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Alex Lehmann Discusses Tackling the Rom-Com Genre with Meet Cute, Filming in New York City and Working with Pete Davidson and Kaley Cuoco | Interview

The ‘Meet Cute’ director sheds light on bringing something new to the rom-com table.



2022 has been a big year for the rom-com. In the first quarter of the year, we got the J-Lo and Owen Wilson-led Marry Me, The Lost City starring Channing Tatum and Sandra Bullock and next month we have George Clooney and Julia Roberts starring in Ticket to Paradise. But Meet Cute is set to take the rom-com genre by storm. It follows Sheila (Kaley Cuoco), who discovers a time machine and uses it to relive the same date that spawns from a “meet cute” with Gary (Pete Davidson). It’s like Eternal Sunshine of the Spotless Mind meets Palm Springs from a few years back, and it’s truly something special and unique. 

In this interview, I talked with director Alex Lehmann about approaching the rom-com genre, filming in New York City and working with Couco and Davidson. Thank you to those at Peacock and Brigade Marketing for allowing me the chance to speak with Lehmann and seeing the film early. You can watch Meet Cute on Peacock on September 21.

Coastal House Media: Congratulations on Meet Cute! I’m not a big rom-com fan, but I really enjoyed your film. 

Alex Lehmann: I’m not a rom-com fan either [smiles].  

CHM: Oh, good [laughs], we’ll get right into that in a second, but I just wanna ask you because I haven’t seen any of your other films, could you pitch me one of your films to watch?

Lehmann: Sure, there’s a film called Paddleton and it’s [about] two older men, one of them has terminal cancer and he asks his friend to help him do [the] “death with dignity” thing — you know, die on his own terms — and it’s a comedy, [which] is the best part, but it’s not like a gallows comedy.

So yeah, it’s another two-hander and that was with Ray Ramano. But kind of like Meet Cute, I think it’s about finding the more honest version of a film that we’ve maybe seen before and using that honesty as an entry point for humor and for a little more humanity than, you know, like the more commercial film we’ve seen before [that] glosses over [it]

CHM: So you kind of answered my next question earlier, I guess you’re not a big rom-com fan, so I’m then curious why you decided to kind of dive into that genre. Was it that it just happened to be a rom-com? You just liked the script? Or did you think that maybe you could add something new to the genre?

Lehmann: Well, I’m there are some rom-coms that I love. They’re maybe not what everybody would call a rom-com, but I’m a huge romance fan, and I guess that’s the bigger thing: I love love, and I love relationships. And I loved the relationship between Gary (Davidson) and Sheila (Cuoco). 

(L-R): Pete Davidson and Kaley Cuoco in Meet Cute. Photo courtesy of Peacock.

The reason I usually don’t like romcoms is we root for these people to do really crazy things to fall in love with each other — kind of messed up things. Oftentimes we just pretend it’s all okay — even though it’s a little weird — and then by the end of it, we’re like, Thank goodness she got together with him! [and] the credits role. And then the next summer we’d go see a movie where she’s now falling in love with another guy, and I’ll [be] like: What happened to this relationship? We were so invested [and] what happened to the other guy? Like, we just don’t care anymore.

And so what’s great about Meet Cute is, through Noga [Pnueli]’s really smart writing, there’s this device where we get to look at more of a relationship than the typical rom-com. And we get to see what happens when you see the things that you fall in love with someone start to be the things that annoy you about them or that you’re like critical of. And then it [the film] really does explore those next couple years in a relationship where you’re like: Can I change them? Can I make them the person I want them to be? That spoke to me as a really honest rom-com [and] I think this is an honest rom-com even though it’s got a tanning bed time machine [laughs]. 

CHM: Where did the idea for the time machine being a tanning bed come from? Was that in the script already, or was that something you added? 

Lehmann: No, the tanning bed was in the script already, and it’s brilliant. You know, more important than the tanning bed is the person operating the tanning bed [which] is the June character who was written brilliantly and performed even more brilliantly by Deborah S. Craig.

I think [in] most of the movies that I would see with this device and that character, I would roll my eyes [at] because that character is usually really trope-y and is kind of like the genie that’s just there to serve everybody and doesn’t have any attitude and doesn’t have a complete story. 

