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Sex Education Season 3- Review

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This review doesn’t contain any plot spoilers but if you want to go in totally blind, don’t read more than the first and last paragraphs!

Yesterday, Netflix dropped the trailer for the third season of its hit show Sex Education. The raunchy TV show first premiered in pandemic-less 2019, and after COVID disrupted the filming of the third season, Season 3 is finally here. And it soars. Netflix gives us more of the same in the best way possible. Check out the new trailer below.

The opening scene of the newest series sets the tone we are familiar with at Moordale; a sex-filled romp full of comedy, intimacy, and a great soundtrack! And that’s about right. The newest season is more of everything we love about Netflix’s one-of-a-kind show picks up with a time-jump, Jean is heavily pregnant (and still hasn’t told Jakob), the summer is over and it’s back to school for our impressive ensemble with the worry of university looming over everyone. After being heartbroken by Maeve ignoring his voicemail confessing his love for her, Asa Butterfield’s Otis is secretly having casual sex with one of the most popular girls in school.



Emma Mackey’s Maeve, having never heard the voicemail after Isaac (George Robinson) deleted it is focusing more on herself and her friendship with Aimee and Isaac after the devastating end of season two which saw Elsie, Maeve’s little sister, being taken into care after Maeve called the police on her mum, which has also led to Maeve being shut out completely by her mum. The two leads of the show spend a lot of the season sharing tension-filled scenes as Otis is upset with Maeve for ignoring his message, and Maeve is upset with Otis, thinking that he hasn’t spoken to her all summer, and you’re just screaming at the TV hoping Otis tells Maeve about the voicemail and when the truth finally does come out, it’s cathartic. 

Headmistress Hope and Head Boy Jackson

A big change in Season 3 is of course that, after the explosive end to the last season, Mr Groff is no longer the Headmaster at Moordale. He is unemployed and living with his brother, played by Jason Isaacs, and pretending to go to work. This obviously leaves a vacuum in Moordale which is quickly filled by new headteacher; Hope Haddon, played by Jemima Kirke. Kirke is the villain you will love to hate as she brings a totally new and incredibly strict leadership to Moordale. She really is one of the most brilliantly unlikeable villains in a long time. Hope’s main aim is to rebuild the reputation of Moordale after the events of the previous two seasons have left Moordale with the nickname “The Sex School” in the press. Hope goes above and beyond to fix this and makes more than a few enemies along the way. You will love watching and rooting for everything she does to fail!

Sex Education has always been impressive with its inclusion and this season takes a big step with the introduction of Dua Saleh’s Cal, the show’s first (though not only) openly non-binary character and so the writers must deal with what it’s like to be non-binary in school. Saleh’s performance is fantastic in this regard bringing xyr real-life experience as a non-binary person to the role. They have to deal with gendered school uniforms and being told to wear a skirt or stand in the girls’ line outside a lesson (yes, Headmistress Hope really is that contemptible), and while the writing around this sensitive topic can feel a little ham-fisted at times, it’s all well-intentioned and is handled well. Cal is strong and funny and stands up for themself and makes a great, compelling addition to the already impressive and busy cast of the show. Cal begins an unlikely friendship with Head Boy Jackson Marchetti as they both decide to take on the tyrannical new Headmistress.

My biggest issue with Sex Education, though, is Adam Groff (Connor Swindells). Specifically, his relationship with Ncuti Gatwa’s Eric. His performance is great but the ‘homophobic bully turns out to be queer’ trope is overused and harmful. It’s harmful enough on its own, but Sex Education takes it to the next level by having Eric and his bully fall in love. It’s as though Eric has Stockholm syndrome and has fallen for his abuser. And season 3 doubles down on this trope, having the two begin the series in a relationship and much more openly. Adam admits to being “a bit of a puff” in school, but still can’t tell his mother. Adam could have had a great redemption arc across the show if he’d have just realised that homophobia is bad and trying to make amends with those he has hurt rather. I also think exploring Adam’s bisexuality a little more would’ve been beneficial. It’s as though any interest he had in women in seasons 1 and 2 is totally gone here, which was a little disappointing. The writers do their best to redeem Adam and show us that he’s changed, particularly when he’s stuck next to Raheem on a coach trip to France which ends with the show trying to replicate the classic and iconic “it’s my vagina” moment from its first season, but it never quite feels like Adam deserves Eric.

