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The Banshees of Inisherin Review | He Likes Me, He Likes Me Not

PFF: Colin Farrell and Brendan Gleeson shine in Martin McDonagh’s film that teeters between gripping and dull.



To give it credit, for a film about one man trying to figure out why another no longer wants to be his friend, The Banshees of Inisherin is a pretty effective film at keeping you interested. Perhaps that’s due to the fact that if Brendan Gleeson suddenly told me he no longer liked me, I’d be overly concerned too, but for whatever reason, this simple premise is enough to make a near-two-hour film about friendship, loneliness and stubbornness. 

Right on the cusp of the end of the Irish Civil War and set in the small fictional island of Inisherin, The Banshees of Inisherin tells the story of two former friends that begins a feud that blows up to the point that you may as well call this the island’s equivalent to The Troubles. 

Colin Farrell in the film The Banshees of Inisherin. Photo by Jonathan Hession. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

“Why doesn’t he open the door to me no more,” asks Pádraic (Colin Farrell), as he hunches over the bar at his local pub. This is a pub where Pádaric and Colm (Gleeson) would spend countless hours yet here he is all alone. That line sums up where the conflict begins; which was on one fateful morning when Pádraic stops by his friend Colm’s home. It appears to be common practice at this point, hence why the former is so surprised when he sees the latter sneaking off to the pub that they frequently spend hours upon hours engaging in “aimless chatting,” as Colm puts it.  

Does the whole conflict sound like something usually left in the hallways of elementary school? Absolutely, but that’s part of the almost indescribable appeal — perhaps intrigue is the more appropriate word —  of The Banshees of Inisherin. Seeing two grown men arguing over such a minute problem in the grand scheme of things — especially when you consider the larger war happening around them — is strangely satisfying. Maybe this is mostly due to Farrell’s performance. Farrell — who has had a stellar year — has the puppy dog eyes that make it understandable as to why Colm tries to show some restraint in the beginning. Pádraic has a level of naivety and is a tad unsophisticated, making him a character you empathize with despite his annoying nature.

And it is funny that Colm’s argument really sounds like that friend who’s one year older than you but claims to be “too old” to hang out with you once they make the leap from elementary to middle school or middle school to high school. It’s not complete rubbish, however. Colm knows he only has a finite number of nights left on this beautiful island that they call home, and he wants to spend those minutes doing things he finds fulfilling; not “aimless chatting.” 

Colin Farrell and Barry Keoghan in the film The Banshees of Inisherin. Photo by Jonathan Hession. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

Colm also wants to be remembered for something. As he (incorrectly) states, Mozart was remembered in the 17th century. Conversations, memories and “being nice” won’t be remembered, according to Colm. What will be, you might ask? Well, according to Colm, it’s music. Now in all fairness, Colm is an uber-talented violinist, but it also seems quite extreme to simply cut out one friend to improve your songwriting process. What if Paul McCartney just cut out John Lennon? Would “Let it Be” even exist? 

Rounding out the ensemble are Kerry Condon as Siobhán, Pádaric’s sister with whom he shares a house; Barry Keoghan as Dominic, the abused son of the island’s corrupt policeman (played by Gary Lydon); and Sheila Flitton, who plays Mrs. McCormick, a mysterious figure in the town who seems to drift between everywhere and know everything. Mrs. McCormick slightly resembles Death from The Seventh Seal — especially in the nighttime beach scene — and is as chilling as she is comedic. 

Keoghan is a delight as a naive kid who looks up to Pádaric. In a sense, Pádaric is the closest thing he has to a family considering the father that waits at home for him beats him mercilessly on a number of occasions. Dominic also has a crush on Siobhán, which is against any “bro code” in existence. Even still, Dominic is a cute puppy that you can’t be too blunt with; especially because of his home life.

Siobhán is the sweet sister of Pádaric who is doing her best to support and be there for Pádaric while having a lot on her own plate. Towards the end of the film, Siobhán is forced to make some tough decisions of her own. Whether it’s due to pity she takes on her brother or her own fear to spread her wings, Siobhán takes on a role that forces her to do the heavy lifting back home. She’s faced with a big decision late in the film that would tear anyone to shreds.

