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Uncharted Review | Indiana Holland is Good as Gold



Nuns, why does it always have to be nuns?” asks Tom Holland’s Nathan Drake in the film adaptation of Uncharted. This is just one of the many references (some subtle, some not so subtle) to the great Indiana Jones, whose fingerprints, along with Lara Croft, are all over Uncharted. From the outfits Holland and Wahlberg wear to the Indiana Jones-like flyover of a map to the attitude of Nathan Drake in the video games, Uncharted owes a lot to the archeologist in a fedora. And while the latest attempt at a video game adaptation won’t please all fans of the video game franchise, it’s one of the best attempts at commercializing a franchise in recent memories, mostly in due part to the fact that you’ll forget it’s an adaptation of anything, quite frankly. Tom Holland is not a perfect Nathan Drake; at times it’s hard to see the stoic and blunt Nathan Drake of the video games, but it’s the boyish charm that has given Holland the career he’s had thus far that’ll make you smile whenever he quips while hitting people with bottles of alcohol, as cheesy as some of these moments are. Uncharted is a great adventure movie, and far better than Indiana Jones and the Kingdom of the Crystal Skull, a movie even I, a bit fan of that franchise, have a soft spot for. As hard to believe as it is if Disney and co. want to take a few pages out of the playbook of Uncharted, it may be in their best interest to bring them back to their roots.

Uncharted follows Nathan Drake, who is roped into an adventure by Victor Sullivan (Mark Wahlberg), to hunt down the treasure of the Magellan expedition. 

We kick off Uncharted with a big action set piece: Tom Holland playing leapfrog across cargo crates (so great we get to see it twice!). Right when it starts getting good, we do the cliché action movie trope of (slickly) transitioning from one shot to another of Nathan as a young boy. This is where we get the brief backstory of Nathan and Sam, Nathan’s brother who likely listened to Only The Good Die Young one too many times, and then we’re reintroduced to Tom Holland who is, like Peter Parker, in NY. Nathan is a nighttime bartender and bracelet-stealing scoundrel, using his charm and bag full of magic tricks, by this I mean a lighter that can barely set alight given to him by his brother 15 years prior, to steal valuables unbeknownst of his victims. One night, Sully (Wahlberg), offers him an in on an operation that could make both of them a fortune, thus setting our adventure on its course.

Tom Holland stars as Nathan Drake in Columbia Pictures’ UNCHARTED.

The Nathan Drake of the video games, to my knowledge (of about two hours of playtime of Uncharted 4), is the amalgamation of two of Harrison Ford’s most iconic characters, Han Solo and Indiana Jones. The smug and witty nature of Nathan was always something I doubted Holland could pull off. Luckily, this young version of Nathan hasn’t had his heart hardened quite yet, just give it a few more years of chasing Chloe (Sophia Ali) to no avail, and that boyish nature has some more “shits” and drinks sprinkled that remind you that Holland is indeed an adult. More in line with the video game version of Nathan is Sully, played by the great Mark Wahlberg (more on him later).

It’s no secret that I’m oftentimes very critical of Tom Holland. As a teenager, I loved him as Spider-Man, but the gawky looks grew tired after a while. And while he doesn’t necessarily reinvent himself in Uncharted, even striking a Spider-Man pose or two, he plays the role of the hero well and with enough charm that it’s hard to not root for him. Part of that charm, however, is that “gee-whiz” energy when he exclaims: “Oh my god, I’m so sorry! It was completely reactionary!” after dodging a crate and watching it hit one of the nameless henchmen in pursuit (something I called would happen coming into the film). If you heard his voice when reading that quote, I’ve done my job and you’ll understand what I mean.

But Holland is undeniably good at playing the protagonist, and his Nathan Drake is still learning the game. Oftentimes too trusting, Nathan gets his ass kicked on numerous occasions as a result. It’s clear that this is a story devoted to showing the progression of Nathan, he seems far more confident by the mid-credits scene, and while waiting until the very end of a first movie in a (hopeful) franchise usually weighs down movies, see Snake Eyes: G.I. Joe Origins, seeing another few movies would be welcomed from this Indiana Jones lover.

