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The Hunt: A New, Short-Term Hype With An Over-The-Top Reputation

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Why would they do something like that?
Same reason elites do anything…
’cause they think they’re better than us.

 

Can someone please explain why there was so much fuss about the movie “The Hunt“. I understand that the release date has been postponed due to the El Paso, Dayton and Gilroy shootings last year. Let’s just hope that not every violent film suffers the same fate, as the number of mass murders in the U.S., according to the database of the news agency AP, USA Today and Northeastern University, is shockingly high. In 2019, they counted 41 such massacres. Those are a huge number of incidents that can cause releases to be postponed. I suggest they restrict the release of violent video games, new material from well-known music bands that use a rougher music style and bloody comic strips. Because let’s admit it. Every time such an incident happens in the U.S., doomsayers pop up like mushrooms to proclaim that heavy metal (in the past Marilyn Manson was a sitting target) and violent games (such as Counterstrike for example) are the cause of senseless violence with dozens of victims. No sensible person there relates free (and uncontrolled) sale of weapons with all that violence. Even now in this Corona crisis, US citizens are flocking to the arms stores to purchase firearms and ammunition en masse, because they fear that people may react rather strangely to this crisis. Well, here in Europe one can only make victims by throwing tons of toilet paper at someone, since that’s the most hoarded item here.

 

The Hunt

 

More movies similar to this one.

In itself, “The Hunt” is just an average violent film with explicit, gory footage. But claiming this film is the superlative of other films in terms of violence, is certainly a bit simplistic and short-sighted. Let’s look at films such as “You’re next” or “The Purge“. These films have an almost similar concept. The concept of hunters and the hunted. Even “The Hunger Games” tends to go in that direction. But apparently, that was commercially permissible. The recent film “Ready or not” is better comparison material. Also, a film in which someone is being hunted like a wild animal and a series of gory, bloody scenes are shown. Though, the denouement in this movie effortlessly exceeds what is to be seen in “The Hunt”. On the other hand, the satirical character is more prominently present in “The Hunt“. And you still want to watch a movie where blood flows freely? Well, you should try “Revenge” (also a movie that ends with a fight to the death). In short, if you categorize all films that could possibly incite senseless violence, you’d end up with a richly filled list.

 

The Hunt

 

The gap between rich and poor.

What’s explicitly emphasized in “The Hunt”, is the immense gap that exists between the wealthy and the average people living in the US. Of course, they turn it into a political statement once again (conservatives against liberals). A group of so-called conservatives is being kidnapped by a group of foully and berserkly rich liberals who have too much time on their hands or probably couldn’t think of anything else to spend their hard-earned money on. I’m sure there are also rich conservatives and poor liberals living in the US. But that’s a completely different discussion. The fact that there’s a gap (as big as the Grand Canyon) between rich and poor becomes clear during these Corona times. The poorer inhabitants who cannot afford health insurance massively die a slow and horrible death at this very moment. I suppose many will now consider the fuss about “The Hunt” as being a trivial matter.

 

The Hunt

 

Yippy ka-yee.

You can easily compare “The Hunt” with a porn movie. Storywise it’s really nothing and there’s not much beating around the bush so the action-rich part kicks in quite quickly. It takes less than 10 minutes, I think, for the first victim to die with a well-aimed shot through the head. And from then on it’s a series of massacres and exploding bodies. Not that the victims are unarmed because the hunters have left behind a huge chest packed with dangerous-looking weaponry. Unfortunately, the hunted ones are not exactly experts in warfare or close-combat techniques. However, the group of sadistic hunters haven’t done their homework and checked the background of Crystal (Betty Gilpin). This female McClane has quite a bit of knowledge about combat techniques and weaponry. And that’s something the group of rich people hasn’t taken into account. Crystal plays the game harder and more fiercely than those vicious elitists and manages to turn the situation to her advantage.

 

The Hunt

 

Not as controversial as I thought it would be.

