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Interview | Hesham Nazih Discusses His Moon Knight Score, Being a Part of the MCU, & More

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Very seldom do aspects of a Marvel project stand out, at least in recent years. Moon Knight, however, changed this pattern with its wonderful score. Hesham Nazih has an impressively long resume, but nothing with the scope of an MCU project. In his score, he blends the epic nature needed for any sort of blockbuster film/limited series with Egyptian tidbits sprinkled in. It’s truly wonderful and I hope that Moon Knight gets a second season, if for nothing else, than to give Hesham another season. Bravo, Hesham.


Congratulations on Moon Knight, your score is so distinct, which is not always the case with comic book properties, and I was curious as to how you were approached for the show.

Moon Knight was definitely one of the biggest, if not the biggest project I’ve ever worked on, and I assume that you have watched the series, which has a massive story which is so full of everything in full everything in excess. Everything [from] romance, adventures, historic mythology in the Ancient Egyptian charm, and you know, all of that encompassed in a very human way, not neglecting the human side of the character, especially the main character, Marc Spector (Oscar Isaac) who is a great character that has an incredible background with the childhood trauma that he endured and the sense of guilt towards his wife [Layla (played by May Calamawy)]; towards the things that he had done; and in his connection with Khonshu (F. Murray Abraham)]. Marc is an amazing character [and] is so unusual and [the series is] so dramatically intense as well. And it’s very dynamic, the whole show, the whole thing.

Oscar Isaac in Moon Knight. Photo courtesy of Disney.

So I had all of that in mind before writing, before taking the first step. And my first step in writing this score was with the main team because I believe that if I come up with a good one that encompassed all of that—or almost all of that—it would make everything afterwards musically clear.

Did you have to keep this project a secret when you found out you landed this job?  

Absolutely. I had gone through so many NDAs and stuff like that and I had to keep it between me and myself. But I never talk about all my projects—I keep a low profile, keep it silent up until it’s out in the open. I kind of like it because it gives you the chance to work stress-free with no expectations.

And of course, Moon Knight was highly anticipated, but when you keep quiet while working, it gives you a calmer environment and more room to concentrate and focus on the work.

Was it any harder to score-to-scene with these circumstances? I wasn’t sure if they would hold any footage back given Disney’s secrecy with Marvel projects.

No, I saw it. I worked all to the picture. They sent me the picture and all of the script and everything I needed, I just needed to watch it alone and not to say anything about it—it was a regular nondisclosure agreement.

Did the pandemic affect this production or your work at all?

The pandemic affected everybody’s life, but at some point in time, we got used to it. You got used to the new normal, the new normal has become the normal, you know, and we discovered good things about that. It’s amazing how technology has made everything easier, we can now talk and see each other. I assume you’re a thousand miles away, in a different time zone, maybe it’s your daytime where you are, I don’t know. For instance, I monitored all the recordings on my computer while the recordings were happening (the mixing was happening overseas). And yes, the pandemic affected everyone’s life, but by the time I started working on Moon Knight, it became so normal and regular.

And so I think this is the first Marvel project, you know, to go over to Egypt, right? This is kind of globe trots a little bit, so for you, what is this like to see them make their way over to Egypt and to be involved in the first project that takes place there?

It’s great for any artist to take parts of any Marvel project because is, I mean, it’s reach is huge and everyone on the globe is watching one of Marvel shows. It’s amazing. And yes, working on a project like this was really cool because I had the chance to, within the score I’ve written for The show is not Egyptian, nor is the main character, nor is the show about Egypt, [but] part of it took place in Egypt and there is an Egyptian aspect in the score.

I remember talking with Muhammad [Diab], the director, he was really clear about making everything Egyptian as authentic as possible, which was the clearest part of the job, because we couldn’t be more Egyptian—we are Egyptian. So, naturally, yes, it’s great and it was a great challenge.

A still from Moon Knight. Photo courtesy of Disney.

I know earlier you said that because of all the NDAs, there were less expectations, but you also mentioned the rapid Marvel fandom and how everybody sees these projects. So was that intimidating at all to think about the millions of people watching Moon Knight and hearing your score?