Tom Holland stars as Nathan Drake in Columbia Pictures’ UNCHARTED. photo by: Clay Enos

Sully, like Nathan, was always going to be hard to nail. You had to pair someone with Holland who could pull off a mentor role, but he also had to be a little snarky in order to keep up with the expected quipping. Wahlberg plays Sully by “Mark Wahlberg-ering” his way through lines, which is not a completely bad thing (who doesn’t love Mark Wahlberg?), but this is where the commercialization of this film comes into play. Wahlberg is, more than anything, a big enough name to go second billing to Holland and draw some more butts in seats. Diehard fans of the game were likely upset, and that’s fair. But as far as a Hollywood version of the film goes, it worked. He’s sarcastic, throwing zingers right back at Holland (one about Holland’s height), and the two make for a fun duo. The same lesson from Nathan Drake applies: Go in with no expectations of his this character should be portrayed, and you’ll be fine. It’s perhaps a cop-out but think of Uncharted as a movie that takes inspiration from the video games, rather than a straight adaptation. More than Nathan’s right-hand man, this version of Sully is more like Sapito (Alfred Molina) in Raiders of the Lost Ark with a significant upgrade in lines.

Holland and Wahlberg are the standouts, mainly because they’re shoved down your face for most of the runtime, but out of all of the supporting cast, Sophia Ali is the standout by a wide margin. I don’t know her character of Chloe, but her scenes with Holland and Wahlberg made for fun banter. There’s a chase sequence involving Chloe and Nathan, and it was one of the most engaging scenes of the film. Antonio Banderas is kind of in the film, playing your typical Indiana Jones villain with daddy issues, but is hardly remarkable. He shares one scene with Holland, and perhaps to avoid going into any spoiler territory, his presence left a lot to be desired. An antagonist shouldn’t have enough screentime to barely cover a pee break, and it’s truly hard to remember any scenes with Banderas. It’s awfully possible he didn’t want a part of Uncharted, but he was willingly in Doolittle. He will appear in Indiana Jones 5, so maybe he was just holding out on us. Tati Gabrielle plays Sully’s rival, Jo Braddock, but even despite being in the film significantly more than Banderas, she wasn’t that memorable either. She holds a knife up to people’s necks enough times that it would get you a buzz if you took a shot with each instance, but that’s about it. I guess a fight in an international Papa John’s was cool.

Tom Holland, Sophia Taylor Ali, and Mark Wahlberg star in Columbia Pictures’ UNCHARTED. photo by: Clay Enos

Now, Uncharted’s biggest flaws are not doing much to raise its stakes. I get it, it’s an attempt to blossom into Holland’s “side hoe” franchise to the MCU, so inherently, the stakes were never going to be sky-high. But while a basic plot can be forgivable, (literal and metaphorical) constant double-crosses are not the way to go in an attempt to compensate. You’ll see them a mile away, and if any heist/adventure movie taught you anything, don’t trust anyone, except the lead character. Most of these double-crosses will likely come with no gasps from audience members, and it’ll make Death on the Nile‘s twists seem like shocking revelations.

The action set pieces are about as ambitious as a standard MCU outing. They’re visually engaging enough, nothing special, but the amount of hand-to-hand combat is welcomed. Yes, they’re filled with some cringe-worthy quips, but I don’t remember another movie where Holland was put in situations that he had to exchange fists to get out of.

There is some choppy pacing, which should be talked about. While Uncharted will never bore you, it comes at the expense of basking in a scene. As stated, the opening of the film is a set piece, jumping right to Nathan’s introduction and within what feels like 20 minutes, we’re already on a heist mission with Nathan and Sully. It’s great that it doesn’t slow, I’m not sure these characters need much expansion, but there are far too many montages while characters “research,” or should I say stare at maps and postcards, and those Indiana Jones-like map moments occur on more than one occasion.

