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Do Revenge Review | A Revenge Tale Through the Eyes of Gen Z

‘Do Revenge’ does a lot of things right. Maya Hawke steals the show in this Gen Z revenge tale.

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I stand by the fact that Olivia Wilde’s Booksmart is not only the best high school comedy ever but the most authentic portrayal of Gen Z and the landscape of the current world. Do Revenge is an attempt at taking down the affluent and the powerful while harkening back to blasts from the past such as Clueless, Mean Girls and a dash of Promising Young Woman. Is it always firing on all cylinders? No, but the film is a blast and deserves credit for not being like other high school movies.

Do Revenge opens with Drea (Camila Mendes), who is currently sitting pretty atop the illustrious high school food chain, giving a Cher Horowitz-like monologue about the measurement of success in high school. Off rip, we are brought into the 21st century and “PC culture” at one of these enormously lavish house parties. Indeed Do Revenge is one of those high school movies. For all of the genre tropes the film tries to surpass — or, at the very least, acknowledge in a tongue-in-cheek manner — it can’t escape them all (more on this below).

(L-R) Maia Reficco as Montana, Alisha Boe as Tara, Camila Mendes as Drea and Paris Berelc as Meghan in Do Revenge. Cr. Kim Simms/Netflix © 2022.

But Drea’s (very expensive) bubble is burst when a video sent to and meant for her boyfriend Max (Austin Abrams) is leaked to the entire school. This leads to Drea becoming an outcast of sorts and she meets Eleanor (Maya Hawke), a fellow outcast, and the two do revenge. Furthermore, it’s nice that unlike a film such as Spider-Man: No Way Home, which had a college admissions plot that’s laughable at best, there’s weight to why what college you attend matters — at least at the beginning of the film. The plot of Do Revenge revolves around the fact that neither of the main characters can go out and seek justice on their own. Drea is on especially thin ice with her admission to Yale being put on the line. The dilemma she faces is something the live-action Spider-Man films — or comic book films with high school characters in general — but luckily, Drea doesn’t manipulate the whole world to get her way (just her entire high school!).

When dealing with such wealthy characters, it requires a suspension of disbelief from viewers (unless you are that wealthy) that watching enough Disney Channel shows will give you. That didn’t completely stop my mind from wondering: Why are the parents never around? and: How did these kids get all of this alcohol? Furthermore, there is an absurd number of kids at the various house parties. There’s more at the parties than at the school’s assemblies. You have to see the sheer juxtaposition in order to really understand what I’m saying.

Without going into detail, the second half of the film — while messier — provides the actors a chance to shine. Hawke takes this opportunity and runs with it, delivering the perfect amount of camp needed for her ridiculous monologues. The same cannot be said of the rest of the class. Mendes is a steady 1A. and serves the role well, but there’s so much untapped potential (not to the fault of Mendes). The most complex part of her character is only lightly touched upon.

Alisha Boe of 13 Reasons Why — a series known for its extremely accurate representation of high school — commits the cardinal sin of dating Brea’s ex, Max. Boe was a highlight of the aforementioned 13 Reasons Why but I can think of 13 reasons why she should’ve been in Do Revenge more. Max, the crowd-pleasing class president of his school who’s going to peak in high school is by far the worst part of the film. Hats off to Celeste Ballard, who co-wrote the script, for attempting to make Max somewhat “layered” by showing he has more interests than the ones forced on him by his parents, but it’s completely out of Ballard’s hands once the film is shooting, and Abrams plays Max like Rumplestilskin in Shrek Forever After and is only more of a threat to the slightest degree (don’t underestimate the power of a smartphone). I appreciate the effort to make him the posturing high school “activist” that he is, though.

(L-R) Paris Berelc as Meghan, Jonathan Daviss as Elliot, Austin Abrams as Max, Alisha Boe as Tara, and Maia Reficco as Montana in Do Revenge. Cr. Courtesy of Netflix © 2022.

That’s also not the only occasion of Do Revenge attempting to say something bigger than the film it is. The film often seems like a surface-level dark comedy and I’ll leave it up to you to decide whether or not it’s successful in delivering its messages. The themes of race, class, identity crisis and misogyny are all sitting there for the taking, yet Do Revenge doesn’t do strong politics. And hey, who am I to judge? Politics and art don’t always have to be forced together but all I’m saying is if you can’t handle the heat, why are you in the kitchen?

