Scream has officially slashed its way into cinemas and brings with it a killer opening as Ghostface returns, serving up a self-deprecating meta buffet of a slasher sequel that relaunches with terrific terror and nostalgic scares which are bloody brutal. Scream has some big shoes to fill, the directors have to fill the shoes of horror icon Wes Craven, which they honourably do, and the screenwriters also have to honour the brilliance of Kevin Williamson and what he brought to this genre and his script for 1996’s Scream.
The fifth entry in the franchise is filled with references to the franchise’s past, movies of the past, present, sequels, remakes, and now Requel, which in itself is part reboot and part sequel. Scream also discusses topics, specifically horror films released throughout the 2000s to now as it’s very self-referential by using Halloween (2018) and Ghostbusters Afterlife, for example, showcasing that these franchises are making requels by setting the film in the same world, at a different time but adding new characters that are in ways related to the “Legacy” characters from the original. Scream knows that it’s a horror movie, and most importantly, it knows this fifth entry is no doubt a “legacy sequel”.
Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past. Neve Campbell (“Sidney Prescott”), Courteney Cox (“Gale Weathers”) and David Arquette (“Dewey Riley”) return to their iconic roles in Scream alongside Melissa Barrera, Kyle Gallner, Mason Gooding, Mikey Madison, Dylan Minnette, Jenna Ortega, Jack Quaid, Marley Shelton, Jasmin Savoy Brown, and Sonia Ammar.
Years after the Ghostface killer first struck, teen Tara Carpenter (Jenna Ortega) gets an ominous phone call, whilst home alone, from a stranger asking what her favourite scary movie is. Scream opening sequences are so iconic to the franchise and this new modern take doesn’t disappoint as Tara is attacked and stabbed multiple times by someone wearing the Ghostface outfit from the in-universe “Stab” franchise, based on the Westboro murders committed by Billy Loomis and Stu Macher. The opening is shockingly suspenseful and wholly entertaining.
The focus here is on a group of young people who certainly have seen enough “Stab” movies to know that the killer could be one of their own including Tara’s estranged sister, Samantha (Melissa Barrera) along with her boyfriend Richie (Jack Quaid), who returns to Woodsboro to be with her.
In any sequel, you hope that the new cast doesn’t fall flat and ultimately works well with the returning cast. Take 2018’s Halloween for example with Jamie Lee Curtis returning brings a new generation of Strode women specifically Laurie’s daughter and granddaughter, showing the audience how well the newcomers mix with the legacy characters. Scream successfully achieves this as all characters are handled well, though the body count, unfortunately, rises as Ghostface has some new tricks up its sleeve.
In passing the torch to fresh blood, this fifth entry showcases that there are layers of meta to uncover, fresh scars, and wicked fun to be had. The highlights were Jenna Ortega, Melissa Barrera, Jack Quaid. All work to drive the narrative along with the help of Sidney (Neve Campbell), Dewey (David Arquette), and Gale (Courteney Cox). The legacy characters truly provide the nostalgia and emotional connection, the filmmakers treat these iconic characters with the utmost respect.
Scream lives up to its slasher roots as Ghostface goes to town with the hapless victims like a butcher skewing his meat. Characters are sliced, stabbed, and ultimately gutted with glee. They’re brutal when happening but gory and glorious for some. However, some kills have impacts attached as many are heartbreaking and some you want Ghostface to go to town on. I was on the edge of my seat, as directors Matt Bettinelli-Olpin and Tyler Gillett who both previously directed Ready or Not, know how to build tension especially with Brian Tyler’s haunting and eerie score that truly intensifies the film.
Scream is about deconstructing the genre and pop culture of the day and aims at filmmaking with killing commentary that’ll make you scream with laughter, whilst still containing the known tropes of a slasher movie. Its squeal-inducing traps and false alarms are so well-earned.
Overall, I believe Wes Craven would be proud of this movie and what it does for fans of the slasher genre. It strikes a visual cord with its toxic fandom commentary and provides a phenomenal entry to the 21st century of modern horror. It’s entertaining with laughter and brutal deaths as Scream continues to reinvent itself and still manages to remain a consistent franchise 25 years later since it started it all.
‘Violent Night’ Review | A Violent Delight & Bloody Christmas Caper!
HO HO HOLY HUMBUG!! Violent Night is an instant Christmas Classic packed with Festive Fun and Christmas Carnage! Tommy Wirkola blends gnarly bloody action with laughs and a magical story about believing. David Harbour Sleighs! as Santa Claus.
