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Sex Education Season 3- Review

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This review doesn’t contain any plot spoilers but if you want to go in totally blind, don’t read more than the first and last paragraphs!

Yesterday, Netflix dropped the trailer for the third season of its hit show Sex Education. The raunchy TV show first premiered in pandemic-less 2019, and after COVID disrupted the filming of the third season, Season 3 is finally here. And it soars. Netflix gives us more of the same in the best way possible. Check out the new trailer below.

The opening scene of the newest series sets the tone we are familiar with at Moordale; a sex-filled romp full of comedy, intimacy, and a great soundtrack! And that’s about right. The newest season is more of everything we love about Netflix’s one-of-a-kind show picks up with a time-jump, Jean is heavily pregnant (and still hasn’t told Jakob), the summer is over and it’s back to school for our impressive ensemble with the worry of university looming over everyone. After being heartbroken by Maeve ignoring his voicemail confessing his love for her, Asa Butterfield’s Otis is secretly having casual sex with one of the most popular girls in school.



Emma Mackey’s Maeve, having never heard the voicemail after Isaac (George Robinson) deleted it is focusing more on herself and her friendship with Aimee and Isaac after the devastating end of season two which saw Elsie, Maeve’s little sister, being taken into care after Maeve called the police on her mum, which has also led to Maeve being shut out completely by her mum. The two leads of the show spend a lot of the season sharing tension-filled scenes as Otis is upset with Maeve for ignoring his message, and Maeve is upset with Otis, thinking that he hasn’t spoken to her all summer, and you’re just screaming at the TV hoping Otis tells Maeve about the voicemail and when the truth finally does come out, it’s cathartic. 

Headmistress Hope and Head Boy Jackson

A big change in Season 3 is of course that, after the explosive end to the last season, Mr Groff is no longer the Headmaster at Moordale. He is unemployed and living with his brother, played by Jason Isaacs, and pretending to go to work. This obviously leaves a vacuum in Moordale which is quickly filled by new headteacher; Hope Haddon, played by Jemima Kirke. Kirke is the villain you will love to hate as she brings a totally new and incredibly strict leadership to Moordale. She really is one of the most brilliantly unlikeable villains in a long time. Hope’s main aim is to rebuild the reputation of Moordale after the events of the previous two seasons have left Moordale with the nickname “The Sex School” in the press. Hope goes above and beyond to fix this and makes more than a few enemies along the way. You will love watching and rooting for everything she does to fail!

Sex Education has always been impressive with its inclusion and this season takes a big step with the introduction of Dua Saleh’s Cal, the show’s first (though not only) openly non-binary character and so the writers must deal with what it’s like to be non-binary in school. Saleh’s performance is fantastic in this regard bringing xyr real-life experience as a non-binary person to the role. They have to deal with gendered school uniforms and being told to wear a skirt or stand in the girls’ line outside a lesson (yes, Headmistress Hope really is that contemptible), and while the writing around this sensitive topic can feel a little ham-fisted at times, it’s all well-intentioned and is handled well. Cal is strong and funny and stands up for themself and makes a great, compelling addition to the already impressive and busy cast of the show. Cal begins an unlikely friendship with Head Boy Jackson Marchetti as they both decide to take on the tyrannical new Headmistress.

My biggest issue with Sex Education, though, is Adam Groff (Connor Swindells). Specifically, his relationship with Ncuti Gatwa’s Eric. His performance is great but the ‘homophobic bully turns out to be queer’ trope is overused and harmful. It’s harmful enough on its own, but Sex Education takes it to the next level by having Eric and his bully fall in love. It’s as though Eric has Stockholm syndrome and has fallen for his abuser. And season 3 doubles down on this trope, having the two begin the series in a relationship and much more openly. Adam admits to being “a bit of a puff” in school, but still can’t tell his mother. Adam could have had a great redemption arc across the show if he’d have just realised that homophobia is bad and trying to make amends with those he has hurt rather. I also think exploring Adam’s bisexuality a little more would’ve been beneficial. It’s as though any interest he had in women in seasons 1 and 2 is totally gone here, which was a little disappointing. The writers do their best to redeem Adam and show us that he’s changed, particularly when he’s stuck next to Raheem on a coach trip to France which ends with the show trying to replicate the classic and iconic “it’s my vagina” moment from its first season, but it never quite feels like Adam deserves Eric.

