Animation is a beautiful medium to explore various subject matters. Just look at what Signe Baumane has done with her feature films. Baumane is living proof that animation is not merely for kids, and it’s possible to fully tackle adult topics with the medium. My Love Affair with Marriage covers the life of Zelma (Dagmara Dominczyk) as she discovers what love truly is. If you’re anything like me, the film will make you rethink your own love life.
Coastal House Media: Could share the story of how the two of you guys started this collaborative relationship?
Signe Baumane: I wrote the script in 2015 and I knew that the actor who would be the main character would be like Atlas, holding the whole film on her shoulders because she had to cover all the ages, from age seven till age 29, and she had to be [the] voiceover [narrator] and she had to do dialogues and she had to be very versatile and very great actor and we were like. “Where are we going to find such an actor?”
And so, my partner Sturgis Warner, [who] was also [the] co-producer of the film and casting director, he set out to look through a lot of actors and I looked on the internet. He [Warner] also knows a lot of New York theater actors and he happened to see Dagmara [Dominczyk] in several shows years before and he wrote notes. He was like, “Oh, there’s like a model, Dagmara, and she’s amazing.” He looked high up and there she was. She had a video of herself, reading her book. The book, [is] a lullaby for Polish girls, and she had the reading in a Montclair Public Library. And when we started watching this video, I was just instantly captivated by her storytelling ability. Of course, the story she told us was very interesting, but [so were] her skills to tell the story. It transported me and that’s how we got our main actor.
Now the trouble was to [get in] contact [with] her, you know, because she’s not easy to be contacted but we managed. And so, we sent her the script, and then she said yes, and we were just beside ourselves, very happy. And I don’t know how it’s from Dagmara’s point of view, but when we started working on the making [of] the character, bringing [her] to life, that was a process. I think it was three days of rehearsal and talking and discussing the character, but what also helped was that Dagmara is Polish. [There were] a lot of things she knew without me having to tell her. So, Dagmara, what is your take on that?
Dagmara Dominczyk: First of all, [it’s] quite easy to find me easy and thank God for my broad, Polish, you know, Slavic shoulders, I guess. Yeah. Your up suit, your broad shoulders. They’ve been brought into my life.
SB: We should have sent you pigeon mail [laughs].
DD: I remember just getting the script from my agents and reading it and just being blown away. I knew it. I knew the characters, you know? There’s something about growing up behind the Iron Curtain, it does something to a person, a woman. And even though I had left early, I spent many years, every summer, with my grandmother, I had a very strong connection to my Polish heritage for good and bad.
I spoke the language in which Signa was telling this story and I thought it was like you said, very bold and very gritty and very “un-American.” And that appealed to me on many levels, culturally as a woman, as a writer, as a supporter of female artists, like every box was quickly checked and the idea of going to work and not having to wear makeup and just fucking showing up in my glasses, that was really nice, too.
SB: Yeah, I really liked working with Dagmara because it was like the discovery of the character, you know? You [Dogmara] knew her [Zelma], like, I could feel it. And then of course, when you had to do the other parts, like the voiceover parts that are kind of tricky, you know? And then also, one other thing that I forgot to mention, our actor had to have a sense of comedy and I thought you were spectacular. Like, [you had] the lightness, but you also got the drama and romance. You did amazingly well, and I heard your voice for seven years, you know? Because you don’t even remember what you did, but every day I would hear your voice. And every, every day I would be like, “I can’t believe how good you are.”
DD: After I said yes, I watched all the links to Signa’s work like Rocks in My Pocket and her series of short films about female sexuality and all that, and just was blown away. Even the art itself, [and] the animation brought back memories. I don’t know, it felt so familiar. And I did get that dark, morbid humor that we Eastern Europeans are famous for.
CHM: How does the recording process work on an animated feature? Are you (Signe), there with the actors?
DD: We were together with Sturgis [Warner]. I didn’t work with the other actors, but Signa and Sturgis were in the studio with me every day. I couldn’t do it without her.