Brendan Gleeson and Colin Farrell in the film The Banshees of Inisherin. Photo by Jonathan Hession. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

But for as good as I think The Banshees of Inisherin can be in certain moments, it’s mostly the first hour and change that is interesting The second half becomes rather monotonous, which is ironic considering what Colm calls Pádaric throughout the film. There was a point in the story where it felt as though we were reaching a logical conclusion. Unfortunately, much to my dismay, I glanced at my watch and realized there was still a good half hour left at that point. The stakes begin to get raised after a few occurrences of Colm asking Pádraic to leave him alone — probably enough times to count on one full hand — but it begins to grow tiresome in the same way the gaslighting of Florence Pugh in Don’t Worry Darling did. You’ll begin needing a pint every time the film begins walking in circles in the last 45 mins or so. And simply put, there are only so many times you can walk up and down the main road of Inisherin (as beautiful as it may be).

And believe me, Inisherin is a gorgeous sight to see. Filmed in Inishmore and Achill Island, The Banshees of Inisherin transports you into this beautiful island with the help of cinematographer Ben Davis. There are some aerial shots that capture the grand scope of the island much in the way similar shots on Survivor do in the leadups to challenges. Whether a stylistic choice or not, I am curious about the lighting of the film. The film’s daylight scenes are often too bright to the point the film looks like a Hallmark movie while the scenes at night are way too dark. Both of these extremes are mostly found in the first half of the film, luckily, but whether or not this was intentional is beyond me. 

The Banshees of Inisherin will be released in theaters on October 21, 2022


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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X-Men ’97 Review | Nostalgic, Epic & Marvelous!



X-Men '97 (Disney)

Get ready for action-packed adventure, many surprise cameos and a storyline that takes


A band of mutants use their uncanny gifts to protect a world that hates and fears them; they’re challenged like never before, forced to face a dangerous and unexpected new future.

X-Men ’97 (Disney)


X-Men ’97 is a revival of the classic 1990s animated television series. The storyline picks up directly after the events of the original series, maintaining continuity and preserving the beloved elements that made the original a hit show back in the day. Many of the original voice cast members have returned, including Cal Dodd as Wolverine, Lenore Zann as Rogue, George Buza as Beast, Alison Sealy-Smith as Storm and Adrian Hough as Kurt Wagner/Nightcrawler, which adds a layer of originality and contributes to the overall nostalgia of the television show​. Here I’m feeling like a little kid again, watching the show on a Saturday morning. I was 7 years old when it was on television in the early mornings, and it still brings back fond memories.

There were a number of new stars who joined the show such as Ray Chase who replaced Norm Spencer as Cyclops, Jennifer Hale who replaced Catherine Disher as Jean Grey, Holly Chou who replaced Alyson Court as Jubilee, A.J. LoCascio as Gambit, Matthew Waterson as Magneto, J.P. Karliak as Morph, Isaac Robinson-Smith as Bishop, Ross Marquand as Professor Charles Xavier and Gui Agustini as Roberto da Costa/Sunspot.

X-Men ’97 (Disney)

The series starts off in a world where the X-Men grapple with the loss of Professor Charles Xavier. Amidst all the chaos and uncertainty, Magneto rises to the occasion and becomes the new leader of the X-Men. This provides additional drama and the team dynamics is frequently tested with the new leadership. While dealing with the new leadership dynamics the X-Men finds themselves still dealing with people who would stop at nothing to end all mutants. The storyline doesn’t hold back on the action sequences and themes such as grief, loss and acceptance are touched on throughout the series.

The trailer of the show doesn’t spoil anything for the viewer, and I highly encourage you to watch every intro and try to spot any new changes. The show provides many cameos and easter eggs, keeping my hopes alive of a potential crossover.

The story ends with a twist, leaving you hungry for the next season, and as any Marvel movie or television show would have it, a mid-credits scene to whet your appetite for what’s to come. If you are new to X-Men you can still jump in and watch the television series, but I highly recommend watching the original series to get you up to date with most of the lore and history of the X-Men.