I almost got that out of my mind. I always throw all these ideas out of my mind. And then I locked the doors of my room and start writing. Because when I think of the amount of people who would listen to the music, watching this show, it sometimes gets to me. Sometimes I think: “Oh, who’s was going to watch this and listen to it?” but in just a split second, I’m going to get back to focus and enjoy working on the show.

So I don’t know if they have announced any future plans, but if they did have a second season would you go back in a heartbeat or would you have to think about it?

I would go back in a split second if there’s a second season, absolutely. I will not think twice. It was a fantastic ride and I enjoyed it tremendously, so yeah, absolutely

I’m sure you’ve talked about Moon Knight ad nauseam, so I want to circle back a little bit about your journey. How did you get into composing?

I wasn’t in a musical school, I did not get the chance to study music academically. I was “self-taught.” But yes, I played music since I was a little kid and never stopped ever since joining local bands at a very early age of 14 and then kept popping from one band to another. One of those film students at the film institute in Cairo was looking for young starting composers to do scores for their graduation projects and stuff.

That is how I managed to infiltrate this community and penetrate the community because there’s no straight or clear channel two to become a part of the cinematic or the film community in Egypt, or I guess it’s everywhere.

The big questions become: How can I be one of them? How can I present myself? How can I be? How can I get myself? You keep knocking each and every door until one of them opens to you. And it does it, I mean, they will definitely open if you keep talking.

With social media, everybody has a platform, right? But there’s only so many that actually make it, including yourself. How difficult is that to navigate?

The magic of having platforms and digital platforms is that it allows everyone to get presented.

Back in old days, when a producer or director asked me for music, I would have to go home, make a cassette tape or a CD or whatever, and meet them again and send it to them and then gather again to discuss it. But now, I only have to send you a link or something.

It’s all a lot easier, but I think the catch is you do that and you present your work. You upload your work on each and every platform possible. I appreciate the time of those who are going to listen, so I try to make something different that will grab their attention, try to be as unique as possible and try to be as musically attractive as possible because that’s the only way to get the chance. Grab the attention of the decision-maker, which would be because he listens to thousands of tracks per hour each and every day so you need to stand out to grab their attention. Yes, the presentation is easier now, but it’s because there are too many composers. So you need to stand out in one way or another, which is good because it will keep pushing creativity to exceed other composers.

Since you said that you need to stand out in order to grab attention, in your estimation, what is it about your musical style that made you stand out?

I don’t know [laughs]. I may ask you that question if you find anything. But I think it’s kind of hard to say that about yourself, right? I just remember the first meeting Mohamed Diab, he told me he likes my music. He liked everything that I did before for various reasons. One of them is because my music is authentically Egyptian, yet it is used in a very unusual way. Sometimes you think it’s so traditional and all of a sudden it appears to be modern or hip or something.

That’s what I sometimes get from people. But if you ask me what is unique about my music, honestly, I’m in constant search for a new sound, a new approach, [a] fresh idea. And this constant search is what keeps me thinking, what keeps me up all night, and what makes me get up in the morning again.

Are there any projects that I can look out for that you can talk about?

I’m now enjoying the break, a much-needed break, really, after this incredible experience with Moon Knight and I’m reflecting and thinking about what the next step after this is. To me, each and every experience is unique in its own way, but this one is what was so big in every essence I’m just reflecting and thinking quite a bit.

Well, it is a well-deserved break. And I guess you mentioned that all your past music is on streaming. So if you had to recommend me one album to listen to her, or even, you know, could you do that?

I’d recommend The Blue Elephant, which is a movie I did in Cairo. The first one was released 2014 [and the sequel] was released in 2019. I may suggest Pharaohs’ Golden Parade, which was the last thing I did before starting on Moon Knight. It was a parade for the mummies of 22 Kings and Queens and brining the mummies from an old museum, the Tahrir Square in Cairo, taking them to a newer one. I wrote about another 50 something minutes of music and songs and they were performed live by a really grand orchestra [with] singers and a choir, uh, while transporting the mummies. I guess, I guess you’d find that [album] on my digital platforms (Apple Music, Spotify, etc.). But if you want to watch the video, you’d find it. I think you would just have to type “the golden mummy” on YouTube.


All six episodes of Moon Knight are streaming now on Disney+.

