Outside the Wire | Review
Outside the Wire is the latest action, sci-fi film from Netflix that’s set in the future and it’s full of robots and plenty of action. You’d think all this makes for an exciting film when in fact it’s the complete opposite.
Outside the Wire takes place in the year 2036 when a drone pilot named Harp, played by Damson Idris (Snowfall) goes against orders in launching a missile attack and as a result, he’s forced to work for an android officer called Leo, played by Anthony Mackie (Captain America: The Winter Soldier, The Hurt Locker). The two of them are tasked with going into a deadly militarized zone in order to locate a doomsday device before the insurgents do.
It happens all too often now that Netflix come along and release a below average action film but viewers continue to lap them up. It happened with The Old Guard and Project Power to name a few recent examples and it’s beginning to get a little tiresome. Outside the Wire is yet another messy, bloated action film devoid of any life or excitement.
There was definitely potential for something half decent to have come of Outside the Wire but it all just gets lost in trying to be a slick action film. Every other line in this film seemed to be exposition trying to explain something that’s been needlessly over-complicated by all the futuristic things going on. It’s an action film so you might be able to give all the expositional dialogue a pass if the action is alright and entertaining. But even the action feels boring and a chore to sit through. There are just too many action scenes that become far too confusing to follow because of choppy editing and poor CGI.
The opening scene throws you straight in with a fast-paced action scene but when the first few minutes are intercut with text trying to bring you up to speed with what’s going it all becomes too much. Within a few minutes you’re already struggling to keep up with all the information that’s been thrown at you and you’re not really interested in the action either. The sound design was quite good however and that’s one of the few redeeming factors of this film; all of the action scenes sounded really gripping and exhilarating. They just didn’t look it.
As the film goes on it tries to be much cleverer than a film like this needs to be and it results in feeling far too long. The film comes in at five minutes shy of two hours so it isn’t a long film at all and yet by the time the end credits start rolling it feels like an eternity later.
If Netflix slowed down the rate at which they’re churning out all these films they might end up with some good films but that’s not how Netflix work, they’d rather have quantity over quality as the number of people that stream their drivel always seems so high. Perhaps I’m being a little over-critical here as there are some good Netflix action films such as last year’s Extraction which was excellent but it just seems to be so often that you go to check out the latest original action offering on Netflix only to be bored and disappointed two hours later.
Overall, Outside the Wire is a bloated, messy action film, with very few redeeming qualities that will leave you bored and isn’t worth your time.
Outside the Wire is streaming on Netflix from January 15.
Five Reasons To Love ‘The Amazing Spider-Man 2’
Back in 2014, The Amazing Spider-Man 2 opened into theaters with a mixed reception from critics and audiences and has been deemed as the least desirable of the Spidey movies. In the film, Peter Parker (Andrew Garfield) must face off against another villain who has been given the name Electro. Moreover, our brave hero uncovers some bizarre mysteries surrounding his parents.
Many fans of the series view the film as an overcrowded mess, but I think it might be the most entertaining of all the Spidey films, until No Way Home arrived, and here are five reasons why that remains true.
First and foremost, Garfield is always a delight to have in the Spidey outfit. His charisma and witty banter is almost what makes the film truly great. I have always said that he was the best Spider-Man and this movie proves it with his ability to elevate any scene from dull slog to a comedic venture.
Spidey, in this particular movie, embodies the hero in the original comics with his incessant need to make a fast-talking quip to one of his enemies. There is nothing better than a comic-book character sticking true to his essence and spirit of its source material.
Despite what many people say about the villains, Jamie Foxx as the supercharged baddie Electro proves to be a formidable opponent for the web-head, with his omnipotent powers and overly-powered nature. More than that, Max Dillon is depicted as a quiet, shy loner who is invisible to other people. He is essentially a nobody, until he falls into a vat of electrically-charged eels and becomes the sinister villain Electro.
To better understand a villain, you must understand their plight and Electro’s plight is that of a rags-to-riches success story and the visual effects are certainly something to marvel at.
