Connect with us

Action

Infinite | A Michael Bay Imitation Film

Infinite Desperately Wants to Impress With its Style, But Has No Substance.

Published

on

Paramount wanted to get ahead in the streaming game with Paramount+ but made the novice mistake of selling most of their titles, due to the COVID-19 pandemic, to other streaming services such as Amazon Prime Video and Netflix instead of…I don’t know…growing their own. With barely any content left and keeping their big tentpole releases such as A Quiet Place: Part II and Top Gun: Maverick in cinemas, Paramount is finally saying “Ahhhhhh! I get it!” after every other major streaming service, especially Disney+ and HBO Max, used the pandemic as a pretext to grow their subscriber base. However, having sold most of its upcoming films to other streaming services, the studio only seems to have duds in the hopes of growing its subscriber base. Enter Antoine Fuqua’s latest film, Infinite, which strangely never feels like something the director of such visceral action pictures like Training Day, Bait, Tears of the Sun, Shooter, Brooklyn’s Finest, and The Equalizer, but Fuqua desperately wanting to emulate Michael Bay’s signature style.

There’s only one problem, however: even if you want to do Bayhem, and you intend to replicate it as accurately as you can, there’s a sole filmmaker that can do it right—and that’s Bay himself. But it doesn’t matter for Fuqua; he starts his overtly aestheticized action amazingly quickly, with an upbeat car chase staged to the rhythms of Campfire’s Legends Never Die, with Heinrich Treadway (Dylan O’Brien) being pursued by Bathurst (Rupert Friend), who looks for a thingamajig aptly named “The Egg” (because it’s shaped like an egg, of course!), which has the power of destroying…the entire world (how original!). Treadway dies without giving away The Egg’s location. Suddenly, a man named Evan McCauley (Mark Wahlberg) wakes up from his Treadway nightmare. We progressively learn that McCauley has schizophrenia who constantly remembers things from past lives he seemed to have never experienced before. He is what the “Believers” call “Infinites,” whose souls constantly get reincarnated inside a different body. He is quickly apprehended by Bathurst (now played by Chiwetel Ejiofor) after using a hand-crafted sword in a drug deal gone bad. His “life” changes drastically once Evan learns that he possesses Treadway’s soul and must reawaken his memory to quickly find The Egg before Bathurst does and destroys the entire world.

Infinite,' starring Mark Wahlberg & Chiwetel Ejiofor, debuts on Paramount+

Let’s be honest: movies that center on thingamajigs (or MacGuffins as academics would call them) are amazingly tiresome and can only go so far before it veers off in predictable territory. Thankfully, Fuqua’s emulation of Bayhem makes many of its central action setpieces move at a somewhat entertaining pace. The car chase at the beginning involving Dylan O’Brien’s Treadway is filled with Bay’s rapid editing and an over-reliance on a moving camera that always, and I mean, always acts like a paintbrush to produce a copious, almost gratuitous amount of flashy style. And by flashy style, I mean excessive use of slow-motion, flares, and explosions or low-angles during 1-on-1 fight sequences. The explosions in this film are particularly reminiscent of Bay’s pictures, though not as big in scale, but produce the same cathartic effect. One scene in which Evan and Nora (Sophie Cookson) try to run away from Bathurst’s robotic henchmen inside a buggy has a precise explosion that, in its staging of using slow-motion at a pinpoint moment, feels as if it’s been directed by Bay. I mean, heck, if the end credits said “Directed by Michael Bay” instead of Antoine Fuqua, I’d believe it.

INFINITE (2021) Movie Trailer: Mark Wahlberg's Past Lives are Unlocked by a  Secret Society in Antoine Fuqua's Scifi Film | FilmBook

By doing this, Fuqua prevents the film from being a total dud than it is, since the script is filled with so many ineptitudes on:

  1. The world of the Infinites. The difference between the “believers” and “nihilists” is barely explained in two throwaway lines that almost feel unimportant. I can only explain the nihilists, who want all life to cease existing so they can stop reincarnating themselves, which adds a weird ineptitude on:
  2. Bathurst’s motivations. He wants to stop reincarnating himself and has developed a bullet that prevents believers from doing so. Ok, so if you’ve developed a bullet that grants your sole motivation…why not shoot yourself with it instead of bringing the entire world down with you? I’m sorry, but we never know the why behind Bathurst’s plan to destroy the world, aside from the overly used “humans are stupid, so I guess I need to bring them down with me” line, after torturing Toby Jones’ character by shoving…*checks notes*…honey down his mouth…interesting.

