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2021, The Year To Try To Enjoy Films Again

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This is a blog that I have pondered putting together for some months now and a new year led me to think that now may well be the right time. I spend, probably too much, time on Social Media because I adore watching films and I like talking about them. My hope was that I would find many like minded people, on Twitter in particular. Twitter is a place where I have very few followers who know me personally so I could be somewhat anonymous, a wry stranger who would occasionally drop into a conversation uninvited and deliver a line of Shakespearean wit and then disappear, leaving the gang of merry tweeters to wonder who the humourous stranger was that had just interrupted their discussion on Who Framed Roger Rabbit?

Fortunately, there are many such people on Twitter, who find and take great comfort in this dazzling of artistic mediums. They generally appear to share my love and fascination with the World of Cinema, appreciating the beauty and skill involved in every frame of celluloid (or whatever the digital equivalent is). Films have always been about escapism, they have been a comfort blanket when the World has thrown crap in my general direction. “There are always movies” I would be heard to yell, after Liverpool got thumped at home, or a school exam had been failed brilliantly, or mum had decided tonight would be the night for the infamous fish pie.* Films were there to take the burden of life’s pressures from me. They were like a friend. If life appeared to be filled with excrement, stick on Back to the Future, watch Indy get chased down by a bolder, watch the Ghostbusters cross the streams, watch the three men sing the little lady to sleep with a rap song, within minutes the World would be right again.

Does anyone know the lyrics to the three men rap? (I love the song but  can't find the lyrics anywhere) - Three Men and a baby/Little Lady Answers  - Fanpop
Hey Mary, did you brush your teeth?

What I didn’t expect from my trips to Twitterland was to be encountered by the dark side. There is a popular # called #FilmTwitter which if you use at the start or end of one of your tweets will notify it to large parts of the film fan community on Twitter and hopefully start a fun conversation. However, what this hashtag does more often than not is similar to when that dude opens the puzzle box at the start of Hellraiser, it unleashes the Cenobite dwellers of Film Twitter. These are the people who hate everything, the people who’s childhoods have been ruined more times than those of us who used to watch every episode of Rolf’s Cartoon Time.

There is a more sinister side to the FilmTwitter dark troopers, and that is that their hatred now has a platform, and in most occasions a pseudonym or anonymous platform for them to spout their views. Now before I go any further, I am not for one minute suggesting that people are not allowed to dislike a film, or for that matter comment on it explaining why they don’t, of course they are. If everyone in the World liked the same things then it would be quite boring, however we would also probably be now onto Three Men and a gaggle of Great Grandkids (not sure that title would clear the censors but whatever).

The problem we have now is that people love a “like”, a “retweet” a “share”, it’s what makes the unpopular popular, and the best way to do that, is to launch into a film and let it (a piece of art designed to entertain, lest we forget) have it with two Uzi 9 millimeters.

There is an unfair phrase banded around that nobody hates Star Wars more than Star Wars fans. This all came about after the release of Rian Johnson’s Episode VIII The Last Jedi in 2018. Now personally, I thought it was fantastic, and here is why. I thought it dared to be different, I thought it wanted to tell a new story, with familiar characters in a Universe that had from day one embraced diversity and shown that regardless of who or what you are you can become all you are meant to be. As Yoda famously uttered in Empire Strikes Back “judge me by my size do you?”. The online response to this film (again piece of art designed primarily to entertain) was quite frightening. Again, I must reiterate, you don’t have to like a film, whether that be Star Wars, Jaws or Police Academy 7, it is perfectly ok to not like a film. But this wasn’t a dislike, this was pure hatred.

Keyboard Warriors - Are We Raising A Generation Of Bullies?

Here comes that sinister side, I was mentioning earlier. Some people hated this film so much that they PAID to watch it several times just to build up the evidence, just to back up their arguments. I followed one Twitter user who knew The Last Jedi to the most finite detail, that can only be achieved by studying the film, like a scholar of Shakespeare would. He knew so much about this film, more than I (someone who loved it) hadn’t even noticed. He knew everything about it, and hated it. There was a teeny tiny part of me that admired his dedication to his loathing, but generally I actually felt quite sorry for him. Not because he didn’t like the film, like I said perfectly entitled to that, but he seemed to be dedicating every minute to attempting to destroy this film, with every bead of energy he could muster.

