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She Said Review | The Most Important Film of the Year

PFF: ‘She Said’ is one of the most gripping films of the year and is the most important film of the year.



We’re just a few years removed from the phenomenal The Assistant, a film that effectively tackled the #MeToo movement in Hollywood while respectfully handling its subject matter. Take that delicate handling and apply it to a film with an even bigger scale a la Bombshell and you have She Said, a wholly compelling film that should be on everyone’s awards radar. Carey Mulligan and Zoe Kazan kill it in their roles as investigative journalists Megan Twohey and Jodi Kantor, respectively, but the former really outshines the rest. Take notice, Academy; She Said is an important film that deserves to be heard. 

She Said is a biographical drama based on the 2019 book of the same name written by Kantor and Twohey. The film begins with Twohey (Mulligan) and her coverage of former-President Donald Trump’s election and all of the allegations that came along with it. Even in 2016 as the infancy of then-President Trump’s run, there was a risk to speaking out about the horrific things that have happened behind closed doors with some of the world’s most powerful figures that loomed in the background.

A still from She Said. Photo courtesy of Universal Pictures.

Five months later and not much has changed. Investigative reporter Kantor (Kazan) sets her sights on Hollywood and begins investigating Harvey Weinstein (portrayed by Mike Houston) and the sexual misconduct occurring in the “City of Angels.” But the process is not nearly as smooth as can be, and the two journalists face a multitude of problems including hesitance to get on-the-record quotes, pressures to get the piece finished and confrontations with the subject himself, Weinstein. 

As noted, Mulligan and Twohey are fantastic in their roles. Mulligan plays the more experienced “veteran” on this case who has seen it all and isn’t afraid to stand her ground whether it be in a local pub or to Weinstein and his crew of lawyers. I guess Mulligan really serves that role as an actor in this film, too. She’s far more experienced than Kazan, and despite the film likely showing Kazan in more frames, it’s Mulligan that leaves the lasting impression. Her scenes with Weinstein’s lawyer are particularly notable. I do hope that Mulligan can get yet another Academy Award nomination for this performance.

Not to discount Kazan, I think that she’s good at playing a journalist. Her scenes with various interview subjects show her ability to have empathy for them. The interviews with female subjects in particular are especially impressive because of the heartbreak she portrays and the tears she holds back. But Kazan especially shines in the scenes with her on-screen family.

A still from She Said. Photo courtesy of Universal Pictures.

One last acting standout is Patricia Clarkson, who plays Rebecca Corbett, the editor of our leading investigative journalists. Clarkson is in the film the least out of the three actors highlighted, but she’s sensational in any scene she’s in. While she can be stern, she also exudes warmth (if you’re on her good side) as seen in the scenes where she insists her co-workers go home on late nights. It’s a very Meryl Streep-like performance, which is very high praise but is worth considering I actually thought it was Streep until the film was over. 

Above all else, She Said is a story about women who can do anything whether it be having a child, taking on an ambitious project, or speaking out for what’s right. It sounds corny, but I had chills during a number of scenes in the film and especially the final scene. It’s a powerful film that you don’t need to be a hardcore feminist to get on board with. Some horrific things happen and She Said’s rhetoric isn’t vocalized by beating you over the head. You’ll naturally root for the two journalists as the journey of their article progresses. 

Earlier this month, TÁR, Todd Field’s exceptional film about the rise and fall of the world’s best composer, was released. While I like a lot of the film — particularly Cate Blanchett’s performance, Florian Hoffmeister’s cinematography and Hildur Guðnadóttir’s score — one of the ‘misses was the handling of the #MeToo storyline. It felt like Field had heard a number of variations of stories of sexual misconduct and decided to create an amalgamation of them all with his version of that story in TÁR. It’s not bad, it’s just overstuffed and contrived. She Said never had that issue. And sure, it’s based on a true story so naturally, it picks a lane, but something about it feels more legitimate and weighty than the likes of Bombshell, The Assistant (which is quite good) and yes, even TÁR

Maybe it’s the way that the film actually portrays the horrific acts, which is by not showing them at all, that’s why the film is digestible for all. The closest we get is by taking the true crime route and playing the audio of Weinstein with one of his victims while showing footage of the hotel hallway. Even when Weinstein shows up in the film, we never see his face — an uber-smart move. Taking these measures allows the film to shine without any distraction or risk of glorifying it in any shape or form. And believe me, She Said is still a hard pill to swallow, they just found a nice balance to make such an important film watchable for the masses and being respectful. 

A still from She Said. Photo courtesy of Universal Pictures.