(L-R): Deborah S. Craig and Kaley Cuoco as Sheila in Meet Cute. Photo courtesy of Peacock.

Honestly, June really was one of the selling points to me for the film because she was a full character and she added really a lot of meaning to what the story is, which is the whole concept of your scars and [how] your trauma is a part of who you are. You can’t just erase that without erasing, your identity, essentially. She was really cool and she makes the tanning bed cool. The tanning bed’s funny but not gonna take us on a whole ride unless you have the best operator.

CHM: There are plenty film references that are sprinkled in the film ranging from Blade Runner to The Terminator to Sophie’s Choice. Were all those already in the script or did you have any input on which films were mentioned? 

Lehmann: So I do a lot of dramatic and comedic improv on my films, especially when you’re working with Pete Davidson and Kaley Cuoco, like, why not see what you can do? So we improv’d a lot of that stuff. I think we discovered one day on set [that] Gary should be a cinephile because that’s all Pete Davidson did, was watch movies as a kid in the basement of his house.

And I was like, “Let’s just lean into that and hear him go on a rant about all his favorite movies,” which is both lovable and also makes him sound like a total film dork, which he is. 

CHM: I wanna get into the time-loop of it all. I would say that despite some flashbacks and other locations, most of the film repeats the same night with the same actors and the same outfits. How do you go about filming these sequences? Do you knock out X amount of takes in the bar before moving onto a new location?

Lehmann: Yeah, there’s really two ways, I guess, that we could have gone and there have been a few time-loop, time-travel movies — especially recently — and I think we stand apart from them and part of the reason is we’re not really obsessive about the intricacies of like, you know, “the phone needs to ring at this point,” and then “this person drops their glass,” there’s that version where our whole production office would’ve been [covered in] a bunch of red yarn and whiteboards [saying] like, “Okay, this happens at this [point].” 

Or, we just say, “You know what, this is an emotional time-travel movie and the audience is really smart and the audience wants to have fun. We’re gonna write a couple of really good jokes, mostly for June, but also for the other characters where we basically dismiss and joke, like the owner going back to sell the time machine.” You write a couple of those and then the audience is totally on board with it without them playing detective and trying to like catch stuff because, you know, life is messy — that’s the whole point, and I would like to think that time-travel is not as clean as “everything happens exactly the same time every day.”

But yeah, the way we filmed it was called “block shooting,” where we’re in the bar for three days and then we’re on the street for three days and then we’re in the Indian restaurant for three days. That could have gotten old if it wasn’t for the fact that Pete and Kaley are so funny. 

The hardest thing for me was when Pete would just start making us all laugh because he’d just go on these tangents that were hilarious — not usable at all for the movie — but so funny that we just kind of had to, for five minutes, just sit back and enjoy [his] comedic style.

Pete Davidson in Meet Cute. Photo courtesy of Peacock.

CHM: Speaking of your lead actors, I noticed that both of them are executive producers on the film. In your estimation, what do you think it was about this particular project that got them to really show their faith in it? 

Lehmann: I think it was giving them the power to be able to fire me at any moment. That’s really the reason they signed on. I promised them that they could literally fire me at any point. Kaley never did, Pete fired me every single morning but then would hire me right before we would start shooting again [laughs].  No, they were great collaborators.

I mean, you get actors of their level, their talent, their fame to do something like this because it excites them. Nobody’s showing up for this gritty New York City tight schedule shoot unless they absolutely love the characters and they think that there’s a lot of room to play. 

And that’s what shooting was. I felt like I was just playing with Pete and Kaley on camera for a month straight. 

CHM: And they have great chemistry, which is vital to a movie like this. Did they just show up on set and it was natural, or did you have them do anything together before shooting?

Lehmann: Actually, the first time that we met, they both happened to be in LA — I was flying back from New York, I had just done some location scouting — and the three of us went to an escape room and that was an absolute blast.

We did horribly, like, we did not escape. We would’ve died in that room if it was like a Saw-type situation, thank God it was just, a game [smiles]. But yeah, we bonded a lot in that escape room session and got some lunch and I remember [that] I called the producers afterward, I was like, “These guys have so much chemistry, it’s just great.”

