The Hunt: A New, Short-Term Hype With An Over-The-Top Reputation
Why would they do something like that?
Same reason elites do anything…
’cause they think they’re better than us.
Can someone please explain why there was so much fuss about the movie “The Hunt“. I understand that the release date has been postponed due to the El Paso, Dayton and Gilroy shootings last year. Let’s just hope that not every violent film suffers the same fate, as the number of mass murders in the U.S., according to the database of the news agency AP, USA Today and Northeastern University, is shockingly high. In 2019, they counted 41 such massacres. Those are a huge number of incidents that can cause releases to be postponed. I suggest they restrict the release of violent video games, new material from well-known music bands that use a rougher music style and bloody comic strips. Because let’s admit it. Every time such an incident happens in the U.S., doomsayers pop up like mushrooms to proclaim that heavy metal (in the past Marilyn Manson was a sitting target) and violent games (such as Counterstrike for example) are the cause of senseless violence with dozens of victims. No sensible person there relates free (and uncontrolled) sale of weapons with all that violence. Even now in this Corona crisis, US citizens are flocking to the arms stores to purchase firearms and ammunition en masse, because they fear that people may react rather strangely to this crisis. Well, here in Europe one can only make victims by throwing tons of toilet paper at someone, since that’s the most hoarded item here.
More movies similar to this one.
In itself, “The Hunt” is just an average violent film with explicit, gory footage. But claiming this film is the superlative of other films in terms of violence, is certainly a bit simplistic and short-sighted. Let’s look at films such as “You’re next” or “The Purge“. These films have an almost similar concept. The concept of hunters and the hunted. Even “The Hunger Games” tends to go in that direction. But apparently, that was commercially permissible. The recent film “Ready or not” is better comparison material. Also, a film in which someone is being hunted like a wild animal and a series of gory, bloody scenes are shown. Though, the denouement in this movie effortlessly exceeds what is to be seen in “The Hunt”. On the other hand, the satirical character is more prominently present in “The Hunt“. And you still want to watch a movie where blood flows freely? Well, you should try “Revenge” (also a movie that ends with a fight to the death). In short, if you categorize all films that could possibly incite senseless violence, you’d end up with a richly filled list.
The gap between rich and poor.
What’s explicitly emphasized in “The Hunt”, is the immense gap that exists between the wealthy and the average people living in the US. Of course, they turn it into a political statement once again (conservatives against liberals). A group of so-called conservatives is being kidnapped by a group of foully and berserkly rich liberals who have too much time on their hands or probably couldn’t think of anything else to spend their hard-earned money on. I’m sure there are also rich conservatives and poor liberals living in the US. But that’s a completely different discussion. The fact that there’s a gap (as big as the Grand Canyon) between rich and poor becomes clear during these Corona times. The poorer inhabitants who cannot afford health insurance massively die a slow and horrible death at this very moment. I suppose many will now consider the fuss about “The Hunt” as being a trivial matter.
You can easily compare “The Hunt” with a porn movie. Storywise it’s really nothing and there’s not much beating around the bush so the action-rich part kicks in quite quickly. It takes less than 10 minutes, I think, for the first victim to die with a well-aimed shot through the head. And from then on it’s a series of massacres and exploding bodies. Not that the victims are unarmed because the hunters have left behind a huge chest packed with dangerous-looking weaponry. Unfortunately, the hunted ones are not exactly experts in warfare or close-combat techniques. However, the group of sadistic hunters haven’t done their homework and checked the background of Crystal (Betty Gilpin). This female McClane has quite a bit of knowledge about combat techniques and weaponry. And that’s something the group of rich people hasn’t taken into account. Crystal plays the game harder and more fiercely than those vicious elitists and manages to turn the situation to her advantage.
Not as controversial as I thought it would be.
Betty Gilpin is perfectly cast for this role. She’s fanatic and grim. A merciless tough lady whose sarcastic and blunt comments made me smile several times. To be honest, I sometimes wondered if she was mentally alright. And yes, she reminded me a bit of Phoebe Buffay. Not only because of the looks. But also by her behavior. A bit of an absent and childlike acting person. Unfortunately, the final confrontation was a bit exaggerated and unrealistic, which accented the slapstick character of the film even more. All in all, “The Hunt” isn’t as impressive as I suspected it to be. It’s watchable but not more than that. The commotion around this film only had the opposite effect (as usual). A new, short-term hype with an over-the-top reputation. But, as violent and gory as this movie may seem, it’s certainly not as controversial as certain tweets from an alleged important person implied.
My rating 6/10
Five Reasons To Love ‘The Amazing Spider-Man 2’
Back in 2014, The Amazing Spider-Man 2 opened into theaters with a mixed reception from critics and audiences and has been deemed as the least desirable of the Spidey movies. In the film, Peter Parker (Andrew Garfield) must face off against another villain who has been given the name Electro. Moreover, our brave hero uncovers some bizarre mysteries surrounding his parents.
Many fans of the series view the film as an overcrowded mess, but I think it might be the most entertaining of all the Spidey films, until No Way Home arrived, and here are five reasons why that remains true.
