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I Love My Dad Review | Patton Oswalt Catfishes His Son in a Story Too Weird to Be True (But It Is)



On paper, a movie about catfishing (albeit your son) in the age of social media sounds brilliant. We live in an age where it’s very easy to make yourself appear however you want to on social media and dating apps. That’s the concept that James Morosini attempts to capitalize on in his love letter to his actual dad, I Love My Dad. But for all of the good intentions, Morosini’s film, unfortunately, comes off as cringy more often than not in the same way that Fortnite was in Avengers: Endgame. You can’t say the effort isn’t there; Patton Oswalt goes for it in a role that sees him as a father catfishing his own son. Yes, you read that right.

To be fair, this isn’t the first time that a Patton Oswalt character has catfished someone he knows. In a brilliant episode of the King of Queens, Spence (Oswalt) is told that he’s the victim, not the prankster, by Doug (Kevin James) and so Spence poses as an anonymous admirer of Doug’s “karaoke skills” at the local bar, flirting with Doug and boosting his own ego. I Love My Dad, as mentioned, follows Chuck (Oswalt), the classic distant father who can’t make graduation, claims anything mom says is untrue, and cannot make vacation due to “fake” airline tickets, who takes a passing comment about social media stalking a bit too far from his friend Jimmy (Lil Rel Howery). After encountering a lovely young waitress named Becca (Claudia Sulewski) at a rinky-dink diner, Chuck begins chatting with his son Franklin (Morosini) as Becca.

It should also be mentioned that Franklin is struggling with mental health problems, but the time you spent reading that statement is roughly as long as the film itself hones in on it. The film really struggles to juggle actually speaking about mental health in favor of its contrived plot. When we first encounter Franklin, he’s just graduating from therapy and he’s shown to struggle with suicidal thoughts. That alone and social media are a recipe for disaster but a disaster that is prevalent in 2022.

A still from I Love My Dad courtesy of Magnolia Pictures.

And yes, I’m aware that there wasn’t an Avengers-sized budget for I Love My Dad, but the 90-minute runtime is both a blessing and a curse. It makes the film digestible, yet, it feels like a portion of the story is missing. Those examples above of Chuck failing as a father are all used in the form of voicemail messages played over the opening credits. It’s clear that Chuck wasn’t a great dad, but the film doesn’t really show that outside of the opening where Chuck gifts Franklin a lost dog (we see him tear down a sign for it) and when he spams his son with messages like Peter Parker did to Happy at the beginning of Spider-Man: Homecoming.

Chuck’s whole facade that he maintains throughout much of the runtime is also very frustrating. I get that I Love My Dad is going for the uncomfortable humor, but there is a limit to how far that can go (Chuck actually “sexts” his son while in the same motel room as him). And the fact that Franklin blindly falls for Becca — a woman he’s never actually spoken to — and believes every excuse in the book that is used to not speak to him over the phone really begs the question: How horny is Franklin?

Gen Z’er here talking, but in 2022, does an attractive girl with zero followers, a brand new account, and who can’t ever call or video chat sound at all suspicious? These are thoughts that Franklin should have had, and I guess to be fair to the film, thoughts he does have for a hot second, yet the “relationship” between Becca and Franklin gets way too far way too fast. And if you’re Chuck, how do you not see the card tower getting way too high? Yes, this is the only source of connection that he’s had with his son in years, but I don’t know how it gets to the point of Franklin and Becca organizing a meetup.

A still from I Love My Dad courtesy of Magnolia Pictures.

I realize that nitpicking a film that is telling, what I assume to be, a larger-than-life adaptation of a true story between Morisini and his real-life father, but the most egregious thing that Chuck does is let the whole thing go to the point that Franklin believes that he’s going to go on a date with Becca and actually goes to Maine to see her (another weird coincidence that he overlooks). Even if Chuck somehow let this messy situation reach the point of organizing a meetup, there’s one very simple solution for that: Take Franklin to the agreed-upon location, have him get stood up, and watch as it fizzles out. Is that really that hard?

Look, it’s no secret that Franklin is portrayed as a bit of an awkward kid, but what about his relationship with Becca would insinuate that he is in a real relationship? The two haven’t even met in person yet. I mean, I did the same thing when I was in sixth grade, but Franklin is supposed to be a bit older than that. While his age is never specified, you imagine he’s in high school or maybe college, but either way, he should be a bit smarter than that and realize it’s not quite a relationship yet.

