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HORROR

‘Penance Lane’ Brings The Rob Zombie influence

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I’m gonna get us out of this.
We’re gonna be okay.

 

Penance Lane” is something for the fans of cheaply produced B-horror movies that don’t exactly excel when it comes to the storyline. I was actually very curious about this movie after reading the synopsis on IMDb. And the movie poster also looked interesting. So let me say that I started watching the film with a dose of healthy enthusiasm. Unfortunately, that enthusiasm collapsed halfway through the film like a soufflé that has just come out of the oven. It’s a pity though, because the first half was of a decent level.

 

Penance Lane

 

A dilapidated house.

The prologue in itself made me curious enough and confirmed what I expected. A dilapidated house where some gang members hid after committing a robbery. Such a gang of “badasses” with impressive guns and an attitude as if they can handle the whole world. Unfortunately, they are no match for what is harassing them from dark corners and dark places in this creepy house. Why this was actually the most compelling part of the movie, I don’t really have an explanation for. Maybe because you don’t really know which direction it will go. Is it something demonic or will it be a “Texas Chain Saw Massacre” kind of film?

 

Penance Lane

 

Let’s bring in the handyman.

Time to introduce the protagonist. Crimson Matthews (Tyler Mane) strolls around the town streets. An ex-convict with a rugged appearance. He gets into a fight with the son of the local Police Captain, when it turns out that this son uses his girlfriend (Scout Taylor-Compton) as a punching bag, and then meets the owner (mother of the girl in question) of the local diner. Crimson doesn’t waste any time and almost immediately seeks a job as a handyman. And he ends up at the abandoned house, apparently owned by the local priest (John Schneider) who hires him without further ado. From the start, it’s clear that our tough hero doesn’t intend to demonstrate ingenious handyman-techniques. It’s also evident that it’s no coincidence he ended up in this house. And that his night’s rest would be disturbed by something that wanders through the house like a shadow, was also to be expected. Despite the fact that there’s sometimes a bit of too exaggerated acting and toe-curling, clumsy dialogues are being used, the film remained fascinating. Till this point anyway. Because somewhere in the middle of the film, the plot twist presents itself and the tone of the film changes drastically.

 

Penance Lane

 

Do I sense a Rob Zombie influence?

If you look at “Penance Lane” in its entirety in terms of storyline and overall look and feel, you could say that it belongs to Rob Zombie’s oeuvre (albeit among the less successful creations). Coincidentally, there are a number of actors who also appeared in a Rob Zombie movies before. Like Tyler Mane who played Michael Myers in “Halloween II“. Scout Taylor-Compton also played an important role in that film. And then there’s Daniel Roebuck (the Police Captain) who got a role in almost every Rob Zombie movie. It may not have affected the creators of this film, but the least you can say is that it’s extremely coincidental. I’m not a real Rob Zombie adept but I could appreciate his flick “31”.

 

Penance Lane

 

Ultimately, it was a disappointment.

In the end, “Penance Lane” was a disappointment for me. If the gradation of my enthusiasm were graphed, I’m sure it would resemble any COVID-19 graph. Except that there’s no sign of a “flatten the curve” effect. After its peak, the curve goes very fast to a zero point. Maybe my expectations weren’t met because the concept changed drastically. In the end, it became a kind of thriller without supernatural apparitions. Rather a crime story in which an insane individual has set up a lucrative business activity. The story made no sense and at some point became downright ridiculous. I have learned the following lesson from this. No matter how good a summary sounds or what a movie poster looks like, it’s never a guarantee the movie will be any good. And yet there was, somewhere deeply hidden, an excellent film. Unfortunately, they failed to conjure it.

 

 

My rating 3/10
Links: IMDB

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HORROR

Prey | 20th Century Studios | Hulu

The origin story of the Predator in the world of the Comanche Nation 300 years ago. Naru, a skilled female warrior, fights to protect her tribe against one of the first highly-evolved Predators to land on Earth.