SB: Something happened in 2017 before the pandemic so we could be friends all together at the same studio and be happy together and share lunches.
CHM: You’ve [likely] done animated projects before, but are there any challenges that come with voice acting for you, Dagmara?
DD: Well, I had recorded some audiobooks, a few novels; I think I did like four of them, so I like that. I enjoy it when your voice is your only instrument, you know? That’s challenging but exciting. And it was a very interesting process, to act almost in a void because you’re not reacting to the other actor in the studio.
So you really have to trust your director and the people with you there. I had more of an [easy time] when it came to the dialogues Zelma has than the narration. When I watched Rocks in My Pocket, Signa had narrated that, and she had this very lyrical, lilting, lovely accent; almost like she was telling a fairy tale. I maybe subconsciously decided to go with that to bring a little of her into my work. When I watched the movie, I said, “Oh yeah,” because I thought this is going to work this juxtaposition of a rolling, soft voice and all this fucking fucked up shit that happens to her. I think it works, but it wasn’t without its challenges. It was really exciting. And like, you felt alive because the challenge was to create a world when I didn’t have the animation [in front of me] and I didn’t have the other actors. All I had was the creator and she was there to answer every question and we would go back and forth about ideas.
SB: But Andrew also, Dagmara was the first kind of event of creating the character because when we edited her voice and then quoted other actors, higher voice acting was [the] basis for my animation. Like I animate the character and the voice informed me [of] the gesture, the expression, it was intuitive. Dagmara, it’s funny because it was my text, it was your voice, and then it became me animating like I was acting your voice, you know? It was a very collaborative, co-creation of the character [Zelma].
CHM: Could you guys name one strength that each of you brought to this project?
DD: I think we trusted each other, right, Signa?
DD: We didn’t know each other, but there was a trust.
SB: Trust is probably [a] very good word to describe it because we felt that we served the project; we served the higher purpose outside [of] me or you, you were there to build the character [and] to make her happen.
And there [were] like, no egos; nobody was trying to dominate anything. Like, any idea was welcome so we created it together. So I think the trust [is] probably the strength. But I’m also very grateful for Dagmara’s sense of humor, and likeness because the film is at times dark and I think that Dagmara is a special, super talent of lightness and humor, [and she] really served the project well.
My Love Affair with Marriage premieres at the Tribeca Film Festival on June 11. For more information, click here.
The Dive (2023) is a Claustrophobic Thriller | FrightFest
Maximilian Erlenwein’s The Dive stars Billions’ Louisa Krause and Medieval’s Sophie Lowe. It follows two sisters May (Krause) and Drew (Lowe) as they go on their yearly diving trip off a remote coast. However, disaster strikes, and the sisters find themselves underwater when a rock slide occurs. May gets trapped under some of the rocks and must instruct Drew on how to get out of the situation. What follows is Drew needing to find a solution to rescue her sister, while her air is slowly starting to run out.
The Dive brings us a claustrophobic thriller that uses the real-time oxygen supply to keep us on edge. It gets to highlight how remaining calm is the best way to survive. The Dive uses the real-time situation to show the desperate measures Drew must go through to rescue her sister. Along with the obstacles that have now been placed in her way.
The Dive gets to set the pulsing racing and the blood pumping even though the characters remain incredibly calm. This gets to explore the dangers of diving in remote locations without any added safety measures. The movie involves problem-solving and flashbacks to the sister’s childhood getting into the hobby. Louisa Krause brings an unbelievably natural calm to her performance. While Sophie Lowe shows us the inside panic she is dealing with.
Over the recent years, we have seen a lot of movies with somebody trapped in or on the water being hunted by a predator. In this movie, we get to keep the situation down to the accident and the idea of trying to figure out a way out of the situation. This creates an edge-of-your-seat journey that keeps us wanting to see the next challenge they are facing. Think 127 Hours meets 47 Metres Down and you know exactly what you are facing.
The Dive is tense, suspenseful and gets the blood pumping as we join the race to survive.
Dune: Part Two Where Will The Anticipated Premiere Land?
