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Marvel One-Shot: “All Hail the King” Review

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Before you see Shang-Chi, you may want to watch or rewatch these Marvel projects. 

For the most part in this exciting chapter in the next phase of the MCU, Shang-Chi tells it’s own standalone origin story. However, throughout the Marvel Cinematic Universe’s history there are pieces you could revisit which would make your viewing experience probably much better and catch you up too speed as Marvel and Disney + are giving you a refresher on all things Ten Rings. 



The terrorist organisation has been part of the MCU since the very beginning, when Tony Stark got kidnapped by them in Afghanistan in 2008’s Iron Man. The Ten Rings then resurfaced in 2013’s Iron Man 3 , when their mysterious and shadowy leader The Mandarin( Sir Ben Kingsley) was revealed to be a cover for Aldrich Killian played by Guy Pearce. The Mandarin was actually a washed up actor by the name of Trevor Slattery, who was bribed with drugs and money to play the part.

Newley added conveniently onto Disney + is  2014’s Marvel’s One Shot titled All Hail the King, which was originally released on the Thor: The Dark World Blu-ray. It follows Trevor who is now in prison for posing as The Mandarin and is dealing with prisoners who worship him and hate him, especially the Ten Rings who have hunted him down and want Slattery out of prison because the actual Mandrin wants to meet him and reclaim his name back, I certainly hope we get this meeting in Shang-Chi. 

This One-Shot is a hilarious obscene epilogue to Iron Man 3 where Trevor has been enjoying the notoriety and is now being interviewed by a documentary filmmaker named Jackson Norris. He’s discussing with Trevor the possibilities of The Ten Rings being angry with him for impersonating their leader. This is new to him and of course paranoia ensues.

Photo: Marvel Studios

Ben Kingsley has some quick witted dialogue from writer/director Drew Pearce. Slattery is both delusional and oblivious which definitely brought some entertaining results. It works so well with a dark comedic tone whilst having a 1970’s aesthetic feel attached to it. It serves to tie up lose ends from the Iron Man trilogy and seemingly sets up more things to come aka Shang-Chi. 



Scoot McNairy was also fun to watch as he grows in frustration to Trevor’s utter ignorance to all his surroundings. There’s also some twists and a really fun cameo in the mid-credits sequence, a character whom we haven’t seen in quite a while. 

Photo: Marvel Studios

Overall this 14 minute short film which was initially released as a bonus on the Blu-ray for Thor: The Dark World has now major ramifications and significance within the Marvel Cinematic Universe now that the Ten Rings organisation have taking centre stage. 

All Hail the King is now streaming on Disney+. And finally on September 1st Marvel Studios Legends will release a new recap episode focusing on The Ten Rings. 

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The Acolyte | Official Trailer | Disney +

Star Wars series that takes viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era.

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Genre:

Action, Adventure, Drama

Release Date:

June 4, 2024

Director:

Leslye Headland

Cast:

Dafne Keen, Amandla Stenberg, Jodie Turner-Smith

Plot Summary:

Star Wars series that takes viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era.

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Maya’s Story To Echo Through Time

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Vincent D'Onofrio (Wilson Fisk) & Alaqua Cox (Maya Lopez) (Disney)

Here is the review of Marvel Studios’ Echo, now streaming on Disney Plus.

Plot

Marvel Studios presents “Echo,” spotlighting Maya Lopez (Alaqua Cox) as she is pursued by Wilson Fisk’s (Vincent D’Onofrio) criminal empire. When the journey brings her home, she must confront her own family and legacy. Streaming January 9 on Disney+ & Hulu. Set your Disney+ profile to TV-MA to stream. All episodes will be available on Hulu until April 9.

Starring: Alaqua Cox, Vincent D’Onofrio, Chaske Spencer, Graham Greene, Tantoo Cardinal, and Devery Jacobs.

Alaqua Cox as Maya Lopez / Echo (Disney)

Review

There is in total 5 episodes and it was available immediately and this is really amazing, allowing us to binge watch the season in 1 sitting. A big part of Echo’s storyline focuses on giving the viewer a glimpse into her ancestral history and her past with the Kingpin of crime.