CHM: I also read that you’ve known your cinematographer on this film, John [Matysiak], for a long time, right? I think since college? 

Lehmann: That’s impressive. Yes, I’ve known him since college. 

(L-R): Kaley Cuoco and Deborah S. Craig in Meet Cute. Photo courtesy of Peacock.

CHM: So I’m speaking to him next week and I’m just curious, are there any fun college memories that I can bring up to him when I talk to him next week?

Lehmann: [laughs] Well, we were in film school when we met, you know? And so what does every film student have in common? They think they know a lot more than they actually do and so I think what’s awesome is when we were making student films, we were these cocky kids and maybe a little too arrogant and not as collaborative because we all needed to prove ourselves. And I love that 20 years later, he and I reunite — we had just done another movie of mine, Acidman, and then we’re doing this movie [Meet Cute] — and I think we’ve been humbled enough in what it’s taken to get to where we are. Ego’s [have] just gone out the window and we’re so excited to work with each other. And we’re so excited to like both fail and succeed and just to explore everything. So it’s been really cool seeing him and myself grow up, right? It’s just a window to tear past, which I’m obviously a very nostalgic person, so that’s always an enjoyable collaboration. 

CHM: And going back to New York, you talked about location scouting, what did that look like for you? Did you go in with any expectations or you were just open to everything? 

Lehmann: Well, a couple of things happened. First of all, I started walking around the streets and it was so loud. I remember calling a friend of mine who just made a movie in New York and I was like, “How do you record dialogue anywhere? It’s so loud,” [and] I couldn’t even hear him on the phone. I was like: What am I gonna do? 

The other thing is, I didn’t wanna go looking for the New York that I see in other movies. I wanted to film the New York that I saw just walking around, the experience that I actually got. So, for example, walking down a certain section of New York, hearing a lot of Latin music, Cumbia music — which is in the film — or seeing guys play checkers on the street, the multicultural aspect of New York, I felt was really cool and I wanted it to show that — I wanted to capture that. 

And then I also love the fact that there’s a bunch of trash on the sidewalks everywhere. My production designers, they kept asking my production team, they’d be like, “We gotta remove the trash from that sidewalk,” I was like, “Don’t touch it — that’s New York.” You know, the scaffolding, that’s New York. Like I don’t need that beautiful, curated New York that doesn’t exist. I want the New York that I actually experienced walking around and scouted.

(L-R): Pete Davidson and Kaley Cuoco in Meet Cute. Photo courtesy of Peacock.

CHM: So was the plan always to have the film set in New York or were other states ever considered? 

Lehmann: It was always written as, [New York City]. I mean, New York City, man, that is the place to tell a love story. The fact that there are so many people in that city and you can feel so alone walking — I felt so alone walking [while] scouting. I remember I would try to make eye contact with people. I’m an LA dude, I like to smile at people [while] walking, looking for locations [laughs] and they were freaked out, they thought I was gonna like mug them or stab them [and were] like, Why is this guy smiling at me? It really taught me immediately that like, you can feel so alone in a city of so many people, which is the best backdrop for telling a love story, let alone a “meet cute” love story. 

CHM: My last question for you before I gotta let you go is, the film’s coming out next week and you know, I feel like there’s so much content out there, right? There’s always stuff coming out on streaming, there’s something new every day. I know I had you pitch one of your movies to me earlier, but could you give one last pitch for Meet Cute to anybody who doesn’t know what it is?

Lehmann: I would say, if you like rom-coms, you should definitely watch this. If you’re not feeling so sure that you like rom-coms, you should definitely watch this. It’s a more honest version of a rom-com and it’s funny. Who doesn’t wanna go on a date with Pete and Kaley?

Meet Cute will be available to stream on Peacock on September 21. 


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.


Charlie Michael Baker: Journey of Autism, Social Media and Working with Kylie Jenner (EXCLUSIVE)



Charlie Michael Baker and Kylie Jenner

At just 17, Charlie Michael Baker is giving his all to change the world. Baker is a renowned author, entrepreneur, actor, and journalist and he is on a mission to help millions of people suffering from autism. Charlie Michael Baker previously told Costal House Media he raised over £400,000 to help people with autism. He faced many challenges since childhood but his determination and perseverance were the key to his success.