This article wouldn’t be complete if I decided not to talk about the exhilarating action that embodied the film. Whether we see Spidey chasing down a truck with Oscorp’s product or a massive fight inside a grid that seems like a colossal feat for any Marvel film, the film can take a lot of pride in its action sequences.
One can also never forget the massive and iconic battle sequence between Electro and Spidey in Time Square that seems impossible to be made.
While he remains a secondary villain, Dane Dehaan’s Green Goblin is still noteworthy. Dehaan portrays Harry Osborne who is left with his dead father Norman’s life work and stumbles upon a Goblin serum that enhances his speed, strength, and intelligence.
His little spat with Spider-Man is certainly befitting for the dark, moody tone of the film and entertaining for plenty of comic fans with zippy action and certified intensity. In the end, he is also responsible for the death of Spidey’s girlfriend Gwen Stacy.
Gwen Stacy Death
Speaking of Gwen Stacy, this is the only Spidey film that features his love interest dying. As he battles the Green Goblin, Spidey attempts to hold on to Stacy, literally, by a thread in the clocktower. However, when the thread snaps, Spidey is able to snag her in mid-air but the whiplash of the fall snaps her neck, killing her.
What might be the saddest moment in any Spider-Man film, was brought to life in this extraordinary scene that silenced an entire generation of Spider-Man fans.
Anthony Hopkins to Lead Peacock Gladiator Drama ‘Those About to Die’
Peacock is one of the streamers that has yet to break through in terms of their original content getting recognized for awards contention. One such series that might change that fate for the streaming service is Those About to Die and it’s starting to build out its cast. According to Variety, 2-time Oscar winner Anthony Hopkins (The Silence of the Lambs, The Father) is the first to join the drama series which comes from Roland Emmerich (Independence Day, The Day After Tomorrow). Saving Private Ryan screenwriter Robert Rodat will script the series.
Hopkins will play the character known as Emperor Vespasian in the series which is set in the world of gladiatorial battle. It will be an ensemble drama following many different Roman characters that will set forth for violent affairs in the arena among other complexities such as political power and corruption so expect a starry cast for this Peacock drama. Hopkins’ character is described as “despised by the Patricians jockeying for position in the Empire and looking to supplant his heirs to the throne the first chance they get. Vespasian became the Roman emperor after a ten-year civil war. We expect to get more casting news soon as the show will begin filming in Rome in March.
Anthony Hopkins is coming off a terrific performance in James Gray’s Armageddon Time in 2022 after winning his second Academy Award for his role in The Father the year prior. He’ll next voice a character in Zack Snyder’s Rebel Moon for Netflix and also will star in British drama One Life alongside Helena Bonham Carter and Jonathan Pryce. Emmerich is coming off directing the sci-fi disaster film, Moonfall in 2022.
‘Kingdom of the Planet of the Apes’ Adds Oscar-Nominee William H. Macy
The Planet of the Apes trilogy headlined by Andy Serkis from the 2010s can be argued as one of the best trilogies of all-time. The technological advances made from motion capture helped actors completely transform into the apes with their interactions with human characters making the story rawer and more emotional. Now, 20th Century Studios will jump back into the world of apes with their latest, Kingdom of the Planet of the Apes. Deadline reports that William H. Macy (Shameless, Fargo) will round out the cast for the newest chapter of the franchise.
Kingdom of the Planet of the Apes takes place many years after the conclusion of War for the Planet of the Apes being led by an entirely new cast that includes Owen Teague, Freya Allan and Peter Macon. Details are currently unknown on whether Macy will be playing a human character or an ape. The film series has grossed almost $2 billion dollars for the studio so it’s no surprise that they’re aiming to make more Apes fims.
Macy is coming off his biggest role ever in Showtime’s series, Shameless for which he played Frank Gallagher and was nominated for 6 Emmy Awards for his performance over 11 seasons. Macy is also a former Oscar-nominee for his lead role in the Coen Brothers classic, Fargo. Since then, he’s amassed tons of parts including most recently in Hulu’s The Dropout and a guest spot on the ABC sitcom, The Conners. Macy will next appear in the film, Maybe I Do with Emma Roberts, Diane Keaton, Richard Gere and Susan Sarandon.
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