First and foremost, Garfield is always a delight to have in the Spidey outfit. His charisma and witty banter is almost what makes the film truly great. I have always said that he was the best Spider-Man and this movie proves it with his ability to elevate any scene from dull slog to a comedic venture.
Spidey, in this particular movie, embodies the hero in the original comics with his incessant need to make a fast-talking quip to one of his enemies. There is nothing better than a comic-book character sticking true to his essence and spirit of its source material.
Despite what many people say about the villains, Jamie Foxx as the supercharged baddie Electro proves to be a formidable opponent for the web-head, with his omnipotent powers and overly-powered nature. More than that, Max Dillon is depicted as a quiet, shy loner who is invisible to other people. He is essentially a nobody, until he falls into a vat of electrically-charged eels and becomes the sinister villain Electro.
To better understand a villain, you must understand their plight and Electro’s plight is that of a rags-to-riches success story and the visual effects are certainly something to marvel at.
This article wouldn’t be complete if I decided not to talk about the exhilarating action that embodied the film. Whether we see Spidey chasing down a truck with Oscorp’s product or a massive fight inside a grid that seems like a colossal feat for any Marvel film, the film can take a lot of pride in its action sequences.
One can also never forget the massive and iconic battle sequence between Electro and Spidey in Time Square that seems impossible to be made.
While he remains a secondary villain, Dane Dehaan’s Green Goblin is still noteworthy. Dehaan portrays Harry Osborne who is left with his dead father Norman’s life work and stumbles upon a Goblin serum that enhances his speed, strength, and intelligence.
His little spat with Spider-Man is certainly befitting for the dark, moody tone of the film and entertaining for plenty of comic fans with zippy action and certified intensity. In the end, he is also responsible for the death of Spidey’s girlfriend Gwen Stacy.
Gwen Stacy Death
Speaking of Gwen Stacy, this is the only Spidey film that features his love interest dying. As he battles the Green Goblin, Spidey attempts to hold on to Stacy, literally, by a thread in the clocktower. However, when the thread snaps, Spidey is able to snag her in mid-air but the whiplash of the fall snaps her neck, killing her.
What might be the saddest moment in any Spider-Man film, was brought to life in this extraordinary scene that silenced an entire generation of Spider-Man fans.
Anthony Hopkins to Lead Peacock Gladiator Drama ‘Those About to Die’
Peacock is one of the streamers that has yet to break through in terms of their original content getting recognized for awards contention. One such series that might change that fate for the streaming service is Those About to Die and it’s starting to build out its cast. According to Variety, 2-time Oscar winner Anthony Hopkins (The Silence of the Lambs, The Father) is the first to join the drama series which comes from Roland Emmerich (Independence Day, The Day After Tomorrow). Saving Private Ryan screenwriter Robert Rodat will script the series.
Hopkins will play the character known as Emperor Vespasian in the series which is set in the world of gladiatorial battle. It will be an ensemble drama following many different Roman characters that will set forth for violent affairs in the arena among other complexities such as political power and corruption so expect a starry cast for this Peacock drama. Hopkins’ character is described as “despised by the Patricians jockeying for position in the Empire and looking to supplant his heirs to the throne the first chance they get. Vespasian became the Roman emperor after a ten-year civil war. We expect to get more casting news soon as the show will begin filming in Rome in March.
Anthony Hopkins is coming off a terrific performance in James Gray’s Armageddon Time in 2022 after winning his second Academy Award for his role in The Father the year prior. He’ll next voice a character in Zack Snyder’s Rebel Moon for Netflix and also will star in British drama One Life alongside Helena Bonham Carter and Jonathan Pryce. Emmerich is coming off directing the sci-fi disaster film, Moonfall in 2022.
‘Kingdom of the Planet of the Apes’ Adds Oscar-Nominee William H. Macy
The Planet of the Apes trilogy headlined by Andy Serkis from the 2010s can be argued as one of the best trilogies of all-time. The technological advances made from motion capture helped actors completely transform into the apes with their interactions with human characters making the story rawer and more emotional. Now, 20th Century Studios will jump back into the world of apes with their latest, Kingdom of the Planet of the Apes. Deadline reports that William H. Macy (Shameless, Fargo) will round out the cast for the newest chapter of the franchise.
Kingdom of the Planet of the Apes takes place many years after the conclusion of War for the Planet of the Apes being led by an entirely new cast that includes Owen Teague, Freya Allan and Peter Macon. Details are currently unknown on whether Macy will be playing a human character or an ape. The film series has grossed almost $2 billion dollars for the studio so it’s no surprise that they’re aiming to make more Apes fims.
Macy is coming off his biggest role ever in Showtime’s series, Shameless for which he played Frank Gallagher and was nominated for 6 Emmy Awards for his performance over 11 seasons. Macy is also a former Oscar-nominee for his lead role in the Coen Brothers classic, Fargo. Since then, he’s amassed tons of parts including most recently in Hulu’s The Dropout and a guest spot on the ABC sitcom, The Conners. Macy will next appear in the film, Maybe I Do with Emma Roberts, Diane Keaton, Richard Gere and Susan Sarandon.
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