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Sex Appeal Review | An Interesting Enough Premise Gets Squandered in Predictable Platitudes

A quasi-R-rated version of “The Kissing Booth” surprisingly works? Color me shocked.

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In a world filled with horrible teen coming-of-age comedies which re-tread John Hughes and other popular 80s comedies, Hulu’s Sex Appeal probably wouldn’t have worked. As it stands, the movie is interesting enough to make a distracting impression upon ourselves, but it’s nowhere near as sharply written as any of the mid-1980s/late-1990s coming-of-age comedies it keeps referencing. 

In any case, the best comparison I can give you is that its plot feels eerily (though not completely) similar to Netflix’s The Kissing Booth trilogy, though without any of the cringe and a legitimately compelling “best-friends” relationship. The “best friends” in question are Avery (Mika Abdalla) and Larson (Jake Short), who have had a close-knit relationship since childhood…until Larson decided to “make a move” at the age of 14, immediately rejected by Avery. Our female protagonist narrates the entire story like Joey King’s Elle Evans in The Kissing Booth and has a pretty narrow-minded view of everyone and everything. Basically, she only cares about herself. Avery will register for STEMCON, an annual youth scientist (?) convention, to which attendees will have to build an app that responds to their personal problems. 

Sex Appeal (2022) - IMDb

Avery’s “problem” is that she can’t have fulfilling sex with anyone and forcefully takes Larson as her Guinea Pig to experiment with diverse types of sex on him and her, to which we metaphorically see what happens inside IMAX-like dream sequences. A plot as preposterous as this shouldn’t work, but it kinda does. Of course, it’s a story we’ve all seen before, with the egotistical female character going on a journey of self-discovery and finally realizing that life doesn’t solely revolve around her, and that humans have feelings. By developing the app, she fails to realize the most important human element of all, love, because Avery is incapable of feeling love…until her experiment gets her to realize what love is and how it feels. 

Yes, director Talia Osteen and co-writer Tate Hanyok use sex as the driving force for Avery’s realization that her app should be all about love, and not all about sex. And she’ll learn this by having sex with someone she genuinely cares about but doesn’t want to admit that she has feelings for. Why? Because she had to focus on her studies? That feels like such a BS excuse, but the plot warrants it anyways. So yeah, once you get a gist of Avery and Larson’s “friendship that morphs into a quasi-relationship”, you can tell exactly where this movie is going, without fail. She has a non-existent relationship with her boyfriend (Mason Versaw), and can’t even feel love even if she also uses the app with him as they do it. Doesn’t she know what love is, or is she incapable of feeling it because she doesn’t want to? This is the central question Sex Appeal asks, and it surprisingly works twofold. 

Sex Appeal (2022) - IMDb

Firstly, the chemistry between Abdalla and Short is insanely palpable. In The Kissing Booth, the movie already doesn’t work because the chemistry between Joey King/Jacob Elordi/Joel Courtney feels unbelievable like they all belong in different movies (the writing is also a problem, but whatever). You can relate to Avery and Larson because their relationship feels real. And so it’s easier to get on board with an insanely predictable story if the acting holds the fort, to which it does greatly. Even the smallest supporting roles can bring surprising laughs to the mix, and genuine heart, which this movie has tons of. Its heart is in the right place, and the acting is decent enough for you to care about the characters’ plight, even if we’ve seen it all before. 

Secondly, the film’s aesthetic is original enough for the movie to rise above the platitudes it presents in its script for metaphorical sex sequences that are way more interesting than, say, if Avery and Larson solely had sex. Osteen prefers to open up the 2.39:1 frame to 1.90:1 during these dreamlike sequences to represent how Avery feels during the time she “experiments” on Larson, which ultimately makes her realize all the love she has for him, especially when she tries to do the same thing with Casper (Versaw) and, lo and behold, it doesn’t work. I appreciate the work of filmmakers who try different things than the usual paint-by-numbers coming-of-age sex comedy, without an ounce of creativity in its filmic representation of a protagonist’s state of mind, especially when it works, even if it may be on the nose for some. Sure it is, but it works nonetheless. 

So it’s surprising to see how engaging the movie is when the acting and the aesthetic work together and actually deliver a pretty good time at the movies, even if it’s a movie that we’ve seen before, done better. Where Sex Appeal fails in its story, it more than makes up for it through its creative aesthetics and terrific performances from Mika Abdalla and Jake Short, which in turn makes it a rather transfixing watch. It’s not the greatest movie in the world, sure, but it does its job right and the film’s heart is in the right place. What more can you ask for?

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Sex Appeal is now streaming on Hulu.

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Comedy

Once Upon a Time in Ukraine | Official Trailer

What if Taras Shevchenko put down his pen and took a samurai sword into his hands?

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Genre:

Action, Adventure, Comedy

Release Date:

April 14, 2023

Director:

Roman Perfilyev

Cast:

Roman Lutskyi, Sergey Strelnikov, Kateryna Slyusar

Plot Summary:

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Comedy

No Hard Feelings | Starring Jennifer Lawrence

Lawrence’s character portrays the “ne’er-do-well” who answers a Craigslist ad that was placed to hire a date for an introverted and socially awkward teen boy, by his mother and father, who also just so happens to be preparing for college soon.

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Genre:

Comedy

Release Date:

June 23, 2022

Director:

Gene Stupnitsky

Cast:

Jennifer Lawrence, Ebon Moss-Bachrach, Natalie Morales

Plot Summary:

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Comedy

‘Girls Trip’ Co-Writer Confirms that a Sequel is Happening and Will Most Likely Take Place in Ghana

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Everyone’s favorite girl group is returning for more adventures, this time with a girl’s trip to West Africa. Variety exclusively learned in an interview at the Sundance Film Festival with Girls Trip co-writer Tracy Oliver that a sequel is officially a go with the foursome headed to Ghana. Oliver was in Sundance promoting the second season of her Amazon series, Harlem.

Variety also confirmed that all the original cast members are set to return so look forward to seeing Regina Hall, Tiffany Haddish, Jada Pinkett Smith and Queen Latifah back on the big screen together soon. One of the stars of Harlem, Shoniqua Shandai yelled “Afrochella!” upon hearing the breaking news referring to Ghana’s major culture and music festival. Oliver later confirmed that the production was looking to head to the African festival for the sequel and implied that her script is due any day now. 

The female-centric comedy Girls Trip was a big box-office hit grossing $140 million on a very modest $16 million budget. Malcolm D. Lee (The Best Man, Space Jam: A New Legacy) directed the first feature on a script from Oliver and Kenya Barris (black-Ish, You People). The movie also launched comedian Tiffany Haddish into stardom putting her at the top of many casting directors lists for comedic and dramatic work. 

Tracy Oliver has been one of the most consistent black writers in Hollywood in recent years; in addition to scripting the Girls Trip films and Harlem, Oliver scripted the upcoming horror comedy, The Blackening starring Jay Pharaoh, Yvonne Orji and Jermaine Fowler.

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