Betty Gilpin is perfectly cast for this role. She’s fanatic and grim. A merciless tough lady whose sarcastic and blunt comments made me smile several times. To be honest, I sometimes wondered if she was mentally alright. And yes, she reminded me a bit of Phoebe Buffay. Not only because of the looks. But also by her behavior. A bit of an absent and childlike acting person. Unfortunately, the final confrontation was a bit exaggerated and unrealistic, which accented the slapstick character of the film even more. All in all, “The Hunt” isn’t as impressive as I suspected it to be. It’s watchable but not more than that. The commotion around this film only had the opposite effect (as usual). A new, short-term hype with an over-the-top reputation. But, as violent and gory as this movie may seem, it’s certainly not as controversial as certain tweets from an alleged important person implied.

 

My rating 6/10
Links: IMDB

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The Lord of The Rings: The Rings of Power: Review | An Epic, Cinematic Journey Through Middle-Earth

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Sleeping evil, long-lost heroes, and a world without wizards? The Rings of Power is middle-Earth like you’ve never seen it before. The highly-anticipated Prime Video series The Lord of The rings: The Rings of Power is an ethereal and irresistible cinematic masterpiece. This season brings to the screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. 

The scope and scale of the story are immense as we begin to forge a new path through Tolkien’s Middle-Earth. Beginning in a time of relative peace, the series follows an ensemble cast of compelling, familiar and new characters as they confront the long-feared re-emergence of evil. From the darkest depths of the Misty Mountains to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the farthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone. 

Photograph: Prime Studios

SECOND AGE

This fantastical universe created by J.R.R. Tolkien is much bigger and more expansive than just the events featured in The Hobbit and The Lord of The Rings. This second age is defied by many events, victories, and defeats, but perhaps it’s well known to be the time when the Rings of Power were created. Spanning 3500 years, we witness the Harefoots, the Elves, Mankind, and dwarves all occupying a very different Middle-Earth, one where there is love but also darkness as a nameless shadow is waiting. The time period is documented extensively in The Silmarillion, Tolkien’s posthumously published book which was finished, edited and released by the author’s son, Christopher Tolkien in 1977. This is the setting of Prime Video’s The Lord of The Rings: The Rings of Power, the most ambitious streaming show ever made. Amazon bought the rights to the trilogy, The Appendices, and The Hobbit and with the vast amount of material they’ve created something ambitious and worthy of Tolkien. This onscreen return showcases the mythology as the creative team has envisioned a sprawling bespoke series that’ll eventually be told across multiple seasons. The Second Age of Middle-Earth truly is an amazing untold story with themes focusing on fantasy and heart, dark sorcery and political drama, as one moment you’re exploring the landscape with the Harfoots and the next in the Elven realm discussing the fates of the Kingdom. 

Photograph: Prime Studios

ASSEMBLING A FELLOWSHIP

Some of the characters in The Rings of power will be familiar. Thanks to the everlasting nature of elven-kind we see younger versions of Galadriel and Elrond, previously played by Cate Blanchett and Hugo Weaving in Peter Jackson’s trilogy. Both these characters maintain the whole history of Middle-Earth, having lived through all the Three Ages. Galadriel now played by Morfydd Clark brings such an outstanding performance as The Lord of The Rings: The Rings of Power gives viewers a younger, grounded take on the character. Clark brings naivete to this immortal being who dons such graceful armour as this warrior has an instinct that evil is not finished. Elrond now played by Robert Aramayo is an architect and politician, he has strong ambitions as the herald to Gil-Galad, the King of Lindon, the elven kingdom where Elron resides. 

For each of the worlds in The Rings of Power, the creative team crafted a theme and their own language to show their beginnings, with the Elves being connected to a spiritual realm they have real ethereal quality, everything about them is shiny and lustrous. Contrast that with designing the Harfoots who are the ancestors of the Hobbits. They are much more primitive and live in the land. Harfoot are very endearing people and their styling is very much based on natural elements. They’re also very earthy with large feet and from lying in the undergrowth they have bits of branches and moss tangled in their matted hair.

The Dwarves are thriving in their underground kingdom of Khazad-dum during the Second Age. They’re mystique in their culture but you’ll see an expansive amount of gold down there. They are a strong-knit community with very traditional ways of being, they wear their hearts on their sleeves and are not afraid to get their hands dirty. Disa and Durin played by Sophia Nomvete and Owain Arthur are the Princess and Prince of these Misty Mountains.

