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Blue’s Big City Adventure Review | No Way Home For Kiddies

“Blue’s Big City Adventure” is the perfect representation of “Spider-Man: No Way Home” for little kids.

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I had to watch Blue’s Big City Adventure solely based on the premise that it would reunite three generations of Blue’s Clues hosts in a film: Steve (Steve Burns), Joe (Donovan Patton), and Josh (Joshua Dela Cruz). Blue’s Clues was a massive part of my childhood, so when Steve showed up, looked at the camera (which points at us, the audience members watching the film), and said, “You grew!” it both felt amazingly personal and cathartic. Those who have never seen a single episode of Blue’s Clues may dismiss the movie, but audiences who grew up with the first generation of hosts, and are currently watching the show, may find it highly enjoyable. 

Now I’m not here to convince you that this movie is in any way sophisticated. It’s catered for [tiny] children, especially in how it presents its main clue. Josh goes to New York to audition for a Broadway musical with Rainbow Puppy (Brianna Bryan) but forgets his handy-dandy notebook, meaning he doesn’t know where the theater is. Mr. Salt (Nick Balaban) and Mrs. Pepper (Gisèle Rousseau) are now traveling to the Big Apple to give Josh the handy dandy notebook, with the aid of Steve (who is now a private eye detective) and Joe. Simple premise, with a complete non-suspension of disbelief, when you expect me to believe that Rainbow Puppy would pick Josh, who is fine and all, over Phillipa Soo (appearing in a cameo as one of the people auditioning for the role). 

Whatever, none of it makes much sense, and the clue is highly simplistic (and easy) to solve because, again, the film’s primary demographics will be toddlers. Still, Blue’s Big City Adventure maintains a certain level of charm throughout the movie that you can’t help but enjoy. Admittedly, it’s highly predictable: you can figure out the clue as quickly as 1,2,3, but I’d be lying if I said the movie did not make me emotional when I saw both Steve and Joe on the screen. It was as powerful of a moment as when Andrew Garfield and Tobey Maguire meet for the first time in Spider-Man: No Way Home

Of course, Steve and Joe have a legacy together in the series. It’s not the first time they meet on screen (Joe is Steve’s younger brother, after all), but it felt more real than anything I had seen in many family films this year when they partner up to find Josh. Why? Because their emotions in Blue’s Clues have always been the most genuine, compared to Josh, who cannot be as sympathetic and caring as the previous hosts for the life of him. It is, however, a shame that Steve and Joe aren’t in the movie as much as I would’ve hoped, with Josh taking most of the screen time. 

It’s also a shame that the film wastes the talents of BD Wong in a role that anybody else could’ve played. He portrays Rainbow Puppy’s manager, trying to convince her that maybe Josh isn’t the right fit. But Wong barely has anything to do in the film – he sits down and says “Wonderful!” with every passing audition. I get this is supposed to be a recurring joke, but it doesn’t add anything to his character, who could’ve been played by anyone else. However, I’ll admit that it is strange to see three of my childhood icons in the same film: Steve Burns, Donovan Patton, and BD Wong. 

I can’t necessarily trace back where my love of film truly began, but two foundational pieces of media glued my eyes on a television screen as a kid: Blue’s Clues and Slappy and the Stinkers. And I would even credit Slappy and the Stinkers (a highly mediocre film viewed in the eyes of adults, but through a kid’s lens, it is a mind-blowing feat) for causing me to seek out more movies on VHS tapes. I would watch that tape all the time whenever I would go to my grandparents’ house. When my grandfather passed, I was cleaning the basement and was supposed to throw away all of the tapes he had. So I kept Slappy and the Stinkers as a souvenir for being the film that pushed my love of cinema. 

And to see BD Wong in this film, alongside Patton and Burns, felt special. This is why I’m stating that it’s a shame he gets virtually nothing to do. He is one of the most versatile actors we have (please watch Slappy and the Stinkers for him and Jennifer Coolidge only), and to see him sit there and repeat the same sentence ad nauseam feels like the most significant waste of talent I’ve ever seen. I may exaggerate, but there’s a lot of emotional connection with Patton, Burns, and Wong, and to see them act second-fiddle to Josh doesn’t feel as emotionally invested as when Maguire and Garfield helped Holland’s Spider-Man in No Way Home

The No Way Home comparaisons will get tired, as I’m sure I’m not the only critic who will state the obvious, but Blue’s Big City Adventure does feel like No Way Home for infants. Of course, it doesn’t feature any violence and doesn’t have the same emotional weight as Jon Watts’ film, but it has pure nostalgia. Steve Burns went through the wringer after hosting Blue’s Clues, and it’s so great to see him on top form, enjoying himself alongside Patton and Dela Cruz. Because of this, and this only, the film is worth watching, but solely for the fans of Blue’s Clues, who grew up with Steve and Joe, showing them that you can do anything you want to do. 

FILM RATING

Blue’s Big City Adventure is now available to stream on Paramount+.