Maya develops as a strong character in this story more than the Maya we met in the Hawkeye series. Alaqua Cox really delivers an exceptional performance. As always Vincent D’Onofrio plays his heart out as Wilson Fisk, the notorious Kingpin who has been dominating our screen since the Daredevil TV Series on Netflix back in the day. We get a few surprises, even though short pieces, but it is still appreciated and I will not spoil those surprises in the hope that you will go and watch the episodes later and experience the same level of joy I experienced.

A lot of effort was done with regards to the language options. Choctaw was added as a language option on Disney Plus. I read that some of the cast learned American Sign Language (ASL) in order to communicate with Alaqua on set and this really warms my heart. A lot of research was done on the Choctaw nation and was incorporated as part of Maya’s storyline.

Alaqua Cox as Maya Lopez / Echo (Disney)

Some of the less positive notes are the series was rated as meant for mature audiences only. However, the action scenes were little and not as brutal as expected if compared with the likes of the Daredevil series. Maya’s powers was also changed slightly from the comic books but it takes a positive turn closer to the end. Really looking forward to the part Maya / Echo will play later on as I feel she portrays the part of a hero very well.

I highly encourage watching the original Netflix series’ Daredevil and Hawkeye to get the background of some of the key characters in this story. I highly encourage subscribing to Marvel Unlimited to read up about Maya Lopez / Echo, Wilson Fisk / Kingpin or any of your favorite Marvel characters.

There is a mid-credits scene that you don’t want to miss, but no post-credits scene. The mid-credits feel familiar to the comic book direction.

I rate this series a 3.5 out of 5. Maya’s story will echo through the cinematic universe, as a story of bravery and strength. Sometimes all you need is a healing hand, a key theme from Marvel Studios’ Echo. I’m looking forward to more of Maya on the screen.

Watch all 5 episodes on Disney Plus now!

Echo Official Trailer (Marvel Entertainment)

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Doctor Who: The Giggle, A Wildly Satisfying Finale That Teases A Promising Future

Russel T. Davies’ Whoniverse-reshaping finale is a thrilling, heartwarming, chilling, and satisfying hour of telly, that never eases up.

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SPOILER’S AHEAD!

As brilliantly put by beloved Doctor Who companion Donna Noble, “That was completely nuts!” The final episode of the three 60th anniversary specials, “The Giggle” may just well be the most bonkers, yet impeccable piece of Doctor Who TV… ever. Where last weeks special “Wild Blue Yonder” saw writer Russell T. Davies deliver a masterful episode in restrained storytelling, “The Giggle” is the showrunner unleashed. Throwing epic musical numbers, eerie moments of horror, impactful social commentary, and a divisive yet satisfying final 20 minutes result in an unrelenting hour of telly, and perhaps the best episode of Doctor Who ever.

Kicking off with John Logie Baird’s invention of the television in 1925 as well as introducing audiences to “Stooky Bill” – a real puppet who could put Annabelle to shame – “The Giggle” quickly picks up where “Wild Blue Yonder” left off. In the midst of world wide carnage, the Doctor (David Tenant) and Donna Noble (Catherine Tate) must search for answers as to why planes are falling out of the sky, and human beings are busy beating each other up on the streets, leading the two to the celestial Toymaker (Neil Patrick Harris), one of the most powerful beings in the universe.

Still from “The Giggle” (BBC Studios)

Russell T. Davies is never one to shy away from delivering a script oozing with his rightful fury at current social climates. Take previous episodes like “Midnight” “The Long Game” and “Turn Left” for example all offering impactful stories with themes of human nature, the power of media, and anti-immigration prejudice respectively. Here, Russell T. Davies satirically imitates anti-vaxers, anti-maskers, conspiracy theories, and government empathy brilliantly. Some of it may be a little on the nose – such as a hilarious and obvious dig at Boris Johnson – but it more or less works in favour of poignant, and well-crafted satire.

“The Giggle’s” mad cap, and unprecedented energy is only more apparent through the episodes many tonal shifts. Under the guise of another property, this constant tonal shift would have felt jarring. But in “The Giggle” the episode pivots in-and-out of horror, comedy, musical, and drama effortlessly, adding to episodes manic and unpredictable nature.