Baker is a Social Media sensation with over 1.2M followers on Instagram. Charlie Michael Baker is one of the many influencers being bullied on social media every day. He receives 300-500 rape and death threats daily!

Charlie Michael Baker

Charlie Michael Baker

We had the honor to connect with Charlie Michael Baker. You can read our conversation below.

Nikita Pahwa: Congratulations on launching your new book! What can you tell us about it?

Charlie Michael Baker: So my new book is about social media, specifically, the dangers of social media. All young kids now want to grow up and be ‘famous’ but don’t know the bad side of it all. I was one of those kids, I’d always wanted to be famous, it’s something I’d always dreamed of!

NP: How do you deal with death and rape threats?

CMB: The short answer is, I don’t, really. I stopped reading my DMs a few months back because of it all. I don’t deal with negativity and there’s too many trolls to block each and every one, so they all just get ignored.

Charlie Michael Baker Social Media and I

Charlie Michael Baker Social Media and I (Photo: @kaybeephotography2 on Instagram)

NP: What advice would you give to people in similar situations?

CMB: I’d say don’t listen to them, do what I do and just don’t read them. It’s better that way. What you don’t see can’t hurt you!

NP: If you could say one thing to people sending you threats, what would it be?

CMB: Without ruining my career *lol* I’d say just to be a bit kinder. If there’s something going on in your life that you’re not very happy with, ask someone for help. Speak to someone you trust rather than swaying to a life of being a keyboard warrior. It’s not nice!

NP: Is your new book related to Charlie Baker: Autism and Me?

CMB: It is! It will be written in the same – ish way BUT Charlie Michael Baker Social Media And I will be exclusively E – book sold on my website

NP: Are you currently working on a new venture with Kylie Jenner?

CMB: I am! We’re working with the same brand – glow beverages. We’re working alongside an NBA star too whose name I cannot remember for the life of me – oops lol.

Kylie Jenner and Charlie Michael Baker

Kylie Jenner and Charlie Michael Baker

NP: Are you planning to collaborate with more celebrities in the future?

CMB: I love working with celebrities. Mostly just to see what they’re like to be honest. Kylie is so nice though honestly I keep messaging her life updates!

NP: Last question, is it true that you’re working on the Charlie Baker: Autism and Me movie? Are we going to see it on the big screen?

CMB: Yes, it is! I’m filming something very very special this year with Creation Media 22 which should appear on Netflix and Prime Video which is so exciting! It will be my first time in front of an actual TV camera so it’s a bit different to daily vlogs!

You can get your Charlie Michael Baker Social Media And I E-copy on March, 1 for £0.01 (yes, a penny!). Get your Charlie Baker: Autism and Me copy on Amazon.

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INTERVIEW | ‘The Tiger’s Apprentice’ Stars Brandon Soo Hoo and Leah Lewis Discuss Representation, Positivity, and the Power of Belief



Tiger's Apprentice
Tiger's Apprentice (Paramount+)

Paramount’s latest animated flick ‘The Tiger’s Apprentice’ has finally been released and garnered positive response from everywhere. Adapted from Laurence Yep’s beloved children’s book series, ‘The Tiger’s Apprentice’ brings to life the thrilling journey of Chinese American teen Tom Lee (portrayed by Brandon Soo Hoo). He is suddenly thrust into a realm he once believed existed only in bedtime tales. After a tragedy strikes his family, the young man discovers his identity as a Guardian. Subsequently, he is mentored by the mystical Tiger Hu (played by Henry Golding) to confront the evil Loo (portrayed by Michelle Yeoh). In between all this chaos, he develops a special friendship with a girl named Rav (played by Leah Lewis) who helps him in defeating the villain and saving the world.

It is one of those films that you can enjoy with your family. It is tender, beautifully crafted, and encourages you to think about how traditions play a crucial role in everyone’s lives. In this exclusive interview, Brandon Soo Hoo and Leah Lewis share their perspectives on the film’s themes, the significance of Asian American and Pacific Islander (AAPI) representation in media, and the impact of portraying multi-dimensional characters. The actors delve into the importance of maintaining positivity in the face of adversity, believing in oneself, and breaking stereotypes in the entertainment industry. From challenging outdated narratives to normalizing cultural heritage, Brandon and Leah express their excitement for viewers to experience the film’s adventurous and tender journey of self-discovery.

