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Matrix 4: “This is a gift. It was just very exciting.” | Carrie-Anne Moss – Coastal House Media
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Matrix 4: “This is a gift. It was just very exciting.” | Carrie-Anne Moss

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It was 2003, nearly two decades since the last time we saw Carrie-Anne Moss and Keanu Reeves grace the screen in the sci-fi epic ‘Matrix Revolutions,’ as  the computer hacker Trinity and the anomaly known as Neo. The Matrix trilogy is in my opinion, one of the greatest sci-fi action epics ever created. ‘Revolutions,’ gave us a somewhat definitive ending to the trilogy, having the heroes sacrificing it all to save humanity from impending doom at the hands of machines.

Fast forward to present day, we are all waiting with high anticipation for the fourth installment to a trilogy that was all but one hundred percent concluded. The Wachowski’s originally stated, there would never be a fourth movie. And that the Matrix franchise ended the way they intended. But, now armed with a new, beautiful script, Lana Wachowski convinced original stars, Keanu Reeves and Carrie-Anne Moss that a fourth film needed to be made and tell a new story that would be relevant to issues plaguing our society today. In a recent interview with Empire Magazine, Moss explained what brought her back to the franchise.

“When it was brought to me in the way that it was brought to me, with incredible depth and all of the integrity and artistry that you could imagine, I was like, ‘This is a gift.’ It was just very exciting.”

Keanu went on to second Moss’s statements, saying that the script is what brought him back for a fourth film. As well as the opportunity to work with Lana again.

“Lana Wachowski wrote a beautiful script and a wonderful story that resonated with me,” Reeves added. “That’s the only reason to do it. To work with her again is just amazing. It’s been really special, and the story has, I think, some meaningful things to say, and that we can take some nourishment from.”

Lana Wachowski has decided to mostly direct all the action scenes herself. “John Wick” directors Chad Stahelski and David Leitch were stunt coordinators on the original Matrix film and had this to say about Lana’s work on the new installment.

“What makes [Lana] so great is she directs her own action,” Stahelski said. “We’ve had second unit directors on some of the [‘Matrix’ films] just because of the logistics involved. But of late, and especially on ‘Matrix 4,’ she’s directing her own action. The second units for them are mostly establishing shots, the B-sides of the some of the compositions for some locations. But Lana, she does her own action. She weaves it into the main unit stuff, which is why their stuff looks so good.”

Warner Bros. is scheduled to release “The Matrix 4” in theaters nationwide May 21, 2021.

Brandon started BCactionMR.com in 2012, with the intent of publishing news he found exciting about upcoming and current events in the world of comic book, action and sci-fi movies. A year later, "BC" became a Verified Creator (Paid Writer) for Movie Pilot, a large fan site, dedicated to all things pop culture. [2013-2018] After Movie Pilot closed its doors, Brandon decided he wanted to give others the opportunity to continue writing and sharing their passion and excitement for entertainment news. We now have evolved into an ever-growing community of bloggers, writers and gamers who love to share our opinions with the world. We cover everything from pop culture, indie, horror, television and the most recent trailers to hit the internet. BCactionMR.com is dedicated to J.S.W. Thank you for planting the seed all those years ago. RIP Brother

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Wagman Studios | 2021 Summer Movies Mashup

Summer blockbusters are back! Take a look at this short mashup containing over 20 of the summer’s hottest movies

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Summer blockbusters are back! Take a look at this short mashup containing over 20 of the summer’s hottest movies

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Netflix | Stranger Things: Season 4 – Teases Eleven’s Back Story

The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced by Netflix in September 2019. The fourth season has continued to be produced by the show’s creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson.

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The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced by Netflix in September 2019. The fourth season has continued to be produced by the show’s creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson.

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2021 OSCARS- What They Got Right, And What They Got Wrong

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Chloé Zhao and Nomadland make history and win top prizes at the Oscars.

The crew of Nomadland with their Oscars for Best Picture.

Last night was the long-awaited 93rd Academy Awards, after a very uniquely long (due to COVID) awards season, it was finally time to find out who would be taking home the golden statuettes. We knew from the get-go that things would be a little bit different than usual; Steven Soderbergh was directing it and wanted to make it feel like a film rather than an awards show. But we underestimated just how much Soderbergh would switch up the conventions and traditions we’ve come to know at the Oscars every year…

Yuh-jung Youn, the first Korean actress to win an Oscar, who won for Best Supporting Actress in Minari.

The Oscars switched things up a lot, and most people were unhappy with the changes; there were no performances of the nominated Original songs during the ceremony itself, there were virtually no clips from the films nominated that played throughout the ceremony, when Trent Reznor, Atticus Ross, and Jon Batiste won Best Original Score for Soul, they didn’t play any of the Oscar-winning music, instead the winners awkwardly approached the stage with no sound other than applause. Another change that upset people was the in-memoriam section, which was accompanied by an usually upbeat song, and each person barely got a second of time on the screen. These were minor changed that most people didn’t like, but could look past, the biggest change that many say ruined the whole evening, though, came when the Academy announced that they would present Best Picture third from last. This decision was met with apprehension from most.