All of the performances this season are brilliant. Ncuti Gatwa’s performance dealing with the complexities of his relationship with Swindells’ Adam is done very well, the two have an intimate personal relationship and Swindell does a wonderful job of opening up as Adam for us more and more each episode. As Eric Effiong, Otis’ best friend, Gatwa balances the comedy and the very serious issues perfectly in a charming performance. In one episode, Eric goes to Nigeria for a family wedding, and it is a fantastic exploration being queer and black in a religious Nigerian family in a country where it is illegal to be gay and Gatwa does it flawlessly. Mimi Keene is given much more to do as Ruby and she becomes much more than the ‘untouchable’ she has been limited to thus far. BAFTA winner Aimee Lee Wood returns as everyone’s favourite Aimee and is back to her usual charming and hilarious self, who now drives, although not very well. Butterfield and Mackey make compelling characters who are growing as people as each episode passes. While sometimes the comedy does seem a little lazier than previously; a lot seems to be relying on toilet humour and fart jokes, Sex Education still knows how to make us laugh. A lot. And I’m elated to report: there is MUCH more of Madam Groff!



So, strap in and get ready to dive into the hilarious and heart-warming world of Sex Education once more with its third season which is a conclusive hit! No show is tackling real social issues as well as this, it handles the most sensitive topics seemingly with ease. It’s a funny, NSFW, unique, inclusive look at love, sex, and being a British teenager. 

Make sure to stream Sex Education, exclusively on Netflix from September 17th.

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Comedy

Clerks III | Official Trailer

Dante, Elias, and Jay and Silent Bob are enlisted by Randal after a heart attack to make a movie about the convenience store that started it all.

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Genre:

Comedy

Release Date:

September 2022

Director:

Kevin Smith

Cast:

Rosario Dawson, Kevin Smith, Jason Mewes

Plot Summary:

Dante, Elias, and Jay and Silent Bob are enlisted by Randal after a heart attack to make a movie about the convenience store that started it all.

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Comedy

Heartstopper Review | An Irresistible Gay Teen Drama

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Heartstopper

Based on Alice Oseman’s beloved graphic novels, Netflix’s bite-sized adaptation of Heartstopper continues to kick the door wide open for queer stories on the small screen. In the same vain as Young Royals and Dear Victor, Heartstopper’s exploration of queer teen romance is just as endearing, if not made more real and lovable by some incredible performances by Joe Locke and Kit Connor who play the show’s main high-school sweethearts.

Heartstopper owes its incredible binge-factor to its main focus on the story of two British teens at Truham Boys School, Charlie (Locke) and Nick (Connor) and how their entanglement perfectly represents the highs and lows of young romance. Manoeuvring alongside our main characters’ connection are some other, deeply adorable queer-centric stories – from a pair of secret lesbians at the nearby all-girls grammar school, to the perspective of a trans girl navigating life outside Truham; all of which tangle throughout the show’s eight chapters, giving a genuine take on teen love and friendship during the digital age.

Photo: Netflix

While Euphoria is a ridiculously over-the-top representation of high school life with actors well-in their twenties playing teens, Heartstopper instead follows leads and supporting characters that feel like real teenagers, which doesn’t help the waterworks when it comes to some incredibly emotional moments in the show.

What the show decides not to focus on is sex and swearing, which is usual when it comes to these kinds of stories. Instead, Heartstopper goes down a more wholesome route, diluting some of the web comic’s more serious topics in favour of a more family-friendly teen drama. That’s more than acceptable, but it may leave the show not exactly suitable for everyone for how young it is leaning, despite how charming it is. It’ll be interesting to see how the web comic’s strong fanbase take to these changes, but it feels like a good move for the most part.

That being said, Heartstopper brilliantly doesn’t leave out realistic aspects that come to growing up queer in Britain; our main characters are never far from bullies or trolls. With how young the show’s audience is targeting towards, this feels like a great move on showing how to approach these pressures that make-up everyday life for teenagers.