Dune: Part Two is one of the most hyped movie releases for 2023. The latest announcement from the project, is that it will not premiere at the Venice Film Festival, unlike the first movie. This is due to the Visual Effects (VFX) team needing more time, which has prolonged the initial release date. Originally scheduled for 20th October 2023, “Dune: Part Two” will now be released November 3, 2023.
Dune: Part Two will see the return of Timothée Chalamet, Zendaya, Rebecca Ferguson, Dave Bautista, Stellan Skarsgard, Josh Brolin, Javier Bardem and Charlotte Rampling. In addition to the new cast members Florence Pugh, Austin Butler, Lea Seydoux, Christopher Walken, and Tim Blake Nelson.
The immediate successor to the 2021 film, it will be the second installment of a two-part film adaptation of Frank Herbert’s 1965 novel Dune, and will cover approximately the second half of the book and possibly include aspects of Dune Messiah.
The sequel will follow Paul Atreides (Chalamet) as he joins forces with Chani (Zendaya) and the Fremen to exact vengeance on the villains who murdered his family. Faced with a decision between the love of his life and the destiny of the universe, he attempts to avert a dreadful future that only he can predict.
Dune premiered at Venice Film Festival two years ago, followed by Toronto, New York and London Film Festivals. There is a possibility for the film to still premiere at other film festivals such as London Film Festival which will also run from 4th October to 15th October 2023. This also doesn’t mean the cast may not be present at the Venice Film Festival.
While Challengers starring: Zendaya, Mike Faist and Josh O’Connor directed by Luca Guadagnino announced a UK release on 15th September 2023, the aim is perhaps do an initial premiere at Venice Film Festival. There is also potential of Wonka (2023) premiering at the Venice Film Festival despite the viral online leak of the trailer two weeks ago and announcing its UK release on 15th December 2023.
Philadelphia Film Festival Announces 31st Festival Lineup | Tickets Available Now
Now that the NYFF is winding down, it’s about time for the regional film festivals to begin heating up as the awards season begins. The 31st Philadelphia Film Festival — which I am thrilled to be covering — will begin on October 19 and will commence on October 30. With some of the year’s best major releases that are set to come later this year and in 2023 and all of the indie darlings, the Philadelphia Film Festival is one you won’t to miss if you can make it. First, I will highlight a number of the films I have seen or am dying to see at the festival and you can see a full list of the titles below.
The full Festival schedule and digital Festival Program Guide are available now on www.filmadelphia.org/festival.
Screenings for the 31st Philadelphia Film Festival will take place at the below venues:
● Philadelphia Film Center (1412 Chestnut Street, Philadelphia, PA 19102)
● PFS Bourse (400 Ranstead Street, Philadelphia, PA 19106)
● PFS East (125 S 2nd St, Philadelphia, PA 19106 – Formerly Ritz East)
Tickets are on sale now.
31st Philadelphia Film Festival Full Line-up
ᐩ Part of the PFS on Us Complimentary Tickets Initiative
Opening Night Film
○ The Banshees of Inisherin, Director Martin McDonagh. 2022, United Kingdom, Ireland, USA.
Closing Night Film
○ All The Beauty And The Bloodshed, Director Laura Poitras. 2022, USA.
○ Armageddon Time, Director James Gray. 2022, USA, Brazil.
○ Empire of Light, Director Sam Mendes. 2022, United Kingdom, USA.
○ Glass Onion: A Knives Out Mystery, Director Rian Johnson. 2022, USA.
○ The Inspection, Director Elegance Bratton. 2022, USA.
○ She Said, Director Maria Schrader. 2022, USA.
○ Till, Director Chinonye Chukwu. 2022, USA.
○ The Whale, Director Darren Aronofsky. 2022, USA.
○ White Noise, Director Noah Baumbach. 2022, USA.
○ Women Talking, Director Sarah Polley. 2022, USA.
○ An Evening with Dream Video Divisonᐩ
○ Magic Mike XXL, Director Gregory Jacobs. 2015, USA.