Daniel Kaluuya, who won Best Supporting Actor in Judas and the Black Messiah.

Although most thought that maybe the Academy placed Best Actor last so the final award could be a tribute to the late Chadwick Boseman, who was posthumously nominated for his performance in Ma Rainey’s Black Bottom. The Academy had invited his family, gave him an extra-long tribute during the in-memoriam segment, and a piece of artwork inspired by Boseman was given to all the nominees. It’s clear that the academy expected him to win. But then Joaquin Phoenix, who clearly would have rather been anywhere else, half-heartedly read out Anthony Hopkins’ name (who wasn’t able to attend as an 83-year-old during a pandemic), the Academy accepted on his behalf and the show ended. Not only did the academy take advantage of Boseman’s passing by restructuring the age-old tradition of Best Picture being the final award, but it backfired because the person who won the final award wasn’t there and was denied permission to join via Zoom. Because of this, Nomadland’s historic Best Picture sweep was not given the final celebration it deserved. It won Best Picture, and two more awards were left, one of which was Best Actor, and the winner wasn’t even able to attend. This left a bitter taste in most people’s mouths; not only did Boseman deserve to be honoured, or at least not taken advantage of, but Nomadland and Chloé Zhao deserved to have their big moment accepting the biggest award in the industry to close the most prestigious awards show in the industry. All in all, it was a very anti-climactic ending and left most people feeling disappointed; more people will remember the horrifically handled ending than will speak about Nomadland’s big win. That’s enough about the negative stuff now, after all, the Oscars are a celebration of the year’s films.

Emerald Fennel accepting her Oscar for Best Original Screenplay for Promising Young Woman
Jamika Wilson, Mia Neal, and Sergio Lopez-Rivera accepting Best Hair and Makeup for Ma Rainey’s Black Bottom.

While the ceremony itself was questionable, the results and winners were great all around, and putting personal preferences aside, I don’t think anyone can say that any of this year’s winners weren’t deserving and as a celebration of cinema and film over the past year, the films honoured finally got their deserving awards. It was a historic evening; Emerald Fennel picked up the Oscar for Best Original Screenplay for Promising Young Woman, making her the first woman in 13 years to win a screenplay award, Mia Neal and Jamika Wilson became the first black women to win for Best Hair and Makeup for their work on Ma Rainey’s Black Bottom, Yuh-Jung Youn became the first ever Korean Actress to win an Oscar, Frances McDormand joined the elite club of actors with three wins in the leading category and tied with Katheryn Hepburn as the actor with the most Academy Awards with 4 (although one of McDormand’s is for producing), Chloé Zhao became the first woman of colour and only the second woman ever to win Best Director (after Katheryn Bigelow won for The Hurt Locker in 2010), and Nomadland became the first ever Best Picture winner directed by a woman of colour, Nomadland became the first film to sweep Best Picture at all the major award shows since 12 Years a Slave in 2012 (CCA, DGA, PGA, Golden Globe, BAFTA, and Oscar), it also swept director at all of those for Chloé Zhao. Nomadland is also a rarity because it is a Best Picture winner about a woman, very few Best Picture winners are about women. After winning Best Director, Actress, and Picture, Nomadland’s performance at this year’s Oscars is a triumph for women.

Nomadland Director, Chloé Zhao with both her Oscars for Best Director and Best Picture

Some other big wins include Daniel Kaluuya winning Best Supporting Actor for his role as Fred Hampton in Judas and the Black Messiah, Eric Messerschmidt’s work on Mank upset in the Best Cinematography category, beating the frontrunner Joshua James Richards’ NomadlandThe Father saw some love by taking home Best Adapted Screenplay and Best Actor in a leading role for Anthony Hopkins. While everyone will be a little sad that Boseman never got his moment at the Oscars, Boseman left an impact most actors only dream of through his role as Black Panther in the Marvel Cinematic Universe, and while it would’ve been nice to see him win an Oscar, Hopkins gave a stunningly devastating, career-best performance many are calling one of the top Best Actor winning performances ever, and he is more than worthy of the award. Most of the outrage about Boseman losing is not because Hopkins didn’t deserve it, but because of how the Academy handled it.

Pete Doctor and Dana Murray won the award for Best Animated Feature for Soul, marking Pixar’s 11th win in the category.
Chadwick Boseman, nominee for Ma Rainey’s Black Bottom

Personally, I am ecstatic about the winners; as a champion of Chloé Zhao’s work and her intimate character study of a woman in her sixties who loses everything after the 2008 financial crash, I was very happy to see Nomadland take home to top prize. I was also elated to see Yuh-Jung Youn win for her masterful performance in Minari, and while any of the fantastic actresses nominated in the leading category could’ve won, I liked seeing Frances McDormand’s more understated subtle, nuanced performance get the recognition it deserved. However, while the number of good things outweigh the number of bad things, the final 20 minutes of the ceremony will always be tainted by how badly the Academy executed this year’s awards. The winners were fantastic and all deserving, the butchered ending of this ceremony has cemented the 93rd Academy Awards as one of the worst executed ceremonies in Oscars history.

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