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Tribeca: Signe Baumane & Dagmara Domincyzk Discuss Their Collaboration on My Love Affair with Marriage

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Animation is a beautiful medium to explore various subject matters. Just look at what Signe Baumane has done with her feature films. Baumane is living proof that animation is not merely for kids, and it’s possible to fully tackle adult topics with the medium. My Love Affair with Marriage covers the life of Zelma (Dagmara Dominczyk) as she discovers what love truly is. If you’re anything like me, the film will make you rethink your own love life.


Coastal House Media: Could share the story of how the two of you guys started this collaborative relationship?

Signe Baumane: I wrote the script in 2015 and I knew that the actor who would be the main character would be like Atlas, holding the whole film on her shoulders because she had to cover all the ages, from age seven till age 29, and she had to be [the] voiceover [narrator] and she had to do dialogues and she had to be very versatile and very great actor and we were like. “Where are we going to find such an actor?”

And so, my partner Sturgis Warner, [who] was also [the] co-producer of the film and casting director, he set out to look through a lot of actors and I looked on the internet. He [Warner] also knows a lot of New York theater actors and he happened to see Dagmara [Dominczyk] in several shows years before and he wrote notes. He was like, “Oh, there’s like a model, Dagmara, and she’s amazing.” He looked high up and there she was. She had a video of herself, reading her book. The book, [is] a lullaby for Polish girls, and she had the reading in a Montclair Public Library. And when we started watching this video, I was just instantly captivated by her storytelling ability. Of course, the story she told us was very interesting, but [so were] her skills to tell the story. It transported me and that’s how we got our main actor.

Now the trouble was to [get in] contact [with] her, you know, because she’s not easy to be contacted but we managed. And so, we sent her the script, and then she said yes, and we were just beside ourselves, very happy. And I don’t know how it’s from Dagmara’s point of view, but when we started working on the making [of] the character, bringing [her] to life, that was a process. I think it was three days of rehearsal and talking and discussing the character, but what also helped was that Dagmara is Polish. [There were] a lot of things she knew without me having to tell her. So, Dagmara, what is your take on that?

Dagmara Dominczyk: First of all, [it’s] quite easy to find me easy and thank God for my broad, Polish, you know, Slavic shoulders, I guess. Yeah. Your up suit, your broad shoulders. They’ve been brought into my life.

SB: We should have sent you pigeon mail [laughs].

DD: I remember just getting the script from my agents and reading it and just being blown away. I knew it. I knew the characters, you know? There’s something about growing up behind the Iron Curtain, it does something to a person, a woman. And even though I had left early, I spent many years, every summer, with my grandmother, I had a very strong connection to my Polish heritage for good and bad.

I spoke the language in which Signa was telling this story and I thought it was like you said, very bold and very gritty and very “un-American.” And that appealed to me on many levels, culturally as a woman, as a writer, as a supporter of female artists, like every box was quickly checked and the idea of going to work and not having to wear makeup and just fucking showing up in my glasses, that was really nice, too.

SB: Yeah, I really liked working with Dagmara because it was like the discovery of the character, you know? You [Dogmara] knew her [Zelma], like, I could feel it. And then of course, when you had to do the other parts, like the voiceover parts that are kind of tricky, you know? And then also, one other thing that I forgot to mention, our actor had to have a sense of comedy and I thought you were spectacular. Like, [you had] the lightness, but you also got the drama and romance. You did amazingly well, and I heard your voice for seven years, you know? Because you don’t even remember what you did, but every day I would hear your voice. And every, every day I would be like, “I can’t believe how good you are.”

DD: After I said yes, I watched all the links to Signa’s work like Rocks in My Pocket and her series of short films about female sexuality and all that, and just was blown away. Even the art itself, [and] the animation brought back memories. I don’t know, it felt so familiar. And I did get that dark, morbid humor that we Eastern Europeans are famous for.

CHM: How does the recording process work on an animated feature? Are you (Signe), there with the actors?

DD: We were together with Sturgis [Warner]. I didn’t work with the other actors, but Signa and Sturgis were in the studio with me every day. I couldn’t do it without her.