Keeping on theme with last weeks unnerving episode, “The Giggle” is surprisingly steeped in horror. Especially for those who suffer from pupaphobia, the fear of puppets. Whether its the imagery of that “gosh darn” creepy doll, Stooky Bill, or the Toymakers endless gothic labryinth, “The Giggle” is another terrifying episode of Doctor Who, proving once again that this sci-fi show isn’t for children. No scene is scarier perhaps than the haunting scene with Stooky Bill’s wife, Stooky Sue, who’s found crying in the corner of a dark room, before creeping towards Donna chanting a horrifying rhyme. But its all played for laughs when Donna nonchalantly beats the puppet senseless.

Still from “The Giggle” (BBC Studios)

Elsewhere, Neil Patrick Harris’ Toymaker who stole the show. His multi-faceted, and multi-accented villain proves to be the deadliest enemy the Doctor has ever faced, as well as perhaps the most entertaining. Harris’ intoxicating performance enthuses the Toymaker with fear, intelligence, and a playfulness unlike any villain we have seen before. His celestial abilities are terrifying and unparalleled, making the Master – the Doctors nemesis/best friend – look like an amateur. Through the subtle yet deeply fascinating line, “I made a jigsaw out of your history” – explaining, teasing and disregarding the recent messy Whoniverse canon with ease – the Toymaker becomes much more of a threat. Lets not forget the unexpectedly brilliant “Spice Up Your Life” musical number where the Toymaker effortlessly turns soldiers into balloons, once again proving his celestial power.

Bringing back David Tennant – the most popular actor to ever take on the role – was perhaps Davies’ wisest decision upon returning, and reviving the show. Tennant’s return doesn’t just provide a great headline for the show that would drive its viewers back after an incredibly messy past few years, but also offers a heartwarming vulnerability to a character who hasn’t stopped running, fighting, and caring for nearly two decades. The Doctor has never taken a second to grieve, or stop running. He’s lost innumerable companions, and was responsible for destroying half the universe with the Flux. A messy piece of Doctor Who canon which has now been beautifully woven into the Doctor’s character thanks to Russel T. Davies.

Davies delves into the characters vulnerability, and insecurities forcing the Doctor to question his being, and ability to save others. The line “I’m all sonic, and TARDIS, and Time lord, take that away, what am I?” is an incredibly powerful piece of character development, made all the more impactful through Tennant’s performance. The Doctor has always put himself above others, but “The Giggle”, more specifically Donna, encourages the Doctor to stop trying to sacrifice himself for others, and to instead take a second to care for himself.

With Tennant returning to the role, audiences will instantly have that connection to this version of the Doctor, making his vulnerability much more heart-wrenching, and his ending much more satisfying.

Tate was equally fantastic as she has been through all three specials. Her confident, and hilarious performance continues to prove why Donna Noble is one of the best ever Doctor Who companions, and her chemistry with Tennant is deeply infectious.

Still from “The Giggle” (BBC Studios)

The episode carried a lot of emotional stakes way before the title music kicked in, what with the episode forcing viewers to sit through another David Tennant regeneration. However, what was supposed to be an emotional finale, resulted in an unprecedented and incredibly exciting final 20 minutes. Davies introduced possibly the most divisive aspect of the show… well ever. We are of course talking about, Bi-generation. The idea that instead of changing faces, the Doctor instead becomes two Doctor’s. A current Doctor, and a new Doctor. This not only served as a great way to introduce Ncuti Gatwa, who instantly proved himself as an extraordinary Doctor, but also gives the 14th Doctor a satisfying arc that finally lets him rest.

Bi-generation is a fantastic concept for now, but in the future, this idea could lose all the emotional weight a regeneration used to harbour. Saying goodbye to a current incarnation of the Doctor was never easy. But, if Bi-generation is a continued element then no regeneration will be as impactful or emotional as it once was. For now, it was perfect.

All in all, “The Giggle” – and collectively all three specials – are some of the best work Doctor Who has ever put out. The final special of the 60th celebrations served as a satisfying and emotional goodbye to the modern era of Doctor Who and an exciting tease at the franchises future. It’s an undoubtedly bonkers satire, that blends horror, musical, comedy, and drama elements together to create the best and most heart-warming Doctor Who episode ever. We can’t wait to see what the future has in store for us Whovians.

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