Headlining this ensemble cast are Cynthia Addai-Robinson (The Accountant), Robert Aramayo (HBO’s Game of Thrones), Owain Arthur (BBC’s Casualty), Maxim Baldry (Mr. Bean’s Holiday), Nazanin Boniadi (Showtime’s Homeland), Morfydd Clark (Saint Maud), Ismael Cruz Córdova (Showtime’s Ray Donovan), Charles Edwards (Netflix’s The Crown), Trystan Gravelle (ITV’s Mr. Selfridge), Sir Lenny Henry (Netflix’s The Witcher: Blood Origin), Ema Horvath (What Lies Below), Markella Kavenagh (True History of the Kelly Gang), Tyroe Muhafidin (Caravan), Sophia Nomvete (Award-winning UK Theatre actor), Lloyd Owen (Apollo 18), Megan Richards (Wanderlust), Dylan Smith (Maze Runner: The Death Cure), Charlie Vickers (Netflix’s Medici), Leon Wadham (Go Girls), Benjamin Walker (The Golden Compass), Daniel Weyman (BBC’s Silent Witness), and Sara Zwangobani (Monarch Cove).

Each actor had a unique challenge. Some had to follow in the footsteps of iconic performances and others got to bring iconic Tolkien characters to the screen for the very first time. The show presents itself as a more diverse version of Middle-Earth, which has always been a theme in Tolkien’s work as he often wrote characters uniting, despite their different backgrounds.

JOURNEY BACK TO MIDDLE-EARTH

I’ve seen the first two episodes, and they are filled with the kind of special effects magic that fans of Peter Jackson’s “Lord Of The Rings” movies and Tolkien’s books will love. It’s such a hugely expansive series as you have this army of fantastic technicians, artists, and craftsmen bringing such detail to the project on an epic scale. There are creatures and monsters such as the terrifying Orcs, the beastly creatures are visually grotesque and horrid which perfectly fit this world that’s full of darkness and shadows. there is also fighting, battles, and armies galore. The series truly hits the ground running with its intense action but also throughout it carries hefty themes of good vs evil, morality, hope among grief and ultimately a fellowship. Through Television we are able to get more time with these characters as they interact with each other. The sheer scale of the project is such a technical achievement for streaming especially, there are over 9,500 VFX shots in the first season alone. Director J.A. Bayona directs the first two episodes with such grandeur, that he beautifully captures the picturesque landscapes of New Zealand as he enhances the story through visual elements which included the overall sense of beauty. The cinematography and the use of light are astonishing thanks to Oscar Faura. Everything I witnessed whilst watching the first two episodes was delicious, especially the score by Bear McCreary. The Soundtrack which is available now honours the legacy as he created 15 new themes and melodies, it features a ninety-piece orchestra, plus a 40-voice choir. The score alone will transport you right back to Middle-Earth.

Photograph: Prime Studios

VERDICT

Have you ever wondered what else is out there beyond our wander? Ultimately The Lord of The Rings: The Rings of Power an Ethereal & irresistible Cinematic Masterpiece. The scope & scale of the story is immense as we forge a new path through Tolkien’s Middle-Earth! Features stunning visuals, Storytelling, and compelling characters! Writers and showrunner McKay and Payne have written an unexpected journey full of twists, turns, and surprises.

THE RINGS OF POWERfrom Amazon Studios and JD Payne & Patrick McKaywill premiere exclusively on Prime Video in more than 240 countries and territories around the world in 32 languages on Friday, September 2, with new episodes available weekly.

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The Unbearable Weight of Massive Talent Review | A Meta Lucid-Trip

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Nicholas Cage stars as Nick Cage in the action-comedy The Unbearable Weight of Massive Talent. Creatively unfulfilled and facing financial ruin, the fictionalised version of Cage must accept a $1 Million offer to attend the birthday of a dangerous superfan (Pedro Pascal). Things take a wildly unexpected turn when Cage is recruited by a CIA operative (Tiffany Haddish) and forced to live up to his own legend, channelling his most iconic and beloved on-screen characters in order to save himself and his loved ones. With a career built for this very moment, the seminal award-winning actor must take on the role of a lifetime: Nick Cage.

