Reviews

Doctor Strange in the Multiverse of Madness | Non-Spoiler Review |

Published

1 year ago

May 3, 2022

If nothing else, Doctor Strange in the Multiverse of Madness is a reminder of how the theatrical experience and the MCU go together like Al Pacino and screaming. With the sheer number of MCU projects to keep tabs on, it can feel overwhelming and redundant in all honesty. For as well-acted as Moon Knight is and as unique WandaVision was — at least for the first eight episodes — but something about a tentpole film needs the big screen to fully do it justice. No, Multiverse of Madness is not as good of a multiverse movie as Everything Everywhere All at Once, but Sam Raimi’s stylistic panache bleeds through enough to make it feel different than other MCU projects; at least for portions of Multiverse of Madness.

Maybe it’s just the comfort of seeing a character such as Dr. Strange (Benedict Cumberbatch), who has really grown into the likable hero that the MCU needs to lead them into the foreseeable future. His first outing was rough; it felt as if the MCU was trying to force him into being the next Tony Stark like the WWE did with Roman Reigns and John Cena way back when. But over time, with cameos in Thor: Ragnarok and a prominent role in Infinity War, Cumberbatch and the creative teams have worked to make the character more likable. They have succeeded for my money, and while Cumberbatch is capable of so much more, he’s a really good Dr. Stephen Strange for what it’s worth.

Joining Strange on his quest across the multiverse are Wong (Benedict Wong), the Sorcerer Supreme, and newcomer America Chavez (Xochitl Gomez). The former plays the same role he has in all of his other appearances, that’s not a critique as much as an honest observation. The banter you’ve been hearing since Infinity War (perhaps the first Dr. Strange film as well, I loathe it and didn’t rewatch it ahead of time) is found in the Multiverse of Madness. Gomez brings much-needed youth to the forefront, and while she is a damsel in distress and the MacGuffin of the film, her energy and chemistry with Cumberbatch make her a stand out.

Promos for the Multiverse of Madness made it appear as though this was Wanda’s origin story. There’s a brilliant line about how Wanda bending the rules gets looked down upon as compared to when Strange does, and the conflict between the two is gripping. Elizabeth Olsen has come so far as Wanda and is becoming one of the best parts of the entire MCU. This is her best performance by a long shot, even better than WandaVision, due in big part to the turn she takes. There isn’t much more to say without spoilers, but it’s the Elizabeth Olsen show.

Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

[Insert Raimi camera swerve] In regards to Sam Raimi’s vision, for those concerned, there are the signature camera movements expected from a Sam Raimi film. And there are some actual horror elements for what feels like the first time in the MCU. It’s not a PG-13 horror film on the same level as Lights Out, but it’s a refreshing change of tone when the scenes of horror play out. And leave it to the creator of the Evil Dead franchise to have a character covered in blood for an entire fight sequence. Many directors have come and gone in the MCU, but Raimi undoubtedly makes his presence known more than the rest.

Again, Everything Everywhere All at Once really nailed the multiverse in a way that makes it hard to top. There’s an emotional weight in that film that is absent from the Multiverse of Madness. Yes, I get it, Wanda is still recovering from the events of WandaVision and Dr. Strange is dealing with the aftermath of past decisions in his first solo venture and Infinity War, but the film keeps up a fast pace and doesn’t stop to marinade in the sorrow for very long. One similarity the film does share with Everything Everywhere All at Once is how Wanda channels other variants of herself. No, there are no paper cuts or chewing gum from beneath a desk, but it was a similarity worth noting.

On left: Benedict Cumberbatch as Dr. Stephen Strange in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

Perhaps above all of the other minor issues that are found in the Multiverse of Madness—a lackluster script, spotty CGI, failing to set something exciting up for the future of the MCU—the biggest one of all is that for as good of an effort as Raimi puts in to make the film feel outside of the box, the Multiverse of Madness still fits into that box more often than not. It’s very much a dog scared of its own shadow in the way that Raimi’s style only carries the film so far. There is some extra gore, a few PG-13 jump scares, and far more dark elements than other MCU projects, but the action sequences feel like an MCU action sequence and the film very much follows a linear three-act structure.

