Reviews

Don’t Make Me Go Review | A Touching Father-Daughter Roadtrip That Hits a Flat in its Third Act

Published

1 year ago

July 13, 2022

I was really pulling for Don’t Make Me Go as the third act approached. I had seen some gripes with the cute father-daughter road trip drama prior to watching it myself, and while I go into every film with an open mind, Don’t Make Me Go does away with a really solid hour and a half before crumbling in its third act. Stellar, and I mean stellar performances from both John Cho and Mia Isaac are a good enough reason to watch the film, but it’s a film that tries to do too much in its third act, resulting in a film that tries to have it both ways with a twist and a nice, Hollywood ending. Unfortunately, it doesn’t really succeed in either.

Max Park (John Cho) is a single father with a teenage daughter named Wally (Mia Wallace). The latter is at the age where she is keener on sending spicy pictures to her boyfriend Glenn (Otis Dhanji) than taking pictures with her own father; going to high school “hangouts” which are basically three guys and their “dates” sitting on a couch, eating pizza, and playing Super Smash Bros. But while there are serious matters happening with Max, Wally is caught up in her world, dealing with all of the typical teenage problems like drinking, pimples, and sex.

MIA ISAAC and JOHN CHO star in DON’T MAKE ME GO. Photo: GEOFFREY SHORT © AMAZON CONTENT SERVICES LLC

After Max discovers he has a terminal disease, he attempts to take Wally on a road trip to find her estranged mother, only he frames it as a trip to his college reunion which I guess is a means to an end of finding her. As you’d expect from a teenager that wants to hang out with her 5’4″ boyfriend, Wally responds with a perfect line that encapsulates teenage angst: “As long as you’ll accept that I’ll be miserable the whole time.” So, the two embark on their cross-country road tripwhere Max does his best to prepare his daughter for a potential future without him and enjoy what could be some of their final memories together. Some of these memories include letting Wally drive on a road filled with drivers that have the emerging skills of a Pennsylvania driver and going to a casino, teaching Wally to bet on herself; a theme typically reserved for the latest Hallmark schlock that is critical to making the ending make any sort of sense. But my biggest concern was how Max was able to not only bring Wally into a casino but have her play the games.

It’d be a great disservice to start anywhere other than Mia Wallace; who’s having quite the summer. With scene-stealing performances in Don’t Make Me Go and Searchlight’s Not Okay — out later this month — Wallace has proved herself to be a name to keep a close eye on. For some parents, Wallace’s performance as Wally could be seen as grating, and I’d understand that. Wally is a teenage girl going through troubles that seem so trivial like the boyfriend who only cares about receiving attention and not having her license. Worst of all, Wally is still at the point in her life where the world still revolves around her and she is unable to see the perspectives of others. But being that I”m closer to being a teenager than a 40-year-old parent, Wallace’s performance is one that I can digest and appreciate as I’ve also dragged my feet while my parents tried to get me on a trip or was embarrassed to no end by them in public.

JOHN CHO and MIA ISAAC star in DON’T MAKE ME GO. Photo: GEOFFREY SHORT © AMAZON CONTENT SERVICES LLC

John Cho stars opposite Wallace as Max, Wally’s father. Even if he’s not a perfect parent — the more you learn about him, the more the cracks show — he’s doing his best. It’s clear that Max is trying, but he’s left making tough choices that anyone would struggle with. Do you get the surgery that could potentially kill you mid-procedure? Or do you just live out the year (or less) that you have? Neither choice is particularly exciting, and Max spends a lot of time preemptively preparing his daughter for life after him without blatantly telling her. Can you imagine having to face that while keeping a brave face?

But while that choice is excruciatingly tough, that’s where the film stumbles. The first hour and a half or so are nearly perfect; it’s a poignant road trip film that connects the father and daughter with a backdrop of mortality. Don’t Make Me Go takes a quick turn that goes for a twist that is poorly executed. A character even gives a monologue where it feels like the director’s attempt at lessening the blow by acknowledging the anger the twist may leave you with, “I said you weren’t going to like the way this story ends,” and that is exactly right; I hated how this story ended.

It’s not as if the twist had no previous precedent to happen; it’s just such a curveball that is too jarring to throw in with the amount of time remaining. Now, director Hannah Marks and screenwriter Vera Herbert take a big swing, and I can applaud them for that. But not every hit is a home run, and this film would’ve been far more satisfying with a safe single.

80% of Don’t Make Me Go works, it really does, but that ending just drops the ball and will leave you with a bad taste in your mouth like the gas station nachos I used to get when I would go on a road trip. Simply put, the twist lessens the emotional impact that the rest of the film had. Plenty of the film will have you ready to take the tissues out; but then that happens and you’ll be so distracted by your confusion and disappointment that you’ll forget what had previously happened that was oh so good. It truly separated Don’t Make Me Go from being up there with some of my favorite films of the year even despite the best efforts of John Cho and Mia Wallace who have impeccable chemistry. If you read this and are still searching for a reason to watch the film, I’d bet my chips on those two.

Don’t Make Me Go will be available to stream on Prime Video on July 15.