It’s possible that the Academy Awards need to get “cooler,” but equally important is highlighting films that have something to say. For far too long, the voices like the ones seen in She Said have been silenced. Not just because of its subject matter, but because She Said needs to be recognized and my hope is that people can go see it and be informed. Sure, I knew the cliff notes of the Weinstein trial, but She Said gives a whole new perspective on it. And I’m sure that because it’s Hollywood and a film, some creative liberties were likely taken, but I trust in the fact that it’s based on a book written by Twohey and Kantor and am led to believe that the film is mostly accurate. Regardless, it’s gripping and will keep you invested regardless of your knowledge of the true events. Even just looking at it as a film, She Said is a stellar piece of filmmaking by Maria Schrader, and I think that it will make enough noise that the Academy voters won’t be able to ignore it. See it whenever it’s playing near you. 

She Said had its world premiere at the NYFF on October 13 and will be released in theaters on November 18. 


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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‘IF’ Review | The Most Meaningful and Heartfelt Movie of The Year, Delights With Pure Imagination



This review was made possible by watching an advanced screening

The most meaningful and heartfelt movie of the year. “IF” enchants with delight and wonder as John Krasinski crafts a love letter to our childhood, making us experience emotions that ultimately hit me right in the feels as he reminds us to never lose sight of our imagination! 

In a cinematic landscape often dominated by cynicism and darkness, John Krasinski’s “IF” is a breath of fresh air, a heartwarming and endearing tale that will leave you beaming with joy as it expertly balances the magic, wonder, and adventure of childhood with the poignancy, trials, and tribulations of adulthood, creating a narrative that is at once both nostalgic and universally relatable. The real magic of “IF” lies in its ability to tap into the collective shared childhood experience by evoking memories of our imaginary friends & the adventures we’ve shared with them. 

“IF,” is a whimsical fantasy family adventure that explores the concept of abandoned imaginary friends or IFs as they call themselves. In this heartwarming tale, Bea, a young girl played beautifully by Cailey Fleming discovers her unique ability to see these unwanted characters and reconnect the forgotten IFs with their original creators who have now fully grown up as she embarks on a magical journey through this imaginative, colourful, and creative world. As one girl learns the power of imagination and friendship. Bea thinks she must be hallucinating – until the man in the apartment upstairs reveals he can also see the IFs. 

Courtesy of Paramount Pictures

Several years ago, Krasinski, known for his work on “A Quiet Place,” penned a script intending to uplift his children who were struggling with feelings of depression amidst the challenges of the pandemic. Krasinski not only wrote the script but also took on the role of director for the film. Starring Ryan Reynolds, Cailey Fleming, Steve Carell, Phoebe Waller-Bridge, Louis Gossett Jr., and Fiona Shaw, among many other A-listers lending their voices to the characters, “IF” was inspired by the impact of the pandemic on Krasinski’s daughters, Hazel and Violet.

Having long harboured the desire to create a film for his children, Krasinski found inspiration in the imaginative worlds his daughters would delve into. Witnessing the genuine joy and authenticity with which they played, he was motivated to capture this magic on screen. Through “IF,” Krasinski aimed to show his daughters that this world of imagination and make-believe is always within reach, a place where they can be anything they desire. This magical world is ever-present and waiting for them to explore.

Courtesy of Paramount Pictures

Imaginary friends, these elusive entities existing solely in a child’s vivid imagination, serve as a comforting beacon amidst the chaos of adulthood. In this whimsical tale, away from the foreboding presence of sightless extraterrestrials, audiences are treated to a cascade of endearing characters and a wave of nostalgic charm that instils a heartwarming sense of joy and wonder. “IF” is a delightful escapade that celebrates the virtues of curiosity, creativity, and innocence, rekindling the essence of childhood wonder, and reminding us that the magic is always within reach.

Featuring a star-studded lineup of IFs including Steve Carell, Emily Blunt, Matt Damon, George Clooney, Bradley Cooper, Keegan-Michael Key, and more, the film introduces a mix of charismatic imaginary beings brought to life through the distinct voices of these esteemed actors. Each character, with its unique backstory and quirks, adds a human touch to the ethereal world, resonating with both younger viewers and their older counterparts.

The film’s exploration of imaginary friends serves as a poignant reminder that our childhood aspirations and dreams are not just fleeting fantasies, but rather tangible time capsules that hold the power to shape our future. These creations, born from our imagination, are a manifestation of our hopes, desires, and innermost ambitions – a reflection of who we wanted to be and what we wanted to achieve. As we grow up and face the harsh realities of adulthood, it’s easy to lose sight of these childhood ideals, but the film suggests that we don’t have to let go of that spark. By tapping into the imagination and embracing the spirit of our youthful selves, we can reignite our passions, rediscover our sense of purpose, and continue to evolve into the best versions of ourselves. In this way, imaginary friends become a powerful tool for self-reflection, creativity, and personal growth, reminding us that even as we age, we can still hold onto the essence of our childhood dreams.”

