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The Northman Review | Alexandar Skarsgård is Vengeance in Robert Eggers’ Nordic Revenge Epic



What else can be said about Robert Eggers — who has created two of the finest examples of “elevated horror” — other than that the man is a genius? Eggers has gone from the A24 indie horror scene with The Witch and The Lighthouse to the quote-unquote big leagues with The Northman. Despite upping the scope and scale, Eggers still retains his auteur stylistic personality; which is saying far more than some filmmakers that make this type of leap. The Northman is similar to The Green Knight in that it tells a relatively simplistic story (and they both have beautiful cinematography) — the story is the same found in Hamlet — yet it’s likely impossible to fully comprehend what you have watched for the last two and a half hours when the title card hits. Be that as it may, The Northman is still a brilliant showcase and another strong output from Eggers.

In 895 A.D., Amleth (played by Oscar Novak in the beginning), witnesses his father, King Aurvandil (Ethan Hawke) get murdered at the hands of his uncle, Fjölnir (Claes Bang). Fjölnir also takes Amelth’s mother, Queen Gudrún (Nicole Kidman), captive. Amleth flees the scene, rowing away while reciting a simple vow: “I will avenge you, father; I will save you, mother; I will kill you, Fjölnir.”

4179_D049_00102_RC Ethan Hawke stars as King Aurvandil in director Robert Eggers’ Viking epic THE NORTHMAN, a Focus Features release. Credit: Aidan Monaghan / © 2022 Focus Features, LLC

As the film so kindly provides, the film jumps “years later” and Amleth, now played by Alexandar Skarsgård, spends his days raiding villages like a complete badass — he literally catches an incoming arrow and throws it back — and pretending he’s a wolf a la George MacKay in Wolf; a habit he picked up from his late father. Amelth is still pursuing his destiny but is still a ways off from getting there. Eventually, he learns that his uncle now owns a farm and becomes a slave on the farm to infiltrate and eventually get his revenge. Along the way, he meets Olga (Anya Taylor-Joy), a sorceress and also enslaved, and the two work together and also find love along the way.

Director Robert Eggers and crew members on the set of his film, THE NORTHMAN, a Focus Features release. Credit: Aidan Monaghan / © 2022 Focus Features, LLC

From the opening shots of King Aurvandil’s village, The Northman makes it very clear that Eggers still has his hands all over the film. It very well may be the most artistic “bigger” budget film (reported $70 million budget) in recent memory — save for Blade Runner 2049 — and is all the more impressive when the budgets of Eggers’ previous films, The Witch ($4 million) and The Lighthouse ($11 million), are taken into account. And for as simple as the premise of the film sounds, Eggers throws enough curveballs in that can really only be seen to understand. There are spells, weird visions, and plenty of violence that are all wonderfully in line with Eggers’ previous works.

Alexander Skarsgård gives a rugged performance; a broken man tortured by his own fate. There are little nuances in his performance that are also worth noting: At one point, Amleth hesitates when he sees a young child in a village that he is raiding, perhaps thinking about his own past. The heartbreak that Skarsgård displayed in this scene did feel good in the AMC where my screening took place. Oh, and Nicole Kidman is also great and far better than her performance in Being the Ricardos. Anya Taylor-Joy is an amazing actress, and her resumé only continues to grow more impressive with every performance. I overheard someone saying that she had reportedly wanted to be in The Lighthouse as a mermaid after starring in The Witch. Perhaps she made the right call with her second collaboration with Eggers as she gets several moments to shine sharing the screen with Skarsgård.

Alexander Skarsgård stars as Amleth and Anya Taylor-Joy as Olga in director Robert Eggers’ Viking epic THE NORTHMAN, a Focus Features release. Credit: Aidan Monaghan / © 2021 Focus Features, LLC

Some legendary actors get less screen time but still make their presence known. Ethan Hawke plays Amleth’s father, King Aurvandil. It goes without saying that he doesn’t make it very far into the film, yet the scenes he shares with Oscar Novak will remain on your mind after the credits roll. Willem Dafoe, fresh off of an unhinged performance in Eggers’ The Lighthouse, gives another eery performance that will linger with you far beyond his limited screentime as Heimer the Fool.