○ RRR, Director S.S. Rajamouli. 2022, India.
Masters of Cinema – The latest films by a new generation of acclaimed auteurs and established directors who continue to reshape the cinematic landscape.
○ A Compassionate Spy, Director Steve James. 2022, USA.
○ All the Beauty and the Bloodshed, Director Laura Poitras. 2022, USA.
○ Broker, Director Hirokazu Kore-eda. 2022, South Korea.
○ Brother and Sister, Director Arnaud Desplechin. 2022, France.
○ Decision to Leave, Director Park Chan-wook. 2022, South Korea.
○ EO, Director Jerzy Skolimowski. 2022, Poland, United Kingdom, Italy.
○ One Fine Morning, Director Mia Hansen-Løve. 2022, France, United Kingdom, Germany.
○ R.M.N., Director Cristian Mungiu. 2022, Belgium, France, Romania.
Spotlights – This year’s highly anticipated titles featuring some of the biggest names in front of and behind the camera.
○ Alice, Darling, Director Mary Nighy. 2022, Canada, USA.
○ Call Jane, Director Phyllis Nagy. 2022, USA.
○ Causeway, Director Lila Neugebauer. 2022, USA
○ The Lost King, Director Stephen Frears. 2022, United Kingdom.
○ Lynch/Oz, Director Alexandre O. Philippe. 2022, USA.
○ “Sr.”, Director Chris Smith. 2022, USA.
○ Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb, Director Lizzie Gottlieb. 2022, USA.
○ Weird: The Al Yankovic Story, Eric Appel. 2022, USA.
World View – Works that demonstrate the diversity and vitality of contemporary international cinema from some of the globe’s most exciting filmmakers.
○ A E I O U – A Quick Alphabet of Love, Director Nicolette Krebitz. 2022, Germany, France.
○ Aftersun, Director Charlotte Wells. 2022, United Kingdom, USA.
○ Alcarràs, Director Carla Simón. 2022, Spain, Italy.
○ The Beasts, Director Rodrigo Sorogoyen. 2022, Spain, France.
○ Before I Change My Mind, Director Trevor Anderson. 2022, Canada.ᐩ
○ Before, Now & Then, Director Kamila Andini. 2022, Indonesia.
○ The Blue Caftan, Director Maryam Touzani. 2022, France, Morocco, Belgium, Denmark.
○ The Box, Director Lorenzo Vigas. 2021, Mexico, USA.
○ Boy from Heaven, Director Tarik Saleh. 2022, Sweden, France, Finland.
○ Burning Days, Director Emin Alper. 2022, Turkey, France, Germany, The Netherlands, Greece, Croatia.
○ Close, Director Lukas Dhont. 2022, Belgium, Netherlands, France.
○ Corsage , Director Marie Kreutzer. 2022, Austria.
○ Falcon Lake, Director Charlotte Le Bon. 2022, Canada, France.
○ Holy Spider, Director Ali Abbasi. 2022, Denmark, Germany, Sweden, France.
○ Leonor Will Never Die, Director Martika Ramirez Escobar. 2022, Philippines.
○ The Line, Director Ursula Meier. 2022, Switzerland, France, Belgium.
○ Love Life, Director Kôji Fukada. 2022, Japan, France.
○ Luxembourg, Luxembourg, Director Antonio Lukich. 2022, Ukraine.
○ Millie Lies Low, Director Michelle Savill. 2021, New Zealand.
○ Oink, Director Mascha Halberstad. 2022, Netherlands.
○ Pamfir, Director Dmytro Sukholytkyy-Sobchuk. 2022, Ukraine, France, Poland, Germany, Chile.
○ Return to Dust, Li Ruijun. 2022, China.
○ Subtraction, Director Mani Haghighi. 2022, Iran, France.
○ Viking, Director Stéphane Lafleur. 2022, Canada.
○ Xalé, Director Moussa Sene Absa. 2022, Senegal, Ivory Coast.
Non/Fiction – Compelling and provocative, these contemporary docs encourage viewers to see the world through a different lens.
