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Sundown Review | Staring At The Sun

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Tim Roth is one of those actors that is impossible to take your eyes off of when he graces the screen. Even in a very gentle role like his in Bergman Island, there is something so fascinating about the British actor that is captivating. Above all else, Roth has always shown a complete understanding of the assignment; see The Incredible Hulk or The Hateful Eight. Sundown is one of the most subtle roles Roth has played, his character is so detached from the world around him. Unfortunately for him, Roth is the most memorable thing about Sundown. As nice as an 82-minute sprint is like Sundown, it feels like half of a movie and is missing a good portion of backstory that would have made the film resonate more. Even after two viewings, the first coming at the Philadelphia Film Festival in October, some elements are still unclear, which just makes Sundown a frustrating watch. 

Sundown is about a man, Neil (Tim Roth), who takes sojourning too far when he attempts to break away from his family during a vacation that is cut short due to a loss in the family. When Neil’s sister, Alice (Charolette Gainsbourg), and her two kids, Colin (Samuel Bottomley) and Alexa (Albertine Kotting McMillan) all arrive at the airport, Neil claims to have left his passport at the resort. As Neil stands alone in the airport, with an unsure look on his face, he decides to head back to a hotel and just sojourn there for an indefinite period, drinking bottomless beers on the shore and meeting a woman, Bernice (Iazua Larios).

Photo: Bleecker Street

The Sundown train truly starts and stops with Roth, who is simply unable to disappoint at this stage of his career. Neil lies through his teeth while countering every one of Alice’s solutions for his “lost passport.” If (for some crazy reason) you need to be sold on Roth, the scene where he talks to the family lawyer, Richard (Henry Goodman), in prison towards the end of the film, should do it. Roth acts completely with his eyes in this scene, a sad, depressed and altogether lost look in his eye that can’t help but make you pity him. 

Upon first seeing Sundown last October, it didn’t feel like much of the film made sense. When the credits rolled and people began exiting the auditorium, people pondered what the pig metaphor was supposed to represent. Another confusing aspect of Sundown is the usage of the sun and its meaning. Director Michel Franco has talked a little bit about the metaphor of the sun, which is shown frequently during transitional shots. When the sun is shown as many times as it is, it is clear that it has some meaning, but it just fell flat.

Simply put, Sundown feels like half, or maybe two-thirds of a story, with its small-scale simultaneously being its best friend and enemy. Why does Neil even decide to stay back in Mexico? The opening ten minutes of Sundown show Neil seemingly disconnected from his family, constantly sitting out of board games and keeping to himself while staring off into the distance during family dinners. But why? This question is never confronted, though Richard does bring up a “condition” that Neil has, which is later revealed to be a form of cancer. When Alice returns to confront Neil, we learn a little bit more about the sister-brother relationship that likely plays some part in Neil’s actions. The duo owns and runs a successful business that Neil seems to be willing to give Alice full ownership of after their confrontation. Another 10-15 minutes that explained not only explained the relationship of Neil and Alice, but the relationship between them and their parents as well could have gone a long way in making Sundown make any sort of sense. If we learned that Neil had a troubled past with his mother, it’d make a lot more sense why he decides to stay back and avoid her funeral. Or maybe Neil and Alice have a hot-and-cold relationship. But as it stands, none of this is ever tackled, leaving most of Sundown (frustratingly) up for interpretation.

To its credit, Sundown is only 82 minutes, and the second viewing flew by even faster as each part of the progression of Neil’s arc is far shorter than the first go-around. Sundown is a very stoic film more than it’s not; occasionally going from zero to 100 within seconds such as when a quiet day on the beach is suddenly interrupted by gunshots or when someone is suddenly hit over the head with a bottle.

The beauty of Sundown is aforementioned small scale. It takes place almost exclusively in Acapulco whether it’s the streets, beaches, or prisons. Sundown does a great job of giving viewers an intimate tour of Acapulco, and the story is so self-contained.

Sundown won’t get the same level of praise as other films in Roth’s filmography. It’s a beautifully-shot film ranging from its oceanic scenery and dark rooms illuminated with neon signs. Roth is incapable of giving a bad performance, but the gaps missing from the story feel as big as the ones in The Tender Bar and the symbolism of the car. In both cases, those gaps weigh down the film from being something special, and despite the beauty of a film with such a small scale, this is an example of a film that needed more time to fully set up the characters and their arcs for it to make sense.  

Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Adventure

Arthur the King is an Epic Masterpiece

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Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.

Plot

Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

FILM RATING
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Entertainment

A Must-See Satanic Panic Horror – Late Night With the Devil

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Written and directed by Cameron Cairnes & Colin Cairnes, Late Night With the Devil follows a late night TV host Jack Delroy, fighting the plummeting viewership of his show by welcoming in people from the occult in order to change that, but of course, everything doesn’t go as smooth as planned.