SB: Something happened in 2017 before the pandemic so we could be friends all together at the same studio and be happy together and share lunches.

CHM: You’ve [likely] done animated projects before, but are there any challenges that come with voice acting for you, Dagmara?

DD: Well, I had recorded some audiobooks, a few novels; I think I did like four of them, so I like that. I enjoy it when your voice is your only instrument, you know? That’s challenging but exciting. And it was a very interesting process, to act almost in a void because you’re not reacting to the other actor in the studio.

So you really have to trust your director and the people with you there. I had more of an [easy time] when it came to the dialogues Zelma has than the narration. When I watched Rocks in My Pocket, Signa had narrated that, and she had this very lyrical, lilting, lovely accent; almost like she was telling a fairy tale. I maybe subconsciously decided to go with that to bring a little of her into my work. When I watched the movie, I said, “Oh yeah,” because I thought this is going to work this juxtaposition of a rolling, soft voice and all this fucking fucked up shit that happens to her. I think it works, but it wasn’t without its challenges. It was really exciting. And like, you felt alive because the challenge was to create a world when I didn’t have the animation [in front of me] and I didn’t have the other actors. All I had was the creator and she was there to answer every question and we would go back and forth about ideas.

SB: But Andrew also, Dagmara was the first kind of event of creating the character because when we edited her voice and then quoted other actors, higher voice acting was [the] basis for my animation. Like I animate the character and the voice informed me [of] the gesture, the expression, it was intuitive. Dagmara, it’s funny because it was my text, it was your voice, and then it became me animating like I was acting your voice, you know? It was a very collaborative, co-creation of the character [Zelma].

CHM: Could you guys name one strength that each of you brought to this project?

DD: I think we trusted each other, right, Signa?

SB: Yes.

DD: We didn’t know each other, but there was a trust.

SB: Trust is probably [a] very good word to describe it because we felt that we served the project; we served the higher purpose outside [of] me or you, you were there to build the character [and] to make her happen.

And there [were] like, no egos; nobody was trying to dominate anything. Like, any idea was welcome so we created it together. So I think the trust [is] probably the strength. But I’m also very grateful for Dagmara’s sense of humor, and likeness because the film is at times dark and I think that Dagmara is a special, super talent of lightness and humor, [and she] really served the project well.


My Love Affair with Marriage premieres at the Tribeca Film Festival on June 11. For more information, click here.

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Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Throwback to Comic-Con Cape Town 2024

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Jacques van Zyl at Comic-Con Cape Town 2024 at the Cape Town International Convention Centre

The annual Comic-Con Cape Town 2024 was a blast! Come join on me, Jacques van Zyl on a throwback to a very marvelous event!

Guests at Comic-Con Cape Town 2024

The local South African movie guests included Aidan Scott, Albert Pretorius, Alexander Maniatis, Arno Greef, Bianca Oosthuizen, Brett Williams, Celeste Loots, Chioma Umeala, Grant Ross, Langley Kirkwood, Leroy Siyafa and Theo Le Ray.

International stars who made a turn were Lesley-Ann Brand, Sean Gunn and Veronica Taylor.

Lesley-Ann Brandt is famous for her role as Mazikeen on Lucifer. Sean Gunn portrays the role of Kraglin in the Guardians of the Galaxy. Veronica Taylor does the voice of Ash Ketchum in Pokemon.

Lesley-Ann Brandt as Mazikeen in Lucifer (IMDb)
Sean Gunn as Kraglin Obfonteri (Marvel)
Veronica Taylor (IMDb)

Overview of Programme

The annual Comic-Con Cape Town 2024 ran from 27 April 2024 to 1 May 2024. Here follows a brief overview of activities that caught my eye during the convention.

Saturday, 27 April 2024

Veronica Taylor, Lesley-Ann Brandt and Sean Gunn was available for photos and autographs. The cast from the One Piece television series on Netflix had a discussion panel and a spotlight session was held on the latest Boy Kills World movie.