○ American Pain, Director Darren Foster. 2022, USA.
○ Butterfly in the Sky, Director Bradford Thomason, Director Brett Whitcomb. 2022, USA.
○ Chop & Steele, Director Ben Steinbauer, Director Berndt Mader. 2022, USA.
○ Crows Are White, Director Ahsen Nadeem. 2022, USA, Japan, Ireland.
○ Good Night Oppy, Director Ryan White. 2022, USA.
○ Nothing Lasts Forever, Director Jason Kohn. 2022, USA.
○ The Picture Taker, Director Phil Bertelsen. 2022, USA.
○ Tantura , Director Alon Schwarz. 2022, Israel, USA.
○ The Thief Collector, Director Allison Otto. 2022, USA.
○ The YouTube Effect, Director Alex Winter. 2022, USA.
After Hours – Bringing together the odd, eerie, thrilling, and downright weird, this is the home of cult classics in the making.
○ Attachment, Director Gabriel Bier Gislason. 2022, Denmark.
○ Christmas Bloody Christmas, Director Joe Begos. 2022, USA.
○ Huesera, Director Michelle Garza Cervera. 2022, Mexico, Peru.
○ Kids vs. Aliens, Director Jason Eisener. 2022, USA.
○ Mister Organ, Director David Farrier. 2022, New Zealand.
○ Sick, Director John Hyams. 2022, USA.
○ Sick of Myself, Director Kristoffer Borgli. 2022, Norway, Sweden.
○ Smoking Causes Coughing, Director Quentin Dupieux. 2022, France.
From the Vaults – Film classics come alive as they were meant to be seen – on the big screen!
○ A Confucian Confusion, Director Edward Yang. 1994, Taiwan.
○ Orlando, Director Sally Potter. 1992, United Kingdom, Russia, Italy, France, Netherlands.ᐩ
● 30th Anniversary
○ Pink Flamingos, Director John Waters. 1972, USA.
● 50th Anniversary
○ Rittenhouse Square, Director Robert Downey Sr. 2005, USA.
● Presented in 35MM
○ Sorcerer, Director William Friedkin. 1977, USA.
● Presented in 35MM
● 45th Anniversary
Filmadelphia – Showcasing the most dynamic and talented voices from the Greater Philadelphia area.
○ A Woman on the Outside, Director Lisa Riordan Seville, Director Zara Katz. 2022, USA.
○ Gradually, Then Suddenly: The Bankruptcy of Detroit, Director Sam Katz, Director James McGovern. 2022, USA.
○ Land of Gold, Director Nardeep Khurmi. 2022, USA.
○ Not for Nothing, Director Tim Dowlin, Director Frank Tartaglia. 2022, USA.
○ Rittenhouse Square, Director Brandon Eric Kamin. 2022, USA.
○ This Is My Black, Director Stephen Adetumbi, Director Jarrett Roseborough. 2022, USA.
○ Your Friend, Memphis, Director David P. Zucker. 2022, USA, Italy.
Made in USA – Lo-fi gems and new indie classics that offer a fresh perspective on today’s America.
○ Blood Relatives, Director Noah Segan. 2022, USA.
○ Every Day in Kaimukī, Director Alika Tengan. 2022, USA.ᐩ
○ Nanny, Director Nikyatu Jusu. 2022, USA.
○ Next Exit, Director Mali Elfman. 2022, USA.
○ Something in the Dirt, Director Justin Benson, Director Aaron Moorhead. 2022, USA.
Cinema de France – Sharing a language with some of cinema’s most revered classics and legendary auteurs, these new films have that certain je ne sais quoi.
○ Five Devils, Director Léa Mysius. 2022, France.
○ Forever Young, Director Valeria Bruni Tedeschi. 2022, France.
○ The Innocent, Director Louis Garrel. 2022, France.
○ The Night of the 12th, Director Dominik Moll. 2022, France, Belgium.
○ The Passengers of the Night, Director Mikhaël Hers. 2022, France.