Tiger's Apprentice

A still from ‘The Tiger’s Apprentice’ (Paramount+)

Aayush Sharma: ‘The Tiger’s Apprentice’ is a mixture of so many great things love, care, culture, and family. But for you guys, what was the one thing that made you relate to this story and made you proud? And why do you think that particular thing is so important for people to see?

Brandon Soo Hoo: One of the favorite things that I related with my character was Tom has uncanny ability to maintain a positive outlook when things get really tough. And so, you know, he’ll drop in a humorous little quip here and there in the face of adversity. I think that’s such a powerful way to confront anything challenging because life isn’t that serious. And, if you really lean into the negative, and if you really lean into the dark side, I feel like it can really corrupt and taint you. I believe maintaining that light and positivity around you is like the ultimate protection that you have, from the dark stuff when life kind of gets you down. Because if you let life get too dark, then you won’t let enough of your inner light kind of radiate outwards and do what it needs to do. So, you know, hold on to your light, hold on to the positivity. I feel like it’s contagious. It’s very, very healing.

Leah Lewis: I think, for me, one of my favorite things about this film that I would take away, is really learning how to believe in yourself. And I know that’s such a simple statement, but it’s a big loaded one for me. I really feel like when it comes down, to believing in yourself, it’s the things that you care about, the people you care about, where you came from, where you’re going. You see this character, Tom, struggle with believing in himself in any aspect. I think that’s really important too. And I think, when you can believe in yourself too and present yourself, honestly, and vulnerably, that’s also when you find other people who are right for you in your life. You see Tom eventually learns how to be himself, and because of it, he fits into this Zodiac and kind of ends up finding a community that he never would have expected. So, I think that aspect is important for me.

AS: So, you know, besides showing so many great things, this is also an Asian story. The characters, the cast, the makers, and most of the people involved in this project, have an Asian background. But you know when we see the entertainment industry, we still see a lot of talented Asian actors stuck in a kind of stereotype. And they are cast in one kind of role. For you guys, how does Asian representation in movies intersect with a broader discussion about diversity and inclusion in the entertainment industry?

BS: I mean, it’s 2024, we’re past the era of having Asian people playing just submissive roles or playing like the tech support. I think that right now is like a renaissance for Asian entertainers and Asian artists to showcase that we are multi-dimensional people, that we can be the hero, we can be the cool guy. It’s all that stuff is like, we’re really seeing Asians being at the forefront of stories like that. And it’s so important because growing up, if you don’t see all of those things represented in media, it’s kind of hard to feel like, you can see that in yourself. So, it’s almost like this conditioning that we received from a really young age. So right now, we’re trying to reverse engineer all of that by showing you can be the hero of your own story, you know, you can save the day. And you could be more than just like whatever aesthetic or face that people want to put on you. You can kind of step out of those boundaries and as a human being, you can do whatever the heck you want. So, I think that it’s so important for us to be able to share with you all.

Brandon Soo Hoo (@brandonsoohoo/Instagram)

LL: I agree, I think, we’re living in a day and age where we’re moving towards a place where representation isn’t such a flashy, flashy thing. It’s a necessary and needed thing that should already be kind of embedded into our society. So, it’s a huge win for the AAPI community any time there’s an API lead or like, especially something like this film where it’s completely eccentric. But I also think the more and more we start to see those projects, like, it’s important to be able to normalize the difference in all these characters. You know, when I also look at, the list of like, Caucasian actors, I can think of an actor for every kind of character. I’m like, oh, yeah, I know, this actor played that, and this and that. But you know, for Asian, that’s been a long time coming, where it’s like, oh, it’s only Michelle Yeoh, who plays that or like, you know, we have the designated person who plays the geek or the kind of hero or like the dark character. And what’s so cool about this film, too, is like, Tom is just, he’s a cool, regular guy who hails from Chinese American culture. This film shows heritage and culture in a way where it’s so normalized, and just so kind of nuanced. I feel like that sense of representation is so cool for the people at home who are like, hey, casually, I like this guy, or I know those kinds of traditions, and I love the way he builds in this theme because I feel that way. I don’t know, I just, I also wish I had something like this growing up too. But like, now is the best time to see people that look like you, speak like you, or act like you on screen. It really recovers that belief in yourself that things are possible for you. Like we all watch TV. We all care about these characters to feel seen and feel like you know, you have a voice out there somewhere. There’s nothing better than that feeling. So, I hope that this film does that for a lot of people to me.