X-Men ’97 keeps the legacy of our favorite mutants alive with a well-written story that is filled with emotion, surprises and promises of more adventures.

Thank you Beau DeMayo for an eXcellent story! I rate this show a 5 out of 5!

Will we skip the intro song? No! I don’t think we will. Make sure to catch the show on Disney Plus!
X-Men ’97 Final Trailer (Marvel Entertainment)

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‘The Present’ Review | A Heartfelt Family Adventure with a Magical Twist



The Present
A still from 'The Present' (The Movie Partnership)

In the heartwarming film ‘The Present,’ a young boy stumbles upon a mysterious grandfather clock with the extraordinary ability to transport him through time. Driven by the hope of reuniting his parents, he embarks on a magical journey with his siblings to prevent their family from falling apart. As they face challenges together, they discover the enduring power of love and the true meaning of family.

Over the years, we have seen a lot of time-travel movies, but ‘The Present’ is a bit different from those movies. It’s not about saving the world and defending the universe from aliens. It’s all about keeping a family together and feeling loved again. In Christian Ditter’s cute romantic-comedy film, we see Jen (Isla Fisher) and Eric (Greg Kinnear) having a dinner with their three children: Emma (Shay Rudolph), Max (Mason Shea Joyce), and Taylor (Easton Rocket Sweda). However, things go downhill when the parents announce that they are separating. The next day, an old clock that used to be in Eric’s father’s house arrives at their house and they decide to keep it in their basement. Something is written on the clock, and it reads, “This clock can help you now and then, but only you can change events.” Soon, Taylor finds out that the clock can be used to time travel and alter events. As a result, he stitches a plan, along with his siblings, to bring their parents together.

Shay Rudolph and Easton Rocket Sweda in ‘The Present’ (The Movie Partnership’

The enchanted grandfather clock is a delightful narrative device that immediately draws the audience into a world where the impossible becomes possible. Who wouldn’t want to turn the clock back and alter certain events? The clock, intricately designed and exuding an air of mystical antiquity, serves as both, a literal and metaphorical centerpiece for the story. However, the movie is not just about the clock or what it does, it is about the extreme lengths children can go to restore their family. The themes of love, forgiveness, and the passage of time are woven throughout the film, offering moments of reflection and emotional resonance. The makers have subtly shown how challenging it can be to mend things, emphasizing the importance of understanding and empathy within familial relationships. Certain moments in the film would surely encourage you to let your family know how much they are valued.

Writers have done a great job in stitching a story that’s not complex. Everything that takes place in front of our eyes is neither flashy nor over the top, which makes the movie even more relatable. However, certain elements could have been infused to make the script even better. We could have seen a bit more emotional turmoil between the central pair to have a better idea about their state. On the other hand, the relationship between Jen and the kids should have been explored a little more. Apart from that, there are pacing issues in certain scenes, which could have been mended with tighter editing. Despite these shortcomings, ‘The Present’ is a charming film that offers a warm and engaging experience.

Isla Fisher and Greg Kinnear in ‘The Present’ (The Movie Partnership)

Acting-wise, Isla Fisher and Greg Kinner are splendid in their respective roles. Both actors are fully committed to their roles and don’t miss a beat. Fisher has evolved as an actor and it would be a travesty if we don’t see her healing a big blockbuster soon. The young cast delivers commendable performances, particularly Mason Shea Joyce, whose wide-eyed innocence and determination drive the film forward. Meanwhile, Shay Rudolph is as wonderful as Emma. The chemistry between the siblings feels genuine, their camaraderie reflecting a realistic portrayal of sibling dynamics.

Overall, ‘The Present’ succeeds in delivering a touching, family-friendly adventure. Its enchanting premise, mixed with heartfelt performances, makes it a worthwhile watch, especially for families seeking a film with positive messages.

‘The Present’ hit UK cinemas on May 24.


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Bridgerton Season 3 Part 1 Review: Have They Lost Their Spark?



