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Old | Dumb Fun in the Sun

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M Night Shyamalan’s creative career was cursed from the moment he was hailed ‘the next Spielberg’. Such a title was only going to be met with disappointment. His early films, The Sixth Sense (1999), Unbreakable (2000) and Signs (2002) were a trio of enticing, original supernatural thrillers that offered enough intrigue to match such a lofty title. Since then, the ride’s been a little rockier. In the late 2000s, a string of weaker offerings left a lot to be desired. Notably, Lady in the Water (2006) and The Happening (2008) were horrific for all the wrong reasons – and the less said about his ‘airbending’ effort the better.

Yet, a recent renaissance in his ability to tell original stories has sparked fresh excitement. And, next to maintain the thrills is Old. Although lacking the spine tingling bite of his earliest attempts it’s another example of why we should welcome his contribution to modern cinema.

Part horror, part thriller, part goofy comedy – the film depicts a rough day on a secluded beach for a group of characters who begin to age rapidly as the day progresses. Oh, and it goes without saying – they can’t escape. Based on the graphic novel Sandcastle by Pierre Oscar Levy and Frederik Peeters, it is an adaptation in the sense that director and writer Shyamalan found a concept and went in his own twisted direction with it.

For all parents with young children a day on the beach can often be plagued by horror and heat, as screaming children, sticky sand and warm drinks provide more stress than serenity. After watching Old, I’m sure parents will be dreaming of crowded shores, as a family’s idyllic stop in paradise descends into disaster.

Anchoring the story is a family of four, the warring parents played by Guy (Gael Garcia Bernal) and Prisca (Vicky Krieps). Both Bernal and Krieps have already carved a magnificent dramatic career and their acting chops offer the majority of the emotion and dramatic pull that the screenplay sorely lacks. A selection of actors take the role of their rapidly ageing children, Trent and Maddox. Perhaps the standout sequences are carried by Alex Wolff and Thomasin McKenzie – who harness their rapid growth and sudden hormones of teenagerhood with confidence and believability.

‘Ah, relaxing time in the shade’, Thomasin McKenzie (Left) Alex Wolff (Right), still courtesy of IMDB

With much to owe to the zany execution of the The Twilight Zone (1959-1964), much of the unique concept is delightful to watch on screen. A strong sequence in the middle of the film see’s the ageing effects of the beach in full effect, and this was a genuine treat. It felt like an early morning pitch meeting fuelled by caffeine, in which all plot possibilities were stuck to the storyboard and from that day, never left.

The physical and mental breakdown of the characters is exceptionally entertaining. Suspiria style, limb bending gore and Cronenbergian body horror take full advantage of the physical possibilities of this rocky trip to the shores. There is very little coherence, but this is where the film is at the height of it’s powers, as the often whiplash inducing shakey-cam captures the thrilling chaos and the silly set-pieces in equal measure. Darkly comedic and outrageously stupid, at times the concept clicked into place and captured the magic that Shyamalan is capable of.

It is this push for conceptual creativity that holds the film back just as much as it propels it, as plot direction takes precedence over depth and substance. Patchy doesn’t quite cover the expositional superficiality of the script. In an opening scene which mentioned ‘living in the moment’ and ‘enjoying youth’ a lot more than necessary – I could actually hear Mr Shyamalan screaming through the screen “have you got it yet? They are about to get Old!”

Particularly in the film’s final 15 minutes, where the screenplay crashes back to land with a bump – a studio driven, expositional ending of nightmares, which is probably the most horrific part of the whole thing. Old would’ve benefited endlessly if it tapped into the psyche of the experience – as the obsessive fixation on concept and plot see’s the weak dialogue get washed away in the sand.

 

Where the screenplay truly shines is on the surface. Go deeper into the waters of the writing and you’ll find there’s very little but coral and sand. Pushing the concept as far as the runtime will allow – it seems that Shyamalan is beginning to make his name as the fast-food Christopher Nolan. He takes the idea, extracts all the silliness and story he can find, ditching the style and substance in the process.