The Northman is also a very, very violent film. Noted above (and can be seen below) was the rad moment where Amleth catches an arrow and throws it back at his opposition. Proceeding this is a long take that follows Amleth as he slays damn near an entire village. He brutally hacks and slashes his way through villages without a lot of remorse. The final showdown between Amleth and Fjölnir resembles Revenge of the Sith as the two make dancing shadows in the midst of a volcano. It’s an epic battle and unlike some professional fights that build themselves up — looking at you, Mayweather vs. Pacquiao — this climax was a satisfying payoff to what the film had previously set up for two hours.

Like Eggers’ previous two films, The Northman will likely be divisive. It’s certainly Eggers’ most mainstream film — void of the same level of weird that his previous two films reached — but it’s still a two-and-a-half-hour revenge story that takes its time to get to the actual revenge. But the cinematography (which includes some gorgeous shots of Iceland), acting, set and costume designs, and Eggers’ direction will all make the film more than worth your time. The Northman is the closest thing you have seen to a smooth transition from indie to tentpole filmmaking in a long time and is one of the best films of the year. Even if the experience of doing a “big” movie is a one-time thing for Eggers, The Northman is about as good as it can get.

Focus Features will release The Northman on April 22.


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

Comic Book Movies

X-Men ’97 Review | Nostalgic, Epic & Marvelous!



X-Men '97 (Disney)

Get ready for action-packed adventure, many surprise cameos and a storyline that takes


A band of mutants use their uncanny gifts to protect a world that hates and fears them; they’re challenged like never before, forced to face a dangerous and unexpected new future.

X-Men ’97 (Disney)


X-Men ’97 is a revival of the classic 1990s animated television series. The storyline picks up directly after the events of the original series, maintaining continuity and preserving the beloved elements that made the original a hit show back in the day. Many of the original voice cast members have returned, including Cal Dodd as Wolverine, Lenore Zann as Rogue, George Buza as Beast, Alison Sealy-Smith as Storm and Adrian Hough as Kurt Wagner/Nightcrawler, which adds a layer of originality and contributes to the overall nostalgia of the television show​. Here I’m feeling like a little kid again, watching the show on a Saturday morning. I was 7 years old when it was on television in the early mornings, and it still brings back fond memories.

There were a number of new stars who joined the show such as Ray Chase who replaced Norm Spencer as Cyclops, Jennifer Hale who replaced Catherine Disher as Jean Grey, Holly Chou who replaced Alyson Court as Jubilee, A.J. LoCascio as Gambit, Matthew Waterson as Magneto, J.P. Karliak as Morph, Isaac Robinson-Smith as Bishop, Ross Marquand as Professor Charles Xavier and Gui Agustini as Roberto da Costa/Sunspot.

X-Men ’97 (Disney)

The series starts off in a world where the X-Men grapple with the loss of Professor Charles Xavier. Amidst all the chaos and uncertainty, Magneto rises to the occasion and becomes the new leader of the X-Men. This provides additional drama and the team dynamics is frequently tested with the new leadership. While dealing with the new leadership dynamics the X-Men finds themselves still dealing with people who would stop at nothing to end all mutants. The storyline doesn’t hold back on the action sequences and themes such as grief, loss and acceptance are touched on throughout the series.

The trailer of the show doesn’t spoil anything for the viewer, and I highly encourage you to watch every intro and try to spot any new changes. The show provides many cameos and easter eggs, keeping my hopes alive of a potential crossover.

The story ends with a twist, leaving you hungry for the next season, and as any Marvel movie or television show would have it, a mid-credits scene to whet your appetite for what’s to come. If you are new to X-Men you can still jump in and watch the television series, but I highly recommend watching the original series to get you up to date with most of the lore and history of the X-Men.

