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Why the Xbox Series X is Superior to the PS5



Xbox Series X

This is not your typical article about CPUs and performance power. Partly because this has already been written about many times over, and partly because – well I just do not care. The meat and potatoes of gaming is based upon accessibility and available game content.

With new systems, we tend to place unfair and lofty expectations when a system is just finding its footing. If history has shown us anything, it is that the veracity of these Sony vs Microsoft arguments are and always will be subjective. If anything, in terms of sales, it would suggest that the PS5 would be the superior option compared to its arch rival.

The PS5 has outsold the Xbox by almost four million copies. Number don’t lie, or do they? In terms of numbers, the reflection of the success Sony has had compared to that of Microsoft is more based upon the past generation of consoles. In terms of game exclusivity and accessibility, the PS4 was the superior choice compared to that of the Xbox One. This could possibly be the reason for such successful sales for Sony, as many consumers turned their back on Microsoft after the blunders of the last generation console.

Game Pass is not a new iteration, in fact it was introduced last generation. However, what the month-to-month subscription service has brought to the table this generation is a newly minted machine that Sony has not been able to compete with. With large day one titles coming immediately to Game Pass, including even one Sony exclusive in “MLB the Show 21”, the success of Game Pass has even caused Sony to take action.

Day one release titles for a $15 a month subscription service that includes large titles sprawled across three different Xbox platforms is truly ground breaking. Add the fact that the Ps5 can only play current and last generation titles, and it would indicate that the game library for the Xbox Series X is towering over its competition. The Sony subscription service PS Now which is priced at $9.99 a month is indeed a cheaper option, but its library of games are shoddy and feature very unpopular titles that in also in terms of quantity are very meager compared to that of Game Pass.

Microsoft has also broken ground by purchasing many studios to develop games exclusive to Xbox, the biggest one being Bethesda. The $7.5 billion-dollar acquisition of the company famous for large gaming franchises such as Fallout and Elder Scrolls, was one of the biggest stories of the year in the gaming industry. The acquisition is highlighted by the title “StarField”, an RPG title coming to Xbox exclusively in 2022.

Sony has been silent in terms of game promotion and upcoming titles, skipping E3 altogether. Not new for Sony, but troubling considering that nothing innovative or exciting seems to be on the rise for this year or next, at least in terms of exclusivity outside of Horizon Forbidden West (which is not a new IP).

There are some quirks that Sony has over Microsoft right now, the controller is very intuitive and the load times are shockingly fast, but the whole argument of “Microsoft doesn’t have any games”, is becoming a thing of the past as it has dedicated itself to matching its rival by buying up as many game developing studios as possible.

Sony may be winning in terms of revenue and sales, but let’s be honest, the Xbox Series X towers over the PS5, and no matter if you are loyal to Sony or Microsoft, seeing the light and being honest to one’s self is the key to happiness.

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Netflix Acquires Iconic Roald Dahl Story Company



Netflix have certainly won Wonka’s Golden Ticket as they and the Roald Dahl Story company (RDSC) have joined forces to bring the worlds most loved stories to current and future fans in creative new ways. 

By acquiring RDSC, Netflix have been giving access to the full catalog of works by the famed and well loved British author. This deal and acquisition builds on the partnership that started three years ago, to create a slate of animated shows, including a series based on the world of “Charlie and the Chocolate Factory” from Taika Waititi

In addition, Netflix are working with Sony and Working title on an adaptation of Matilda The Musical, which will be directed by Matthew Warchus and starring Emma Thompson as Miss Trunchbull, Lashana Lynch as Miss Honey and Stephen Graham and Andrea Riseborough will play Matilda’s parents. 

These projects made Netflix truly invest in Dahl and opened their eyes to a much more ambitious venture. Which will be the creation of a unique universe across animated and live action films and TV, publishing, games, immersive experiences, live theatre, consumer products and more. 

Dahl’s books, which include Fantastic Mr. Fox, The BFG, The Witches and James and the Giant Peach etc, have sold more than 300 million and have been translated into 63 languages. His stories and characters have been delighting children and adults for generations, like myself who was brought up reading these sensational stories during bedtime and in primary school. Their messages of power and possibility of young people have never felt more relevant. 

I couldn’t think of a more deserving company to handle Dahl’s creations as Netflix will be able to bring these timeless tales to more audiences than ever before especially in new formats, but still maintaining their quirkiness, spirit and themes of surprise and kindness. 

Headquartered here in the UK, the Roald Dahl Story Company is led by Dahl’s grandson and managing director Luke Kelly, it has 26 full time employees across eight departments. Pending completion of the deal these employees will retain their positions and RDSC will then function as an autonomous unit within Netflix and it’ll expand the current plans for 19 tv shows, stage shows and live experiences. 

