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Opinion | No Way Home Can’t Actually Be Nominated For Best Picture, Can It?



Yes, I realize that my previous opinion column was also all about superhero movies, but given that we are heading into awards season, the idea of a Best Picture push for Spider-Man: No Way Home seems asinine. I cannot be the only one that feels this way, but after seeing tweets in support of Sony’s For Your Consideration campaign, it sure feels like it.

Let me preface by saying that I loved No Way Home. Not the 1996 Tim Roth movie, which was filmed in my neighborhood in Staten Island, but the latest MCU flick. I should also say that it has felt as if Marvel has tried to lose me as a consumer; Black Widow was horrendous, Shang-Chi fumbled the ball in the third act, and Eternals was hot trash trying to disguise as something it wasn’t: artistic. Had my sister not gone with me to see it, I would have walked out. And the MCU shows have yet to grasp me, I saw WandaVision and was on board until the last episode, got about 10 minutes into The Falcon and the Winter Soldier, saw the first episode of Loki, and skipped any of the other shows that came and went.

But who doesn’t love Spider-Man? I even gave No Way Home a B+ in my review, which is higher than I expected going in. Was it the nostalgia? Probably; I can’t act like No Way Home had the smartest plot or anything like that, but it brought back a child-like joy that has been missing in other MCU movies. At the end of the day, there’s a reason Sony can reboot the character every five years, and that’s because Peter Parker is a universally-relatable character. Tom Holland’s iteration has been good, but I’ve always been critical of the young actor outside of his MCU work. I’m sorry, but Cherry is anything but sweet and I don’t even want to try and guess what Chaos Walking was. The Devil All The Time was a promising start to his post-MCU career, but projects like the aforementioned Cherry and Chaos Walking leave such a bad taste in your mouth but I digress. Maybe Uncharted can be his franchise outside of the MCU, but that is yet to be seen.

What Holland was missing in his Spider-Man movies was some growth. The “Iron Boy” conversation has been talked about ad nauseam, but the criticism was fair. What happened to the “Friendly Neighborhood Spider-Man” that stuck to street-level crime? Thankfully, No Way Home seemingly opens the door for that to come to fruition in the inevitable next trilogy. To his credit, Holland showed his ability to actually act emotionally for the first time outside of The Devil All The Time in No Way Home. Not that Holland’s acting in a scene with a major loss and the subsequent scene should get him Oscar gold, but it was a great step in the right direction. This is where the conversation about No Way Home and Oscars gets messy. Yes, Holland was great in the scene, but are those two scenes really good enough to bump Andrew Garfield, Denzel Washington, Will Smith, Benedict Cumberbatch, or Nicolas Cage (who should be nominated for Pig) out of the Best Actor race? I guess the campaign isn’t pushing Holland too heavily, but it felt needed to touch on.

But with all of that being said, does No Way Home even belong in the Best Picture conversation? Look, it was probably one of the best movie-going experiences of my life, even the press screening was eating it up, but favorite films and the best films need to have some separation. No Way Home is great, but it shouldn’t take away the shine from films that feel on the brink like tick, tick… BOOM!, CODA, or Drive My Car for goodness’ sake. All three of those pack just as, if not more emotion than No Way Home did with its one major death.

And on the subject of the emotional beats of No Way Home, do you really care if that character dies if you haven’t seen the previous two movies? Let alone all of the nostalgic gimmicks the film pulls out of its web. Do we really expect that Oscar voters are going to sit through the Raimi trilogy and the two Amazing Spider-Man movies just so they can understand why Alfred Molina is hilariously de-aged in No Way Home? Or why (seemingly) every other joke is a wink directly at the camera? That’s a laughable proposition.

Alfred Molina as Doc Ock in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.

We can all agree that Holland is great in No Way Home, but the whole movie is full of good performances. Marisa Tomei and Willem Dafoe are both great, especially the latter, but why can’t we just nominate Dafoe for the right movies such as The Lighthouse or Nightmare Alley? It’s the Pacino situation all over again, and it would be even worse given that Dafoe never gives an “I’m too fucking old” monologue as Pacino did in his Oscar-winning performance in Scent of a Woman. Jokes aside, Dafoe deserves an Oscar sooner than later, but No Way Home feels like the wrong movie at the right time.

“But what about the box office?” Well, it feels like a no-brainer that No Way Home did gangbusters at the box office. Is the ascent to the top six all-time domestically and top ten worldwide impressive given its time in theaters? Absolutely. That accomplishment cannot be taken away from it. But are we just going to act like Far From Home didn’t gross a billion dollars? Add in the leaks and levels of speculation going into No Way Home. Yes, the likely journey to the top five in terms of highest-grossing movies worldwide is impressive, but this isn’t the “little indie that could.”

I’m not an Oscar voter, but at the end of the day, there are more than ten films that feel more worthy of one of the ten Best Picture slots. Oscar-darlings like Belfast and King Richard may be divisive among critics, but it could be argued that both films told important stories that outweigh that of No Way Home. The Power of the Dog may seem like a “pretentious critic” movie, with the pacing of a snail, but it’s another film that handles heavy themes like toxic masculinity in a poetic way. If I had a ballot, as of now, the ten films that would fill my Best Picture category would be (in alphabetical order): Belfast, Bergman Island, CODA, Don’t Look Up, Drive My Car, King Richard, Licorice Pizza, The Mitchells vs. The Machines, The Power of the Dog, and The Worst Person in the World.