Through the vibrant personalities of figures like Blue, Unicorn, Sunny, Spaceman, and Ally, the movie explores the boundless bounds of a child’s imagination. A blend of conventional and eccentric companions, such as Blossom, Ice, Cosmo, and Marshmallow creates a tapestry of humour and charm that engages viewers in a realm where the fantastical meets the mundane in delightful ways. Most significantly Lewis, an old teddy bear voiced by Louis Gossett Jr sadly passed away and the film is lovingly dedicated to him with such a touching tribute after the credits rolled.

Courtesy of Paramount Pictures

To render the unseen into vision, director John Krasinski enlisted the expertise of VFX supervisor Chris Lawrence and the revered effects studio Framestore, weaving together around 800 meticulously crafted shots featuring a diverse ensemble of 42 CGI characters. Within this narrative realm, a poignant blend of fantasy and magical realism flourishes, engendering a profound sense of belief in the audience as they witness these ethereal beings coalesce on screen. Employing a blend of physical puppets and digital animation, the film sought to honour the sanctity of space and performance, poised on the precipice of seamlessly integrating these otherworldly entities within the tangible fabric of the film universe.

Courtesy of Paramount Pictures

Through this meticulous fusion of technical prowess and artistic vision, the film emerges as a testament to the transformative power of storytelling, poised to captivate audiences with its charm and artistry.

With a captivating blend of computer-generated CGI forms seamlessly integrating into the real world, expertly led by the dynamic duo of Fleming and Reynolds, As the live-action leads, they exhibit effortless chemistry on-screen, commanding attention and drawing the audience in. The initial wariness between Bea and Cal gives way to a warm and engaging rapport, characterised by witty banter and exasperation.

As Bea navigates the challenges of transitioning through her teenage years, she finds solace in these quirky and unique imaginary friends, embracing the comfort and security of childhood delights. Meanwhile, the film’s relationships take centre stage, led by the charismatic performance of Ryan Reynolds and standout Cailey Fleming, alongside Fiona Shaw. The movie’s greatest strength lies in its nuanced balance between lighthearted moments and emotional depth, evoking a sense of warmth and family, particularly during poignant reunion scenes.

Courtesy of Paramount Pictures

One of the film’s most endearing relationships is that between Bea and her father, played by Krasinski, which is charmingly tender and heartfelt.

Michael Giacchino’s music score for the movie “If” is a masterclass in emotional depth and thematic complexity. The composer delivers one of the best scores of his career, weaving a sonic tapestry that perfectly captures the film’s poignant exploration of connection whether that’s from human or imaginary. Giacchino’s themes are creative, heartfelt, and sincere, expertly conveying the emotional highs and lows of the characters’ journeys. From the tender warmth to the soaring grandeur of the score’s more uplifting moments, every note feels carefully crafted to elevate the film’s emotional impact. Giacchino’s score is a stunning achievement, showcasing his remarkable composer skill and ability to tap into the heart of a story.


In essence, “IF” is a cinematic celebration of the power of imagination, brought to life through a tapestry of endearing characters and heartfelt moments that left me feeling nostalgic and uplifted. With its colourful jumble of personalities and whimsical storytelling, the film is a captivating journey into the enchanting world of make-believe that will warm the hearts of viewers of all ages. 

IF” hits theatres on May 17. 

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Arthur the King is an Epic Masterpiece



Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.


Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

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A Must-See Satanic Panic Horror – Late Night With the Devil




Written and directed by Cameron Cairnes & Colin Cairnes, Late Night With the Devil follows a late night TV host Jack Delroy, fighting the plummeting viewership of his show by welcoming in people from the occult in order to change that, but of course, everything doesn’t go as smooth as planned.

David Dastmalchian as Jack Delroy Late Night With the Devil (2023)

David Dastmalchian has appeared in a lot of films however always in smaller roles including The Dark Knight, Prisoners and more recently The Suicide Squad. This film allows Dastmalchian to take on the lead role of Jack Delroy, the host of the late night show at the centre of this film, and he genuinely does a great job. There’s a real range of emotions which his character goes through during the course of this film and he depicts them so well.

If you’re a fan of the horror genre, you’re going to really appreciate the use of practical effects in this. There’s plenty of stretchy and gooey gore for all of the horror fanatics that will have you shouting at the screen. 

From left to right: Laura Gordon, Ingrid Torelli, David Dastmalchian, Ian Bliss

If you want to hear my full thoughts, check out my review over on YouTube and let me know your opinions in the comments.

Late Night With the Devil will be released in cinemas from 22nd March and on Shudder on 19th April.

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