All of the performances this season are brilliant. Ncuti Gatwa’s performance dealing with the complexities of his relationship with Swindells’ Adam is done very well, the two have an intimate personal relationship and Swindell does a wonderful job of opening up as Adam for us more and more each episode. As Eric Effiong, Otis’ best friend, Gatwa balances the comedy and the very serious issues perfectly in a charming performance. In one episode, Eric goes to Nigeria for a family wedding, and it is a fantastic exploration being queer and black in a religious Nigerian family in a country where it is illegal to be gay and Gatwa does it flawlessly. Mimi Keene is given much more to do as Ruby and she becomes much more than the ‘untouchable’ she has been limited to thus far. BAFTA winner Aimee Lee Wood returns as everyone’s favourite Aimee and is back to her usual charming and hilarious self, who now drives, although not very well. Butterfield and Mackey make compelling characters who are growing as people as each episode passes. While sometimes the comedy does seem a little lazier than previously; a lot seems to be relying on toilet humour and fart jokes, Sex Education still knows how to make us laugh. A lot. And I’m elated to report: there is MUCH more of Madam Groff!



So, strap in and get ready to dive into the hilarious and heart-warming world of Sex Education once more with its third season which is a conclusive hit! No show is tackling real social issues as well as this, it handles the most sensitive topics seemingly with ease. It’s a funny, NSFW, unique, inclusive look at love, sex, and being a British teenager. 

Make sure to stream Sex Education, exclusively on Netflix from September 17th.

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Action

Bad Boys: Ride Or Die Review – Smith and Lawrence Deliver Explosive Entertainment.

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Bad Boys: Ride or Die [credit: Sony Pictures Releasing]

Hollywood has been struggling as of late and a lot is riding on the success of the fourth installment of this beloved franchise. The directors Adil and Bilall have had a tough time after their last feature Batgirl was shelved, Sony is looking to move on from the Madame Web debacle and Smith is gearing up for his big comeback after the slap. Hollywood history also tells us that there aren’t a lot of franchises that are able to deliver blockbuster business in their fourth installments.

 

I went into this movie cautiously optimistic with Adil and Bilall returning to direct. They also directed the last entry, which turned out not only the highest-grossing movie in this franchise but also the highest-grossing movie of 2020, which are quite the achievements. This franchise is almost 30 years old now, but these two directors found a way to give it a modern touch while staying loyal to the legacy of these characters. In this entry, they take it up a notch and give us some of the most creative camera work and they never seem to run out of ideas throughout this movie.

Bad Boys: Ride or Die [credit: Sony Pictures Releasing]

The main attraction of these movies has always been the chemistry between Smith and Lawrence. Smith brings the style, and Lawrence brings the charm. As always, they are unreal together on screen and the movie is at its strongest when it is focusing on both of them. I was curious to see if the slap would affect Smith’s screen presence or his comic timing, but he seemed cool for the most part. Although, I did sense a hint of nervousness a couple of times. On the other hand, Martin Lawrence was having a blast.

 

Eric Dane is menacing as our main villain here, which is also thanks to the directors’ presentation of his character. Jacob Scipio is awesome in action sequences, while Alexander Ludwig and Vanessa Hudgens are great together. Rhea Seehorn and Ioan Gruffudd are our other new additions to this entry, but both of them seemed nowhere near their best. It was mostly due to the fact that they were portraying unlikeable, cliche, and predictable characters. But the real MVP here is Reggie. He gets his moment and it is awesome. There are also quite a few cameos which are all well-handled.

Bad Boys: Ride or Die [credit: Sony Pictures Releasing]

BAD BOYS: RIDE OR DIE

The story is easily the weakest part here with not a lot of character development, especially for the supporting cast. The plot is thin and doesn’t have too many layers to it and even the twists mostly fail to surprise. But that doesn’t mean that the adventure that our characters are on isn’t fun. One can clearly see that the focus in the structuring of this movie was to make it as fun as possible. There are also some questionable editing choices, but the pacing of the narrative is really good.