FILM RATING

Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Charlie Michael Baker: Journey of Autism, Social Media and Working with Kylie Jenner (EXCLUSIVE)

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Charlie Michael Baker and Kylie Jenner

At just 17, Charlie Michael Baker is giving his all to change the world. Baker is a renowned author, entrepreneur, actor, and journalist and he is on a mission to help millions of people suffering from autism. Charlie Michael Baker previously told Costal House Media he raised over £400,000 to help people with autism. He faced many challenges since childhood but his determination and perseverance were the key to his success.

Baker is a Social Media sensation with over 1.2M followers on Instagram. Charlie Michael Baker is one of the many influencers being bullied on social media every day. He receives 300-500 rape and death threats daily!

Charlie Michael Baker

Charlie Michael Baker

We had the honor to connect with Charlie Michael Baker. You can read our conversation below.

Nikita Pahwa: Congratulations on launching your new book! What can you tell us about it?

Charlie Michael Baker: So my new book is about social media, specifically, the dangers of social media. All young kids now want to grow up and be ‘famous’ but don’t know the bad side of it all. I was one of those kids, I’d always wanted to be famous, it’s something I’d always dreamed of!

NP: How do you deal with death and rape threats?

CMB: The short answer is, I don’t, really. I stopped reading my DMs a few months back because of it all. I don’t deal with negativity and there’s too many trolls to block each and every one, so they all just get ignored.

Charlie Michael Baker Social Media and I

Charlie Michael Baker Social Media and I (Photo: @kaybeephotography2 on Instagram)

NP: What advice would you give to people in similar situations?

CMB: I’d say don’t listen to them, do what I do and just don’t read them. It’s better that way. What you don’t see can’t hurt you!

NP: If you could say one thing to people sending you threats, what would it be?

CMB: Without ruining my career *lol* I’d say just to be a bit kinder. If there’s something going on in your life that you’re not very happy with, ask someone for help. Speak to someone you trust rather than swaying to a life of being a keyboard warrior. It’s not nice!

NP: Is your new book related to Charlie Baker: Autism and Me?

CMB: It is! It will be written in the same – ish way BUT Charlie Michael Baker Social Media And I will be exclusively E – book sold on my website charliembaker.net.

NP: Are you currently working on a new venture with Kylie Jenner?

CMB: I am! We’re working with the same brand – glow beverages. We’re working alongside an NBA star too whose name I cannot remember for the life of me – oops lol.

Kylie Jenner and Charlie Michael Baker

Kylie Jenner and Charlie Michael Baker

NP: Are you planning to collaborate with more celebrities in the future?

CMB: I love working with celebrities. Mostly just to see what they’re like to be honest. Kylie is so nice though honestly I keep messaging her life updates!

NP: Last question, is it true that you’re working on the Charlie Baker: Autism and Me movie? Are we going to see it on the big screen?

CMB: Yes, it is! I’m filming something very very special this year with Creation Media 22 which should appear on Netflix and Prime Video which is so exciting! It will be my first time in front of an actual TV camera so it’s a bit different to daily vlogs!

You can get your Charlie Michael Baker Social Media And I E-copy on March, 1 for £0.01 (yes, a penny!). Get your Charlie Baker: Autism and Me copy on Amazon.

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Interviews

INTERVIEW | ‘The Tiger’s Apprentice’ Stars Brandon Soo Hoo and Leah Lewis Discuss Representation, Positivity, and the Power of Belief

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Tiger's Apprentice
Tiger's Apprentice (Paramount+)

Paramount’s latest animated flick ‘The Tiger’s Apprentice’ has finally been released and garnered positive response from everywhere. Adapted from Laurence Yep’s beloved children’s book series, ‘The Tiger’s Apprentice’ brings to life the thrilling journey of Chinese American teen Tom Lee (portrayed by Brandon Soo Hoo). He is suddenly thrust into a realm he once believed existed only in bedtime tales. After a tragedy strikes his family, the young man discovers his identity as a Guardian. Subsequently, he is mentored by the mystical Tiger Hu (played by Henry Golding) to confront the evil Loo (portrayed by Michelle Yeoh). In between all this chaos, he develops a special friendship with a girl named Rav (played by Leah Lewis) who helps him in defeating the villain and saving the world.