A significant part of the proceeds from the sale will go towards establishing a charitable trust, supporting existing and new charity partners of the RDSC in areas of Children’s health, anti-hate and anti-racism. Netflix and the Roald Dahl Story Company truly share a deep love of story telling and an ever growing global fan base. and as Ted Sarandos,  Netflix’s Co-CEO and Chief Content Officer says “Together, we have an extraordinary opportunity to write multiple new chapters of these beloved stories, delighting children and adults around the world for generations to come”.

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Marvel’s What If…?- Season 1 Episode 7 Review



What If…?  is the latest Marvel Studios project to arrive on our small screens on Disney +.

The animated anthology series, created by Trollhunters: Tales of Arcadia writer A.C. Bradley and Marvel vet Bryan Andrews flips the script on the MCU as following the creation of the multiverse in Loki’s first season finale, What If…? reimagines famous events from the films in unexpected ways.

What If..? is back with a brand new episode, for weeks we’ve been left sobbing and emotionally drained from watching our favourite MCU heroes suffer devastation after devastation. Following Killmonger’s rise to power last week, episode 7 puts Thor in the spotlight and certainly takes an upbeat approach, imagining what would have happed if Odin returned baby Loki to the Frost Giants and thus making Thor grow up as an only child, though no mention of her Majesty Cate Blanchett aka Hela The goddess of Death. 

More than battles won or lost, it’s relationships that truly define a hero. The people who shape them, their stories. Thor and Loki, a brotherhood so strong and pivotal, it would change the fate of a universe. Their childhood taught Thor many lessons. But in another universe, instead of raising the Jotunheim prince, Loki, as his own son, Odin returned him to his people. Without his trickster brother to keep things, let’s say, lively, Thor grew into a very different prince

The watcher

What If… Thor Were an Only Child?


Thor, who never learned to be a good hero, throws an out of control intergalactic party on Earth.

Marvel’s What If [Disney +]


This was such a fun episode as it made me laugh from beginning to end. It also ends with an excellent cliffhanger, which seems to be setting up the epic finale. 

In this alternate Universe growing up without a pivotal relationship can really affect you as without Loki, Thor becomes a reckless Party Prince with a bad boy attitude. And when his father falls into Odinsleep and his mother Frigga goes away, Thor’s arrogance simply continues to grow as he decides to throw a huge party on Midgard aka Earth, where he believes Heimdall won’t be able to detect him. 

Marvel’s What If [Disney +]

Inviting all from the Nine Realms, he creates the biggest party ever witnessed on Earth. Many easter eggs and cameos appear thanks to the original actors voicing their characters. The standouts being Chris Hemsworth, Tom Hiddleston, Natalie Portman, and Kat Dennings.

Also voicing their characters are Samuel L. Jackson, Cobie Smulders, Clark Gregg, Frank Grillo, Taika Waititi, Karen Gillan, Jaimie Alexander, Seth Green and Jeff Goldblum fabulously returning as the Grandmaster. 

Prince Loki of Jotunheim arrives in Las Vegas to join Thor’s party. He certainly towers over Thor and the other partygoers in his frost giant form.

With Thor taking over Earth with all his party-going antics, S.H.I.E.L.D step in to rain on his parade. Maria Hill uses Jane and Darcy to stop Thor however Jane hooks up with the God of Thunder, so Hill eventually calls upon someone with a bit more firepower, Captain Marvel. 

Both go head-to-head which creates an epic showdown with plenty of thunder and Lightning. But ultimately in the end there’s one relatable thing that does manage to stop Thor, his mother. Frigga who after being sought out by Jane arrives in the nick of time. 

Marvel’s What If [Disney +]

Her arrival prompts Thor to clean up his act, he enlists the help of his party guests to clean up Earth. As the episode comes to an end it shows that Thor and Jane’s relationship develops further as they both agree to go on a date. However there’s one thing The Watcher didn’t see, That Cliffhanger. Overall Episode 7 is a jam-packed one with delightful and crazy moments. 


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Sex Education Season 3- Review



This review doesn’t contain any plot spoilers but if you want to go in totally blind, don’t read more than the first and last paragraphs!

Yesterday, Netflix dropped the trailer for the third season of its hit show Sex Education. The raunchy TV show first premiered in pandemic-less 2019, and after COVID disrupted the filming of the third season, Season 3 is finally here. And it soars. Netflix gives us more of the same in the best way possible. Check out the new trailer below.

The opening scene of the newest series sets the tone we are familiar with at Moordale; a sex-filled romp full of comedy, intimacy, and a great soundtrack! And that’s about right. The newest season is more of everything we love about Netflix’s one-of-a-kind show picks up with a time-jump, Jean is heavily pregnant (and still hasn’t told Jakob), the summer is over and it’s back to school for our impressive ensemble with the worry of university looming over everyone. After being heartbroken by Maeve ignoring his voicemail confessing his love for her, Asa Butterfield’s Otis is secretly having casual sex with one of the most popular girls in school.