Uncharted is a ton of fun because, well, it’s not trying to be a faithful adaptation of the video games. I’m sure there are plenty of nods to the series, I recognized a few story beats even though I am a very casual player, but it works as an adventure franchise movie that we rarely get nowadays. It’s just pure popcorn fun and likely accomplishes what The Lost City hopes to do later this spring. Don’t be scared off by the February release date, Uncharted is anything but your standard “Q1 disaster.” Maybe Sony wanted to ride off of the Spider-Man wave, but a spring/summer release date would have been even better.

Sony will release Uncharted on February 18.


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Bridgerton Season 3 Part 1 Review: Have They Lost Their Spark?



Sam Phillips as Lord Debling, Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Dearest gentle reader, Lady Whistledown is back for another Bridgerton season, and this time for her own love story (the ton doesn’t need to know). Classy as ever, Bridgerton Season 3 focuses primarily on Nicola Coughlan and Luke Newton’s characters Penelope Featherington and Colin Bridgerton as they take their friendship to another level.

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

Nicola Coughlan as Penelope Featherington and Luke Newton as Colin Bridgerton

What is Bridgerton Season 3 About?

After focusing on Daphne and Anthony Bridgerton in the first and second seasons, the story is now following Colin Bridgerton’s story with the girl next door. Penelope was many things for Colin but never a love interest. She was his sister’s best friend, a girl next door, a friend, and someone who had a crush on him. It’s no secret for the viewers that Penelope had a huge crush on Colin for years, but our girl finally feels ready to move on and get her life together. She is now in search of a husband after getting her heart broken in the last season.

What Stole the Show?

Apart from Nicola Coughlan getting the most deserving highlight, Netflix did their fan service and gave more screen time to now-extremely popular Benedict Bridgerton. Benedict Bridgerton has always been one of the fan favorite characters but after this season he has certainly got a huge following. Luke Thompson’s charms deserve to be studied in a university. He seems to be people’s new crush and I don’t blame them! The beautifully written dialogues are as usual top notch.

Bridgerton is famous for many reasons, including its orchestral remix of popular songs. This season Pitbull’s ‘Give Me Everything’ is in the limelight as one doesn’t expect such an iconic party song to sound so classy. Huge kudos to the makeup and costume department for carrying the show with its theme gracefully. They certainly grasped the attention and enhanced the characters of the show.

Benedict Bridgerton and Lady Tilley Arnold

Benedict Bridgerton and Lady Tilley Arnold

What’s Bothering Us in The Show?

The scripting of the show seems rushed. It lacks the spice, passion, and the slow burn romance that defines a Bridgerton story. Colin’s character has been poorly developed this time. After being sidelined for the last two seasons this one was supposed to make him the knight in shining armor, but he rather lacks the character. He tries to help Penelope only because he feels guilty for insulting and hurting her. Later on, he ruins her chance with a great suitor only because he feels jealous for not having her. He acts like a child who wants his toy back as soon as some other child starts playing with it. He misses Penelope’s attention after seeing her happy with someone else who wants to marry her. Some may call it ‘true love’ but I believe it’s too immature and childish thing to do for a Bridgerton character. Nothing against Luke Newton but his character development is not helping the show.

Apart from lacking the slow-build and passionate love story, the show seems to have forgotten about Daphne and Simon Basset (played by Phoebe Dynevor and Regé-Jean Page) completely. Anthony and Kate Bridgerton (played by Jonathan Bailey and Simone Ashley) appear in one episode and are not even mentioned in the rest.

Nicola Coughlan – The Show’s Star

Nicola Coughlan is shining brighter than any star in the sky. Both Nicola and Penelope are role models for body positivity. Young girls and women across the globe highly relate to Penelope and seeing her accepting herself, being comfortable in her own skin, and getting a complete makeover to feel more like herself is bound to create a positive wave among the fans. Unlike the last two Seasons, the Third Season is also focusing on other characters of the show as well, as it creates branches and stories for potential upcoming seasons. Yet, no one and nothing shines in front of Nicola Coughlan as she wears her crown with grace.

Nicola Coughlan as Penelope Featherington

Nicola Coughlan as Penelope Featherington

Is It Better Than Last Two Seasons?