It is one of those films that you can enjoy with your family. It is tender, beautifully crafted, and encourages you to think about how traditions play a crucial role in everyone’s lives. In this exclusive interview, Brandon Soo Hoo and Leah Lewis share their perspectives on the film’s themes, the significance of Asian American and Pacific Islander (AAPI) representation in media, and the impact of portraying multi-dimensional characters. The actors delve into the importance of maintaining positivity in the face of adversity, believing in oneself, and breaking stereotypes in the entertainment industry. From challenging outdated narratives to normalizing cultural heritage, Brandon and Leah express their excitement for viewers to experience the film’s adventurous and tender journey of self-discovery.

Tiger's Apprentice

A still from ‘The Tiger’s Apprentice’ (Paramount+)

Aayush Sharma: ‘The Tiger’s Apprentice’ is a mixture of so many great things love, care, culture, and family. But for you guys, what was the one thing that made you relate to this story and made you proud? And why do you think that particular thing is so important for people to see?

Brandon Soo Hoo: One of the favorite things that I related with my character was Tom has uncanny ability to maintain a positive outlook when things get really tough. And so, you know, he’ll drop in a humorous little quip here and there in the face of adversity. I think that’s such a powerful way to confront anything challenging because life isn’t that serious. And, if you really lean into the negative, and if you really lean into the dark side, I feel like it can really corrupt and taint you. I believe maintaining that light and positivity around you is like the ultimate protection that you have, from the dark stuff when life kind of gets you down. Because if you let life get too dark, then you won’t let enough of your inner light kind of radiate outwards and do what it needs to do. So, you know, hold on to your light, hold on to the positivity. I feel like it’s contagious. It’s very, very healing.

Leah Lewis: I think, for me, one of my favorite things about this film that I would take away, is really learning how to believe in yourself. And I know that’s such a simple statement, but it’s a big loaded one for me. I really feel like when it comes down, to believing in yourself, it’s the things that you care about, the people you care about, where you came from, where you’re going. You see this character, Tom, struggle with believing in himself in any aspect. I think that’s really important too. And I think, when you can believe in yourself too and present yourself, honestly, and vulnerably, that’s also when you find other people who are right for you in your life. You see Tom eventually learns how to be himself, and because of it, he fits into this Zodiac and kind of ends up finding a community that he never would have expected. So, I think that aspect is important for me.

AS: So, you know, besides showing so many great things, this is also an Asian story. The characters, the cast, the makers, and most of the people involved in this project, have an Asian background. But you know when we see the entertainment industry, we still see a lot of talented Asian actors stuck in a kind of stereotype. And they are cast in one kind of role. For you guys, how does Asian representation in movies intersect with a broader discussion about diversity and inclusion in the entertainment industry?

BS: I mean, it’s 2024, we’re past the era of having Asian people playing just submissive roles or playing like the tech support. I think that right now is like a renaissance for Asian entertainers and Asian artists to showcase that we are multi-dimensional people, that we can be the hero, we can be the cool guy. It’s all that stuff is like, we’re really seeing Asians being at the forefront of stories like that. And it’s so important because growing up, if you don’t see all of those things represented in media, it’s kind of hard to feel like, you can see that in yourself. So, it’s almost like this conditioning that we received from a really young age. So right now, we’re trying to reverse engineer all of that by showing you can be the hero of your own story, you know, you can save the day. And you could be more than just like whatever aesthetic or face that people want to put on you. You can kind of step out of those boundaries and as a human being, you can do whatever the heck you want. So, I think that it’s so important for us to be able to share with you all.

Brandon Soo Hoo (@brandonsoohoo/Instagram)

LL: I agree, I think, we’re living in a day and age where we’re moving towards a place where representation isn’t such a flashy, flashy thing. It’s a necessary and needed thing that should already be kind of embedded into our society. So, it’s a huge win for the AAPI community any time there’s an API lead or like, especially something like this film where it’s completely eccentric. But I also think the more and more we start to see those projects, like, it’s important to be able to normalize the difference in all these characters. You know, when I also look at, the list of like, Caucasian actors, I can think of an actor for every kind of character. I’m like, oh, yeah, I know, this actor played that, and this and that. But you know, for Asian, that’s been a long time coming, where it’s like, oh, it’s only Michelle Yeoh, who plays that or like, you know, we have the designated person who plays the geek or the kind of hero or like the dark character. And what’s so cool about this film, too, is like, Tom is just, he’s a cool, regular guy who hails from Chinese American culture. This film shows heritage and culture in a way where it’s so normalized, and just so kind of nuanced. I feel like that sense of representation is so cool for the people at home who are like, hey, casually, I like this guy, or I know those kinds of traditions, and I love the way he builds in this theme because I feel that way. I don’t know, I just, I also wish I had something like this growing up too. But like, now is the best time to see people that look like you, speak like you, or act like you on screen. It really recovers that belief in yourself that things are possible for you. Like we all watch TV. We all care about these characters to feel seen and feel like you know, you have a voice out there somewhere. There’s nothing better than that feeling. So, I hope that this film does that for a lot of people to me.