Sam Phillips as Lord Debling, Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Dearest gentle reader, Lady Whistledown is back for another Bridgerton season, and this time for her own love story (the ton doesn’t need to know). Classy as ever, Bridgerton Season 3 focuses primarily on Nicola Coughlan and Luke Newton’s characters Penelope Featherington and Colin Bridgerton as they take their friendship to another level.

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

What is Bridgerton Season 3 About?

After focusing on Daphne and Anthony Bridgerton in the first and second seasons, the story is now following Colin Bridgerton’s story with the girl next door. Penelope was many things for Colin but never a love interest. She was his sister’s best friend, a girl next door, a friend, and someone who had a crush on him. It’s no secret for the viewers that Penelope had a huge crush on Colin for years, but our girl finally feels ready to move on and get her life together. She is now in search of a husband after getting her heart broken in the last season.

What Stole the Show?

Apart from Nicola Coughlan getting the most deserving highlight, Netflix did their fan service and gave more screen time to now-extremely popular Benedict Bridgerton. Benedict Bridgerton has always been one of the fan favorite characters but after this season he has certainly got a huge following. Luke Thompson’s charms deserve to be studied in a university. He seems to be people’s new crush and I don’t blame them! The beautifully written dialogues are as usual top notch.

Bridgerton is famous for many reasons, including its orchestral remix of popular songs. This season Pitbull’s ‘Give Me Everything’ is in the limelight as one doesn’t expect such an iconic party song to sound so classy. Huge kudos to the makeup and costume department for carrying the show with its theme gracefully. They certainly grasped the attention and enhanced the characters of the show.

Benedict Bridgerton and Lady Tilley Arnold

Benedict Bridgerton and Lady Tilley Arnold

What’s Bothering Us in The Show?

The scripting of the show seems rushed. It lacks the spice, passion, and the slow burn romance that defines a Bridgerton story. Colin’s character has been poorly developed this time. After being sidelined for the last two seasons this one was supposed to make him the knight in shining armor, but he rather lacks the character. He tries to help Penelope only because he feels guilty for insulting and hurting her. Later on, he ruins her chance with a great suitor only because he feels jealous for not having her. He acts like a child who wants his toy back as soon as some other child starts playing with it. He misses Penelope’s attention after seeing her happy with someone else who wants to marry her. Some may call it ‘true love’ but I believe it’s too immature and childish thing to do for a Bridgerton character. Nothing against Luke Newton but his character development is not helping the show.

Apart from lacking the slow-build and passionate love story, the show seems to have forgotten about Daphne and Simon Basset (played by Phoebe Dynevor and Regé-Jean Page) completely. Anthony and Kate Bridgerton (played by Jonathan Bailey and Simone Ashley) appear in one episode and are not even mentioned in the rest.

Nicola Coughlan – The Show’s Star

Nicola Coughlan is shining brighter than any star in the sky. Both Nicola and Penelope are role models for body positivity. Young girls and women across the globe highly relate to Penelope and seeing her accepting herself, being comfortable in her own skin, and getting a complete makeover to feel more like herself is bound to create a positive wave among the fans. Unlike the last two Seasons, the Third Season is also focusing on other characters of the show as well, as it creates branches and stories for potential upcoming seasons. Yet, no one and nothing shines in front of Nicola Coughlan as she wears her crown with grace.

Nicola Coughlan as Penelope Featherington

Nicola Coughlan as Penelope Featherington

Is It Better Than Last Two Seasons?

Each Bridgerton story has its unique charm that keeps our eyes glued to the screens. Some love Season 1, others like Season 2, and the rest prefer Season 3 but is it better than the last two? Probably not. Nothing can beat Season 1! As much as the show focuses on the ‘Friends to Lovers’ storyline, it lacks the true essence of romance and no, I’m not talking about the spiciness even though they severely lack to give us butterflies. Polin’s storyline sometimes gives us butterflies but not as much as previous seasons did. The groundwork for the couple was laid since the first season yet they are not coming as strong and passionate as expected.

Bridgerton Season 3 Part 1 is currently available to stream on Netflix. Part 2 will be released on June 13.

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