Emma Mackey’s Maeve, having never heard the voicemail after Isaac (George Robinson) deleted it is focusing more on herself and her friendship with Aimee and Isaac after the devastating end of season two which saw Elsie, Maeve’s little sister, being taken into care after Maeve called the police on her mum, which has also led to Maeve being shut out completely by her mum. The two leads of the show spend a lot of the season sharing tension-filled scenes as Otis is upset with Maeve for ignoring his message, and Maeve is upset with Otis, thinking that he hasn’t spoken to her all summer, and you’re just screaming at the TV hoping Otis tells Maeve about the voicemail and when the truth finally does come out, it’s cathartic. 

Headmistress Hope and Head Boy Jackson

A big change in Season 3 is of course that, after the explosive end to the last season, Mr Groff is no longer the Headmaster at Moordale. He is unemployed and living with his brother, played by Jason Isaacs, and pretending to go to work. This obviously leaves a vacuum in Moordale which is quickly filled by new headteacher; Hope Haddon, played by Jemima Kirke. Kirke is the villain you will love to hate as she brings a totally new and incredibly strict leadership to Moordale. She really is one of the most brilliantly unlikeable villains in a long time. Hope’s main aim is to rebuild the reputation of Moordale after the events of the previous two seasons have left Moordale with the nickname “The Sex School” in the press. Hope goes above and beyond to fix this and makes more than a few enemies along the way. You will love watching and rooting for everything she does to fail!

Sex Education has always been impressive with its inclusion and this season takes a big step with the introduction of Dua Saleh’s Cal, the show’s first (though not only) openly non-binary character and so the writers must deal with what it’s like to be non-binary in school. Saleh’s performance is fantastic in this regard bringing xyr real-life experience as a non-binary person to the role. They have to deal with gendered school uniforms and being told to wear a skirt or stand in the girls’ line outside a lesson (yes, Headmistress Hope really is that contemptible), and while the writing around this sensitive topic can feel a little ham-fisted at times, it’s all well-intentioned and is handled well. Cal is strong and funny and stands up for themself and makes a great, compelling addition to the already impressive and busy cast of the show. Cal begins an unlikely friendship with Head Boy Jackson Marchetti as they both decide to take on the tyrannical new Headmistress.

My biggest issue with Sex Education, though, is Adam Groff (Connor Swindells). Specifically, his relationship with Ncuti Gatwa’s Eric. His performance is great but the ‘homophobic bully turns out to be queer’ trope is overused and harmful. It’s harmful enough on its own, but Sex Education takes it to the next level by having Eric and his bully fall in love. It’s as though Eric has Stockholm syndrome and has fallen for his abuser. And season 3 doubles down on this trope, having the two begin the series in a relationship and much more openly. Adam admits to being “a bit of a puff” in school, but still can’t tell his mother. Adam could have had a great redemption arc across the show if he’d have just realised that homophobia is bad and trying to make amends with those he has hurt rather. I also think exploring Adam’s bisexuality a little more would’ve been beneficial. It’s as though any interest he had in women in seasons 1 and 2 is totally gone here, which was a little disappointing. The writers do their best to redeem Adam and show us that he’s changed, particularly when he’s stuck next to Raheem on a coach trip to France which ends with the show trying to replicate the classic and iconic “it’s my vagina” moment from its first season, but it never quite feels like Adam deserves Eric.

All of the performances this season are brilliant. Ncuti Gatwa’s performance dealing with the complexities of his relationship with Swindells’ Adam is done very well, the two have an intimate personal relationship and Swindell does a wonderful job of opening up as Adam for us more and more each episode. As Eric Effiong, Otis’ best friend, Gatwa balances the comedy and the very serious issues perfectly in a charming performance. In one episode, Eric goes to Nigeria for a family wedding, and it is a fantastic exploration being queer and black in a religious Nigerian family in a country where it is illegal to be gay and Gatwa does it flawlessly. Mimi Keene is given much more to do as Ruby and she becomes much more than the ‘untouchable’ she has been limited to thus far. BAFTA winner Aimee Lee Wood returns as everyone’s favourite Aimee and is back to her usual charming and hilarious self, who now drives, although not very well. Butterfield and Mackey make compelling characters who are growing as people as each episode passes. While sometimes the comedy does seem a little lazier than previously; a lot seems to be relying on toilet humour and fart jokes, Sex Education still knows how to make us laugh. A lot. And I’m elated to report: there is MUCH more of Madam Groff!

So, strap in and get ready to dive into the hilarious and heart-warming world of Sex Education once more with its third season which is a conclusive hit! No show is tackling real social issues as well as this, it handles the most sensitive topics seemingly with ease. It’s a funny, NSFW, unique, inclusive look at love, sex, and being a British teenager. 

Make sure to stream Sex Education, exclusively on Netflix from September 17th.

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