Yes, I realize that my previous opinion column was also all about superhero movies, but given that we are heading into awards season, the idea of a Best Picture push for Spider-Man: No Way Home seems asinine. I cannot be the only one that feels this way, but after seeing tweets in support of Sony’s For Your Consideration campaign, it sure feels like it.

Let me preface by saying that I loved No Way Home. Not the 1996 Tim Roth movie, which was filmed in my neighborhood in Staten Island, but the latest MCU flick. I should also say that it has felt as if Marvel has tried to lose me as a consumer; Black Widow was horrendous, Shang-Chi fumbled the ball in the third act, and Eternals was hot trash trying to disguise as something it wasn’t: artistic. Had my sister not gone with me to see it, I would have walked out. And the MCU shows have yet to grasp me, I saw WandaVision and was on board until the last episode, got about 10 minutes into The Falcon and the Winter Soldier, saw the first episode of Loki, and skipped any of the other shows that came and went.

But who doesn’t love Spider-Man? I even gave No Way Home a B+ in my review, which is higher than I expected going in. Was it the nostalgia? Probably; I can’t act like No Way Home had the smartest plot or anything like that, but it brought back a child-like joy that has been missing in other MCU movies. At the end of the day, there’s a reason Sony can reboot the character every five years, and that’s because Peter Parker is a universally-relatable character. Tom Holland’s iteration has been good, but I’ve always been critical of the young actor outside of his MCU work. I’m sorry, but Cherry is anything but sweet and I don’t even want to try and guess what Chaos Walking was. The Devil All The Time was a promising start to his post-MCU career, but projects like the aforementioned Cherry and Chaos Walking leave such a bad taste in your mouth but I digress. Maybe Uncharted can be his franchise outside of the MCU, but that is yet to be seen.

What Holland was missing in his Spider-Man movies was some growth. The “Iron Boy” conversation has been talked about ad nauseam, but the criticism was fair. What happened to the “Friendly Neighborhood Spider-Man” that stuck to street-level crime? Thankfully, No Way Home seemingly opens the door for that to come to fruition in the inevitable next trilogy. To his credit, Holland showed his ability to actually act emotionally for the first time outside of The Devil All The Time in No Way Home. Not that Holland’s acting in a scene with a major loss and the subsequent scene should get him Oscar gold, but it was a great step in the right direction. This is where the conversation about No Way Home and Oscars gets messy. Yes, Holland was great in the scene, but are those two scenes really good enough to bump Andrew Garfield, Denzel Washington, Will Smith, Benedict Cumberbatch, or Nicolas Cage (who should be nominated for Pig) out of the Best Actor race? I guess the campaign isn’t pushing Holland too heavily, but it felt needed to touch on.

But with all of that being said, does No Way Home even belong in the Best Picture conversation? Look, it was probably one of the best movie-going experiences of my life, even the press screening was eating it up, but favorite films and the best films need to have some separation. No Way Home is great, but it shouldn’t take away the shine from films that feel on the brink like tick, tick… BOOM!, CODA, or Drive My Car for goodness’ sake. All three of those pack just as, if not more emotion than No Way Home did with its one major death.

And on the subject of the emotional beats of No Way Home, do you really care if that character dies if you haven’t seen the previous two movies? Let alone all of the nostalgic gimmicks the film pulls out of its web. Do we really expect that Oscar voters are going to sit through the Raimi trilogy and the two Amazing Spider-Man movies just so they can understand why Alfred Molina is hilariously de-aged in No Way Home? Or why (seemingly) every other joke is a wink directly at the camera? That’s a laughable proposition.

We can all agree that Holland is great in No Way Home, but the whole movie is full of good performances. Marisa Tomei and Willem Dafoe are both great, especially the latter, but why can’t we just nominate Dafoe for the right movies such as The Lighthouse or Nightmare Alley? It’s the Pacino situation all over again, and it would be even worse given that Dafoe never gives an “I’m too fucking old” monologue as Pacino did in his Oscar-winning performance in Scent of a Woman. Jokes aside, Dafoe deserves an Oscar sooner than later, but No Way Home feels like the wrong movie at the right time.

“But what about the box office?” Well, it feels like a no-brainer that No Way Home did gangbusters at the box office. Is the ascent to the top six all-time domestically and top ten worldwide impressive given its time in theaters? Absolutely. That accomplishment cannot be taken away from it. But are we just going to act like Far From Home didn’t gross a billion dollars? Add in the leaks and levels of speculation going into No Way Home. Yes, the likely journey to the top five in terms of highest-grossing movies worldwide is impressive, but this isn’t the “little indie that could.”

I’m not an Oscar voter, but at the end of the day, there are more than ten films that feel more worthy of one of the ten Best Picture slots. Oscar-darlings like Belfast and King Richard may be divisive among critics, but it could be argued that both films told important stories that outweigh that of No Way Home. The Power of the Dog may seem like a “pretentious critic” movie, with the pacing of a snail, but it’s another film that handles heavy themes like toxic masculinity in a poetic way. If I had a ballot, as of now, the ten films that would fill my Best Picture category would be (in alphabetical order): Belfast, Bergman Island, CODA, Don’t Look Up, Drive My Car, King Richard, Licorice Pizza, The Mitchells vs. The Machines, The Power of the Dog, and The Worst Person in the World.

None of this is to take away from No Way Home‘s accomplishments or what it has done for theaters. When I was at Scream last night people were still flooding into the IMAX theater to see No Way Home. It’s a wonderful thing, but I also think that we are getting ahead of ourselves to think it should be worthy of Best Picture contention because, at the end of the day, it’s taking away attention from smaller, intimate movies that tell stories with equal emotion and are not contingent on knowledge of eight other movies. Don’t these tentpole movies already take enough attention away from the mid-to-small budget movies at theaters?