It simply succeeds as mindless fun. With more plot holes than grains of sand on the beach and moments that tiptoe into pastiche – we are welcomed into a world that is as paradoxical as it is parody. But, for the most part it stays on the right side of the shore, as many moments on the heat-soaked beach truly shine.

Forget McConaissance, it’s time for the Shyamasurgence – a true rejuvenation of original, silly big-screen entertainment. Perhaps the most typically Shyamalan film of all – the good, the bad and the cameo.

As Shyamalan as it gets – for better and for worse. Whose up for some dumb fun in the sun?

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Adventure

Arthur the King is an Epic Masterpiece

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Arthur the King movie poster (Lionsgate Films)

Here follows the review of Arthur the King, a story of deep connection between people and dogs. Not all heroes wear capes, some have wagging tails and would cross a river (and jungle) for you.

Plot

Desperate for one last chance to win, Michael Light convinces a sponsor to back him and a team of athletes for the Adventure Racing World Championship in the Dominican Republic. As the team gets pushed to the outer limits of endurance, a dog named Arthur comes along for the ride, redefining what victory, loyalty and friendship truly means.

Arthur Foundation

Mikael Lindnord raced through a jungle in Ecuador and after feeding a few meatballs to a stray dog made a friend for life. The dog followed Mikael and his team through the rough terrain. Mikael named the dog Arthur and took him back home with him.

Arthur and Mikael Lindnord (Photo taken by Krister Goransson)

The Arthur Foundation collaborates with various organizations in different countries that work towards animal welfare.

Click on the following links to reach out to Mikael Lindnord.

Movie Review (no spoilers)

The movie is based on the memoir, Arthur – The Dog Who Crossed the Jungle to Find a Home by Mikael Lindnord, who was the athlete who participated in the Adventure Racing World Championship in Ecuador. It is important to note in the movie they refer to him as Michael Light. Even though the original race took place in Ecuador, the movie changed the location to the Dominican Republic. The original race took place in 2014, while in the movie the race takes place in 2018.

Mark Wahlberg portrays the part of the Mikael and delivers an excellent performance alongside Simu Liu, Nathalie Emmanuel and Ali Suliman. Ukai, a stray dog, was a real champion portraying the role of Arthur. The film takes us through picturesque locations in the Dominican Republic. The suspense was felt at every turn and corner and you are kept glued to the screen with a gripping storyline. The story balances the journey of Mikael and Arthur and eventually joins their path like a jigsaw puzzle.

Mark Wahlberg as Mikael Light (Lionsgate Films)

A fictional backstory is provided of Mikael’s competitive journey as well as the journey that Arthur took to get to Mikael. The movie successfully tells a deep story of connection between dogs and people. If you want to know more about the real story, you can check your local bookstore or Amazon for a copy of Arthur – The Dog Who Crossed the Jungle to Find a Home

This movie is a 5 out of 5 for me. The connection between Mikael and Arthur is brought to life in this epic masterpiece. Arthur found a home in the heart of Mikael and thanks to Mark Wahlberg and Ukai, this film adaptation of ‘Arthur – The Dog Who Crossed the Jungle to Find a Home’ became a memorable movie.

The trailer doesn’t spoil any of the important scenes of the movie. Arthur the King has a runtime of 1 hour and 30 minutes. There is no post-credits scene so no need to wait till the end.

Arthur the King Official Trailer (Lionsgate Films)

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Entertainment

A Must-See Satanic Panic Horror – Late Night With the Devil

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Written and directed by Cameron Cairnes & Colin Cairnes, Late Night With the Devil follows a late night TV host Jack Delroy, fighting the plummeting viewership of his show by welcoming in people from the occult in order to change that, but of course, everything doesn’t go as smooth as planned.

David Dastmalchian as Jack Delroy Late Night With the Devil (2023)

David Dastmalchian has appeared in a lot of films however always in smaller roles including The Dark Knight, Prisoners and more recently The Suicide Squad. This film allows Dastmalchian to take on the lead role of Jack Delroy, the host of the late night show at the centre of this film, and he genuinely does a great job. There’s a real range of emotions which his character goes through during the course of this film and he depicts them so well.