The film hits the ground running, getting right to its first action sequence within minutes, but it follows the basic formula of a nightmare proceeded by the hero waking up in a panic, attending some mundane event (a wedding in this case) before it is interrupted by some big force that requires the help of a superhero. From there, Strange fights the giant squid which reminds me of the giant eye in The Suicide Squad. Oh, and to clarify, that nightmare “wasn’t just a dream, it’s the multiverse” as America Chavez states.

Another common flaw that the film, with just about every other MCU movie, has is that there are no real stakes. Not every film needs world-ending stakes, but being that this is a sequel film to an established character, you could play with the audience. For example, how fun is it to watch professional wrestling if you’re sitting there thinking, “Hey, this stuff is fake!”? There has to be suspension of disbelief in the case of professional wrestling, and MCU movies need to add stakes in films that don’t have the scope of films like Infinity War or Endgame.

In the end, Doctor Strange in the Multiverse of Madness is a really cool comic book flick. You can’t take away the fact that it can sometimes feel different from other MCU projects and is likely the closest thing the MCU will make to a horror film. And while it doesn’t always work or land with the emotional punch it wants, the film is able to entertain and is unlikely to bore casual MCU viewers. It should be stated that while there are some awesome cameos, don’t go in expecting cameo galore (the best one shines in the post-credits scene, by the way). Danny Elfman’s score also kicks all kinds of ass with a guitar riff that features the level of tenacity The Edge had on Love is Blindness. Good stuff, Marvel.

Dr. Strange in the Multiverse of Madness will be released on May 6.

FILM RATING

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Andrew Korpan

Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Reviews

Sung Kang’s ‘Shaky Shivers’ is a Campy Horror-Comedy With Superb Performances

Published

22 hours ago

September 21, 2023

Aayush Sharma

Brooke Markham and VyVy Nguyen in 'Shaky Shivers' (Cineverse)

If you thought that Sung Kang can only thrill you with amazing car stunts, then you are wrong. The acclaimed star is set to take you on an entertaining ride with his directorial debut titled ‘Shaky Shivers’.

The latest horror-comedy film marks the feature directorial debut of Sung Kang, renowned for his roles in the ‘Fast & Furious’ franchise and several other big projects. The movie stars Brooke Markham and VyVy Nguyen, with an ensemble cast including Jimmy Bellinger, Erin Daniels, and Herschel Sparber.

A still from ‘Shaky Shivers’ (Cineverse)

From the very beginning, ‘Shaky Shivers’ grabs hold of your attention with the comedic chemistry between lead actresses Brooke Markham (Lucy) and VyVy Nguyen (Karen). Their hilarious banter and dynamic friendship draw you into their world of magic, mayhem, and monstrous encounters. While a few other characters make appearances, the heart of the film rests on the shoulders of Karen and Lucy, whose relatable and believable friendship makes the story even more bewitching.

One of the best aspects of the film is how Sung Kang skillfully directs the title despite limited cast and limited settings. It still manages to keep audiences engaged and entertained. Kang also pays homage to classic horror films like ‘American Werewolf in London’ and injects fresh energy into the scenes while showcasing his comedic flair.

A still from ‘Shaky Shivers’ (Cineverse)

If you are one of those who enjoy unapologetically goofy and fun movies, ‘Shaky Shivers’ is undoubtedly a fun watch. Embracing its campiness, the film doesn’t try to be anything other than an enjoyable ride filled with supernatural elements. The characters have a helpful book of spells that they use to solve problems, which adds a clever and funny element to the story that will make you laugh..

While categorized as a horror-comedy, ‘Shaky Shivers’ leans more towards comedy than horror. However, don’t worry, as the supernatural beings like werewolves, zombies, and witches make their presence known throughout. The practical effects and impressive monster makeup, reminiscent of old-school horror flicks from the 70s and 80s, immerse you in a world of creatures and enchantment.