AS: You guys are working with such huge stars. Michelle Yeoh, Lucy Liu, Henry Golding, and more. What was your reaction when you heard these guys will be in the movie?

BS: Man, I mean, the reaction was and still is just like, almost like a surreal disbelief. I was like, these are people that I watched growing up when I was little, I was like, dang, these are some huge Asian names. They are the biggest names in our community. So yeah, I told my parents immediately about, like, who’s going to be in the project, and we all just like giggled about it together. So, I think just immense pride. It’s such a celebration, and it’s such a win, not just for me and my career, but it’s such a celebration for the Asian community. It’s like, man, look at all of us, like, together just being badass Zodiac warriors.

LL: I felt the same way. I mean, honestly, I tend to do this thing to where if someone tells me like this person is who you’re working with. I’m just like, wait, what? And I’m still like that, you know, like when we were able to even see Sandra Oh, at the premiere of like, let’s go, oh, my God, like, that’s really freakin’ cool. It’s also just like, I think it’s a really proud moment to finally see all different generations of AAPI actors coming together on one screen and to be able to see that there is space for more than just one or two. This whole cast is like a chock filled with it. And everyone is so talented, it’s been an honor. I’m really proud to be a part of it.

Leah Lewis and Sandra Oh

Leah Lewis and Sandra Oh (@leahmlewis/Instagram)

AS: The film has finally been released and it has opened to great reviews. If anyone hasn’t seen the movie, what’s your advice to them? And why should they watch ‘The Tiger’s Apprentice’?

BS: What do you what are you waiting for? Get in there. Watch this movie. It’s special, it’s beautiful. There’s something in there for everybody. And yeah, I think you’re really missing out on something that’s, that’s really beautiful and important. So go check it out. I hope they get to watch it with your family because there are a lot of beautiful lessons in there to share. So, go go check it out. You have to.

LL: It’s like, it’s a cool, like, genuinely cool. It has Steelo to it. Adventurous, tender film about finding yourself and I know we all want to do that. So, you should totally watch it and I hope you find a bit of yourself in this cool tender film.

‘The Tiger’s Apprentice’ is currently streaming on Paramount+.

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INTERVIEW | Sarayu Blue Dives Deep into ‘EXPATS’ Journey with Cultural Authenticity and Emotional Depth



Sarayu Blue stars as Hilary Starr in Lulu Wang's 'EXPATS' (@sarayublue/Instagram)

After taking the world by storm with ‘The Farewell,’ director Lulu Wang is back and this time, she has taken her storytelling prowess to the small screen. Her series, ‘EXPATS,’ is a story mainly about three women trying to overcome guilt and grief in the most authentic way possible. The very first frame of the series encourages viewers to take a remarkable journey into the lives of characters that are connected in one way or the other. Nicole Kidman portrays Margaret in the series while Ji-young Yoo plays Mercy. Both stars have given spectacular performances in the six-part series, but one actor who has managed to nab all the attention is none other than Sarayu Blue, who plays the role of Hilary.

At first, Hilary seems to be a no-nonsense woman who has moved to Hong Kong to make strides in her professional life. She does brilliantly professionally, but her personal life is in a bit of turmoil. Her marriage is not going well, her best friend seems to have lost almost everything, and she is overburdened with the pressure of becoming a mother. Wang knows how to extract a powerful performance from an actor and Sarayu is no different. Sarayu’s portrayal of the character is truly magnificent, capturing Hilary’s frustration and compassion with authenticity on screen. I sat down (virtually) with Sarayu Blue and discussed several aspects of her character in the Prime Video series. The actress opened up about how she learned Punjabi to make her character more authentic and also, how South Asian parents show love most uniquely.