Boy Kills World Official Trailer (RoadsideFlix)

The following question for discussion was posed to our fellow comic book artists, “Is traditional comic book art dead?” A panel was held on the concept of investing in comic books versus buying just to collect.

Games, games everywhere at Comic-Con Cape Town 2024

The day ended with an amazing after-dark event, the Pokemon quiz.

Sunday, 29 April 2024

Gavin Thomson, a South African cartoonist shared some insight on how to bring life to cartoons and a panel of comic book writers came to share valuable insights on writing comics. A workshop was hosting on helping you deal with stage fright.

Monday, 29 April 2024

Horror Monday delivered a good scare with cosplayers dressing up as some of their favorite horror character. I came in early on the day to help with horror decorations at the main entrances. A discussion was held on how to write horror. One of the attendees who presented on this topic was Paul Blom who coordinates the annual South African HorrorFest.

Jacques posing with Paul Andre Blom

A quiz was held on the Conjuring Universe and a tutorial was offered on how to do your make-up for cosplaying as a horror character. The art of toy photography was one of the topics of the day. Sean Gunn and Veronica Taylor was around for more photos and autographs. The one discussion that caught my eye was on how artists can overcome artificial intelligence since most jobs are phasing in the use of artificial intelligence as a tool.

A movie screening was held on the movie Fried Barry.

Fried Barry Official Trailer (Shudder)
Some horror decorations
More horror

Tuesday, 30 April 2024

This day was called Pajama Tuesday and visitors could grab their favorite sleepwear for the day. A Harry Potter quiz was held to test the knowledge of fellow muggles and wizards and a disco party brought much needed entertainment. Veronica Taylor was back for more photos and autographs. A session was held to guide new and upcoming writers on the approach to follow when writing for different genres.

Wednesday, 1 May 2024

Paul Roos Orchestra came to open the day with amazing music.

Paul Roos Orchestra at Comic-Con Cape Town 2024

The One Piece cast and Veronica Taylor made a last turn for the day. A Disney quiz was hosted to test everyone’s knowledge about our favorite Disney movies and characters. Brandon Reynolds came to share insights on how to do a comic book strip at and helpful advice was shared on becoming either a scriptwriter for movies or a stunt professional. The concept of artificial intelligence was touched on since it is a tool that is also used for creating content.

Tabletop games, dungeons and dragon sessions, Pokemon card games, Yu-Gi-Oh and Star Wars Unlimited session took place everyday at the Tabletop Game area. Video games were also on offer throughout the week from racing to fighting games.

A mobile application was developed to help guide fellow comic-con fans throughout the journey. Maps were provided at the reception area as well which made the journey easy throughout the convention.

Cosplayers Galore!!!

I had the chance to catch a few photos with some of the cosplayers at the comic convention. Many of the cosplayers went to the next level with their outfits.

To me, my X-Men

Here I am posing with cosplayers who dressed up as X-Men. As a huge Marvel, and X-Men fan in particular, I couldn’t pass an opportunity for a photo.

X-Men Cosplayers at Comic-Con (Jean Grey, Scarlet Witch, Jacques, Wolverine, Cyclops)
Jacques and Rogue.
Wolverine and Jacques

DC

There weren’t as many cosplayers dressing up as our favorite DC heroes and villains. As usual Batman put crime-fighting aside for a week to surprise us at Comic-Con.

Batman (DC) and Jacques
Scarecrow (DC) and Jacques

Horror Monday

Lunchtime I disappeared into the crowd as Ghostface from Scream to take a few photos with some of the cosplayers embracing their favorite horror character. Many cosplayers decided to do Pyramid Head from Silent Hill and we saw Freddy and Jason also run around at the convention.

Pinhead (Hellraiser) and Ghostface (Scream)
Jacques and The Nun (Conjuring Universe)
Pyramid Head (Silent Hill) and Jacques
Jacques and Freddy Krueger (Nightmare on Elm Street)

We had other cosplayers who made a turn during the week. I found the Witcher, but sadly couldn’t toss a coin to him this time. I saw a few Mortal Kombat cosplayers as well. Even Tomb Raider decided to skip treasure hunting day and visit the convention.