A still from ‘Shaky Shivers’ (Cineverse)

The plot of ‘Shaky Shivers’ escalates in an exciting and compelling manner, filled with unpredictable twists and goofy surprises. While it may not leave you terrified, the perfect blend of supernatural ambiance and comedic moments guarantees plenty of laughter and enjoyment.

In conclusion, ‘Shaky Shivers’ is a must-watch horror-comedy that delivers on laughs, friendship, and supernatural encounters. With its engaging storyline, talented cast, and Sung Kang’s impressive directorial debut, the film is a delightful addition to the genre. So grab a large tub of popcorn and take your family for this fun-filled ride.

FILM RATING

Reviews

Sex Education Season 4 is a Spectacular (and Overstuffed) Conclusion to One of Netflix’s Extraordinary Series

Published

1 day ago

September 21, 2023

Aayush Sharma

Official posted of 'Sex Education' Season 4 (Netflix)

When the first season of Sex Education came out on Netflix in 2019, it felt pretty daring and exciting for everyone. While there were many shows about teenagers and sex, ‘Sex Education’ stood out because it talked about these topics openly and covered them in a pretty detailed manner. Without any guesses, the show became really popular and is now considered a classic on Netflix. For 3 long seasons, viewers have seen students of Moordale, and everyone around them, dealing with a lot of complications, but now, it’s time to say goodbye to some of our character as the Netflix series has returned for its fourth and final edition.

At the end of Season 3, Moordale Secondary School closed down. This means that Otis, Eric, Aimee, Jackson, Vivienne, Cal, and Ruby have to go to a new school, Cavendish Sixth Form College. Some of them fit in well, while others struggle. And while Otis tries to focus on his therapy work, he finds out that there are other young people who are experts on relationships and sex in town.

Gillian Anderson as Jean Milburn in ‘Sex Education’ Season 4 (Netflix)

One of the strengths of Sex Education is its diverse and inclusive representation. The show shines a light on various sexual orientations, gender identities, and cultural backgrounds, providing a platform for underrepresented voices. Season 4 continues to explore these themes, introducing new characters who add depth and complexity to the narrative. On ghe other hand, the only problem with Season 4 is that there are too many things going on at once. There are so many sub-plots that might distract you at times and make you feel that this story might have looked good if there was another season in pipeline.

Even then, the writing remains sharp and witty, creating relatable and genuine teenage characters who grapple with their own insecurities and desires.

Ncuti Gatwa as Eric Effiong in Sex Education Season 4 (Netflix)

The performances in ‘Sex Education’ Season 4 are consistently strong. Asa Butterfield brings vulnerability and charm to his role as Otis, portraying the character’s growth and maturity. Ncuti Gatwa shines as Eric, capturing both his strength and vulnerability as he navigates new relationships and personal challenges. Emma Mackey delivers a nuanced performance as Maeve, showcasing her character’s intelligence and emotional depth. Mimi Keene is stupendous as well and bring another layer to her character which was so nice to see. Meanwhile, Gillian Anderson does what she is best at: deliver another extraordinary performance.

Emma Mackey as Maeve in Sex Education Season 4. (Netflix)

On the other hand, Aimee Lou Wood continues to mesmerise us with her charm and simplicity. Directors should definitely look at her and give her a leading role soon because she deserves it. Another actor that is surely a star in the making is Anthony Lexa, who portrays Abbi in Season 4. Her performance adds an additional charm to the series and gives a hope to Trans actors that they can too achieve their dreams.

A still from ‘Sex Education’ Season 4 (Netflix)

The final edition tackles difficult topics with sensitivity and care, highlighting the importance of consent, communication, and understanding in relationships. The show’s ability to tackle these issues head-on without becoming preachy is a testament to its thoughtful storytelling.