Sarayu Blue in a still from ‘EXPATS’ (Prime Video)

Aayush Sharma: Congratulations on the series. It’s getting such beautiful reactions. Your character is written so beautifully, but Lulu Wang made some alterations to your character’s journey in the series, particularly regarding her approach to motherhood. So, how, as an actor, approached the shift in your character’s arc? And what kind of discussions have you had with Wong regarding these changes?

Sarayu Blue: Actually, the changes had already happened before I came. Because in the book, Hillary is not written South Asian. And so that was one of the changes. And so, when I auditioned, it was already South Asian, of course. I think when I got on board, I was able to read all the scripts, and I just devoured them. I mean, in one sitting, it was like, you know, I couldn’t get enough. It was such an exciting experience to see this South Asian woman who’s so human, she’s so layered and complicated, and messy, and real, and beautiful, and funny and vulnerable, and raw and hurting. And so, then it just became the biggest gift I could ever imagine.

AS: One of the best things about your character was her backstory, and showing the kind of Sikh family she was born into. But what was that one thing that you wanted viewers to see in your character to understand why Hillary sees the world in the way she does? Also, how challenging was it for you to learn the Punjabi language to make your character sound more authentic?

SB: I’m so thankful to our team and our wonderful consultant, Inder, who was like the most patient and kind human. I kept reciting it repeatedly, because somebody who speaks Telugu, and I’ve tried to teach people Telugu, pronunciation is everything. It’s everything, along with the accent, and every emphasis that matters so much. So, I was so thankful for that support. Also, Sudha (Brinder) speaks Punjabi, so I had Masters constantly working with me, and I was so thankful. Meanwhile, I think as far as the view that Hillary has, or what was important to me, it was important to see the hurt for both Brinder and Hilary. You know, what I love about the dynamic you see in Episode Four is you really see that they’re both hurting, and there’s aggression because that’s how we speak to each other. (laughs) I mean, that part is so universal, because my mother and I have a very contentious love. But, you know, that hurt underneath, and the vulnerability underneath is why it feels so real. And that representation of that specific dynamic was very important to me.

AS: Yeah, I mean, I can understand as an Indian, I know the kind of relationship that we share with our parents. I mean, they would just bash us, and then say that’s how we show our love for you. That’s, that’s our love. (laughs)

SB: I said to my dad, my dad was calling. I was FaceTiming with him, and he said, ‘So what are you doing? Are you doing anything interesting?’ I said, ‘I’m just doing a lot of press for this show. Remember that show? I did EXPATS? And he said, ‘I remember that.’ He added, ‘So nothing. You’re not doing anything.’ (laughs) But I get it.

Sarayu Blue with Sudha Bhuchar and Jennifer Beveridge (@sarayublue/Instagram)

AS: Your Punjabi was so amazing in that scene because I’m a Punjabi and when I was hearing that conversation, I had to pause the episode and go to the internet to see if you had any Punjabi roots because your accent was so authentic.

SB: Let me tell you how much that means to me because it’s the most important thing for me. Because Telugu is not easy to speak. It’s not, and I was raised by a Telugu professor and a Telugu short story writer. Also, I’ve tried to teach Telugu to somebody, and if it doesn’t sound right, it won’t feel good. That’s why it’s all I wanted to show. You must speak the language with the right pronunciation. That’s very important.

AS: Now that EXPATS has premiered three episodes on Prime Video and receiving so much love. But for those who haven’t started the series, what would like to tell them and why they should be watching this show?

SB: I am so honored to be in this show. I really am. I get goosebumps even talking to you right now, seeing you smile, and having this conversation. I want people to watch the show for everyone. There’s so much good talent in this show. You know, Sudha who plays Brinder is extraordinary. Kavi Raz, who plays my dad in Episode Six, is brilliant. You know, all these actors, Ruby Ruiz, Ji-young Yoo, Brian Tee, there’s so much brilliance that I hope people just watch and realize how many actors of color are getting to do amazing work. It feels like a dream. But, of course, there’s so much to see in this show, you know.

Cast of ‘Expats’ with director Lulu Wang at the premiere. (Getty Images)

The first three episode of ‘EXPATS’ are currently streaming exclusively on Prime Video.

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