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Drama

1BR (2019)

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We’re so glad to have
you in the building.

 

It was two months. Two months that I didn’t feel the urge to write down a nuanced and honest opinion about a movie I’ve seen. Maybe it was a lack of motivation because of the limited feedback on my previous writings. Maybe it was because of the enthusiasm with which I threw myself into a “Horror Challenge”. A “Challenge” in which I finally watched 89 films in a period of about 7 weeks. And after these 7 weeks, I realized that I really enjoyed watching 50s and 60s horror. Coincidentally, the movie “1BR” passed during this event and there were words of praise for this horror. Enthusiastically I accepted the invitation from Alok Mishra (one of the producers) to send me a link to a screener. And of course, I’ll be doing something in return by writing this review. So first of all, thank you Alok for forwarding the link.

 

 

Believe me, I’m being honest.

Now some will claim that I’ll write a positive review out of gratitude for having obtained a free link. Or because it’s that time of the year where people ought to be mega-kind. However, nothing is less true. If “1BR” was a complete crap movie, I would describe it like that without any problem. Before Alok suffers from a panic attack, I will immediately reassure him. “1BR” is a decent film with a surprising twist. Despite the lack of too gory moments or demonic, paranormal revelations, it turned out to be a frightening film. One where you feel uncomfortable about the whole situation. However, I cannot tell much about the story itself. That would only spoil the fun. It’s best that you watch this film without knowing anything, so it’ll hit you without warning. What Sarah (Nicole Brydon Bloom) doesn’t realize when she moves into an apartment of “Asilo del Mar” is that her situation will look very different real quick. Sarah is a timid young adult who wants to start a new life in L.A. far from her family. She wants to make it as a fashion designer and is determined to leave her past far behind. A lopsided relationship with her father caused her to travel to the city of angels. Something that becomes clearer later in the film.

 

 

No need to wait. It escalates quickly.

As a spectator, you don’t need to wait really long before it starts to escalate. After 30 minutes, the mood changes from pleasant to downright unpleasant. There is no indication that Sarah walked into the lion’s den. The other residents of the complex are helpful, hospitable, and over-friendly. To be honest, I thought that actually felt scary. I can’t imagine such a community in our current narcissistic and self-centered world where everyone suffers from extreme navel-gazing. The atmosphere in this building is of a high “Melrose Place” level. There’s even a central swimming pool, around which all residents can enjoy social gatherings and cozy barbecues. Those residents are introduced to you in slow motion at the start of the film and are a mixed bag of people. Including the retired actress Edie (Susan Davis) whose health is clearly deteriorating. The helpful, attractive neighbor Brian (Giles Matthey) for whom Sarah immediately has an attraction. And even the landlord Jerry (Taylor Nichols) does his utmost best to make Sarah feel at home in her new home.

 

 

Magnificent acting.

There are only a few disturbing factors, according to Sarah. First of all, the creepy Lester (Clayton Hoff). A resident who keeps an eye on her like a one-eyed pirate. Then there are the disturbing noises at night. She was told this is due to poorly maintained pipelines. And then the main fact that no pets are actually allowed in this building, which means that Sarah is forced to keep her cat Giles carefully hidden. Something that does not go unnoticed and is the beginning of a kind of psychological terror. The unknown actress Nicole Brydon Bloom delivers an excellent acting performance and is the most defining person in this film. She shows a range of emotions throughout the whole film. First enthusiasm. Then bewilderment. And after that, desperation and resignation. And in the end, the bold survival instinct emerges suddenly. Not only Bloom’s acting is sublime at times. Also, the way the side characters play their split personality is simply magnificent.

 

It surprised me.

Once again, the fact a screener was sent to me, isn’t the reason for my positive comments. Believe me, This movie managed to surprise me. It looks slick. And to be honest, I didn’t know which way it would go until the last minute. The uncomfortable feeling I had is partly due to the realistic image that is being created. The feeling you have when you end up in a situation and you don’t know how to rescue yourself from that terrible predicament. The only (minuscule) minus I could cite is that the denouement immediately reminded me of “The Invitation”. But that’s such a negligible element that I can only say you should definitely check out this intriguing movie.

My rating 7/10
Links: IMDB

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The Batman | Official Trailer 2 – DC Fandome

The Batman is an upcoming American superhero film based on the DC Comics character of the same name. The film is being produced by DC Films and distributed by Warner Bros. Pictures, and is a reboot of the Batman film franchise. The film is directed by Matt Reeves, who wrote the screenplay with Mattson Tomlin.