The final twist occurs after what seems to be the resolution of the film feels like a desperate swing back to the anti-misogyny rhetoric that’s far too black-and-white to be taken seriously. Add to the fact that none of these characters are particularly likable (I doubt any of these characters would consider themselves a “particularly ethical person,” as Patrizia Reggiani said in House of Gucci) and it makes it hard to root for anyone. And yes, I know that the characters being unlikable is partly by design, but it doesn’t work for the same reason a heel vs. heel match in professional wrestling rarely works: Who do you root for? The charisma of Mendes and Hawke makes the film watchable; that doesn’t make their characters likable.

There are also quite a few twists and turns that come into motion in the second half. Not to be that guy, but it’s about as obvious as the twist of Don’t Worry Darling and I figured it out from the first conversation between a certain two characters (you can check my notes if you don’t believe me). And I’m no genius, it just requires the slightest bit of attention in the first 20 minutes of the film. And while I’m not expecting the true-to-life realism of a documentary with a film like Do Revenge, the film goes to Promising Young Woman-levels of ridiculous contingency plans.

(L-R) Rish Shah as Russ and Camila Mendes as Drea in Do Revenge. Cr. Kim Simms/Netflix © 2022.

It’s clear that Do Revenge owes a lot to high school films that have come before such as Clueless and Mean Girls. On top of the voiceover dialogue that is sprinkled throughout, the soundtrack filled with modern pop is aided by newer artists that fit the themes of the film. There is some crossover — both Clueless and Do Revenge use “Kids in America,” but I think we could retire this one — but Do Revenge features the likes of modern-day bangers like Olivia Rodrigo’s “brutal” and MUNA’s (feat. Phoebe Bridgers) “Silk Chiffon” also make an appearance in the film (tempting me to give the film an automatic five stars). The song choices are perfect for the overly-dramatic and very sensitive Gen Z population.

To end on a positive note, Do Revenge far exceeds Bodies Bodies Bodies‘ usage of Gen Z verbiage. I love the latter even more than this film, but the duo of Jennifer Kaytin Robinson — who also directed the film — and Ballard make the dialogue work for the most part. It’s balanced and not too on the nose. Best of all, they don’t throw the word “triggered” into random sentences, and when terms like that are used, it has a cheekiness to it that you can feel — slightly healing the inevitable cringe caused by hearing Gen Z’ers speak.

I don’t want this review to sound overly negative because don’t get me wrong, I enjoyed Do Revenge. I’m willing to let a lot of nitpicks go but I almost wish the film committed to its best variable: Maya Hawke and if it was a tad bit shorter. The second half picks up the pace a bit but suffers from overstuffing and trying to be one step ahead of its audience. It fails on both ends but remains one of Netflix’s better original films and is exactly that: original.

Do Revenge is streaming on Netflix.

FILM RATING

Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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‘Tell That to the Winter Sea’ Review | A Heartfelt Exploration of Love and Friendship with Outstanding Performances by Greta Bellamacina and Amber Anderson

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Tell That to the Winter Sea
Greta Bellamacina and Amber Anderson in a still from 'Tell That to the Winter Sea' (Kaleidoscope)

It takes time to understand that life is all about learning, growing, and changing. It’s about heartbreaks and dealing with them. Every stage brings new challenges and makes you think if you’ll ever reach your desired destination. In Jaclyn Bethany’s reminiscent drama, Tell That to the Winter Sea, this sentiment is distinctly captured through the touching journey of two characters, Jo (Greta Bellamacina) and Scarlet (Amber Anderson), who find themselves grappling with unresolved pasts.

There have been several movies around female friendships or relationships, but only a few have captured their essence, and Tell That to the Winter Sea is among them. The profoundly moving film starts with bride-to-be Jo (Bellamacina) reading a book while waiting for her school-time friend and first love, Scarlet (Anderson), on a girls’ trip to a country manor. Soon, we get to know that this trip is meant to celebrate Jo’s upcoming marriage. However, as soon as they meet, this trip becomes a moving journey of emotional discovery and unresolved feelings. Even with the festive atmosphere created by the rest of the group, Jo and Scarlet can’t help but deal with the lingering feelings from their shared past.

