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Biography, Drama, Music

Release Date:

June 24, 2022


Baz Luhrmann


Tom Hanks, Austin Butler, Olivia DeJonge

Plot Summary:

A look at the life of the legendary rock and roll star, Elvis Presley.


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CATWOMAN: HUNTED | Blu-ray Review: A Globe-trotting Romp and Visual Treat



Catwoman (Elizabeth Gillies) truly takes the spotlight in the latest DC Animated Movie as the film Purrrfectly encapsulates this femme-fatale. Catwoman: Hunted is a sultry globe-trotting romp that will certainly leave you purring with delight as Catwoman aka Selina Kyle doesn’t worry the slightest about risking her nine lives when a prize like the worlds most valuable emerald is the reward. But with Batwoman (Stephanie Beatriz) and Interpol manoeuvring to spoil her fun, she must tread lightly.

Warner Bros./DC Entertainment

Complicating this game of cat and mouse is the goal crime juggernaut Leviathan, deadly assassins, and a trail of twists and turns that may just trip up this nefarious feline. In the end, Catwoman is forced to work alongside Batwoman and Interpol agents Julia Pennyworth (Lauren Cohan) and King Faraday (Jonathan Frakes).

The film truly lends itself to the stylised Japanese art of anime and manga, the character and environmental designs are so vibrant and lovingly rendered. And like many of the DC animated movies Catwoman: Hunted is heavily influenced and inspired by films of other eras. Here every sequence screams 1960s spy and thriller, films like “Catch me if you can”, “The Castle of Cagliostro” and “Danger: Diabolik. I also see influences captured from Cowboy Bebop such as the stylish action, cheeky humour, and an incredible Jazz score which features throughout the film as the wild and fun opening credits set the stage with a dazzling montage as we see Catwoman in her retro disguise infiltrate a masquerade party in Spain as Black Mask’s (Jonathan Banks) date as the Gotham crime king wants to join the criminal cartel Leviathan. Its leader, Lady Barbara Minerva (Kirby Howell-Baptiste) however demands a hefty and steep entrance fee.

Warner Bros./DC Entertainment

A massive win for Catwoman: Hunted is the casting of Elizabeth Gillies as Catwoman aka Selina Kyle. Gillies is Purrfect and brings Selina to life with such confidence and swagger as she provides a sassy vocal performance that is both classic and contemporary but also iconic and fresh. I absolutely loved that throughout the film Selina flirts, manipulates, and battles anyone in her way.

Half the charm of Catwoman: Hunted also comes from the slightly off-kilter will they won’t they dynamic between Gillies’s Selina and the introduction of Beatriz’s Kate Kane aka Batwoman. Stephanie Beatrix brings Gotham City’s Batwoman to life supremely stoic and stern but she also adds hints of emotional vulnerability in between all the brawls and chases. During the course of the film, these two characters roles become chaotic and certainly intertwined as the film explores the Selina/Kate relationship to the fullest.

Warner Bros./DC Entertainment

Catwoman: Hunted also boasts an incredible voice cast, we’ve got fantastic introductions to the League of Shadows assassin Cheshire, voice by Kelly Hu, Barbara Minerva, leader of Leviathan, voiced by Kirby Howell-Baptiste, Lauren Cohan as Julia Pennyworth, Jacqueline Obradors as La Dama, and then Zehra Fazal returning to voice not only Talia Al Ghul but also Nosferata.

Then we have more great vocal performances from other icons such as Jonathan Banks and Keith David who voice Black Mask and Tobias Whale. Then there’s Star Trek: TNG’S Jonathan Frakes as the voice of King Faraday/Boss Moxie, whilst voice actors Steven Blum and Andrew Kishino voice Solomon Grundy and Mr Yakuza.

Screenwriter Greg Weisman keeps us Feline fresh as Catwoman ploughs through the villains with fun and sassy remarks. It’s fast-paced and full of heists as prolific anime filmmaker Shinsuke Terasawa helms the project with experience as he crafts amazing action sequences such as a car chase. Catwoman literally steams up the screen with Batwoman.