The Witcher and Jacques
Round 1: Jacques versus Kitana (Mortal Kombat)
Round 2: Jacques, Raiden and Sonya (Mortal Kombat)
Jacques and Lara Croft / Tomb Raider

Comic-Con Cape Town 2024 was really amazing and I’m definitely looking forward to the next comic convention. The organizers went totally Super Saiyan with the programme and all the planned activities were next level.

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The Dive (2023) is a Claustrophobic Thriller | FrightFest

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Maximilian Erlenwein’s The Dive stars Billions’ Louisa Krause and Medieval’s Sophie Lowe. It follows two sisters May (Krause) and Drew (Lowe) as they go on their yearly diving trip off a remote coast. However, disaster strikes, and the sisters find themselves underwater when a rock slide occurs. May gets trapped under some of the rocks and must instruct Drew on how to get out of the situation. What follows is Drew needing to find a solution to rescue her sister, while her air is slowly starting to run out.

The Dive brings us a claustrophobic thriller that uses the real-time oxygen supply to keep us on edge. It gets to highlight how remaining calm is the best way to survive. The Dive uses the real-time situation to show the desperate measures Drew must go through to rescue her sister. Along with the obstacles that have now been placed in her way.

The Dive [credit Augenschein Filmproduktion]

The Dive gets to set the pulsing racing and the blood pumping even though the characters remain incredibly calm. This gets to explore the dangers of diving in remote locations without any added safety measures. The movie involves problem-solving and flashbacks to the sister’s childhood getting into the hobby. Louisa Krause brings an unbelievably natural calm to her performance. While Sophie Lowe shows us the inside panic she is dealing with.

Over the recent years, we have seen a lot of movies with somebody trapped in or on the water being hunted by a predator. In this movie, we get to keep the situation down to the accident and the idea of trying to figure out a way out of the situation. This creates an edge-of-your-seat journey that keeps us wanting to see the next challenge they are facing. Think 127 Hours meets 47 Metres Down and you know exactly what you are facing.

The Dive is tense, suspenseful and gets the blood pumping as we join the race to survive.

Rating 4/5

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Dune: Part Two Where Will The Anticipated Premiere Land?

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Dune: Part Two is one of the most hyped movie releases for 2023. The latest announcement from the project, is that it will not premiere at the Venice Film Festival, unlike the first movie. This is due to the Visual Effects (VFX) team needing more time, which has prolonged the initial release date. Originally scheduled for 20th October 2023, “Dune: Part Two” will now be released November 3, 2023.

Dune: Part Two will see the return of Timothée Chalamet, Zendaya, Rebecca Ferguson, Dave Bautista, Stellan Skarsgard, Josh Brolin, Javier Bardem and Charlotte Rampling. In addition to the new cast members Florence Pugh, Austin Butler, Lea Seydoux, Christopher Walken, and Tim Blake Nelson.

The immediate successor to the 2021 film, it will be the second installment of a two-part film adaptation of Frank Herbert’s 1965 novel Dune, and will cover approximately the second half of the book and possibly include aspects of Dune Messiah.

Dune 2021, Timothée Chalamet, Zendaya | Warner Bros. [Credit: Alamy Stock Photo]

The sequel will follow Paul Atreides (Chalamet) as he joins forces with Chani (Zendaya) and the Fremen to exact vengeance on the villains who murdered his family. Faced with a decision between the love of his life and the destiny of the universe, he attempts to avert a dreadful future that only he can predict.

Dune premiered at Venice Film Festival two years ago, followed by Toronto, New York and London Film Festivals. There is a possibility for the film to still premiere at other film festivals such as London Film Festival which will also run from 4th October to 15th October 2023. This also doesn’t mean the cast may not be present at the Venice Film Festival.

While Challengers starring: Zendaya, Mike Faist and Josh O’Connor directed by Luca Guadagnino announced a UK release on 15th September 2023,  the aim is perhaps do an initial premiere at Venice Film Festival. There is also potential of Wonka (2023) premiering at the Venice Film Festival despite the viral online leak of the trailer two weeks ago and announcing its UK release on 15th December 2023.

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