Each Bridgerton story has its unique charm that keeps our eyes glued to the screens. Some love Season 1, others like Season 2, and the rest prefer Season 3 but is it better than the last two? Probably not. Nothing can beat Season 1! As much as the show focuses on the ‘Friends to Lovers’ storyline, it lacks the true essence of romance and no, I’m not talking about the spiciness even though they severely lack to give us butterflies. Polin’s storyline sometimes gives us butterflies but not as much as previous seasons did. The groundwork for the couple was laid since the first season yet they are not coming as strong and passionate as expected.

Bridgerton Season 3 Part 1 is currently available to stream on Netflix. Part 2 will be released on June 13.

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‘IF’ Review | The Most Meaningful and Heartfelt Movie of The Year, Delights With Pure Imagination



This review was made possible by watching an advanced screening

The most meaningful and heartfelt movie of the year. “IF” enchants with delight and wonder as John Krasinski crafts a love letter to our childhood, making us experience emotions that ultimately hit me right in the feels as he reminds us to never lose sight of our imagination! 

In a cinematic landscape often dominated by cynicism and darkness, John Krasinski’s “IF” is a breath of fresh air, a heartwarming and endearing tale that will leave you beaming with joy as it expertly balances the magic, wonder, and adventure of childhood with the poignancy, trials, and tribulations of adulthood, creating a narrative that is at once both nostalgic and universally relatable. The real magic of “IF” lies in its ability to tap into the collective shared childhood experience by evoking memories of our imaginary friends & the adventures we’ve shared with them. 

“IF,” is a whimsical fantasy family adventure that explores the concept of abandoned imaginary friends or IFs as they call themselves. In this heartwarming tale, Bea, a young girl played beautifully by Cailey Fleming discovers her unique ability to see these unwanted characters and reconnect the forgotten IFs with their original creators who have now fully grown up as she embarks on a magical journey through this imaginative, colourful, and creative world. As one girl learns the power of imagination and friendship. Bea thinks she must be hallucinating – until the man in the apartment upstairs reveals he can also see the IFs. 

Courtesy of Paramount Pictures

Several years ago, Krasinski, known for his work on “A Quiet Place,” penned a script intending to uplift his children who were struggling with feelings of depression amidst the challenges of the pandemic. Krasinski not only wrote the script but also took on the role of director for the film. Starring Ryan Reynolds, Cailey Fleming, Steve Carell, Phoebe Waller-Bridge, Louis Gossett Jr., and Fiona Shaw, among many other A-listers lending their voices to the characters, “IF” was inspired by the impact of the pandemic on Krasinski’s daughters, Hazel and Violet.

Having long harboured the desire to create a film for his children, Krasinski found inspiration in the imaginative worlds his daughters would delve into. Witnessing the genuine joy and authenticity with which they played, he was motivated to capture this magic on screen. Through “IF,” Krasinski aimed to show his daughters that this world of imagination and make-believe is always within reach, a place where they can be anything they desire. This magical world is ever-present and waiting for them to explore.

Courtesy of Paramount Pictures

Imaginary friends, these elusive entities existing solely in a child’s vivid imagination, serve as a comforting beacon amidst the chaos of adulthood. In this whimsical tale, away from the foreboding presence of sightless extraterrestrials, audiences are treated to a cascade of endearing characters and a wave of nostalgic charm that instils a heartwarming sense of joy and wonder. “IF” is a delightful escapade that celebrates the virtues of curiosity, creativity, and innocence, rekindling the essence of childhood wonder, and reminding us that the magic is always within reach.

Featuring a star-studded lineup of IFs including Steve Carell, Emily Blunt, Matt Damon, George Clooney, Bradley Cooper, Keegan-Michael Key, and more, the film introduces a mix of charismatic imaginary beings brought to life through the distinct voices of these esteemed actors. Each character, with its unique backstory and quirks, adds a human touch to the ethereal world, resonating with both younger viewers and their older counterparts.