FILM RATING

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Andrew Korpan

Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Reviews

Sung Kang’s ‘Shaky Shivers’ is a Campy Horror-Comedy With Superb Performances

Published

15 hours ago

September 21, 2023

Aayush Sharma

Brooke Markham and VyVy Nguyen in 'Shaky Shivers' (Cineverse)

If you thought that Sung Kang can only thrill you with amazing car stunts, then you are wrong. The acclaimed star is set to take you on an entertaining ride with his directorial debut titled ‘Shaky Shivers’.

The latest horror-comedy film marks the feature directorial debut of Sung Kang, renowned for his roles in the ‘Fast & Furious’ franchise and several other big projects. The movie stars Brooke Markham and VyVy Nguyen, with an ensemble cast including Jimmy Bellinger, Erin Daniels, and Herschel Sparber.

A still from ‘Shaky Shivers’ (Cineverse)

From the very beginning, ‘Shaky Shivers’ grabs hold of your attention with the comedic chemistry between lead actresses Brooke Markham (Lucy) and VyVy Nguyen (Karen). Their hilarious banter and dynamic friendship draw you into their world of magic, mayhem, and monstrous encounters. While a few other characters make appearances, the heart of the film rests on the shoulders of Karen and Lucy, whose relatable and believable friendship makes the story even more bewitching.

One of the best aspects of the film is how Sung Kang skillfully directs the title despite limited cast and limited settings. It still manages to keep audiences engaged and entertained. Kang also pays homage to classic horror films like ‘American Werewolf in London’ and injects fresh energy into the scenes while showcasing his comedic flair.

A still from ‘Shaky Shivers’ (Cineverse)

If you are one of those who enjoy unapologetically goofy and fun movies, ‘Shaky Shivers’ is undoubtedly a fun watch. Embracing its campiness, the film doesn’t try to be anything other than an enjoyable ride filled with supernatural elements. The characters have a helpful book of spells that they use to solve problems, which adds a clever and funny element to the story that will make you laugh..

While categorized as a horror-comedy, ‘Shaky Shivers’ leans more towards comedy than horror. However, don’t worry, as the supernatural beings like werewolves, zombies, and witches make their presence known throughout. The practical effects and impressive monster makeup, reminiscent of old-school horror flicks from the 70s and 80s, immerse you in a world of creatures and enchantment.

A still from ‘Shaky Shivers’ (Cineverse)

The plot of ‘Shaky Shivers’ escalates in an exciting and compelling manner, filled with unpredictable twists and goofy surprises. While it may not leave you terrified, the perfect blend of supernatural ambiance and comedic moments guarantees plenty of laughter and enjoyment.

In conclusion, ‘Shaky Shivers’ is a must-watch horror-comedy that delivers on laughs, friendship, and supernatural encounters. With its engaging storyline, talented cast, and Sung Kang’s impressive directorial debut, the film is a delightful addition to the genre. So grab a large tub of popcorn and take your family for this fun-filled ride.

FILM RATING

Reviews

Sex Education Season 4 is a Spectacular (and Overstuffed) Conclusion to One of Netflix’s Extraordinary Series

Published

23 hours ago

September 21, 2023

Aayush Sharma

Official posted of 'Sex Education' Season 4 (Netflix)

When the first season of Sex Education came out on Netflix in 2019, it felt pretty daring and exciting for everyone. While there were many shows about teenagers and sex, ‘Sex Education’ stood out because it talked about these topics openly and covered them in a pretty detailed manner. Without any guesses, the show became really popular and is now considered a classic on Netflix. For 3 long seasons, viewers have seen students of Moordale, and everyone around them, dealing with a lot of complications, but now, it’s time to say goodbye to some of our character as the Netflix series has returned for its fourth and final edition.

At the end of Season 3, Moordale Secondary School closed down. This means that Otis, Eric, Aimee, Jackson, Vivienne, Cal, and Ruby have to go to a new school, Cavendish Sixth Form College. Some of them fit in well, while others struggle. And while Otis tries to focus on his therapy work, he finds out that there are other young people who are experts on relationships and sex in town.

Gillian Anderson as Jean Milburn in ‘Sex Education’ Season 4 (Netflix)

One of the strengths of Sex Education is its diverse and inclusive representation. The show shines a light on various sexual orientations, gender identities, and cultural backgrounds, providing a platform for underrepresented voices. Season 4 continues to explore these themes, introducing new characters who add depth and complexity to the narrative. On ghe other hand, the only problem with Season 4 is that there are too many things going on at once. There are so many sub-plots that might distract you at times and make you feel that this story might have looked good if there was another season in pipeline.

Even then, the writing remains sharp and witty, creating relatable and genuine teenage characters who grapple with their own insecurities and desires.

Ncuti Gatwa as Eric Effiong in Sex Education Season 4 (Netflix)

The performances in ‘Sex Education’ Season 4 are consistently strong. Asa Butterfield brings vulnerability and charm to his role as Otis, portraying the character’s growth and maturity. Ncuti Gatwa shines as Eric, capturing both his strength and vulnerability as he navigates new relationships and personal challenges. Emma Mackey delivers a nuanced performance as Maeve, showcasing her character’s intelligence and emotional depth. Mimi Keene is stupendous as well and bring another layer to her character which was so nice to see. Meanwhile, Gillian Anderson does what she is best at: deliver another extraordinary performance.