X-Men ’97 keeps the legacy of our favorite mutants alive with a well-written story that is filled with emotion, surprises and promises of more adventures.

Thank you Beau DeMayo for an eXcellent story! I rate this show a 5 out of 5!

Will we skip the intro song? No! I don’t think we will. Make sure to catch the show on Disney Plus!
X-Men ’97 Final Trailer (Marvel Entertainment)

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‘The Present’ Review | A Heartfelt Family Adventure with a Magical Twist



The Present
A still from 'The Present' (The Movie Partnership)

In the heartwarming film ‘The Present,’ a young boy stumbles upon a mysterious grandfather clock with the extraordinary ability to transport him through time. Driven by the hope of reuniting his parents, he embarks on a magical journey with his siblings to prevent their family from falling apart. As they face challenges together, they discover the enduring power of love and the true meaning of family.

Over the years, we have seen a lot of time-travel movies, but ‘The Present’ is a bit different from those movies. It’s not about saving the world and defending the universe from aliens. It’s all about keeping a family together and feeling loved again. In Christian Ditter’s cute romantic-comedy film, we see Jen (Isla Fisher) and Eric (Greg Kinnear) having a dinner with their three children: Emma (Shay Rudolph), Max (Mason Shea Joyce), and Taylor (Easton Rocket Sweda). However, things go downhill when the parents announce that they are separating. The next day, an old clock that used to be in Eric’s father’s house arrives at their house and they decide to keep it in their basement. Something is written on the clock, and it reads, “This clock can help you now and then, but only you can change events.” Soon, Taylor finds out that the clock can be used to time travel and alter events. As a result, he stitches a plan, along with his siblings, to bring their parents together.

Shay Rudolph and Easton Rocket Sweda in ‘The Present’ (The Movie Partnership’

The enchanted grandfather clock is a delightful narrative device that immediately draws the audience into a world where the impossible becomes possible. Who wouldn’t want to turn the clock back and alter certain events? The clock, intricately designed and exuding an air of mystical antiquity, serves as both, a literal and metaphorical centerpiece for the story. However, the movie is not just about the clock or what it does, it is about the extreme lengths children can go to restore their family. The themes of love, forgiveness, and the passage of time are woven throughout the film, offering moments of reflection and emotional resonance. The makers have subtly shown how challenging it can be to mend things, emphasizing the importance of understanding and empathy within familial relationships. Certain moments in the film would surely encourage you to let your family know how much they are valued.

Writers have done a great job in stitching a story that’s not complex. Everything that takes place in front of our eyes is neither flashy nor over the top, which makes the movie even more relatable. However, certain elements could have been infused to make the script even better. We could have seen a bit more emotional turmoil between the central pair to have a better idea about their state. On the other hand, the relationship between Jen and the kids should have been explored a little more. Apart from that, there are pacing issues in certain scenes, which could have been mended with tighter editing. Despite these shortcomings, ‘The Present’ is a charming film that offers a warm and engaging experience.

Isla Fisher and Greg Kinnear in ‘The Present’ (The Movie Partnership)

Acting-wise, Isla Fisher and Greg Kinner are splendid in their respective roles. Both actors are fully committed to their roles and don’t miss a beat. Fisher has evolved as an actor and it would be a travesty if we don’t see her healing a big blockbuster soon. The young cast delivers commendable performances, particularly Mason Shea Joyce, whose wide-eyed innocence and determination drive the film forward. Meanwhile, Shay Rudolph is as wonderful as Emma. The chemistry between the siblings feels genuine, their camaraderie reflecting a realistic portrayal of sibling dynamics.

Overall, ‘The Present’ succeeds in delivering a touching, family-friendly adventure. Its enchanting premise, mixed with heartfelt performances, makes it a worthwhile watch, especially for families seeking a film with positive messages.

‘The Present’ hit UK cinemas on May 24.


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Bridgerton Season 3 Part 1 Review: Have They Lost Their Spark?