While the final season of ‘Sex Education’ does have some pacing and narrative issues, the strength of the performances, the thoughtful exploration of important issues, and the show’s commitment to inclusivity make it a satisfying and engaging watch. It’s bittersweet to say goodbye to these beloved characters, but the legacy of Sex Education will undoubtedly leave a lasting impact on the television landscape.

Sex Education Season 4. (L to R) Mimi Keene as Ruby, Asa Butterfield as Otis in Sex Education Season 4 (Netflix)

In conclusion, ‘Sex Education’ Season 4 continues to deliver a standout and boundary-pushing narrative that explores sexuality, identity, and personal growth with humor and sensitivity. Despite some minor flaws, the show remains a shining example of inclusive storytelling and offers a heartfelt farewell to its beloved characters.

Some goodbyes are hard and this is certainly one of them.

FILM RATING

Reviews

Flora and Son is a Heartfelt Exploration of Family and Music

Published

3 days ago

September 19, 2023

Aayush Sharma

Eve Hewson and Oren Kinlan in a still from 'Flora and Son' (Apple TV+)

Flora and Son, directed by John Carney, tells the compelling story of Flora, a single mother struggling to navigate the challenges of parenthood and find her own identity. Starring Eve Hewson as Flora, the film dives into the complexities of motherhood, relationships, and the power of music in bringing people together. There have been a lot of musicals in recent times that take a very complex route in telling a story, but Flora and Son is a bit different than all of them. The story is really simple and that’s what makes the film such a treat to watch.

The movie opens with Flora enjoying a night out at a club in Dublin, only to end up in a disappointing hook-up. Flora’s life is far from perfect, as she grapples with her troubled teenage son Max (Orén Kinlan) and a less-than-supportive ex-husband, Ian (Jack Reynor). Flora’s interactions with Max are often tense, filled with sarcastic banter and strained attempts to connect with him. As a single mother, Flora faces numerous hardships and setbacks, leading her to doubt her own potential. Her attempts to do right by her son are often met with indifference or resistance. However, a pivotal moment occurs when Flora acquires a guitar for Max, unaware that it will have a profound impact on her own journey. Flora’s decision to learn to play the guitar leads her to Jeff (Joseph Gordon-Levitt), a songwriter and teacher based in California. Despite the distance between them, their connection is palpable, and through music, they bridge the gap. Jeff encourages Flora to embrace her creativity and express herself authentically, unlocking a passion she didn’t know she possessed.

Eve Hewson in a still from ‘Flora and Son’ (Apple TV+)

The performances in Flora and Son are exceptional, particularly Eve Hewson’s portrayal of Flora. She effortlessly portrays a range of emotions, from humor and charm to vulnerability and raw emotion. Hewson’s nuanced performance brings depth and authenticity to the character, making her relatable and captivating. It will be a travesty if she is not spotted by a big filmmaker and gives her a chance to lead another extraordinary movie. On the other hand, Joseph Gordon-Levitt is soulful and gives a performance that is really enchanting. The chemistry between Hewson and Gordon-Levitt, even through virtual interactions, adds an extra layer of depth to their characters’ connection.

Carney’s direction creates an intimate yet heartfelt atmosphere in the film. The use of music as a driving force in the narrative is a testament to Carney’s storytelling prowess, showcasing the transformative power of melodies and lyrics. One of the film’s strengths is its refusal to tie everything up neatly in a predictable manner. Instead, Flora and Son choose a more realistic approach, leaving some loose ends and logistics unresolved. This choice allows the characters to continue their journey of self-discovery, leaving viewers with a sense of hope and possibility.

Eve Hewson and Joseph Gordon-Levitt in a still from ‘Flora and Son’ (Apple TV+)

In conclusion, Flora and Son is a touching exploration of a single mother’s journey to find her voice, both as a musician and as a parent. With exceptional performances and a thoughtful narrative, the film resonates with authenticity and emotional depth. Carney’s direction and the film’s emphasis on the transformative power of music make Flora and Son a standout family drama. The simplicity and innocence is what makes it such a heart-warming watch. This film will make your heart sing.

FILM RATING