AS: You guys are working with such huge stars. Michelle Yeoh, Lucy Liu, Henry Golding, and more. What was your reaction when you heard these guys will be in the movie?

BS: Man, I mean, the reaction was and still is just like, almost like a surreal disbelief. I was like, these are people that I watched growing up when I was little, I was like, dang, these are some huge Asian names. They are the biggest names in our community. So yeah, I told my parents immediately about, like, who’s going to be in the project, and we all just like giggled about it together. So, I think just immense pride. It’s such a celebration, and it’s such a win, not just for me and my career, but it’s such a celebration for the Asian community. It’s like, man, look at all of us, like, together just being badass Zodiac warriors.

LL: I felt the same way. I mean, honestly, I tend to do this thing to where if someone tells me like this person is who you’re working with. I’m just like, wait, what? And I’m still like that, you know, like when we were able to even see Sandra Oh, at the premiere of like, let’s go, oh, my God, like, that’s really freakin’ cool. It’s also just like, I think it’s a really proud moment to finally see all different generations of AAPI actors coming together on one screen and to be able to see that there is space for more than just one or two. This whole cast is like a chock filled with it. And everyone is so talented, it’s been an honor. I’m really proud to be a part of it.

Leah Lewis and Sandra Oh

Leah Lewis and Sandra Oh (@leahmlewis/Instagram)

AS: The film has finally been released and it has opened to great reviews. If anyone hasn’t seen the movie, what’s your advice to them? And why should they watch ‘The Tiger’s Apprentice’?

BS: What do you what are you waiting for? Get in there. Watch this movie. It’s special, it’s beautiful. There’s something in there for everybody. And yeah, I think you’re really missing out on something that’s, that’s really beautiful and important. So go check it out. I hope they get to watch it with your family because there are a lot of beautiful lessons in there to share. So, go go check it out. You have to.

LL: It’s like, it’s a cool, like, genuinely cool. It has Steelo to it. Adventurous, tender film about finding yourself and I know we all want to do that. So, you should totally watch it and I hope you find a bit of yourself in this cool tender film.

‘The Tiger’s Apprentice’ is currently streaming on Paramount+.

FILM RATING
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INTERVIEW | Sarayu Blue Dives Deep into ‘EXPATS’ Journey with Cultural Authenticity and Emotional Depth

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Sarayu Blue stars as Hilary Starr in Lulu Wang's 'EXPATS' (@sarayublue/Instagram)

After taking the world by storm with ‘The Farewell,’ director Lulu Wang is back and this time, she has taken her storytelling prowess to the small screen. Her series, ‘EXPATS,’ is a story mainly about three women trying to overcome guilt and grief in the most authentic way possible. The very first frame of the series encourages viewers to take a remarkable journey into the lives of characters that are connected in one way or the other. Nicole Kidman portrays Margaret in the series while Ji-young Yoo plays Mercy. Both stars have given spectacular performances in the six-part series, but one actor who has managed to nab all the attention is none other than Sarayu Blue, who plays the role of Hilary.

At first, Hilary seems to be a no-nonsense woman who has moved to Hong Kong to make strides in her professional life. She does brilliantly professionally, but her personal life is in a bit of turmoil. Her marriage is not going well, her best friend seems to have lost almost everything, and she is overburdened with the pressure of becoming a mother. Wang knows how to extract a powerful performance from an actor and Sarayu is no different. Sarayu’s portrayal of the character is truly magnificent, capturing Hilary’s frustration and compassion with authenticity on screen. I sat down (virtually) with Sarayu Blue and discussed several aspects of her character in the Prime Video series. The actress opened up about how she learned Punjabi to make her character more authentic and also, how South Asian parents show love most uniquely.