Overall, Heartstopper is easily destined to prove a success for Netflix; from the authentic feel of all the friendships and relationships depicted to the enjoyable ride that comes with all eight chapters, this show is a welcome addition to the increasingly queer canon that is flying into the mainstream.

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Action

The Unbearable Weight of Massive Talent Review | A Meta Lucid-Trip

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Nicholas Cage stars as Nick Cage in the action-comedy The Unbearable Weight of Massive Talent. Creatively unfulfilled and facing financial ruin, the fictionalised version of Cage must accept a $1 Million offer to attend the birthday of a dangerous superfan (Pedro Pascal). Things take a wildly unexpected turn when Cage is recruited by a CIA operative (Tiffany Haddish) and forced to live up to his own legend, channelling his most iconic and beloved on-screen characters in order to save himself and his loved ones. With a career built for this very moment, the seminal award-winning actor must take on the role of a lifetime: Nick Cage.

‘Nicolas Cage’ (Nicolas Cage) greets ‘Javi Gutierrez’ with a ‘Palm Hold Fist’ salute as he arrives in Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

From filmmakers, Tom Gormican and Kevin Etten, The Unbearable Weight of Massive Talent is a sincere, authentic, and hilarious love letter to Nicholas Cage. It’s also an absolute hoot and delightfully bonkers as we take a rollercoaster ride through his iconic filmography. Full of quirky and heartfelt moments, the film showcases the most uncaged performance from the man himself as, after all, it’s the role he was born to play.

Nicholas Cage is nothing less than a screen legend whose iconic pictures include The Rock, Face/Off, Con Air, Moonstruck, Honeymoon in Vegas, and Academy Awarding winning turn in Leaving Las Vegas. The Unbearable Weight of Massive Talent builds upon that renowned work and twists and turns it with an imagined “Nick Cage”. He’s able to do any genre from romantic comedies, avant-garde films like Mandy and Wild at Heart, and big tentpole franchises such as National Treasure.

The film is a homage to his body of work and the genres that he’s worked in. He’s a man known for taking risks early in his career that paid off handsomely but in the later years, he’s taken to independent film work some heading straight to streaming. Mandy, Joe, Prisoners of Ghostland and Pig are among my favourites. Each is interesting ranging from unusual to insane.

In the movie “Nick Cage” is a fictionalised version of the star, imagined as a once-highly respected actor who has fallen on hard times and is craving a return to box office glory and prestige. But his waning career is only one of his problems. The faux Cage’s megalomania has poisoned his relationships with his ex-wife Olivia (Sharon Horgan) and daughter Addy (Lily Sheen), unfortunately, though he can’t see it as the fictional Cage is feeling unfulfilled and rejected. This is in contrast with the real Nicholas Cage who recently received his best reviews for his performance in Pig

Photo Credit: Katalin Vermes/Lionsgate

Nick becomes frustrated and a little unhinged, when he loses out on a role that he’s desperate to inhabit so when his smarmy agent played by Neil Patrick Harris extends him a lifeline with an offer to attend a birthday party for a cool payday of one million dollars, Nick despite his instincts reluctantly agrees, and hops on a plane to meet the birthday boy/ cage superfan in picturesque Mallorca, Spain.

Upon arriving in Mallorca and being greeted personally by Javi, Nick is completely checked out until he discovers that he and his host have much in common and begin to bond. Both are cinephiles and share a love of everything from The Cabinet of Dr Caligari to Paddington 2.

That’s not all they have in common. The wealthy man is just as neurotic as his guest of honour and they both find themselves looking for inspiration from the actor’s famously bold audacious characters.

The Unbearable Weight of Massive Talent is an intriguing change of pace for Pascal, he inhabits the role of Javi, but as neurotic as he is the character turns out to be an international arms dealer and crime boss. Both Cage and Pascal have incredible chemistry together and truly form a bromance. They are so much fun together and unapologetic about their shared admiration. It is infectious.

Javi Gutierrez’ (Pedro Pascal, left) and ‘Nicolas Cage’ (Nicolas Cage, right) zooming through the mountains of Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

VERDICT

The Unbearable Weight of Massive Talent was such a hoot & delightfully BONKERS!! a rollercoaster ride through Cage’s iconic filmography & full of quirky & heartfelt moments The most uncaged performance was suave in this meta lucid trip.

 

 

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