Tell That to the Winter Sea

Greta Bellamacina as Jo in a still from ‘Tell That to the Winter Sea’ (Kaleidoscope)

Directed by Jaclyn Bethany, the movie does a magnificent job of navigating the delicate terrain of past and present emotions through the eyes of its central characters. One of the primary reasons why this movie feels so personal is because of how authentic it looks. In many ways, we have endured heartbreak in love. Sometimes, we move on, but other times, we keep looking for answers by revisiting those moments. In Tell That to the Winter Sea, both central characters try to show that they have moved on, but in reality, it’s just the opposite and Bethany shows that with utter precision. Meanwhile, the script is a delicate blend of heartfelt dialogue and introspective moments. It’s fair to say that the script is the soul of this powerful drama. The writing shines in its ability to convey the unspoken and unresolved feelings between Jo and Scarlet. Their interactions are loaded with a glaring sense of nostalgia and unspoken yearning, capturing the beautiful essence of what it means to reconnect with your first love after years apart.

Another stunning aspect of the movie is its mesmerizing cinematography. The beautiful frames wonderfully complement the emotional landscape of the story, making the viewers feel like they are a part of the characters’ journey.

Acting-wise, both the film’s central characters are extraordinary in their respective roles. Greta Bellamacina as Jo is breathtaking as she brings a deep emotional resonance to her character and magnificently captures the complexities of love, friendship, and personal growth. One of the most striking things about her performance is how she makes viewers feel about her internal conflicts and struggles. It feels so real, raw, and authentic. She is truly one of the finest actors we have in the industry now. Meanwhile, Amber Anderson shows a wide emotional range and effectively portrays the complexities of her character’s feelings and experiences. Her performance feels deeply connected to her character’s past and present, making the audience empathize with her journey. The chemistry between both stars is mesmerizing, making their shared moments both powerful and poignant.

Tell That to the Winter Sea

Amber Anderson as Scarlet in a still from ‘Tell That to the Winter Sea’ (Kaleidoscope)

The supporting cast – Josette Simon, Jessica Plummer, Tamsin Egerton, and Bebe Cave – is equally compelling and adds depth to the story.

Overall, Tell That to the Winter Sea is a beautifully crafted film that offers a heartwarming and introspective look at love, feelings, and friendship. The film explores themes of the passage of time, and the bittersweet nature of moving forward is handled with a sensitive approach. It is a deeply affecting and memorable cinematic experience. For those who appreciate a thoughtful and emotionally resonant film, Tell That To The Winter Sea is an immersive watch.

Tell That to the Winter Sea will be released in UK theatres on May 31.

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Comic Book Movies

X-Men ’97 Review | Nostalgic, Epic & Marvelous!

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X-Men '97 (Disney)

Get ready for action-packed adventure, many surprise cameos and a storyline that takes

Plot

A band of mutants use their uncanny gifts to protect a world that hates and fears them; they’re challenged like never before, forced to face a dangerous and unexpected new future.

X-Men ’97 (Disney)

Review

X-Men ’97 is a revival of the classic 1990s animated television series. The storyline picks up directly after the events of the original series, maintaining continuity and preserving the beloved elements that made the original a hit show back in the day. Many of the original voice cast members have returned, including Cal Dodd as Wolverine, Lenore Zann as Rogue, George Buza as Beast, Alison Sealy-Smith as Storm and Adrian Hough as Kurt Wagner/Nightcrawler, which adds a layer of originality and contributes to the overall nostalgia of the television show​. Here I’m feeling like a little kid again, watching the show on a Saturday morning. I was 7 years old when it was on television in the early mornings, and it still brings back fond memories.

There were a number of new stars who joined the show such as Ray Chase who replaced Norm Spencer as Cyclops, Jennifer Hale who replaced Catherine Disher as Jean Grey, Holly Chou who replaced Alyson Court as Jubilee, A.J. LoCascio as Gambit, Matthew Waterson as Magneto, J.P. Karliak as Morph, Isaac Robinson-Smith as Bishop, Ross Marquand as Professor Charles Xavier and Gui Agustini as Roberto da Costa/Sunspot.

X-Men ’97 (Disney)

The series starts off in a world where the X-Men grapple with the loss of Professor Charles Xavier. Amidst all the chaos and uncertainty, Magneto rises to the occasion and becomes the new leader of the X-Men. This provides additional drama and the team dynamics is frequently tested with the new leadership. While dealing with the new leadership dynamics the X-Men finds themselves still dealing with people who would stop at nothing to end all mutants. The storyline doesn’t hold back on the action sequences and themes such as grief, loss and acceptance are touched on throughout the series.