From 87North, the bare-knuckle producers of Nobody, John Wick, Atomic Blonde, Deadpool 2, Bullet Train and Fast & Furious Presents: Hobbs & Shaw comes a coal-dark holiday action-comedy that says you should always bet on red. When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus (David Harbour, Black Widow, Stranger Things series) is on the grounds, and he’s about to show why this Nick is no saint!
Santa Claus Has Had Enough of Christmas
This Holiday Season, Santa Claus is coming to town in this ultra-violent sugar cookie-coated tale from writers Pat Casey and Josh Miller whilst directed by Tommy Wirkola who infuses his gore-soaked humour into this familiar holiday tradition that’s full of festive fun, ferocious fights, action-set pieces involving Christmas ornaments, Ice-skates, and a Nutcracker. “Violent Night” is sure to be a Christmas Crowd pleaser that’ll ultimately make you think twice about candy canes and the Christmas tree star whilst also being a fantastic homage to the seasonal genre classics like “Home Alone” and “Die Hard”.
“Violent Night” introduces David Harbour as Santa Claus, a cynic washing away and drowning his frustrations with booze on Christmas Eve, he’s feeling burned out by a world with too much greed and too little Christmas spirit, and he’s ultimately disgusted with the world’s consumerism. Harbour perfectly slips into the jolly red suit and into the role of this cranky, brutal, and savage version of Santa Claus, making it look effortless as he goes from a despairing drunk to a bloodthirsty warrior on the battlefront truly capturing some of the best Seasons Beatings with gruesome and inventive kills. However, Harbour also provides some of the film’s endearing, heartfelt moments when he magically goes down the chimney, eating decorative cookies, and interacting with Trudy played by Leah Brady definitely thawed out this jolly man’s heart.
Snow Way Out
It’s beginning to look a lot like Christmas at the Lightstone residence. The Lightstone family, are an affluent and dysfunctional bunch gathering for Christmas at the countryside mansion of Gertrude Lightstone played by Beverly D’Angelo (National Lampoon’s Vacation franchise). It’s a lavish estate that has been funded by the profitable family business. Jason Lightstone (Alex Hassell), his estranged wife Linda(Alexis Louder), and their daughter Trudy (Leah Brady) travel to the family and are joined by Jason’s alcoholic sister Alva (Edi Patterson), her new boyfriend and wannabe-action-star Morgan Steele (Cam Gigandet), and Alva’s influencer son Bert (Alexander Elliot).
However, Just as Santa arrives there to deliver gifts — and takes a break to sample some fine liquor along with his cookies — the criminal mastermind called “Mr Scrooge” (John Leguizamo) breaks in with his gang of minions, intending to steal $300 million from Gertrude’s vault. But the money appears to be missing, and the Lightstones are taken, hostage. John Leguizamo plays Scrooge, the leader of the mercenaries with skill and energy which is a perfect rival for Harbour’s Santa. Alongside his gang of mercenary minions aptly identified with Christmas codenames such as Candycane, Sugar Plum, Gingerbread, and Krampus provide some of the most hilarious and bloody moments.
“Violent Night” truly has its Season’s beatings as it’s jam-packed with ferocious fights and bloody deaths. The fights are incredibly well done, and the choreography and stunt of the action sequences are a work of art. Though at first, when the shooting begins, Santa doesn’t want to get involved. But once he recognizes Trudy’s involvement and realizes her goodness and innocence including her belief —which he dutifully looks up on a magical “Naughty and Nice” list—he determines that he must fight for her safety.
This movie is also rightly named “Violent Night” as it ultimately leaves pools of blood on the floor and blood spattered on the walls which in turn make the snow red. Throughout each action-set piece Santa batter’s the mercenaries with fists and heavy objects; stabs one with knives, sharpened candy canes and, well, anything with a point; and have their necks and body parts slashed or impaled on the likes of everything from axes and sharp Christmas ornaments to ice skates.
One sequence perfectly captures the essence and pays homage to “Home Alone”. it’s full of innocence, fun, and games as the traps that Trudy set are lethal.
HO HO HO
“Violent Night” is ultimately a story about Santa saving Christmas yet again, however this time with an onslaught of grisly holiday surprises. The movie’s heart is the magic of christmas, and even Santa doesn’t fully understand it, we see that magical force at play several times as he magically evaporates and whisks up a number of chimney flues and that his sack has the ability to store an endless number of gifts that he can magically pull out just by reaching in. The film also incudes a sountrack of festive themes and a creative use of Christmas songs which will leave audiences crying with laughter. Writers Pat Casey, Josh Miller and director Tommy Wirkola blends such gnarly bloody action with laughs and a magical story about believing.