These two main problems falter its extremely stylized action for a sci-fi picture that’s as smart as Mark Wahlberg’s previous tenure in that genre…with Michael Bay in Transformers: Age of Extinction and The Last Knight. Hell, here’s another thing: if you would’ve told me that this is set in the world of Transformers that Wahlberg reprised his role as Cade Yeager through a new alter-ego, who now has the memories of somebody else (through unbeknownst reasons), then guess what? I would’ve believed it too. Wahlberg’s performance is no different than his exploration of the Transformers universe: half-charm, half-cluelessness, which equates to accepting every preposterous explanation on “Infinites” as “fact” and tagging along with people he’s never seen before and pretend everything’ll be fine, even if he is now tasked to save the entire world, in the same sense he had to do it (twice!) with the Autobots.

Infinite review: Mark Wahlberg relives past action movies in this soulless  flick - CNET

His character progression starts by being the only character that asks questions to the Infinites, who will then explain the film’s facile and underdeveloped plot in hackneyed detail, until he becomes the hero we deserve, but didn’t know we needed, as he uses a sword à la Morpheus from The Matrix Reloaded to bring down an entire plane and fight with Bathurst in the air, without any parachute, in the craziest, most bewildering action scene I’ve seen that defies all sense of logic and paints their characters as God-like mythic figures since The Fast and the Furious franchise said “no more logic” when Dom Toretto destroyed a parking lot with his feet.

Speaking of Bathurst, Chiwetel Ejiofor, a usual powerhouse, is completely miscast here and delivers his worst performance to date with an indescribable accent that makes everything about his antagonistic presence feel terribly cartoonish and over-the-top. He’ll refine his antagonist chops, most likely in Doctor Strange in the Multiverse of Madness. I truly hope he’ll return to a more natural state of acting as he did as Mordo in Scott Derrickson’s 2016 film (or even when he compellingly portrayed Scar in the 2019 remake of The Lion King), instead of doing whatever the hell he’s doing here. I can barely explain, or comprehend, if you will, what Ejiofor even attempted to do in Infinite to render his antagonist menacing…but it clearly didn’t work and made every scene he’s in feel unintentionally hilarious. Look at the scene in which he tortures Toby Jones with honey and how he tries to make his awfully written lines serious and menacing and yet does the exact opposite. It’s quite a feat to see, but it needs to be forgotten sooner rather than later.

Infinite (2021) - IMDb

This is probably why Paramount dropped Infinite on a streaming service no one is subscribed to, so it can be easily forgotten and buried inside an ever-growing algorithm that “curates” films on content rather than quality. While Infinite contains a hefty number of fun action sequences that imitate Michael Bay’s unmatched style, it, unfortunately, does not overshadow its terribly facile and underdeveloped plot and caricatural lead performances from Mark Wahlberg and Chiwetel Ejiofor. If you’re a fan of Antoine Fuqua, you won’t watch this and go through his previous films instead, which would be for the better. Let’s hope his remake of The Guilty, set to release later this year on Netflix, will be better than Infinite (spoiler: it likely will).

Infinite is now available to stream on Paramount+.

FILM RATING
Continue Reading
Advertisement
Click to comment
Subscribe
Notify of
guest

0 Comments
Inline Feedbacks
View all comments

Action

Bad Boys: Ride or Die | Official Trailer – Sony Pictures Entertainment

Miami’s finest end up on the run.

Published

on

By

Genre:

Action, Adventure, Comedy

Release Date:

2024

Director:

Adil El Arbi, Bilall Fallah

Cast:

Will Smith, Martin Lawrence, Vanessa Hudgens

Plot Summary:

Miami’s finest end up on the run

FILM RATING
Continue Reading

Action

Kung Fu Panda 4 Review: Po and Co are Back to Pack Hilarious Punches.