Emma Mackey as Maeve in Sex Education Season 4. (Netflix)

On the other hand, Aimee Lou Wood continues to mesmerise us with her charm and simplicity. Directors should definitely look at her and give her a leading role soon because she deserves it. Another actor that is surely a star in the making is Anthony Lexa, who portrays Abbi in Season 4. Her performance adds an additional charm to the series and gives a hope to Trans actors that they can too achieve their dreams.

A still from ‘Sex Education’ Season 4 (Netflix)

The final edition tackles difficult topics with sensitivity and care, highlighting the importance of consent, communication, and understanding in relationships. The show’s ability to tackle these issues head-on without becoming preachy is a testament to its thoughtful storytelling.

While the final season of ‘Sex Education’ does have some pacing and narrative issues, the strength of the performances, the thoughtful exploration of important issues, and the show’s commitment to inclusivity make it a satisfying and engaging watch. It’s bittersweet to say goodbye to these beloved characters, but the legacy of Sex Education will undoubtedly leave a lasting impact on the television landscape.

Sex Education Season 4. (L to R) Mimi Keene as Ruby, Asa Butterfield as Otis in Sex Education Season 4 (Netflix)

In conclusion, ‘Sex Education’ Season 4 continues to deliver a standout and boundary-pushing narrative that explores sexuality, identity, and personal growth with humor and sensitivity. Despite some minor flaws, the show remains a shining example of inclusive storytelling and offers a heartfelt farewell to its beloved characters.

Some goodbyes are hard and this is certainly one of them.

FILM RATING

Reviews

Flora and Son is a Heartfelt Exploration of Family and Music

Published

3 days ago

September 19, 2023

Aayush Sharma

Eve Hewson and Oren Kinlan in a still from 'Flora and Son' (Apple TV+)

Flora and Son, directed by John Carney, tells the compelling story of Flora, a single mother struggling to navigate the challenges of parenthood and find her own identity. Starring Eve Hewson as Flora, the film dives into the complexities of motherhood, relationships, and the power of music in bringing people together. There have been a lot of musicals in recent times that take a very complex route in telling a story, but Flora and Son is a bit different than all of them. The story is really simple and that’s what makes the film such a treat to watch.

The movie opens with Flora enjoying a night out at a club in Dublin, only to end up in a disappointing hook-up. Flora’s life is far from perfect, as she grapples with her troubled teenage son Max (Orén Kinlan) and a less-than-supportive ex-husband, Ian (Jack Reynor). Flora’s interactions with Max are often tense, filled with sarcastic banter and strained attempts to connect with him. As a single mother, Flora faces numerous hardships and setbacks, leading her to doubt her own potential. Her attempts to do right by her son are often met with indifference or resistance. However, a pivotal moment occurs when Flora acquires a guitar for Max, unaware that it will have a profound impact on her own journey. Flora’s decision to learn to play the guitar leads her to Jeff (Joseph Gordon-Levitt), a songwriter and teacher based in California. Despite the distance between them, their connection is palpable, and through music, they bridge the gap. Jeff encourages Flora to embrace her creativity and express herself authentically, unlocking a passion she didn’t know she possessed.

Eve Hewson in a still from ‘Flora and Son’ (Apple TV+)

The performances in Flora and Son are exceptional, particularly Eve Hewson’s portrayal of Flora. She effortlessly portrays a range of emotions, from humor and charm to vulnerability and raw emotion. Hewson’s nuanced performance brings depth and authenticity to the character, making her relatable and captivating. It will be a travesty if she is not spotted by a big filmmaker and gives her a chance to lead another extraordinary movie. On the other hand, Joseph Gordon-Levitt is soulful and gives a performance that is really enchanting. The chemistry between Hewson and Gordon-Levitt, even through virtual interactions, adds an extra layer of depth to their characters’ connection.

Carney’s direction creates an intimate yet heartfelt atmosphere in the film. The use of music as a driving force in the narrative is a testament to Carney’s storytelling prowess, showcasing the transformative power of melodies and lyrics. One of the film’s strengths is its refusal to tie everything up neatly in a predictable manner. Instead, Flora and Son choose a more realistic approach, leaving some loose ends and logistics unresolved. This choice allows the characters to continue their journey of self-discovery, leaving viewers with a sense of hope and possibility.

Eve Hewson and Joseph Gordon-Levitt in a still from ‘Flora and Son’ (Apple TV+)

In conclusion, Flora and Son is a touching exploration of a single mother’s journey to find her voice, both as a musician and as a parent. With exceptional performances and a thoughtful narrative, the film resonates with authenticity and emotional depth. Carney’s direction and the film’s emphasis on the transformative power of music make Flora and Son a standout family drama. The simplicity and innocence is what makes it such a heart-warming watch. This film will make your heart sing.

FILM RATING