“Violent Night” Ultimately achieves a perfect blending of genres and totally exceeds expectations, truly making it a wildly entertaining holiday horror caper. With it’s impressive body count, explosions, bloodshed, heart, and overall holiday cheer, “Violent Night” most definitely earns a spot on the Nice List! and If your able to see this in cinemas, do so as the experience on the big screen is epic. I intend to make this a part of my annual holiday movie watchlist from here on out.
“Violent Night” is now showing in Theatres!
Cailee Spaeny Circling Newest Installment in ‘Alien’ Film Franchise
Fox has continued their Alien franchise since its inception in the 1970s. The first film was groundbreaking for its gritty sci-fi horror themes creating one of the best heroines on screen with Sigourney Weaver’s Ripley and it appears they may be trying to reinvent the wheel once again with the rumored choice to lead the next franchise installment.
According to multiple outlets, Cailee Spaeny is in talks with 20th Century to join the Alien franchise leading its latest set to be directed by Don’t Breathe director, Fede Alvarez. Though there are not many details coming with this scoop, we do know that the franchise will likely continue its trend of having the iconic creature known as the Xenomorphs attacking whatever humans they encounter, this time set to be led by Spaeny. The studio is hoping to wrap up its deal with the actress as soon as possible as they would like to have cameras rolling by early 2023.
Spaeny was recently seen in HBO’s Mare of Easttown but has two high-profile movies she’s working on currently. The first being cast as Priscilla Presley for Sofia Coppola’s upcoming romance movie aptly titled, Priscilla, which follows the relationship of the King of Rock and Roll and his wife. Spaeny will be joined by Euphoria star, Jacob Elordi who will portray Elvis. Additionally, she will star in Civil War, the latest from Alex Garland alongside Kirsten Dunst and Wagner Moura.
‘A Quiet Place: Day One’ Adds ‘Stranger Things’ Breakout Star Joseph Quinn
Joseph Quinn’s new character, Eddie Munson within Stranger Things Season 4 was beloved by fans everywhere making Quinn’s star rise. Now, after months of anticipation, fans can see Quinn joining another popular horror-based franchise.
According to a report from Deadline, Joseph Quinn is set to join the cast of A Quiet Place: Day One, a spinoff film of A Quiet Place developed by John Krasinski. Quinn will co-star in the movie alongside Lupita Nyong’o who was just recently added to the movie set to be directed by Michael Sarnoski.
Stranger Things Season 4 was one of my favorite seasons of television all year long and in recent memory. Part of the reason for that was the familiar favorites that have been with the Netflix original for past seasons, but Quinn’s Eddie Munson was a welcome addition and added an element that the show was missing. Despite the acting talents throughout the show, not all of the stars have taken off in the same way that Quinn has despite only appearing in the most recent season.
Sarnoski, who previously directed last year’s drama, Pig starring Nicolas Cage, signed on to direct A Quiet Place: Day One back in January while Nyong’o has been attached for only a short time entering negotiations in early-November. Nyong’o can be seen in theaters currently reprising her role as Nakia in Black Panther: Wakanda Forever.
A Quiet Place: Day One, though being an additional installment within the horror franchise, is not a continuation of the previous two films, but rather a spinoff that will probably not see John Krasinski nor Emily Blunt reprise their roles. However, Day One‘s story was written by Krasinski himself and he is developing the third film in the main storyline currently as Paramount is hoping to create their own universe following the rousing success of the first two movies. A Quiet Place: Day One hits theaters on March 8, 2024.
Matt Damon and Casey Affleck to Reunite for Heist Film, ‘The Instigators’ at Apple
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Taron Egerton to Re-Team with ‘Black Bird’ Collaborators for AppleTV+ Series, ‘Firebug’ based on Famous Arsonist
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Wonder Woman 3 Cut at Warner Bros. Discovery as New DC Studios Heads James Gunn and Peter Safran Lay the Groundwork for a New Cinematic Universe
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Michael Gandolfini Cast in Disney+ Series, ‘Daredevil: Born Again’
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HBO Reunites with Hugh Grant for ‘The Palace’ Joining Kate Winslet in the Royal Drama
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