Warner Bros./DC Entertainment

Speaking of the action sequences they truly build-up to heavy-hitter showdowns which truly take advantage of the anime style. There are plenty of supernatural elements included as Catwoman: Hunted is certainly a new era and something different and unique for the DC Animated series of films. It benefits from a strong script, talented voice cast and succeeds in merging the DC Universe with a strong anime and manga aesthetic. The sheer enjoyment of this anime film truly delivers as it’s a must-see for all fans of genre and Catwoman. I’d definitely be interested and invested in seeing DC and Warner Bros Animation take Selina on another globetrotting heist as Catwoman: Hunted Purrrfectly leads to a sequel.

Special Features:

  • When The Hunter Becomes The Hunted – This featurette breaks down the backstory of each villain integral to the film: from Tobias Whale, Black Mask, Cheshire and Nosferata to Solomon Grundy, Talia al Ghul and Cheetah.
  • Catwoman: The Feline Femme Fatale – A documentary on Catwoman’s history.

Catwoman: Hunted is available now for 4K UHD, Blu-ray, DVD, and Digital HD.

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In the Heights | A Sun-Drenched, Charming Tale Of Dreams, Community And Home



In the Heights is directed by Crazy Rich Asians director Jon M. Chu and is an adaptation of the Broadway musical written by Quaira Alegria Hudes – with music, lyrics and concept created by Lin Manuel Miranda – you know, the guy behind that tiny Broadway show called Hamilton.

Our story takes places in the Manhattan borough of Washington Heights – a predominantly Latinx neighbourhood. Our protagonist is convenience store owner Usnavi (Anthony Ramos), who dreams of fulfilling his deceased father’s Suenito or “little dream” of opening his own beach side bar in his place of birth; The Dominican Republic. We watch as Usnavi wrestles with the choice of chasing his fathers dream or staying in the community which raised and embraced him with open arms.

I came out of In the Heights beaming with joy. It’s one of those perfect summery, all-singing, all-dancing, big screen movies that get your hips swaying, your toes tapping and your teeth grinning. Most importantly it’s a film, that justifies seeing it on the biggest screen possible – don’t deprive yourself of the treat of seeing it at a cinema. It’s a film that is so easy on the eyes – not just because of its ridiculously gorgeous cast, but thanks to the dazzlingly inventive set pieces, breathtaking choreography, vibrant art direction and Jon M. Chu’s dynamic camerawork. It’s alive with such kinetic energy and utterly infectious music.

The comparisons to West Side Story seemed inevitable – which incidentally is getting a Steven Spielberg reimagining later this year. But that comparison is a very generalised one, In the Heights feels refreshingly different to all other movie-musicals. There’s an intoxicating mix of old and new. Every number is laced with a deliciously Latin flavour. There are classic emotionally charged ballads that will make your heart swoon but there’s also elements of salsa, hip-hop, merengue and Lin Manuel Miranda’s now-recognisable, spoken-word, recitative rap sensibilities. Side note for all Hamilton fans keep your ears open for a familiar musical easter egg. There’s a real emphasis on “the little details” on display in this film which makes it feel like an authentic celebration of all things Latinx. One can’t help but smile at the thought of all the positive ramifications a film like this will have on the underrepresented Hispanic communities around the world.

The cast are all superb. Anthony Ramos lights up the screen with his boyish good looks and cheeky smile as Usnavi. He’s backed up by the fiery Mellissa Barrera who plays aspiring fashion designer and love interest Vanessa. Corey Hawkins plays Usnavi’s pal Benny who yearns for old flame Nina (Leslie Grace), who is going through her own identity crisis. She’s back from Stamford College but has felt ostracised and isolated as a minority among her predominantly White classmates. Benny and Nina share one of the standout set pieces a they perform a duet of the When the Sun Goes Down whilst dancing along the side of a Manhattan building.

But the MVP is without-a-doubt Olga Merediz who reprises the same role she played on Broadway as the Washington Heights matriarch Abuela Claudia. She is the heart of the community and of the film itself. Merediz delivers a dignified performance that’s sure to have Oscar-pundits on their radar for a best supporting actress nomination. She reduced me to tears during her rendition of Paciencia y Fe – it’s soul-touchingly obvious why they brought her back for the movie.

When looking for criticisms there is so much love radiating from this film that it’s easy to let the knit-picky stuff slide. Such as there is a lot of very noticeable product placement – In the Heights is brought to you by Coca Cola, Beats and Moët Champagne.