○ Return to Seoul, Director Davy Chou. 2022, France, Germany, Belgium, Qatar.
○ Rodeo, Director Lola Quivoron. 2022, France.
Green Screen – In Honor of the Philadelphia Film Society’s inaugural year producing the Philadelphia Environmental Film Festival, introducing Green Screen. From animal welfare to the effects of climate change, these thought-provoking films address urgent environmental issues.
○ All That Breathes, Director Shaunak Sen. 2002, India, United Kingdom, USA.ᐩ
○ How to Blow Up a Pipeline, Director Daniel Goldhaber. 2022, USA.
○ Rebellion, Director Maia Kenworthy, Director Elena Sanchez Bellot. 2021, United Kingdom.
○ The Smell of Money, Director Shawn Bannon. 2022, USA.ᐩ
Sight & Soundtrack – Featuring rockumentaries, musician biopics, and films centered on the unifying power of music.
○ Louis Armstrong’s Black & Blues, Director Sacha Jenkins. 2022, USA.
○ Meet Me in the Bathroom, Director Will Lovelace, Director Dylan Southern. 2022, United Kingdom.
○ Rebel, Director Adil El Arbi, Director Bilall Fallah. 2022, Belgium, Luxembourg, France.
○ The Return of Tanya Tucker: Featuring Brandi Carlisle, Director Kathlyn Horan. 2022, USA.
○ Taurus, Director Tim Sutton. 2022, USA.
State of the Union – Stories of some of the most significant figures and events in American politics and diplomacy, which continue to shape the future of the nation’s democracy.
○ Boycott , Director Julia Bacha. 2021, USA.ᐩ
○ The Exiles, Director Ben Klein, Director Violet Columbus. 2022, USA, Taiwan, France, China.ᐩ
○ The Grab, Director Gabriela Cowperthwaite. 2022, USA.ᐩ
○ Loudmouth, Director Josh Alexander. 2022, USA.ᐩ
○ Retrograde, Director Matthew Heineman. 2022, USA.ᐩ
○ Shouting Down Midnight, Director Gretchen Stoeltje. 2022, USA.ᐩ
○ A Short Story, Director Bi Gan.
○ Beware of Trains, Director Emma Calder.
○ Bump, Director Maziyar Khatam.
○ The Cave, Director Kim Jinman, Director Chon Jiyoung.
○ Chaperone, Director Sam Max.
○ Craze, Director Bianka Szelestey.
○ Deerwoods Deathtrap, Director James P. Gannon.
○ Five Cents, Director Aaron Hughes.
○ The Flying Sailor, Director Wendy Tilby, Director Amanda Forbis.
○ Goodbye Jérôme!, Director Adam Sillard, Director Gabrielle Selnet, Director Chloé Farr.
○ I (heart) Jack LaLanne: A Cartoon Memoir, Director LeAnn Erickson.
○ Ice Merchants, Director João Gonzalez.
○ It Feels Personal, Director Hugh Clegg.
○ Kylie, Director Master Sterling.
○ Le Pupille, Director Alice Rohrwacher.
○ Long Line of Ladies, Director Rayka Zehtabchi, Director Shaandiin Tome.
○ Meal on the Plate, Director Chenglin Xie.
○ Memnon, Director Cameron Clay.
○ Persona, Director Moon Sujin.
○ Ro & the Stardust, Director Eunice Levis.
○ She Got Balls!, Director Cheryl Hess.
○ Something in the Garden, Director Marcos Sánchez.
○ The Stand, Director Andrew Bilindabagabo.
○ Stranger Than Rotterdam with Sara Driver, Director Lewie Kloster, Director Noah Kloster.
○ Tank Fairy, Director Erich Rettstadt.
○ Warsha, Director Dania Bdeir.
○ Zoon, Director Jonatan Schwenk.
Please see individual film listings, screening schedule and guests anticipated to attend on https://filmadelphia.org/festival.
The 31st Philadelphia Film Festival is made possible through the generous support of its sponsors, including AKA and iHeartMedia.
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