STAR WARS EPISODE 8: THE LAST JEDI – US Wall Movie Poster Print - 30cm x  43cm / 12 Inches x 17 Inches VIII: Amazon.co.uk: Kitchen & Home

Now obviously he was never going to succeed, he was a nameless faceless keyboard warrior, but he obviously felt it was important enough to him to do all of this. He launched an online petition (he wasn’t the only one) to get Episode VIII officially removed from the Star Wars cannon. This was pure dedication. The reason I felt sorry for him was, I couldn’t help thinking, what a waste of time and energy, why make yourself this miserable. Why not watch something you do like and put that amount of time and energy into promoting that film so that more people can see it? By constantly going on about Star Wars either in a positive or negative way you arouse the interest of people who are yet to see it.

The repetition doesn’t help either, there is always one joker who thinks, when asked which is his favourite of the 4 Indiana Jones, that they are the first person to come up with the not very witty response “pah, not sure what you mean there are only 3 films to me (smug face, smug face). Toxic fandoms, they achieve nothing. Actually that is not strictly true, crying, basement dwelling man babies managed to force Daisy Ridley and Kellie Marie Tran off social media, bleating on about ruined childhoods like some entitled toddler who has been told to turn Paw Patrol off as its past bedtime.

The other sinister side of Social Media is that there are films that no-one has even seen yet that are apparently awful. Steven Spielberg is due to release a re-imagination of West Side Story in December 2021 (delayed from 2020). This is a film that is designed for Twitter to tear it apart before even so much of a trailer has been seen.

So here is the thing. Lets make 2021 the year that we just get back to why we are interested in Movies in the first place, and that is to be entertained. We don’t need to think too deeply about them, they are there to take people away from their every day lives and offer some escapism. Yes of course they are there to make money and obviously there are a lot of films about social realism and other such issues, but they are still films and the primary aim is to entertain as an artform.

Think back to the first time you saw the Star Destroyer, engulf the big screen at the start of Star Wars, or when Marty realised what the serious shit he would experience at 88mph was, or when Sally inspired half the patrons in a New York deli to order what ever she was having, or when Cap heard a distant radio signal informing him that help was “on your left”.

Think about Donald O’Connor singing Make em’ Laugh, Harold Lloyd hanging precariously from a clock face, Charlie Chaplin making bread rolls dance, Mary Poppins inventing words like Supercalifragilisticexpialidocious, or Michael telling Fredo that he knew it was him, or Red walking across the beach to meet Andy, or Brody’s realisation that a bigger boat was required, or Buzz flying with Woody in Toy Story, or Axel Foley disarming an unmarked Police car with a banana, and Ripley advising the Alien Queen to step away.

Making 'Em Laugh Till You Hurt - OZY | A Modern Media Company
To Infinity and Beyond: My love for Toy Story – Pop Cultural Studies
Does Jack Latvala keep falling for the banana-in-the-tailpipe trick so he  can be CFO?

These are all magic moments that have been revered for decades. We are now at a stage where we are not allowed to enjoy such things, because ultimately waxing lyrically about things doesn’t get any likes, or retweets, it doesn’t get any attention.

Movies are a wondrous thing, the artform of my generation. They give out hope, they give credible diverse roll models. It’s time to stop trying so hard to find fault and just let yourself go. Life is way to short to be this angry about everything.

If you are the sort of person who finds fault in most films, then my guess is that its not the films that are the problem……….it’s you.

Here’s to a wonderful year of Cinema in 2021. If you let it, it could be the best ever.

About me

My name is Dominic Holder and I like to promote the beauty and wonder of Cinema in my writing. I spend a lot of time promoting the power of Cinema as a tool of wellbeing to anyone and everyone. I love all kinds of films but in particular, I am a devoted fan of Steven Spielberg, Tom Hanks, John Williams, Star Wars, Disney and Marvel. My love of Cinema stems from a trip as a 4-year-old to local cinema in Bolton to watch a Star Wars/Empire Strikes Back double bill, it was the first in a series of life-changing moments, I knew from the moment the Imperial Star Destroyer engulfed the screen at the start of  A New Hope I was hooked. Thankfully nearly 40 years later I still get excited and still find escapism and happiness within this wonderful medium.

You can follow me on Twitter @DomHolder and read some of my reviews on Letterboxd at letterboxd.com/DomH

You can read more of my blogs on Film at www.dominicholder.wordpress.com

*my mums is a phenomenal cook, just the fish pie really never again.