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Adventure

Arthur the King is an Epic Masterpiece

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Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.

Plot

Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

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Entertainment

A Must-See Satanic Panic Horror – Late Night With the Devil

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Written and directed by Cameron Cairnes & Colin Cairnes, Late Night With the Devil follows a late night TV host Jack Delroy, fighting the plummeting viewership of his show by welcoming in people from the occult in order to change that, but of course, everything doesn’t go as smooth as planned.

David Dastmalchian as Jack Delroy Late Night With the Devil (2023)

David Dastmalchian has appeared in a lot of films however always in smaller roles including The Dark Knight, Prisoners and more recently The Suicide Squad. This film allows Dastmalchian to take on the lead role of Jack Delroy, the host of the late night show at the centre of this film, and he genuinely does a great job. There’s a real range of emotions which his character goes through during the course of this film and he depicts them so well.

If you’re a fan of the horror genre, you’re going to really appreciate the use of practical effects in this. There’s plenty of stretchy and gooey gore for all of the horror fanatics that will have you shouting at the screen. 

From left to right: Laura Gordon, Ingrid Torelli, David Dastmalchian, Ian Bliss

If you want to hear my full thoughts, check out my review over on YouTube and let me know your opinions in the comments.

Late Night With the Devil will be released in cinemas from 22nd March and on Shudder on 19th April.

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Reviews

‘I Love You, Guys’ Review | A Poignant Exploration of Celebrity Vulnerability and Human Resilience

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We are living in an era where celebrities are worshipped like deities and sometimes, people forget that he or she is also a normal human being. If we feel happy or sad at certain moments, they do as well and even though a lot of people always surround them, they get vulnerable too. Although a lot of filmmakers forget to show that aspect of their lives, Billie Melissa Rogan takes the bold approach of showing the truth. Her directorial debut, ‘I Love You, Guys,’ is a poignant story about a celebrity fighting her inner self to maintain her celebrity image. The result is a stunning piece of art that resonates long after the end credits roll in.

The short film opens with a profound close-up of the young singing sensation named Sky (Becky Bush). She has made a name for herself by making and singing really exceptional songs. As a result, she is adored by her fans. Even though it feels like Sky has everything she wants, viewers see her submerged in a bathtub as she tries to battle her anxiety. Just then, Sky gets a phone that she’d be performing state-side. Now, that’s where we get to know about her vulnerable state for the first time. Although she says that she is really happy with the above-mentioned news, her face tells a different story. Despite her impending stardom, Sky has not started to feel the massive weight of mounting pressure, a sentiment audiences get to see in her conversations with bandmate Ryan (Pedro Leandro) and girlfriend Taylor (Celi Crossland).

Becky Bush in a still from ‘I Love You, Guys’ (Jumpcut Studios)

As the story moves forward, we get to know that ‘I Love You, Guys’ is about the fragile nature of the human spirit as much as it is about celebrity culture. It not only navigates themes of depression, it also highlights the turbulent emotional journey of Sky. One of the best aspects of the film is how Rogan masterfully brings Cory Varney’s screenplay to life. She managed to capture every minor detail of Sky’s emotions with utmost precision. Despite the fact that it is her first-ever film as a director, we get a sense that we are watching a flick helmed by a seasoned filmmaker.

Another aspect that makes this film such a compelling watch is its cinematography. Jenni Suitiala has done a phenomenal in showing expressions through vibrant colors and Rogan has made full use of the settings to give viewers a visually striking film. Whether it is heated arguments or silent moments of despair, each frame feels authentic and draws audiences into Sky’s personal life.

Apart from Rogan’s direction, Varney’s script is this film’s biggest strength. The writer has undoubtedly done a stunning job of showing the humanity of these characters. There’s a reason why Sky’s struggles feel very personal and it is because we have endured such moments in life. Moments where we doubt ourselves even when we know we are more than capable of doing a particular thing. Not every smiling person is happy. Sometimes he or she is smiling just so that no one finds out about the tough times they are going through.

A still from ‘I Love You, Guys’ (Jumpcut Studios)

Acting-wise, Becky Bush has given a performance that is surely going to open several doors for her. She delivers a magnificent performance by infusing Sky with a beautiful balance of vulnerability and strength. The way she manages to convey an innumerable amount of emotions is spectacular. I believe this is one of the most apt depictions of mental turmoil. Meanwhile, Pedro Leandro and Celi Crossland are just as spectacular. Every interaction between the characters feels genuine and nuanced.

All in all, ‘I Love You, Guys’ is a testament to how resilient a human spirit can be. In just 15 minutes, Rogan, Varney, and Bush take viewers on a journey that’s thought-provoking and talks about a subject that no one talks about. The writing, direction, and performances achieve a lot more than just viewers’ attention. The film offers a compelling examination of the human cost of pursuing fame and success. A poignant story that touches on themes of ambition, relationships, and self-discovery.

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