Published

on

I’ve seen too many great animation franchises deliver diminishing returns with more and more sequels. To name some recent examples one could include How to Train Your Dragon, Despicable Me, Cars, etc. Kung Fu Panda is another franchise that unfortunately falls in this category. The threequel that released in 2016, was most people’s choice for the weakest entry in the beloved franchise. So that made me pretty skeptical whether the world was ready for this franchise to return and gave us good cause not to have expectations set too high, especially given the weak marketing campaign and smaller production budget. To make things worse, it was being reported that the furious five would not be a part of the story.

So I went in with my expectations in check but I was pleasantly surprised. It’s been 8 years since the last Kung Fu Panda movie, but the characters are somehow still fresh and fun. One of the best things that the makers are able to do is remind the viewers what makes Po such a darling and why we love him so much. Jack Black is such a natural fit for his voice and makes this character special with his wit and wisdom in this latest entry. 

This entry is notably structured in a very different way from the other 3 entries. This one focuses on Po’s search for a successor and his ascension to the Master of Peace. The main characters are split up pretty early in the movie and are sent on separate adventures in a sort of buddy-cop-style scenario. On one side we have Po and Awkwafina’s Zhen, and on the other, we have Bryan Cranston and James Hong as Po’s dads. These two duos are a lot of fun in their own ways.

(from left) Po (Jack Black) and Zhen (Awkwafina) in Kung Fu Panda 4 directed by Mike Mitchell.

Po and Xen have more of a good boy-bad boy dynamic, while the dads have more of a light-hearted brotherhood between them. Both pairs of misfits deliver a string of humorously entertaining sequences that will have you laughing your heart out. The humor here works for most parts apart from one or two instances and the dialogue in particular is very smartly written. The story, on the other hand, is where the movie is at its weakest.

The structuring is pretty generic with a very cliche twist at the beginning of the second half and the script mostly fails to provide significantly fresh plot points. But credit to it for executing the successor plotline better than a lot of movies that have tried it, especially Cars 3. The writers make sure to put their entire focus on humor and entertainment value, but they do come up with a couple of charming moments and some subplots that come full circle.

The animation here is surprisingly really good, especially given the significantly lower budget. The trailers didn’t get too many people encouraged about the quality of animation, but I can tell you that even though it’s not DreamWorks’ best, it’s still really well done. The background score also hits the right spot where it’s able to compliment the scene and lift it at the same time. The voice work here is also pretty solid. Jack Black is amazing as always and Awkwafina Ke Huy Quan are welcome additions.

(Center) Chameleon (Viola Davis) in Kung Fu Panda 4 directed by Mike Mitchell.

Apart from Po, the best part of the movie is Li and Ping. They are the heart of this movie. The two of them have incredible chemistry and Mike Mitchell finds a way to bring out the best from the both of them. They play off of each other in the most silly, but whimsical manner which is just a joy to watch. We could do with a spin-off of them. Ian McShane’s return as Tai Lung is another highlight here. He is nicely integrated and fits well into the story being told. On the other hand, Viola Davis’ Chameleon is somewhat of a disappointment. For a villain that has the powers of all the previous villains, she was a rather tame antagonist.

Overall, Kung Fu Panda 4 is a return to form for the beloved franchise. It has a lot of elements that made the franchise successful and is a much-needed reminder of how much we love these characters and in particular, Po. Jack Black knocks it out of the park with Bryan Cranston and James Hong emerging as surprise standouts. It lacks the emotional depth of the first two entries and has a disappointingly tame villain. But it is a major improvement from the last entry and unsurprisingly very very entertaining.

Kung Fu Panda 4 releases in cinemas on March 8.

https://www.youtube.com/watch?v=_inKs4eeHiI&pp=ygUXa3VuZyBmdSBwYW5kYSA0IHRyYWlsZXI%3D

FILM RATING
Continue Reading

Action

One More Shot: Scott Adkins Returns in This Kick Ass Sequel Seemingly Shot in One Take.

With many immersing and kick ass action sequences, One More Shot is another technically impressive action film from director James Nunn.

