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Mother/Android Review | This Terminator Meets The Walking Dead Hybrid Sure Is Dull

Chloë Grace Moretz gives an impactful performance in Mattson Tomlin’s “Mother/Android”, but the rest of this sci-fi hybrid picture is quite dull.

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Whether you like it or not, 2022 is off to a start (it’s too early to tell whether or not it’s a good or bad start, give it about a week or two), and I won’t wait until theatres reopen (yeah…) to write about film and TV. Kicking off my adventures in moviegoing for the year is Mattson Tomlin’s Mother/Android, a movie that came out on December 17th in the United States on Hulu but is gearing up for an International release on Netflix this week. Chloë Grace Moretz leads this sci-fi movie as Georgia Olsen, who finds out she is pregnant to Sam (Algee Smith)’s child on Christmas Eve, sometime in the near future where Androids are now part of human life.

During a party, a technical glitch causes the Androids, who are, in this world, acting as servants for humans, to become erratic and violent, causing death to anyone that comes in contact with them. Nine months have passed (for some odd reason). Georgia’s water can break at any moment, while Sam is looking for a path to Boston, where they can seek refuge in Korea, escape the post-apocalyptic hell doom of the United States and start a new life there. We’ve all seen this movie before. A survival sci-fi/horror film where characters have a plan to leave a dystopia to a promised utopia, and nothing goes according to plan.

Mother/Android follows that plot trope in the most unengaging way possible. Tomlin tries to visually explain, to the best of his ability, how the Androids were created and became part of everyday life, but the visual exposition is so minimal it becomes a “blink-and-you’ll-miss-it” moment. We have no idea how to what purpose the Androids were created, but we do recognize their visual inspirations from The Walking Dead and Terminator. When they don’t get shot in the face and have their face peeled like a T-800, they sure do run like brainless Zombies with the intent to kill people.

We never know what drives them to kill humans, or why they suddenly become violent. Sure, a blackout, but what caused the blackout and why did the blackout suddenly transform calm Androids into Zombie-like killing machines? These are important questions the movie never takes time to answer and instead spends most of its time with Grace Moretz’s Georgia on the cusp of giving birth inside cyclical and boring situations. Georgia and Sam go to a military base, potentially to help Olsen give birth. For the most bewildering reason, they get kicked off the base and must learn to fend for themselves. The same situation happens with their next objective. Every individual they meet, or place they visit has the same structure.

Tomlin begins by giving the audience a glimmer of hope, either through the movie’s decent-looking cinematography from Patrick Scola or through its minimalist, but emotionally-driven music from Kevin Henthorn and Michelle Birsky. Then, some lines of dialogue begin to swell hopium, until this “hope” is constantly crushed by:

a) The character’s own idiocy of not realizing the most obvious and/or never making the right decisions.

b) Androids show up. When in doubt, android it up.

c) The reality of the situation. Tomlin sets up Mother/Android‘s world as pessimistic by design. Therefore, the characters’ expectations of the promised utopia will be undoubtedly crushed. This isn’t a spoiler, but the reality of ANY post-apocalyptic sci-fi or horror film. It’s always the same, without exception.

Because of this, audience investment is at its minimum. Even if the movie does contain a few cool action sequences, including a rather exciting motorcycle chase filled with high-speed drones and, dare I say, scary-looking androids, Tomlin never gives us a reason to care about any character we spend time with, let alone care about the world they inhabit. Post-apocalyptic films are always enjoyable if the writer/filmmaker establishes the world first, before thwarting the characters in the action. Of course, they can thwart the characters first, to then establish the world, but that’s a riskier bet than the former. Tomlin decides to do the latter, but he never wants to establish the world further than “Androids evil. Georgia and Sam need to leave the USA.” Cool. But neat-looking action sequences and pretty images aren’t enough to hook people in.

Chloë Grace Moretz in Mother/Android.

Thankfully, Chloë Grace Moretz’s performance is impassioned enough that she carries the entire movie for herself. The final scene between her, Sam, and Korean officials is an absolute heartbreaker to watch, solely due to Moretz’s performance. Tomlin consistently relies on her for raw emotion, because he knows his script can’t carry the entire movie for itself. Sure, she does get trapped in a few “damsel in distress” situations, but when the movie needs her to shine, she always comes through and likely gives the best performance of her career. Her filmography isn’t filled with some of the best movies ever made, but her performance in Mother/Android almost puts hers in Suspiria and Clouds of Sills Maria to shame. She’s that good.

It’s an absolute disappointment that virtually anyone (or anything) else doesn’t work as hard as Moretz does here. She seems to have a deep affection for the material, and so does Tomlin, who infused some of his personal life in the script. But an affection for the material doesn’t necessarily equate to good material. If you’re not giving any reason to care about anything that’s going on in the movie, then the audience will check out quicker than the movie will ultimately “get going.” The truth of the matter is, this movie never gets going and gives a chance for us to care. If you want a great post-apocalyptic movie, 28 Days Later is the quintessential example of how it’s done.

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Mother/Android is now streaming exclusively on Hulu and will release on January 7th for International audiences on Netflix.

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Comic Book Movies

Marvel Studios’ Echo | Official Trailer — Disney + and Hulu

Maya Lopez must face her past, reconnect with her Native American roots and embrace the meaning of family and community if she ever hopes to move forward.

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Genre:

TV Mini Series

Release Date:

January 2024

Streaming:

Disney +, Hulu

Cast:

Alaqua Cox, Zahn McClarnon, Vincent D’Onofrio

Plot Summary:

Maya Lopez must face her past, reconnect with her Native American roots and embrace the meaning of family and community if she ever hopes to move forward.

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Hulu

First Look | White Men Can’t Jump – Jack Harlow

A remake of the 1992 film about a pair of basketball hustlers who team up to earn extra cash.

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Genre:

Comedy, Drama, Sport

Release Date:

May 19, 2023 (Hulu)

Director:

Calmatic

Cast:

Lance Reddick, Jack Harlow, Andrew Schulz, Laura Harrier

Plot Summary:

A remake of the 1992 film about a pair of basketball hustlers who team up to earn extra cash.

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Comedy

Meryl Streep Joins the Cast for Season 3 of Hulu’s ‘Only Murders in the Building

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Many were surprised when the Season 2 finale of Hulu comedy, Only Murders in the Building revealed that Paul Rudd would be joining the series for its upcoming season, however, it seems his casting may have just been topped. According to a tweet from the show’s Twitter account, it appears that Oscar-winning actress Meryl Streep (Out of Africa, August: Osage County) will join the cast led by Steve Martin, Martin Short and Selena Gomez for Season 3 of Only Murders in the Building.

One can believe that Streep stumbled into the series similar to how she did for Season 2 of HBO’s Big Little Lies. With the latter show, Streep was a fan of the mysterious female-led drama and was written into the sophomore season. You wouldn’t be hard pressed to believe that Streep was probably a fan of the beloved comedy series and might want to join in the hijinks along with friends, Steve Martin and Martin Short. Streep will also appear in the upcoming AppleTV+ anthology series, Extrapolations in March.

The original tweet revealed that the third season of Only Murders in the Building has just begun filming. The show has been nominated for tons of awards thus far and with growing popularity as well as the additions of Streep and Rudd to the cast, anything can happen in the murder mystery program. Season 2 released back in June so we can probably expect Season 3 to begin streaming in Summer 2023. 

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