It’s admirable of James Morisini to want to direct, write, and act in I Love My Dad — especially given the embarrassing subject matter — but let’s get the elephant in the room out of the way: He’s way too old to play this character. Unfortunately for him, he’s no Cooper Raiff — one of Hollywood’s best up-and-coming directors who has shown the ability to wear all of the hats Morisini does here. But the biggest difference between the two is that Raiff writes himself characters that are roughly the same age as is — spoiler alert: not high schoolers — and Morosini looks even more like a 30-year-old man (he’s 32) than Ben Platt did in the film adaptation of Dear Evan Hansen.

On the subject of Dear Evan Hansen, whose film adaptation would be a heaping pile of dog crap if not for Kaitlyn Dever and one of Platt’s songs, it’s not like Morosini has a tie that attaches him to the character of Franklin aside from the fact that it was written from a real experience of his. But since the film doesn’t even use his (and presumably his father’s) real name, why couldn’t he entrust the role in the hands of a better (and younger) actor? Like it or not, Platt at least had the excuse that he played the titular role of Evan Hansen on Broadway and knows the songs like the back of his hand. Morosini, on the other hand, (mercifully) has no songs (aside from one karaoke song) that tie him to the role, leaving him singing in the wrong key that a younger actor could have hit the notes of.

To be completely honest, it’s hard to see how a story like I Love My Dad‘s has a happy ending. In real life, Morosini and his father have connected and have a relationship stronger than ever, but this hyperbolic version of their story won’t have you rooting for such an ending. As you’d imagine, the catfishing scheme comes to a head and reaches a boiling point where all of the dirty laundry is aired. The film should have ended there, but instead, it goes for a cutesy ending that is very strange. One can only assume that this ending was squeezed in to show that Franklin actually does have some sympathy and love for his father.

But even if Morosini and his father are close today, I guess the overarching question I have is: Why would you want to share this story with the world? Sure, everyone needs to be able to laugh at themselves here and there and take life a little bit less seriously, but I thought that was referring to the times you tripped in front of your crush or had to awkwardly converse with the cashier after your mom ditched you in line to grab an extra half-and-half, not a time where you got catfished by your own father. Neither guy looks great in this situation, and I guess Morisini deserves some credit for telling this story to a mass audience.

A still from I Love My Dad courtesy of Magnolia Pictures.

But to end on a note that is somewhat positive, Patton Oswalt deserves praise for going for it in his performance. It’s not as if this is Oswalt’s first rodeo and the first time he has been okay with his character being the butt of jokes or dorky — those are practically his only character traits in the King of Queens — but I don’t think I could be paid enough to do some of the things Oswalt has to do in this film (hence the reason I’m the one writing about this film and Oswalt is being paid to star in it). Oswalt’s King of Queens co-star Rachel Dratch plays Chuck’s girlfriend in I Love My Dad. Her character doesn’t go much further than serving the sane voice of reason that questions Chuck’s actions, but it’s just nice to see the two on screen together again.

Maybe I Love My Dad will make you look a little bit harder at your next follow request, but it’s telling when the most relatable part of the film was Chuck’s theory about your car’s check engine light, which is that they are put in by manufacturers so that you take it into the shop and have to spend money. And again, while it’s great to make art for someone that means a lot to you, is this really a story that you would want to share with the world? I Love My Dad struggles with balancing serious subject matter with a laughable portrayal of catfishing leaving you, the viewer, feeling like you have been catfished into watching it.

I Love My Dad is available on Blu-ray, DVD and digital platforms now.


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Arthur the King is an Epic Masterpiece



Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.


Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

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A Must-See Satanic Panic Horror – Late Night With the Devil




Written and directed by Cameron Cairnes & Colin Cairnes, Late Night With the Devil follows a late night TV host Jack Delroy, fighting the plummeting viewership of his show by welcoming in people from the occult in order to change that, but of course, everything doesn’t go as smooth as planned.