Published

on

Scott Adkins One More Shot

Bigger, better, and more kick-ass than the first, One More Shot is another impressive one-take action film full of tension, stakes, and adrenaline fuelled action sequences. Much like the first, One More Shot is another action film shot in one-continuous take. With hidden cuts of course. This one-take style adds a greater level of intensity to the film by immersing audiences deeper into the action, and connecting audiences closer to it’s characters. James Nunn’s work behind the camera is even more precise than his previous effort. Blending excellent camera work, explicit framing, and fluid editing Nunn leave audiences with punchy (no pun intented), smooth, and enthralling action movie experience.

Scott Adkins once again kicks ass as Jake Harris, delivering another exhausting performance as he takes out waves of bad guys with guns, knives, and of course, his infamous high kicks. Unfortunately, the rest of the cast was pretty underwhelming with Alexis Knapp being the worst offender. Likewise, as exciting as it was to have Michael Jai White star alongside Scott Adkins again, he certainly doesn’t get the screen time he definitely deserved. White should have been the main antagonist. Not a high level bodyguard. With that said however, Michael Jai White’s and Scott Adkins’ brawl was a phenomenal piece of action cinema that action movie fans shouldn’t miss.

One More Shot is an action extravaganza with impressive work both on and off camera, and a brilliant early contender for action movie of the year.

Sony Pictures Entertainment

After the attack on the black site in Poland, Navy SEAL Jake Harris must escort suspect Amin Mansur (Waleed Elgadi) to Washington DC for interrogation. However, after the two become trapped at an airport in the US by an army of armed mercanaries, Jake Harris must protect Mansur or else the fate of America would be on his head.

Much like its predecessor One More Shot is a very technically impressive action movie. Whilst James Nunn proved himself as a fantastic action movie director with his previous endeavour, it’s One More Shot that truly cements it. The filmmaker nails the tension, pacing, cinematography and framing of every fight. The airport setting is much more immersing setting compared to the previous one, allowing for much more creative, and tight action sequences.

Complementing Nunn’s excellent direction, was the casts breathtaking physicality. Unsurprisingly Adkins steals the show with his efficiently brutal, and fast paced martial arts which add a level of finesse, and polish to every fight scene. Likewise, Michael Jai White was another standout. His large physique, matched with his fast and incredibly precise combat proves a deadly foe. Despite the amount of times we have seen Adkins and White go toe to toe, the novelty still hasn’t worn off. Both performers are expert in their craft and give every fight between the two their all. While it would’ve benefitted the film if Michael Jai White had a greater role to play, it was still an unrelenting, and exhilarating brawl. Fingers crossed he’s the big bad in the next one.

Sony Pictures Entertainment

While many have come to see fist fights, shoot outs, and explosions, One More Shot boast’s a surprisingly developed script that’s much deeper than its predecessor. Writers James Nunn, and Jamie Russell provide a well paced and intriguing story full of heart and tension. The characters are far more developed, and introducing audiences to Mansur’s wife, and unborn child greatly elevated the stakes.

The performances where perhaps the films biggest downfall. Adkins was fantastic, White was incredible, and Waleed Elgadi was captivating. As for the rest, their performances just felt lazy. They brought zero nuance to their characters, and seeing them on screen provoked a thought’s of “Damn, I can’t wait to they get killed off”.

One More Shot’s ending is a little abrupt, and while it does have a sweet resolution, the film sort of just ends. We don’t get to see much of the repocussions of the events that unfolding throughout the movie which raises more questions that answers. However, we guarantee that James Nunn and Jamie Russell are working a script for the final film, undoubtedly titled “One Last Shot”. Fingers crossed.

While it may be a little premature, One More Shot is damn great action film that could easily end up on many “Best Action Movie of the Year” lists by the time December roles around. It’s technically impressive, boasting great camera work, and imagery with many adrenaline fuelled action sequences scattered throughout.

One More Shot is available to purchase on demand January 16th

Check out the trailer below:

FILM RATING
Continue Reading
Advertisement

Popular Now

Advertisement
Advertisement

TRENDING NOW

Trending

CoastalHouseMedia.com is a property of Coastal House LLC. © 2012 All Rights Reserved. Images used on this website are registered trademarks of their respective companies/owners.

0
Would love your thoughts, please comment.x
()
x