Tell me the fairy tale again.
It’s too scary, you’ll start seeing things that aren’t there.
In recent years we have been flooded with live-action versions of well-known Disney fairy tales. These usually follow the fairytale story without deviation. Even the appearance and atmosphere are mostly identical to the original. However, this isn’t the case with “Gretel & Hansel”. Director Osgood Perkins has gone to great lengths to make it an idiosyncratic creation. It largely corresponds to the original story of the Brothers Grimm. But the moral of the story is very different from the original fairy tale. So, no nasty stepmother. No pebbles or bread crumbs. In the original fairy tale, Hans was more inventive. Here he’s a helpless little fellow dependent on his bigger sister. But it’s mainly the role Gretel plays in this story and how this character evolves. Hence probably also the switching of the names in the film title, which indicates Gretel’s part is more important.
The period in which it takes place is comparable to that in “The VVitch” or “Apostle”. Most likely at the time of the great famine in the 14th century, when it was difficult for many to survive. Most lived in shabby houses and had no means to meet their daily needs. Similarly, the mother of Gretel and Hans, who chases the children out of the house with unmistakable words (and a dangerous-looking lumberjack ax). First, they are advised by a friendly man to look for work and join a group of lumberjacks and especially not to deviate from the path. Hunger and the discovery of delicious looking mushroom causes the two children to leave the path and discover a black house in the forest.
A dark, eery, and disturbing mood.
The mushroom scene can be called amusing and already suggests that this film is certainly not an accessible version of the known fairy tale. It’s also not recommended to watch this with your kids as you did with “The Lion King”. This film is too dark, gloomy, and perhaps too terrifying for small children. Even though I found the label “horror” a bit exaggerated. “Gretel & Hansel” isn’t really creepy. Don’t expect the typical elements of a horror. No jump scares. No gory scenes or possessed creepy persons. But certainly, you’ll experience an unpleasant and disturbing feeling throughout the whole movie. An intense, eery atmosphere in which you are immersed.
Artistic and experimental sort of film.
I also fear that due to its artistic character and experimental production, this morbid fairy tale isn’t for everyone. Many horror fans will be terribly disappointed and rather portray it as a pretentious movie. Evildoers are of course the lack of tension and the slow pace. But for me, it was the unique atmosphere and the imaginative story that made it an exciting experience. The design of the witch house (without gingerbread walls decorated with all kinds of sweetness) will confuse you. A pitch-black, modernist house built with contemporary materials and styles. Not exactly something you will start nibbling on. On the one hand, the interior is characteristic of that specific time. But on the other hand, there are also style features that belong to the present era. And the richly filled table full of delicious stews and pastries is a feast for the eyes.
Aesthetically beautiful film.
What appealed to me the most was the excellent cast. Alice Krige as the terrifying and devilish witch in particular was simply fabulous. And Sophia Lillis also plays the role of Gretel convincingly. A young girl with unexpected future prospects. The beautiful music and sound effects together with the used color palette, provided a special atmosphere. Only the denouement I found a bit unfortunate and not appropriate for the slow tempo of the film. I can certainly enjoy a straightforward version of a fairy tale. But this contrary version managed to surprise me. Definitely a film for those who love aesthetically beautiful films.
My rating 7/10
‘The Witcher’ Season 3 Part 1 Review: An Epic and Riveting Adventure Continues
In 2019, Netflix struck gold with the epic fantasy series ‘The Witcher’ and viewers started thinking that the streaming platform might be close to getting a show as massive as ‘Game of Thrones’. The first season turned out to be successful, but it was the second edition that made everyone realize how the live-action series had laid the perfect foundation for something special. Almost two years after getting a glimpse of what Ciri could do with her powers, ‘The Witcher’ is back with another action-packed season that will captivate viewers with its masterful storytelling, thrilling battles, and impeccable performances.
Season 3 of ‘The Witcher’ picks up where the previous season left off, with Geralt of Rivia (Henry Cavill), the enigmatic monster hunter, embarking on a new set of adventures, along with Ciri (Freya Allan) and Yennefer (Anya Chalotra). This season, Geralt finds himself caught in a web of political intrigue as he navigates the treacherous world of the Northern Kingdoms. From the royal intrigues of Nilfgaard to the exploration of the elven past, the show seamlessly weaves together multiple narratives, keeping viewers on the edge of their seats and adding layers of depth to the already intricate plot. Apart from that, Geralt and Yennefer continue to do anything and everything to keep Ciri safe from the bad people.
However, one of the standout aspects of Season 3 is its exceptional character development. The fantasy series continues to explore the complexities of its main characters, especially Geralt, Yennefer, and Ciri. All the aforementioned characters undergo significant transformation throughout the season, allowing viewers to connect with them on a deeper level. Kudos to the writing team of ‘The Witcher’ who have done an exceptional job in fleshing out the backstories of all these characters and making them feel more relatable. Themes like destiny and the consequences of one’s choices are prevalent throughout the season. Some moments will make people realize the thin line between right and wrong by looking deep into the moral ambiguity of its characters.