David Dastmalchian as Jack Delroy Late Night With the Devil (2023)

David Dastmalchian has appeared in a lot of films however always in smaller roles including The Dark Knight, Prisoners and more recently The Suicide Squad. This film allows Dastmalchian to take on the lead role of Jack Delroy, the host of the late night show at the centre of this film, and he genuinely does a great job. There’s a real range of emotions which his character goes through during the course of this film and he depicts them so well.

If you’re a fan of the horror genre, you’re going to really appreciate the use of practical effects in this. There’s plenty of stretchy and gooey gore for all of the horror fanatics that will have you shouting at the screen. 

From left to right: Laura Gordon, Ingrid Torelli, David Dastmalchian, Ian Bliss

If you want to hear my full thoughts, check out my review over on YouTube and let me know your opinions in the comments.

Late Night With the Devil will be released in cinemas from 22nd March and on Shudder on 19th April.

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‘I Love You, Guys’ Review | A Poignant Exploration of Celebrity Vulnerability and Human Resilience



We are living in an era where celebrities are worshipped like deities and sometimes, people forget that he or she is also a normal human being. If we feel happy or sad at certain moments, they do as well and even though a lot of people always surround them, they get vulnerable too. Although a lot of filmmakers forget to show that aspect of their lives, Billie Melissa Rogan takes the bold approach of showing the truth. Her directorial debut, ‘I Love You, Guys,’ is a poignant story about a celebrity fighting her inner self to maintain her celebrity image. The result is a stunning piece of art that resonates long after the end credits roll in.

The short film opens with a profound close-up of the young singing sensation named Sky (Becky Bush). She has made a name for herself by making and singing really exceptional songs. As a result, she is adored by her fans. Even though it feels like Sky has everything she wants, viewers see her submerged in a bathtub as she tries to battle her anxiety. Just then, Sky gets a phone that she’d be performing state-side. Now, that’s where we get to know about her vulnerable state for the first time. Although she says that she is really happy with the above-mentioned news, her face tells a different story. Despite her impending stardom, Sky has not started to feel the massive weight of mounting pressure, a sentiment audiences get to see in her conversations with bandmate Ryan (Pedro Leandro) and girlfriend Taylor (Celi Crossland).

Becky Bush in a still from ‘I Love You, Guys’ (Jumpcut Studios)

As the story moves forward, we get to know that ‘I Love You, Guys’ is about the fragile nature of the human spirit as much as it is about celebrity culture. It not only navigates themes of depression, it also highlights the turbulent emotional journey of Sky. One of the best aspects of the film is how Rogan masterfully brings Cory Varney’s screenplay to life. She managed to capture every minor detail of Sky’s emotions with utmost precision. Despite the fact that it is her first-ever film as a director, we get a sense that we are watching a flick helmed by a seasoned filmmaker.

Another aspect that makes this film such a compelling watch is its cinematography. Jenni Suitiala has done a phenomenal in showing expressions through vibrant colors and Rogan has made full use of the settings to give viewers a visually striking film. Whether it is heated arguments or silent moments of despair, each frame feels authentic and draws audiences into Sky’s personal life.

Apart from Rogan’s direction, Varney’s script is this film’s biggest strength. The writer has undoubtedly done a stunning job of showing the humanity of these characters. There’s a reason why Sky’s struggles feel very personal and it is because we have endured such moments in life. Moments where we doubt ourselves even when we know we are more than capable of doing a particular thing. Not every smiling person is happy. Sometimes he or she is smiling just so that no one finds out about the tough times they are going through.

A still from ‘I Love You, Guys’ (Jumpcut Studios)

Acting-wise, Becky Bush has given a performance that is surely going to open several doors for her. She delivers a magnificent performance by infusing Sky with a beautiful balance of vulnerability and strength. The way she manages to convey an innumerable amount of emotions is spectacular. I believe this is one of the most apt depictions of mental turmoil. Meanwhile, Pedro Leandro and Celi Crossland are just as spectacular. Every interaction between the characters feels genuine and nuanced.

All in all, ‘I Love You, Guys’ is a testament to how resilient a human spirit can be. In just 15 minutes, Rogan, Varney, and Bush take viewers on a journey that’s thought-provoking and talks about a subject that no one talks about. The writing, direction, and performances achieve a lot more than just viewers’ attention. The film offers a compelling examination of the human cost of pursuing fame and success. A poignant story that touches on themes of ambition, relationships, and self-discovery.

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