None of this is to take away from No Way Home‘s accomplishments or what it has done for theaters. When I was at Scream last night people were still flooding into the IMAX theater to see No Way Home. It’s a wonderful thing, but I also think that we are getting ahead of ourselves to think it should be worthy of Best Picture contention because, at the end of the day, it’s taking away attention from smaller, intimate movies that tell stories with equal emotion and are not contingent on knowledge of eight other movies. Don’t these tentpole movies already take enough attention away from the mid-to-small budget movies at theaters?


Andrew is an entertainment journalist and film "critic" who has written for the likes of Above the Line, Below the Line, Collider, Film Focus Online, /Film and The Hollywood Handle among others. Leader of the Kaitlyn Dever Fanclub.

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Comic Book Movies

Guardians of the Galaxy Vol. 3 | New Trailer

Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own – a mission that could mean the end of the Guardians if not successful.





Action, Adventure, Comedy

Release Date:

May 5, 2023


James Gunn


Chris Pratt, Zoe Saldana, Dave Bautista

Plot Summary:

Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own – a mission that could mean the end of the Guardians if not successful.

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Why ‘Joker’ Is Better Than ‘Captain Marvel’



The 2010s proved to be the age of the comic-book movies and I’m not just talking about the Avengers movies, although they certainly changed the game for superhero movies, today I will be discussing are two of the most divided comic-book films of the 2010s and they are Captain Marvel and Joker or better yet, why ‘Joker’ proves to be a much better film than ‘Captain Marvel’.

I will start with what makes the ‘Joker’ movie better than Captain Marvel. For those that have not seen the ‘Joker’ movie, major spoilers ahead. Although, if you haven’t seen it by now, shame on you. It made over a billion dollars at the box office and became Joaquin Phoenix’s most successful film. 

Joker 2019 [Credit: Warner Bros. Pictures]

But anyway, the joker is about a struggling stand up comedian named Arthur Fleck who is constantly bullied and disregarded by society. Fleck lives with his mother Penny working as a party clown until he is fired from his job for bringing a gun into a children’s hospital. 

Afterwards, Fleck is beaten by three businessmen on a train. Fleck draws his gun and kills all three men, beginning his dark descent as one of the greatest comic book villains of all time. Now, let’s talk about Captain Marvel. Yeah I know, but it’s still part of the essay. 

Captain Marvel is about a young US Fighter Pilot named Carol Danvers who is the victim of a terrible crash that gives her immeasurable powers  after a Kree causes her plane engine to explode. And I’m only saying this not because I remember exactly what happened but because I’m reading that from Wikipedia. 

Now, before I break down anymore differences, let me break down how both of these movies are similar. Both movies address a character that is looking for more purpose in life. I understand that that seems like a very broad explanation but that is the case in these films. Both characters have something or a series of traumatic events occur in their lives, both characters go up against a powerful group. In the Joker, Arthur Fleck goes up against the Waynes and in Captain Marvel Carol Danvers goes up against the Kree, both characters find out who they truly are: It’s revealed in Joker that Fleck was adopted and abused as a child and in Captain Marvel Danvers figures out that she was captured by the Kree after she gained her powers and lost her memory and after discovering their true selves, they decide to use their newfound persona for either evil or for good. 

Now the reason audiences loved the Joker movie could be surrounded in the fact that the filmmakers brought light to a comic book villain that was never shown in a film until now, while Captain Marvel was divided amongst fans because in my opinion it seemed more like a filler in between avengers infinity war and endgame. 

And that brings me to my first point. Unlike Captain Marvel, Joker was designed to be a standalone film and not be part of a cinematic universe, despite the fact that a sequel is possible. But anyway, one of the reasons that makes the Joker movie so much better than Captain Marvel is the fact that it was meant to be a standalone film, which makes it unique. 

Captain Marvel on the other side of the Marvel spectrum is a movie within a collection of movies, which means that if it wants to really stand out among the comic book film genre, it needs to do something new that hasn’t been seen before and I don’t want to use these guys as a source, but rotten tomatoes consensus sounds like Captain Marvel just recycles old material.

Captain Marvel [Credit: Marvel Studios]

The consensus reads: “Packed with action, humor, and visual thrills, Captain Marvel introduces the MCU’s latest hero with an origin story that makes effective use of the franchise’s signature formula”.

Did you guys hear that last part? It makes effective use of the franchise’s signature formula. It never said that Captain Marvel adds anything new in the Marvel Pantheon, it just makes effective use of an already done-before formula.

Joker’s consensus reads: “Joker gives its infamous central character a chillingly plausible origin story that serves as a brilliant showcase for its star — and a dark evolution for comics-inspired cinema”.