My name is Dominic Holder and I like to promote the beauty and wonder of Cinema in my writing. I spend a lot of time promoting the power of Cinema as a tool of wellbeing to anyone and everyone. I love all kinds of films but in particular I am a devoted fan of Steven Spielberg, Tom Hanks, John Williams, Star Wars, Disney and Marvel. My love of Cinema stems from a trip as a 4 year old to local cinema in Bolton to watch a Star Wars/Empire Strikes Back double bill, it was the first in a series of life changing moments, I knew from the moment the Imperial Star Destroyer engulfed the screen at the start of A New Hope I was hooked. Thankfully nearly 40 years later I still get excited and still find escapism and happiness within this wonderful medium.

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Space Jam: A New Legacy – Review | Sadly not a Slam-dunk

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As a child of the nineties, I’m gonna hold my hands up and say that I was onboard the hype-train for Space Jam: A New Legacy – the sequel to one of Warner Bros most bizarre properties. In the 1996 Space Jam, basketball player Michael Jordan (at the peak of his fame) gets pulled through a golf hole into the animated Looney Tunes world and must compete in a basketball game against some aliens in order to save Bugs Bunny and the gang from a lifetime of slave labour as nightclub entertainment… for real, that was the plot.

I would say only something as ridonkulous as Space Jam could’ve been made in the 90’s. But here we are 25 years later and we have WB’s cashing in on the nostalgia of 30 year old millennials like myself, bashing out a CGI-upgraded rehash – only with LeBron James heading to Toon World this time.

Does it posses the same magic of the first film? Let’s just say some ideas are better off left in the nineties. 

The plot of New Legacy sees Lebron pushing his son Dom (Cedric Joe) down the basketball path but Dom would rather spend his summer designing video games. After a father/son spat, LeBron and Dom are sucked into the Warner Brothers Serververse by a malevolent artificial intelligence known as Al G Rhythm (a gleeful Don Cheadle), where LeBron is forced to compete in a livestream basketball game with the Looney Tunes – which he must win if he wants his kidnapped son back. It’s not a copy-and-paste job of the first film but it certainly hits all the beats you expect it to.

Naturally the visual effects have come a long way in the last quarter of a century, so the film is more visually dynamic and detailed than the predecessor. But still, there’s an artificiality to New Legacy. It’s got the looks and the moves but it lacks heart. Sure, there’s fun sequences to enjoy – a trippy world-hopping scene, making pitstops at numerous WB intellectual properties is a standout but the final product left me feeling empty.

What gave the first Space Jam its distinct flavours was its epic soundtrack. To this day I still attest it’s one of the most underrated film soundtracks of all time. With its collection of smooth R&B tracks from Seal, Barry White, Robin S, and ahem R Kelly, it resulted in Space Jam having an unexpected amount of soul. I can’t say the same thing with New Legacy. The music choices are functional but the most effective were the nods to the previous film like 2 Unlimited’s Get Ready and Technotronic’s Pump Up the Jam. Everything else was merely background noise. 

LeBron James’ acting leaves a lot to be desired. It’s clear he’s giving the task of carrying a movie his best attempt but the audience is very aware that we’re watching a performance. A pitch-meeting scene where LeBron even says “Athletes doing acting never goes well” would’ve been funny, if it not for James’ inability to nuance his delivery of the line with some irony. Best stick to hoops LeBron.

What was even more surprising was the lack of personality in Zendaya’s voice work as Lola Bunny. Comparatively to Kath Soucie who previously voiced the spunky basket-dunking-bunny, Zendaya felt rather unremarkable in the role.

Also how does a film with a recycled plot manage to be almost half an hour longer than the original? Where the first film was a brisk 90 minutes, New Legacy certainly overstays its welcome clocking in at nearly 2 hours. 

Space Jam: A New Legacy proves that lightening doesn’t strike twice. There’s enough entertaining sequences and zany moments for kids to enjoy and adults are sure to get a kick out of the Warner Brothers Easter Eggs hiding in the mise-en-scène. Who knows, perhaps the 5 – 12 year olds of today will be speaking with fond nostalgia of New Legacy when they hit 30 but from the perspective of this bitter millennial this unnecessary sequel is merely a glossy and soulless cash-cow. 

★★☆☆☆

Space Jam: A New Legacy is in Cinemas worldwide on July 16th and also available on HBO Max in some regions.

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Wagman Studios | 2021 Summer Movies Mashup

Summer blockbusters are back! Take a look at this short mashup containing over 20 of the summer’s hottest movies

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Summer blockbusters are back! Take a look at this short mashup containing over 20 of the summer’s hottest movies

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Netflix | Stranger Things: Season 4 – Teases Eleven’s Back Story

The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced by Netflix in September 2019. The fourth season has continued to be produced by the show’s creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson.

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The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced by Netflix in September 2019. The fourth season has continued to be produced by the show’s creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson.

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