The trailer of the show doesn’t spoil anything for the viewer, and I highly encourage you to watch every intro and try to spot any new changes. The show provides many cameos and easter eggs, keeping my hopes alive of a potential crossover.

The story ends with a twist, leaving you hungry for the next season, and as any Marvel movie or television show would have it, a mid-credits scene to whet your appetite for what’s to come. If you are new to X-Men you can still jump in and watch the television series, but I highly recommend watching the original series to get you up to date with most of the lore and history of the X-Men.

X-Men ’97 keeps the legacy of our favorite mutants alive with a well-written story that is filled with emotion, surprises and promises of more adventures.

Thank you Beau DeMayo for an eXcellent story! I rate this show a 5 out of 5!

Will we skip the intro song? No! I don’t think we will. Make sure to catch the show on Disney Plus!

https://youtu.be/mp1Pax-QHlA?si=-fFlVYBRIPnLQyVO
X-Men ’97 Final Trailer (Marvel Entertainment)

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‘The Present’ Review | A Heartfelt Family Adventure with a Magical Twist

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The Present
A still from 'The Present' (The Movie Partnership)

In the heartwarming film ‘The Present,’ a young boy stumbles upon a mysterious grandfather clock with the extraordinary ability to transport him through time. Driven by the hope of reuniting his parents, he embarks on a magical journey with his siblings to prevent their family from falling apart. As they face challenges together, they discover the enduring power of love and the true meaning of family.

Over the years, we have seen a lot of time-travel movies, but ‘The Present’ is a bit different from those movies. It’s not about saving the world and defending the universe from aliens. It’s all about keeping a family together and feeling loved again. In Christian Ditter’s cute romantic-comedy film, we see Jen (Isla Fisher) and Eric (Greg Kinnear) having a dinner with their three children: Emma (Shay Rudolph), Max (Mason Shea Joyce), and Taylor (Easton Rocket Sweda). However, things go downhill when the parents announce that they are separating. The next day, an old clock that used to be in Eric’s father’s house arrives at their house and they decide to keep it in their basement. Something is written on the clock, and it reads, “This clock can help you now and then, but only you can change events.” Soon, Taylor finds out that the clock can be used to time travel and alter events. As a result, he stitches a plan, along with his siblings, to bring their parents together.

Shay Rudolph and Easton Rocket Sweda in ‘The Present’ (The Movie Partnership’

The enchanted grandfather clock is a delightful narrative device that immediately draws the audience into a world where the impossible becomes possible. Who wouldn’t want to turn the clock back and alter certain events? The clock, intricately designed and exuding an air of mystical antiquity, serves as both, a literal and metaphorical centerpiece for the story. However, the movie is not just about the clock or what it does, it is about the extreme lengths children can go to restore their family. The themes of love, forgiveness, and the passage of time are woven throughout the film, offering moments of reflection and emotional resonance. The makers have subtly shown how challenging it can be to mend things, emphasizing the importance of understanding and empathy within familial relationships. Certain moments in the film would surely encourage you to let your family know how much they are valued.

Writers have done a great job in stitching a story that’s not complex. Everything that takes place in front of our eyes is neither flashy nor over the top, which makes the movie even more relatable. However, certain elements could have been infused to make the script even better. We could have seen a bit more emotional turmoil between the central pair to have a better idea about their state. On the other hand, the relationship between Jen and the kids should have been explored a little more. Apart from that, there are pacing issues in certain scenes, which could have been mended with tighter editing. Despite these shortcomings, ‘The Present’ is a charming film that offers a warm and engaging experience.

Isla Fisher and Greg Kinnear in ‘The Present’ (The Movie Partnership)

Acting-wise, Isla Fisher and Greg Kinner are splendid in their respective roles. Both actors are fully committed to their roles and don’t miss a beat. Fisher has evolved as an actor and it would be a travesty if we don’t see her healing a big blockbuster soon. The young cast delivers commendable performances, particularly Mason Shea Joyce, whose wide-eyed innocence and determination drive the film forward. Meanwhile, Shay Rudolph is as wonderful as Emma. The chemistry between the siblings feels genuine, their camaraderie reflecting a realistic portrayal of sibling dynamics.

Overall, ‘The Present’ succeeds in delivering a touching, family-friendly adventure. Its enchanting premise, mixed with heartfelt performances, makes it a worthwhile watch, especially for families seeking a film with positive messages.

‘The Present’ hit UK cinemas on May 24.

 

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