Sam Phillips as Lord Debling, Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Dearest gentle reader, Lady Whistledown is back for another Bridgerton season, and this time for her own love story (the ton doesn’t need to know). Classy as ever, Bridgerton Season 3 focuses primarily on Nicola Coughlan and Luke Newton’s characters Penelope Featherington and Colin Bridgerton as they take their friendship to another level.

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

What is Bridgerton Season 3 About?

After focusing on Daphne and Anthony Bridgerton in the first and second seasons, the story is now following Colin Bridgerton’s story with the girl next door. Penelope was many things for Colin but never a love interest. She was his sister’s best friend, a girl next door, a friend, and someone who had a crush on him. It’s no secret for the viewers that Penelope had a huge crush on Colin for years, but our girl finally feels ready to move on and get her life together. She is now in search of a husband after getting her heart broken in the last season.

What Stole the Show?

Apart from Nicola Coughlan getting the most deserving highlight, Netflix did their fan service and gave more screen time to now-extremely popular Benedict Bridgerton. Benedict Bridgerton has always been one of the fan favorite characters but after this season he has certainly got a huge following. Luke Thompson’s charms deserve to be studied in a university. He seems to be people’s new crush and I don’t blame them! The beautifully written dialogues are as usual top notch.

Bridgerton is famous for many reasons, including its orchestral remix of popular songs. This season Pitbull’s ‘Give Me Everything’ is in the limelight as one doesn’t expect such an iconic party song to sound so classy. Huge kudos to the makeup and costume department for carrying the show with its theme gracefully. They certainly grasped the attention and enhanced the characters of the show.

Benedict Bridgerton and Lady Tilley Arnold

Benedict Bridgerton and Lady Tilley Arnold

What’s Bothering Us in The Show?

The scripting of the show seems rushed. It lacks the spice, passion, and the slow burn romance that defines a Bridgerton story. Colin’s character has been poorly developed this time. After being sidelined for the last two seasons this one was supposed to make him the knight in shining armor, but he rather lacks the character. He tries to help Penelope only because he feels guilty for insulting and hurting her. Later on, he ruins her chance with a great suitor only because he feels jealous for not having her. He acts like a child who wants his toy back as soon as some other child starts playing with it. He misses Penelope’s attention after seeing her happy with someone else who wants to marry her. Some may call it ‘true love’ but I believe it’s too immature and childish thing to do for a Bridgerton character. Nothing against Luke Newton but his character development is not helping the show.

Apart from lacking the slow-build and passionate love story, the show seems to have forgotten about Daphne and Simon Basset (played by Phoebe Dynevor and Regé-Jean Page) completely. Anthony and Kate Bridgerton (played by Jonathan Bailey and Simone Ashley) appear in one episode and are not even mentioned in the rest.

Nicola Coughlan – The Show’s Star

Nicola Coughlan is shining brighter than any star in the sky. Both Nicola and Penelope are role models for body positivity. Young girls and women across the globe highly relate to Penelope and seeing her accepting herself, being comfortable in her own skin, and getting a complete makeover to feel more like herself is bound to create a positive wave among the fans. Unlike the last two Seasons, the Third Season is also focusing on other characters of the show as well, as it creates branches and stories for potential upcoming seasons. Yet, no one and nothing shines in front of Nicola Coughlan as she wears her crown with grace.

Nicola Coughlan as Penelope Featherington

Nicola Coughlan as Penelope Featherington

Is It Better Than Last Two Seasons?

Each Bridgerton story has its unique charm that keeps our eyes glued to the screens. Some love Season 1, others like Season 2, and the rest prefer Season 3 but is it better than the last two? Probably not. Nothing can beat Season 1! As much as the show focuses on the ‘Friends to Lovers’ storyline, it lacks the true essence of romance and no, I’m not talking about the spiciness even though they severely lack to give us butterflies. Polin’s storyline sometimes gives us butterflies but not as much as previous seasons did. The groundwork for the couple was laid since the first season yet they are not coming as strong and passionate as expected.

Bridgerton Season 3 Part 1 is currently available to stream on Netflix. Part 2 will be released on June 13.

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