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Genre:

Action, Crime, Drama

Release Date:

March 4, 2022

Director:

Matt Reeves

Cast:

Robert Pattinson, Zoë Kravitz, Colin Farrell, Paul Dano, Andy Serkis, Peter Sarsgaard, John Turturro, Jeffrey Wright

Plot Summary:

The Batman is an upcoming American superhero film based on the DC Comics character of the same name. The film is being produced by DC Films and distributed by Warner Bros. Pictures, and is a reboot of the Batman film franchise. The film is directed by Matt Reeves, who wrote the screenplay with Mattson Tomlin.

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Drama

Mothers of the Revolution – They’ve Challenged World Leaders, Altered The Course Of History And Truly Inspired Millions

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Mothers of the Revolution tells the story of one of the longest protests in history. Between 1981 and 2000, thousands of women from around the world came together at Greenham Common to take a rightful stand against nuclear proliferation. This remarkable group of fearless women were shunned by the press and the media. Director Briar March reveals the women as the cold war heroes they truly were, she tells the story of these women through their eyes and though reenactments as they persisted arrests, condemnation and scorn. 



In the early 1980s, a young mother in Wales was alarmed like many about the UK government’s Campaign called “Protect And Survive”, which advised people to use the four minutes between the warning and a nuclear strike to stack suitcases full of objects like books to absorb the radiation. The Pressure and rising threat to their own families’ safety called for action and thus the Women for Life on Earth group was born.

From the conversation around the kitchen table in Wales, Karmen Thomas took action. She was instrumental in organising the initial protest which on the 5th of September 1981 these women marched from Wales too Berkshire to protest over the nuclear weapons being kept at RAF Greenham Common. Over 120 miles they become a living protest against the British Governments decision. The protest surly gathered momentum as when the reached Greenham Common permanent camps were set up. 

Many women joined the camp such as Chris Drake, a single mother and millworker who truly felt like she belonged and felt like she was born again. Young mothers were not a group who traditionally had their voices heard at the time and the press moved on to other issues they deemed more important, So the women organised Embrace The Base. A day in which the camp and women across the country who travelled up joined hands to form a human chain around the entire military base. 

This documentary is a celebration of Greenham such as its spirit and the effects, which were all worth celebrating. However the film also shows the difficult aspects such as the brutal evictions and assaults by the police force and soldiers. It truly was a Cold War drama/thriller with the tension of a soviet spy novel. It’s also the story of love especially for family and children , and of the commitment these women made to a higher cause. 



They’ve challenged world leaders, altered the course of history and truly inspired millions, it’s an emotional and empowering documentary. 

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Drama

Brother’s Keeper – A Strong Film About Incompetent Adults Failing These Vulnerable Kids

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Yusuf (Samet Yıldız) and his best friend Memo (Nurullah Alaca) are pupils at a boarding school for Kurdish boys, secluded in the mountains of Eastern Anatolia. Both live in the same dorm as it’s a strict and a very repetitive environment, however when Memo falls mysteriously ill, Yusuf is forced to struggle through the bureaucratic obstacles put up by the school’s repressive authorities to try to help his friend. But by the time the adults in charge finally listen and understand the seriousness of Memo’s condition and desperately try to get him to a hospital, the school has been buried under a sudden heavy snowfall. despite the cold and with no way out, they’re desperate tp reach for help. Teachers and pupils engage in a blame game, where grudges, feelings of guilt and hidden secrets emerge. 



Brother’s keeper is truly a study about the power of social realism which is used as a persuasive tool but it’s also about the teacher’s incompetence, responsibility and guilt. It’s a character driven story that has investigative elements to it. 

The Pupils are reminded on how lucky they are to be there, yet it feels more like a relentless institution that’s run like a juvenile detention centre rather then a proper educational school. 

The film remains on the smaller scale and made to feel intimate. The sense of isolation creates this frosty atmosphere where the cold reflects the Icy tension between staff and pupils, the Institute is rather dull and callous but the film does have one running gag where staff members repeatedly slip on the icy floor as each teacher and headmaster enter the sickroom. 

Overall this is a really strong film about incompetent adults failing these vulnerable kids, which made the situation truly bleak. It has some great performances and foreshadows the ending which was so deep that it’ll linger.

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