The consensus says that it is an evolution for the comic book film genre….and it is. It changed the game for comic book films and it did it with simplicity. It didn’t need to use extended CGI battles and epic fight scenes and that’s what made it so special. It was a departure from other superhero or villain films that rely on special effects to draw a crowd and that is what brings me to my second point as to what makes Joker better than Captain Marvel.

Joker is grounded in reality. Joker doesn’t reference any other superheroes with the exception of young Bruce Wayne, because it’s a film that attempts to tell a story about a mentally ill man that has been ignored, abused and disregarded by society and critics have been taken aback by the results. Many liberal critics are triggered by the fact that director Todd Phillips is shedding a light on a white male character that becomes a supervillain and ends up killing many people in the future. In fact, it’s so stirring for moviegoers that people have claimed it would incite violence or more mass shootings…and it didn’t. With that logic you could say the same thing about Tom Hardy’s Venom or Ryan Reynolds’ Deadpool, but I won’t get into that.

Anyway, when you compare the plausibility–and that’s what Joker’s consensus says. Plausibility.–when you compare it to that of Captain Marvel, you realize that Captain Marvel by comparison is a fairy tale compared to the Joker because in reality you don’t get powers from a plane crash, you don’t have women fall out of the sky get chased by aliens and later on in the film blast an entire spaceship armada effortlessly. It….does….not….happen.

Joker 2019 [Credit: Warner Bros. Pictures]

The Joker however is more plausible. It addresses the fact that there are people with mental illness, which is a real thing. It addresses neighborhood poverty, which is a real thing. It addresses the poor protesting the rich, which is a real thing and it addresses people inciting violence which is a real thing. 

Had Todd Phillips taken a different direction to the origin story, like the Joker falling in a vat of acid, we would be having a very différent conversation because it would be a lot less plausible. In Detective Comics #168 in 1951, and revised in Tim Burton’s Batman in 1989, where the Joker, before he became the joker, fell into a vat of acid after a scuffle with Batman, giving him a white complexion, red scarred lips, green hair and a frightening cackle and that explanation is so lazy. It doesn’t cut deep within the motivations of why this character is the way he is. 

Captain Marvel’s origin is just as implausible, except with aliens, spaceships and devices that allow you to look inside a person’s mind. I’m actually hoping that there isn’t a sequel to the Joker because if there’s a sequel and/or cinematic universe based on this one movie, Joker would lose its uniqueness and end up being lost in a slew of movies that are only being made to make money, because the best things in life must always come to an end….you know what I’m talking about Star Wars.

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Black Panther

Why ‘Wakanda Forever’ proves Martin Scorsese Wrong About Marvel



By now, marvel fans have gathered that Angela Bassett has won both the Golden Globe and the Critics Choice Award for her awe-inspiring performance as Queen Ramonda in Black Panther: Wakanda Forever. With all that being said, it makes for obvious sense that she will most likely win the Oscar for Best Supporting Actress. 

I bring this up to remind people that director Martin Scorsese was very verbal and said that these movies were not cinema and condescendingly compares them to theme park rides. As someone who enjoys Marvel movies, this did not sit well with me. I am not dissing gangster films, westerns or the silent cinema that dominated years before superhero films took over. However, dissing a company that produces beloved films that fans and audiences enjoy is very condescending and disingenuous. 

Anyway, I am here to talk about why Wakanda Forever proves Scorsese wrong about this genre of film. The MCU’s latest venture saw Shuri take on the mantle of the Black Panther, but more than anything, what seems to be overshadowing most of the Black Panther sequel is Angela Bassett’s performance in the film. Bassett’s passionate work has led her to make history in superhero films as she became the first person to win a Golden Globe and Critics Choice award in a comic-book film. 

The director who criticized Marvel

A genre that has been labeled by directors as loud, and noisy, as theme park rides, birthed a fine performance and great work that will inevitably last a multitude of generations. 

Moreover Scorsese dissed Marvel movies, but I wonder if he is aware that Marvel is a company and not a genre of film. If he says that “superhero” movies are not cinema, then does that include 1978’s Superman, Tim Burton’s Batman movies or 2008’s Iron Man?

That’s like if I told someone that gangster films aren’t cinema and I later told them that I had never directed a gangster film and I “tried to watch” one of them. I would have no idea what I was talking about. I would have no merit or reason to criticize them and be forced to stay neutral about them. 

What the director doesn’t understand is that superhero films are cinema. The same as westerns and gangsters films are. There are great gangster films, as well as bad gangster films, just like there are great superhero films and bad superhero movies. Wakanda Forever proves that these films deserve a place at the table because it was not an amusement park ride. The film proves to be strongest in its silence as Shuri ponders her late brother T’Challa and the actor who played him Chadwick Boseman who died of colon cancer in 2020. 

Wakanda Forever

Seeing the flashbacks of T’Challa with his sister brings a sense of silence and teary-eyed tranquility that never comes from an explosion or a CGI spectacle. The film honors Boseman with all of its grandeur and does justice to his character. 

Cinema is telling différent stories and using différent and sometimes unconventional methods of filmmaking that traditionalist filmmakers like Scorsese may not comprehend, but that does not make it a lesser film and it does not make it beneath cinema. 

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