David Dastmalchian as Jack Delroy Late Night With the Devil (2023)

David Dastmalchian has appeared in a lot of films however always in smaller roles including The Dark Knight, Prisoners and more recently The Suicide Squad. This film allows Dastmalchian to take on the lead role of Jack Delroy, the host of the late night show at the centre of this film, and he genuinely does a great job. There’s a real range of emotions which his character goes through during the course of this film and he depicts them so well.

If you’re a fan of the horror genre, you’re going to really appreciate the use of practical effects in this. There’s plenty of stretchy and gooey gore for all of the horror fanatics that will have you shouting at the screen. 

From left to right: Laura Gordon, Ingrid Torelli, David Dastmalchian, Ian Bliss

If you want to hear my full thoughts, check out my review over on YouTube and let me know your opinions in the comments.

Late Night With the Devil will be released in cinemas from 22nd March and on Shudder on 19th April.

FILM RATING
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Reviews

‘I Love You, Guys’ Review | A Poignant Exploration of Celebrity Vulnerability and Human Resilience

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We are living in an era where celebrities are worshipped like deities and sometimes, people forget that he or she is also a normal human being. If we feel happy or sad at certain moments, they do as well and even though a lot of people always surround them, they get vulnerable too. Although a lot of filmmakers forget to show that aspect of their lives, Billie Melissa Rogan takes the bold approach of showing the truth. Her directorial debut, ‘I Love You, Guys,’ is a poignant story about a celebrity fighting her inner self to maintain her celebrity image. The result is a stunning piece of art that resonates long after the end credits roll in.

The short film opens with a profound close-up of the young singing sensation named Sky (Becky Bush). She has made a name for herself by making and singing really exceptional songs. As a result, she is adored by her fans. Even though it feels like Sky has everything she wants, viewers see her submerged in a bathtub as she tries to battle her anxiety. Just then, Sky gets a phone that she’d be performing state-side. Now, that’s where we get to know about her vulnerable state for the first time. Although she says that she is really happy with the above-mentioned news, her face tells a different story. Despite her impending stardom, Sky has not started to feel the massive weight of mounting pressure, a sentiment audiences get to see in her conversations with bandmate Ryan (Pedro Leandro) and girlfriend Taylor (Celi Crossland).

Becky Bush in a still from ‘I Love You, Guys’ (Jumpcut Studios)

As the story moves forward, we get to know that ‘I Love You, Guys’ is about the fragile nature of the human spirit as much as it is about celebrity culture. It not only navigates themes of depression, it also highlights the turbulent emotional journey of Sky. One of the best aspects of the film is how Rogan masterfully brings Cory Varney’s screenplay to life. She managed to capture every minor detail of Sky’s emotions with utmost precision. Despite the fact that it is her first-ever film as a director, we get a sense that we are watching a flick helmed by a seasoned filmmaker.

Another aspect that makes this film such a compelling watch is its cinematography. Jenni Suitiala has done a phenomenal in showing expressions through vibrant colors and Rogan has made full use of the settings to give viewers a visually striking film. Whether it is heated arguments or silent moments of despair, each frame feels authentic and draws audiences into Sky’s personal life.

Apart from Rogan’s direction, Varney’s script is this film’s biggest strength. The writer has undoubtedly done a stunning job of showing the humanity of these characters. There’s a reason why Sky’s struggles feel very personal and it is because we have endured such moments in life. Moments where we doubt ourselves even when we know we are more than capable of doing a particular thing. Not every smiling person is happy. Sometimes he or she is smiling just so that no one finds out about the tough times they are going through.

A still from ‘I Love You, Guys’ (Jumpcut Studios)

Acting-wise, Becky Bush has given a performance that is surely going to open several doors for her. She delivers a magnificent performance by infusing Sky with a beautiful balance of vulnerability and strength. The way she manages to convey an innumerable amount of emotions is spectacular. I believe this is one of the most apt depictions of mental turmoil. Meanwhile, Pedro Leandro and Celi Crossland are just as spectacular. Every interaction between the characters feels genuine and nuanced.

All in all, ‘I Love You, Guys’ is a testament to how resilient a human spirit can be. In just 15 minutes, Rogan, Varney, and Bush take viewers on a journey that’s thought-provoking and talks about a subject that no one talks about. The writing, direction, and performances achieve a lot more than just viewers’ attention. The film offers a compelling examination of the human cost of pursuing fame and success. A poignant story that touches on themes of ambition, relationships, and self-discovery.

FILM RATING
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