If you’re a fan of the horror genre, you’re going to really appreciate the use of practical effects in this. There’s plenty of stretchy and gooey gore for all of the horror fanatics that will have you shouting at the screen. 

From left to right: Laura Gordon, Ingrid Torelli, David Dastmalchian, Ian Bliss

If you want to hear my full thoughts, check out my review over on YouTube and let me know your opinions in the comments.

Late Night With the Devil will be released in cinemas from 22nd March and on Shudder on 19th April.

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Reviews

‘I Love You, Guys’ Review | A Poignant Exploration of Celebrity Vulnerability and Human Resilience

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We are living in an era where celebrities are worshipped like deities and sometimes, people forget that he or she is also a normal human being. If we feel happy or sad at certain moments, they do as well and even though a lot of people always surround them, they get vulnerable too. Although a lot of filmmakers forget to show that aspect of their lives, Billie Melissa Rogan takes the bold approach of showing the truth. Her directorial debut, ‘I Love You, Guys,’ is a poignant story about a celebrity fighting her inner self to maintain her celebrity image. The result is a stunning piece of art that resonates long after the end credits roll in.

The short film opens with a profound close-up of the young singing sensation named Sky (Becky Bush). She has made a name for herself by making and singing really exceptional songs. As a result, she is adored by her fans. Even though it feels like Sky has everything she wants, viewers see her submerged in a bathtub as she tries to battle her anxiety. Just then, Sky gets a phone that she’d be performing state-side. Now, that’s where we get to know about her vulnerable state for the first time. Although she says that she is really happy with the above-mentioned news, her face tells a different story. Despite her impending stardom, Sky has not started to feel the massive weight of mounting pressure, a sentiment audiences get to see in her conversations with bandmate Ryan (Pedro Leandro) and girlfriend Taylor (Celi Crossland).

Becky Bush in a still from ‘I Love You, Guys’ (Jumpcut Studios)

As the story moves forward, we get to know that ‘I Love You, Guys’ is about the fragile nature of the human spirit as much as it is about celebrity culture. It not only navigates themes of depression, it also highlights the turbulent emotional journey of Sky. One of the best aspects of the film is how Rogan masterfully brings Cory Varney’s screenplay to life. She managed to capture every minor detail of Sky’s emotions with utmost precision. Despite the fact that it is her first-ever film as a director, we get a sense that we are watching a flick helmed by a seasoned filmmaker.

Another aspect that makes this film such a compelling watch is its cinematography. Jenni Suitiala has done a phenomenal in showing expressions through vibrant colors and Rogan has made full use of the settings to give viewers a visually striking film. Whether it is heated arguments or silent moments of despair, each frame feels authentic and draws audiences into Sky’s personal life.

Apart from Rogan’s direction, Varney’s script is this film’s biggest strength. The writer has undoubtedly done a stunning job of showing the humanity of these characters. There’s a reason why Sky’s struggles feel very personal and it is because we have endured such moments in life. Moments where we doubt ourselves even when we know we are more than capable of doing a particular thing. Not every smiling person is happy. Sometimes he or she is smiling just so that no one finds out about the tough times they are going through.

A still from ‘I Love You, Guys’ (Jumpcut Studios)

Acting-wise, Becky Bush has given a performance that is surely going to open several doors for her. She delivers a magnificent performance by infusing Sky with a beautiful balance of vulnerability and strength. The way she manages to convey an innumerable amount of emotions is spectacular. I believe this is one of the most apt depictions of mental turmoil. Meanwhile, Pedro Leandro and Celi Crossland are just as spectacular. Every interaction between the characters feels genuine and nuanced.

All in all, ‘I Love You, Guys’ is a testament to how resilient a human spirit can be. In just 15 minutes, Rogan, Varney, and Bush take viewers on a journey that’s thought-provoking and talks about a subject that no one talks about. The writing, direction, and performances achieve a lot more than just viewers’ attention. The film offers a compelling examination of the human cost of pursuing fame and success. A poignant story that touches on themes of ambition, relationships, and self-discovery.

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