay Rudolph and Easton Rocket Sweda in ‘The Present’ (The Movie Partnership’

The enchanted grandfather clock is a delightful narrative device that immediately draws the audience into a world where the impossible becomes possible. Who wouldn’t want to turn the clock back and alter certain events? The clock, intricately designed and exuding an air of mystical antiquity, serves as both, a literal and metaphorical centerpiece for the story. However, the movie is not just about the clock or what it does, it is about the extreme lengths children can go to restore their family. The themes of love, forgiveness, and the passage of time are woven throughout the film, offering moments of reflection and emotional resonance. The makers have subtly shown how challenging it can be to mend things, emphasizing the importance of understanding and empathy within familial relationships. Certain moments in the film would surely encourage you to let your family know how much they are valued.

Writers have done a great job in stitching a story that’s not complex. Everything that takes place in front of our eyes is neither flashy nor over the top, which makes the movie even more relatable. However, certain elements could have been infused to make the script even better. We could have seen a bit more emotional turmoil between the central pair to have a better idea about their state. On the other hand, the relationship between Jen and the kids should have been explored a little more. Apart from that, there are pacing issues in certain scenes, which could have been mended with tighter editing. Despite these shortcomings, ‘The Present’ is a charming film that offers a warm and engaging experience.

Isla Fisher and Greg Kinnear in ‘The Present’ (The Movie Partnership)

Acting-wise, Isla Fisher and Greg Kinner are splendid in their respective roles. Both actors are fully committed to their roles and don’t miss a beat. Fisher has evolved as an actor and it would be a travesty if we don’t see her healing a big blockbuster soon. The young cast delivers commendable performances, particularly Mason Shea Joyce, whose wide-eyed innocence and determination drive the film forward. Meanwhile, Shay Rudolph is as wonderful as Emma. The chemistry between the siblings feels genuine, their camaraderie reflecting a realistic portrayal of sibling dynamics.

Overall, ‘The Present’ succeeds in delivering a touching, family-friendly adventure. Its enchanting premise, mixed with heartfelt performances, makes it a worthwhile watch, especially for families seeking a film with positive messages.

‘The Present’ hit UK cinemas on May 24.

 

FILM RATING
Continue Reading

Netflix

Bridgerton Season 3 Part 1 Review: Have They Lost Their Spark?

Published

on

Sam Phillips as Lord Debling, Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Dearest gentle reader, Lady Whistledown is back for another Bridgerton season, and this time for her own love story (the ton doesn’t need to know). Classy as ever, Bridgerton Season 3 focuses primarily on Nicola Coughlan and Luke Newton’s characters Penelope Featherington and Colin Bridgerton as they take their friendship to another level.

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

What is Bridgerton Season 3 About?

After focusing on Daphne and Anthony Bridgerton in the first and second seasons, the story is now following Colin Bridgerton’s story with the girl next door. Penelope was many things for Colin but never a love interest. She was his sister’s best friend, a girl next door, a friend, and someone who had a crush on him. It’s no secret for the viewers that Penelope had a huge crush on Colin for years, but our girl finally feels ready to move on and get her life together. She is now in search of a husband after getting her heart broken in the last season.

What Stole the Show?

Apart from Nicola Coughlan getting the most deserving highlight, Netflix did their fan service and gave more screen time to now-extremely popular Benedict Bridgerton. Benedict Bridgerton has always been one of the fan favorite characters but after this season he has certainly got a huge following. Luke Thompson’s charms deserve to be studied in a university. He seems to be people’s new crush and I don’t blame them! The beautifully written dialogues are as usual top notch.

Bridgerton is famous for many reasons, including its orchestral remix of popular songs. This season Pitbull’s ‘Give Me Everything’ is in the limelight as one doesn’t expect such an iconic party song to sound so classy. Huge kudos to the makeup and costume department for carrying the show with its theme gracefully. They certainly grasped the attention and enhanced the characters of the show.

Benedict Bridgerton and Lady Tilley Arnold

Benedict Bridgerton and Lady Tilley Arnold

What’s Bothering Us in The Show?

The scripting of the show seems rushed. It lacks the spice, passion, and the slow burn romance that defines a Bridgerton story. Colin’s character has been poorly developed this time. After being sidelined for the last two seasons this one was supposed to make him the knight in shining armor, but he rather lacks the character. He tries to help Penelope only because he feels guilty for insulting and hurting her. Later on, he ruins her chance with a great suitor only because he feels jealous for not having her. He acts like a child who wants his toy back as soon as some other child starts playing with it. He misses Penelope’s attention after seeing her happy with someone else who wants to marry her. Some may call it ‘true love’ but I believe it’s too immature and childish thing to do for a Bridgerton character. Nothing against Luke Newton but his character development is not helping the show.

Apart from lacking the slow-build and passionate love story, the show seems to have forgotten about Daphne and Simon Basset (played by Phoebe Dynevor and Regé-Jean Page) completely. Anthony and Kate Bridgerton (played by Jonathan Bailey and Simone Ashley) appear in one episode and are not even mentioned in the rest.

Nicola Coughlan – The Show’s Star

Nicola Coughlan is shining brighter than any star in the sky. Both Nicola and Penelope are role models for body positivity. Young girls and women across the globe highly relate to Penelope and seeing her accepting herself, being comfortable in her own skin, and getting a complete makeover to feel more like herself is bound to create a positive wave among the fans. Unlike the last two Seasons, the Third Season is also focusing on other characters of the show as well, as it creates branches and stories for potential upcoming seasons. Yet, no one and nothing shines in front of Nicola Coughlan as she wears her crown with grace.

Nicola Coughlan as Penelope Featherington

Nicola Coughlan as Penelope Featherington

Is It Better Than Last Two Seasons?

Each Bridgerton story has its unique charm that keeps our eyes glued to the screens. Some love Season 1, others like Season 2, and the rest prefer Season 3 but is it better than the last two? Probably not. Nothing can beat Season 1! As much as the show focuses on the ‘Friends to Lovers’ storyline, it lacks the true essence of romance and no, I’m not talking about the spiciness even though they severely lack to give us butterflies. Polin’s storyline sometimes gives us butterflies but not as much as previous seasons did. The groundwork for the couple was laid since the first season yet they are not coming as strong and passionate as expected.

Bridgerton Season 3 Part 1 is currently available to stream on Netflix. Part 2 will be released on June 13.

FILM RATING
Continue Reading
Advertisement

Popular Now

Advertisement
Advertisement

TRENDING NOW

Trending

CoastalHouseMedia.com is a property of Coastal House LLC. © 2012 All Rights Reserved. Images used on this website are registered trademarks of their respective companies/owners.

0
Would love your thoughts, please comment.x
()
x