Sarayu Blue in a still from ‘EXPATS’ (Prime Video)

Aayush Sharma: Congratulations on the series. It’s getting such beautiful reactions. Your character is written so beautifully, but Lulu Wang made some alterations to your character’s journey in the series, particularly regarding her approach to motherhood. So, how, as an actor, approached the shift in your character’s arc? And what kind of discussions have you had with Wong regarding these changes?

Sarayu Blue: Actually, the changes had already happened before I came. Because in the book, Hillary is not written South Asian. And so that was one of the changes. And so, when I auditioned, it was already South Asian, of course. I think when I got on board, I was able to read all the scripts, and I just devoured them. I mean, in one sitting, it was like, you know, I couldn’t get enough. It was such an exciting experience to see this South Asian woman who’s so human, she’s so layered and complicated, and messy, and real, and beautiful, and funny and vulnerable, and raw and hurting. And so, then it just became the biggest gift I could ever imagine.

AS: One of the best things about your character was her backstory, and showing the kind of Sikh family she was born into. But what was that one thing that you wanted viewers to see in your character to understand why Hillary sees the world in the way she does? Also, how challenging was it for you to learn the Punjabi language to make your character sound more authentic?

SB: I’m so thankful to our team and our wonderful consultant, Inder, who was like the most patient and kind human. I kept reciting it repeatedly, because somebody who speaks Telugu, and I’ve tried to teach people Telugu, pronunciation is everything. It’s everything, along with the accent, and every emphasis that matters so much. So, I was so thankful for that support. Also, Sudha (Brinder) speaks Punjabi, so I had Masters constantly working with me, and I was so thankful. Meanwhile, I think as far as the view that Hillary has, or what was important to me, it was important to see the hurt for both Brinder and Hilary. You know, what I love about the dynamic you see in Episode Four is you really see that they’re both hurting, and there’s aggression because that’s how we speak to each other. (laughs) I mean, that part is so universal, because my mother and I have a very contentious love. But, you know, that hurt underneath, and the vulnerability underneath is why it feels so real. And that representation of that specific dynamic was very important to me.

AS: Yeah, I mean, I can understand as an Indian, I know the kind of relationship that we share with our parents. I mean, they would just bash us, and then say that’s how we show our love for you. That’s, that’s our love. (laughs)

SB: I said to my dad, my dad was calling. I was FaceTiming with him, and he said, ‘So what are you doing? Are you doing anything interesting?’ I said, ‘I’m just doing a lot of press for this show. Remember that show? I did EXPATS? And he said, ‘I remember that.’ He added, ‘So nothing. You’re not doing anything.’ (laughs) But I get it.

Sarayu Blue with Sudha Bhuchar and Jennifer Beveridge (@sarayublue/Instagram)

AS: Your Punjabi was so amazing in that scene because I’m a Punjabi and when I was hearing that conversation, I had to pause the episode and go to the internet to see if you had any Punjabi roots because your accent was so authentic.

SB: Let me tell you how much that means to me because it’s the most important thing for me. Because Telugu is not easy to speak. It’s not, and I was raised by a Telugu professor and a Telugu short story writer. Also, I’ve tried to teach Telugu to somebody, and if it doesn’t sound right, it won’t feel good. That’s why it’s all I wanted to show. You must speak the language with the right pronunciation. That’s very important.

AS: Now that EXPATS has premiered three episodes on Prime Video and receiving so much love. But for those who haven’t started the series, what would like to tell them and why they should be watching this show?

SB: I am so honored to be in this show. I really am. I get goosebumps even talking to you right now, seeing you smile, and having this conversation. I want people to watch the show for everyone. There’s so much good talent in this show. You know, Sudha who plays Brinder is extraordinary. Kavi Raz, who plays my dad in Episode Six, is brilliant. You know, all these actors, Ruby Ruiz, Ji-young Yoo, Brian Tee, there’s so much brilliance that I hope people just watch and realize how many actors of color are getting to do amazing work. It feels like a dream. But, of course, there’s so much to see in this show, you know.

Cast of ‘Expats’ with director Lulu Wang at the premiere. (Getty Images)

The first three episode of ‘EXPATS’ are currently streaming exclusively on Prime Video.

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