There’s also some clunky shots during one of the standout songs 96,000. The sequence involves a stunning on-location swimming pool set piece, however there was clearly some green screen footage of Anthony Ramos inserted after shooting. It’s a rather sore-thumb addition in otherwise flawless number.

But where In the Heights truly struggles is with character conflict and resolution – or the lack thereof. Most of the conflict is internal, many of the characters are wrestling with the decision of staying or leaving. Asking themselves where do I belong? But the rest of the time it’s all sunshine, love and joy. Even the blackout is a cause for celebration instead of panic. There isn’t much more than surface-level struggles. Without conflict there’s no real drama. There are brief moments where the story hints are some bigger issues like the gentrification of the neighbourhood but never actualy dives in the deep end. And the only mention of racial tension comes from Nina’s experiences at university – but that’s all it is; mentioned. We never actually witness it happen to her.

And while the film ends on an uplifting note I couldn’t help but feel too many of the characters arcs were left unresolved. Upon leaving the theatre I found myself asking a lot of questions; What did Kevin Rosario (Jimmy Smits) do after selling the business? Did Vanessa’s fashion dreams take off? How does Nina cope back at Stamford? And what’s Benny doing with himself now? The answers all remain ambiguous so there is a lack closure.

In the Heights is a sun-drenched and charming tale of dreams, community and home. Despite a slightly long runtime and a lack of character conflict/resolution, it more than makes up for those issues with its phenomenal cast, luscious musical set pieces and fabulous choreography. After a year deprived of social dancing, this is the perfect pick-me-up summery film that’ll make you thirsty to get back on a dance floor.


In the Heights is released in U.K. cinemas June 18th and is available in other regions on HBO Max.

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In the Heights | The Summer Movie We All Need Right Now



Sometimes you watch a film, and you just can’t help but sit there for the entire time with a huge grin on your face. In the Heights is exactly that sort of film. It grabs you immediately with a huge song and dance and for the next two hours and twenty minutes it keeps you on a high with great music, exciting dance scenes as well as lots of emotion and a compelling story. This is exactly the sort of film we need right now and exactly the sort of film to get people back in the cinema. If you don’t want to see big flashy dance sequences on the biggest screen you can, and hear Lin-Manuel Miranda’s incredible songs on a great sound system, then I don’t know what else would get you back in a cinema.

In the Heights has a fairly simple set-up and it tells the story of Usnavi (played by Anthony Ramos) who runs a corner shop in Washington Heights in New York. But Usnavi has a dream of returning to the Dominican Republic. Everyone else in Washington Heights has their own dreams too and we meet a few other characters in the community and watch them as they strive to realise their dreams.

It’s a film that’s so bright and full of life. Its spirit is absolutely infectious that it makes you want to get out of your seat and start dancing around the cinema. At the very least it will have you tapping your foot or nodding your head along to the amazing songs. There are multiple big, musical numbers that do a phenomenal job of drawing you in and completely immersing you in the world of the film. One of the standout songs, “96,000” takes place in a swimming pool and took over two days to shoot and 500 extras. It’s really incredible how well put together all of the musical numbers are. The scale is huge with so many extras and so many people dancing but they all look so well-polished and they’re all absolutely flawless.

The music and the energy of the film is enough to convince you that the movies are back. In the Heights is the very definition of a fun, summer movie. But there’s so much more to it too. The characters are all fascinating and absorbing. It’s a celebration of the Latinx experience and Latinx communities. Even though all the characters have their own struggles, the film has such a feel-good sense to it because of the strong notion of community felt throughout. Together they can all triumph and rise above the struggles they’re facing.

Every single element of this film is absolutely spot on. The music’s great, the characters are sharp and feel real. The cinematography is also gorgeous and matches the wonderful dance choreography to make the musical numbers just outstanding. And it all comes together through the film’s editing and the sound editing leaving the finished product so well-polished and flawless. At 143 minutes long there are a few moments where you do start to notice the runtime but there are already 8 songs missing from the stage musical and trying to cut even more out of the film might have ruined the incredible energy and momentum that it has.

In the Heights is the summer movie we all need right now to truly prove that the big screen is back. See it on the biggest cinema screen you can and then go home and listen to the soundtrack on repeat for the next month. It’s fun, energetic, vibrant and one of the best cinema experiences you’ll have all year.


In the Heights is out now in the US and in UK cinemas on June 18th.

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