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Genre:

Action, Drama, Horror

Release Date:

20222 (Hulu)

Director:

Dan Trachtenberg

Cast:

Amber Midthunder, Dane DiLiegro, Stefany Mathias

Plot Summary:

The origin story of the Predator in the world of the Comanche Nation 300 years ago. Naru, a skilled female warrior, fights to protect her tribe against one of the first highly-evolved Predators to land on Earth.

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HORROR

Choose or Die – A Miss For Netflix

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Netflix’s home page suggestions can always be hit or miss, and unfortunately its latest release ‘Choose or Die’ falls into the category of the latter. Captivated by Asa Butterfield on the poster, I was curious to see what this film had to offer and begrudgingly it didn’t have a lot.

We follow Kayla, a broke student who has a lot to deal with in terms of her family situation and being the sole provider for herself and her mum. She then stumbles upon a retro video game from the 80s which forces her to choose and ultimately leads to various chain reactions of horrific events involving people close to her.

Lola Evans as Kayla and Asa Butterfield as Isaac

The premise of the film sounds interesting, however, I think it swings and misses quite early into the film’s first act. Eddie Marsan sets the tone and trail of interest for Choose or Die as we are introduced to this sadistic game and the chain of events it will inevitably pursue. 

Choose or Die doesn’t make it easy to empathise with its characters, finding any connection to Kayla or Isaac was difficult. This ‘are they aren’t they’ subplot lingers throughout the film’s narrative but adds nothing to the overarching story. The supporting characters, such as Thea and Laura, are much more interesting and genuinely have you intrigued as to what decisions they will make.

What stood out to me was the violent and gore-like scenes of 80s horrors, with some pretty good stomach churning special effects make-up. Those intense scenes, one involving a rat, had me genuinely glued to the screen, anticipating what may happen next. Choose or Die’s strongest component are the early moral decisions Kayla has to make and ultimately demonstrate Meakin’s passion for the horror genre.

Ioanna Kimbook as Grace in Choose or Die, seen here in the diner in one of the more grotesque decisive moments for Kayla

The way in which this film is shot, felt very “student-esque” with its lackluster camera movements and setting. The set design lacked little depth, except for Isaac’s room which is full of detail, therefore making the world feel small and less three dimensional. An element which pulled me out of this cinematic experience, was the fact that this was evidently filmed in the United Kingdom, and the cast contained predominantly a lot of British actors doing an American accent so I wasn’t fully immersed into this world. 

Meakins clearly uses his passion for the horror genre to influence this film’s dark tone, from it’s leading characters’ moral compass as well as the gorey visuals that inevitably come with those decisions. The whole world feels cold and derelict, be it the place in which Kayla cleans or the housing estate of which she lives in, this is an unwelcoming world that no-one wants to comfort you in. 

Choose or Die isn’t a film that will stick out as one that defined 2022, however I’m sure someone will take something away from this film, be it’s reference to 80s gaming or the violent and graphic elements that the director is clearly passionate about. 

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HORROR

Off Season – To Premiere Exclusively on Shudder

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Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, announced that OFFSEASON will be available exclusively to stream on the platform starting on Friday, June 10, 2022. As a Shudder exclusive, the platform will be the only subscription service that will carry the film in the U.S., Canada, the United Kingdom, Ireland, Australia and New Zealand.

Upon receiving a mysterious letter that her mother’s gravesite has been vandalized, in OFFSEASON, Marie (Donahue) quickly returns to the isolated offshore island where her late mother is buried. When she arrives, she discovers that the island is closing for the offseason with the bridges raised until Spring, leaving her stranded. One strange interaction with the local townspeople after another, Marie soon realizes that something is not quite right in this small town. She must unveil the mystery behind her mother’s troubled past in order to make it out alive.

Check out the film’s trailer below and read our review HERE as it debuted during SXSW 2021

Written and directed by Mickey Keating (Psychopaths), OFFSEASON stars Jocelin Donahue (Doctor Sleep), Joe Swanberg (The Rental, “Easy”), Richard Brake (3 From HellMandy), Melora Walters (The Pale Door, “Pen15”) and Jeremy Gardner (After MidnightThe Mind’s Eye).

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