 

Bad Boys: Ride Or Die delivers an explosively entertaining ride in one of the franchise’s best entries. It embraces its outrageousness and gives some wild action sequences. Smith and Lawrence’s chemistry is unreal, while Adil and Bilall bring their A-game. Audiences will eat up this hilarious ride that will surely be one of the best movie-going experiences of the year. A treat for fans of the franchise. Hopefully, we get more of these.

https://www.youtube.com/watch?v=hRFY_Fesa9Q&pp=ygUSYmFkIGJveXMgNCB0cmFpbGVy

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Adventure

‘SEIZE THEM!’ Review | A Rollicking British Comedy Adventure

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This review was made possible by watching an early preview thanks to Escapes supported by the BFI and the National Lottery for organising free nationwide screenings designed to encourage everyone to rediscover the joys of independent cinema

Seize Them!” is a riotous British comedy that marries the best traits of Monty Python, Horrible Histories, Blackadder, and Carry On into a rollicking adventure with a valuable message at its core about finding your song. Director Curtis Vowell delivers a clever, fast-paced film that doesn’t hold back on sword fights, crude humour, and unexpected friendships. The Dark Ages provides us with a British comedy classic. 

The film is a comedy road movie set in the Dark Ages that follows the story of the clueless Queen Dagan (Aimee Lou Wood), an egotistical ruler who is unexpectedly overthrown and toppled from her throne by the charismatic and ruthless Humble Joan (Nicola Coughlan). As Queen Dagan embarks on a quest to reclaim her kingdom, she is joined by unlikely companions, including Shulmay, a former servant with a lot of secrets (Lolly Adefope), and Bobik, a shit-shoveler who ultimately wants more out of life (Nick Frost). Both companions add depth, warmth, and hilarity to her journey as Dagan begins her quest for justice and ultimately faces every conceivable hardship and danger as she embarks on this voyage to win back her throne. She also has to face up to the very worst parts of herself and ultimately answer if she can ever become queen again, can she become a better person while she does it? And what if she has to choose?

© Entertainment Film Distributors

At the heart of this adventure is Queen Dagan, a master of all she surveys, with an ego to match, played outstandingly with delightful arrogance by Aimee Lou Wood. who finds herself headfirst with the revolution-led Humble Joan, portrayed by the charming Nicola Coughlan. The Queen, however, becomes a fugitive in her kingdom, alongside a hefty bounty that’s been put on her head. The dynamic between these two leading ladies is electric, setting the stage for a quest filled with laughter, heart, and a surprising dose of self-discovery.

© Entertainment Film Distributors

The ensemble cast, including the hilarious Lolly Adefope and the ever-charismatic Nick Frost, adds depth and nuance to the story, creating a compelling tapestry of characters that you can’t help but root for. The chemistry between the actors is infectious, making their journey from foes to friends a joy. We also get appearances from some of the U.K. and Ireland’s best comic talent, such as Jessica Hynes as Leofwine, Paul Kaye and John MacMillan as Kings Ivarr and Guthrum, Jason Barnett as Thane Tostig, alongside James Acaster as Felix the Ironmonger. 

Visually, “Seize Them!” shines with its detailed production design and cinematography, which immersed me and the audience at my screening into the mediaeval world of the film. The practical effects and action sequences are seamlessly integrated, adding an extra layer of excitement to the already engaging plot. 

But what truly sets this film apart is its sharp, witty dialogue that harkens back to the comedic genius of its predecessors. Written by Andy Riley, the clever banter and quick wit keep the pace brisk and the laughs coming, making “Seize Them!” a thoroughly entertaining ride from start to finish. 

© Entertainment Film Distributors

Overall, “Seize Them!” is a delightful blend of humour, heart, and adventure that will leave you grinning from ear to ear. Whether you’re a fan of British comedy or simply looking for a feel-good movie with a meaningful message, this film is sure to delight you. So, seize the opportunity to watch this comedic gem and prepare to be swept away on a whimsical and hilarious journey across the Dark Ages. I applaud and give this film a high fünf! just make sure to be in a circle of safety when Big Liam arrives.

Seize them! will be in UK Cinemas from April 5th.

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Action

Bad Boys: Ride or Die | Official Trailer – Sony Pictures Entertainment

Miami’s finest end up on the run.

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Genre:

Action, Adventure, Comedy

Release Date:

2024

Director:

Adil El Arbi, Bilall Fallah

Cast:

Will Smith, Martin Lawrence, Vanessa Hudgens

Plot Summary:

Miami’s finest end up on the run

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