Once again, the show is packed with epic action sequences that will keep viewers on the edge of their seats. From extraordinary sword fights to magical showdowns, the battles are nothing short of thrilling this time around. Visually, it’s stunning, and storytelling-wise, it’s more riveting than ever.
As far as performances are concerned, Freya Allan delivers another remarkable performance as Ciri and strikes a perfect balance between vulnerability and resilience. Meanwhile, Anya Chalotra as Yennefer displays how much she has grown as an actor. Season 3 explores the emotional depths of her character most effectively and gives Chalotra the bandwidth of showing her range. However, it is Henry Cavill who takes your breath away with a scintillating performance as Geralt of Rivia. From the very first season, Cavill has successfully embodied the larger-than-life character and this time around, he just knocks it out of the park by effortlessly embodying the brooding yet compassionate nature of The Witcher.
Also, the chemistry between the three leads drives the emotional core of the show.
All in all, Part One of ‘The Witcher’ Season 3 raises the bar, and every aspect of the show has improved significantly from its predecessors. Season 3 proves to be a worthy addition to the beloved series and if you are a fan of the fantasy series, ‘The Witcher’ Season 3 is a much-watch.
Come and immerse yourself in the magical world of Geralt of Rivia.
‘Kingdom of the Planet of the Apes’ Adds Oscar-Nominee William H. Macy
The Planet of the Apes trilogy headlined by Andy Serkis from the 2010s can be argued as one of the best trilogies of all-time. The technological advances made from motion capture helped actors completely transform into the apes with their interactions with human characters making the story rawer and more emotional. Now, 20th Century Studios will jump back into the world of apes with their latest, Kingdom of the Planet of the Apes. Deadline reports that William H. Macy (Shameless, Fargo) will round out the cast for the newest chapter of the franchise.
Kingdom of the Planet of the Apes takes place many years after the conclusion of War for the Planet of the Apes being led by an entirely new cast that includes Owen Teague, Freya Allan and Peter Macon. Details are currently unknown on whether Macy will be playing a human character or an ape. The film series has grossed almost $2 billion dollars for the studio so it’s no surprise that they’re aiming to make more Apes fims.
Macy is coming off his biggest role ever in Showtime’s series, Shameless for which he played Frank Gallagher and was nominated for 6 Emmy Awards for his performance over 11 seasons. Macy is also a former Oscar-nominee for his lead role in the Coen Brothers classic, Fargo. Since then, he’s amassed tons of parts including most recently in Hulu’s The Dropout and a guest spot on the ABC sitcom, The Conners. Macy will next appear in the film, Maybe I Do with Emma Roberts, Diane Keaton, Richard Gere and Susan Sarandon.
Rawson Marshall Thurber to Headline ‘Dungeons & Dragons’ Series for Paramount+
Dungeons & Dragons seems to be the next major IP finding itself across multiple media formats. The move of bringing the iconic fantasy franchise will start in March on the big screen with the release of Dungeons & Dragons: Honor Among Thieves, however, the TV series which has been in development has found its new streaming home. According to Deadline, the Dungeons & Dragons series will head to Paramount+ with Rawson Marshall Thurber (Red Notice, Skyscraper) writing the pilot and directing the first episode of the eight-episode season order.
The fantasy role-playing game has been ripe for an adaptation for years with many celebrities and actors being fans of the property since its inception. Honor Among Thieves already boasts a starry cast led by Chris Pine, Hugh Grant, Rege-Jean Page and Michelle Rodriguez, but there are no details on whether the streaming series would feature any of their characters crossing over. Dungeons & Dragons is yet another franchise starter over at Paramount in the game of streaming supremacy which will join Halo on their streaming service having done great numbers for Paramount+.
Dungeons & Dragons features multiple creatures, elves, human warriors and other fantastical entities engaging in campaigns, wars and quests to build out their respective armies. The massive Hasbro property was acquired by eOne to develop a media universe across film and television making it a priority due to its popularity and fan base that features over 50 million players.
Rawson Marshall Thurber most recently directed the Netflix action film, Red Notice starring Dwayne Johnson, Gal Gadot and Ryan Reynolds. He previously teamed with Johnson for Skyscraper and Central Intelligence, but his career began in comedy helming popular films such as Dodgeball and We’re the Millers. Before moving into features, he also directed the very popular online short, Terry Tate, Office Linebacker. The filmmaker has also been attached to Netflix’s video game adaptation of The Division which will star Jake Gyllenhaal and Jessica Chastain.
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