The film’s exploration of imaginary friends serves as a poignant reminder that our childhood aspirations and dreams are not just fleeting fantasies, but rather tangible time capsules that hold the power to shape our future. These creations, born from our imagination, are a manifestation of our hopes, desires, and innermost ambitions – a reflection of who we wanted to be and what we wanted to achieve. As we grow up and face the harsh realities of adulthood, it’s easy to lose sight of these childhood ideals, but the film suggests that we don’t have to let go of that spark. By tapping into the imagination and embracing the spirit of our youthful selves, we can reignite our passions, rediscover our sense of purpose, and continue to evolve into the best versions of ourselves. In this way, imaginary friends become a powerful tool for self-reflection, creativity, and personal growth, reminding us that even as we age, we can still hold onto the essence of our childhood dreams.”

Through the vibrant personalities of figures like Blue, Unicorn, Sunny, Spaceman, and Ally, the movie explores the boundless bounds of a child’s imagination. A blend of conventional and eccentric companions, such as Blossom, Ice, Cosmo, and Marshmallow creates a tapestry of humour and charm that engages viewers in a realm where the fantastical meets the mundane in delightful ways. Most significantly Lewis, an old teddy bear voiced by Louis Gossett Jr sadly passed away and the film is lovingly dedicated to him with such a touching tribute after the credits rolled.

Courtesy of Paramount Pictures

To render the unseen into vision, director John Krasinski enlisted the expertise of VFX supervisor Chris Lawrence and the revered effects studio Framestore, weaving together around 800 meticulously crafted shots featuring a diverse ensemble of 42 CGI characters. Within this narrative realm, a poignant blend of fantasy and magical realism flourishes, engendering a profound sense of belief in the audience as they witness these ethereal beings coalesce on screen. Employing a blend of physical puppets and digital animation, the film sought to honour the sanctity of space and performance, poised on the precipice of seamlessly integrating these otherworldly entities within the tangible fabric of the film universe.

Courtesy of Paramount Pictures

Through this meticulous fusion of technical prowess and artistic vision, the film emerges as a testament to the transformative power of storytelling, poised to captivate audiences with its charm and artistry.

With a captivating blend of computer-generated CGI forms seamlessly integrating into the real world, expertly led by the dynamic duo of Fleming and Reynolds, As the live-action leads, they exhibit effortless chemistry on-screen, commanding attention and drawing the audience in. The initial wariness between Bea and Cal gives way to a warm and engaging rapport, characterised by witty banter and exasperation.

As Bea navigates the challenges of transitioning through her teenage years, she finds solace in these quirky and unique imaginary friends, embracing the comfort and security of childhood delights. Meanwhile, the film’s relationships take centre stage, led by the charismatic performance of Ryan Reynolds and standout Cailey Fleming, alongside Fiona Shaw. The movie’s greatest strength lies in its nuanced balance between lighthearted moments and emotional depth, evoking a sense of warmth and family, particularly during poignant reunion scenes.

Courtesy of Paramount Pictures

One of the film’s most endearing relationships is that between Bea and her father, played by Krasinski, which is charmingly tender and heartfelt.

Michael Giacchino’s music score for the movie “If” is a masterclass in emotional depth and thematic complexity. The composer delivers one of the best scores of his career, weaving a sonic tapestry that perfectly captures the film’s poignant exploration of connection whether that’s from human or imaginary. Giacchino’s themes are creative, heartfelt, and sincere, expertly conveying the emotional highs and lows of the characters’ journeys. From the tender warmth to the soaring grandeur of the score’s more uplifting moments, every note feels carefully crafted to elevate the film’s emotional impact. Giacchino’s score is a stunning achievement, showcasing his remarkable composer skill and ability to tap into the heart of a story.


In essence, “IF” is a cinematic celebration of the power of imagination, brought to life through a tapestry of endearing characters and heartfelt moments that left me feeling nostalgic and uplifted. With its colourful jumble of personalities and whimsical storytelling, the film is a captivating journey into the enchanting world of make-believe that will warm the hearts of viewers of all ages. 

IF” hits theatres on May 17. 

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Arthur the King is an Epic Masterpiece



Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.


Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

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