‘Nicolas Cage’ (Nicolas Cage) greets ‘Javi Gutierrez’ with a ‘Palm Hold Fist’ salute as he arrives in Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

From filmmakers, Tom Gormican and Kevin Etten, The Unbearable Weight of Massive Talent is a sincere, authentic, and hilarious love letter to Nicholas Cage. It’s also an absolute hoot and delightfully bonkers as we take a rollercoaster ride through his iconic filmography. Full of quirky and heartfelt moments, the film showcases the most uncaged performance from the man himself as, after all, it’s the role he was born to play.

Nicholas Cage is nothing less than a screen legend whose iconic pictures include The Rock, Face/Off, Con Air, Moonstruck, Honeymoon in Vegas, and Academy Awarding winning turn in Leaving Las Vegas. The Unbearable Weight of Massive Talent builds upon that renowned work and twists and turns it with an imagined “Nick Cage”. He’s able to do any genre from romantic comedies, avant-garde films like Mandy and Wild at Heart, and big tentpole franchises such as National Treasure.

The film is a homage to his body of work and the genres that he’s worked in. He’s a man known for taking risks early in his career that paid off handsomely but in the later years, he’s taken to independent film work some heading straight to streaming. Mandy, Joe, Prisoners of Ghostland and Pig are among my favourites. Each is interesting ranging from unusual to insane.

In the movie “Nick Cage” is a fictionalised version of the star, imagined as a once-highly respected actor who has fallen on hard times and is craving a return to box office glory and prestige. But his waning career is only one of his problems. The faux Cage’s megalomania has poisoned his relationships with his ex-wife Olivia (Sharon Horgan) and daughter Addy (Lily Sheen), unfortunately, though he can’t see it as the fictional Cage is feeling unfulfilled and rejected. This is in contrast with the real Nicholas Cage who recently received his best reviews for his performance in Pig

Photo Credit: Katalin Vermes/Lionsgate

Nick becomes frustrated and a little unhinged, when he loses out on a role that he’s desperate to inhabit so when his smarmy agent played by Neil Patrick Harris extends him a lifeline with an offer to attend a birthday party for a cool payday of one million dollars, Nick despite his instincts reluctantly agrees, and hops on a plane to meet the birthday boy/ cage superfan in picturesque Mallorca, Spain.

Upon arriving in Mallorca and being greeted personally by Javi, Nick is completely checked out until he discovers that he and his host have much in common and begin to bond. Both are cinephiles and share a love of everything from The Cabinet of Dr Caligari to Paddington 2.

That’s not all they have in common. The wealthy man is just as neurotic as his guest of honour and they both find themselves looking for inspiration from the actor’s famously bold audacious characters.

The Unbearable Weight of Massive Talent is an intriguing change of pace for Pascal, he inhabits the role of Javi, but as neurotic as he is the character turns out to be an international arms dealer and crime boss. Both Cage and Pascal have incredible chemistry together and truly form a bromance. They are so much fun together and unapologetic about their shared admiration. It is infectious.

Javi Gutierrez’ (Pedro Pascal, left) and ‘Nicolas Cage’ (Nicolas Cage, right) zooming through the mountains of Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

VERDICT

The Unbearable Weight of Massive Talent was such a hoot & delightfully BONKERS!! a rollercoaster ride through Cage’s iconic filmography & full of quirky & heartfelt moments The most uncaged performance was suave in this meta lucid trip.

 

 

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Eraser: Reborn | Official Trailer

It is based on U.S. Marshal Mason Pollard who is specialized in engineering the fake deaths of witnesses that leaves no trace of their existence.

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Genre:

Action

Release Date:

VOD: March 31, 2022

Director:

John Pogue

Cast:

Dominic Sherwood, McKinley Belcher III, Mampho Brescia

Plot Summary:

It is based on U.S. Marshal Mason Pollard who is specialized in engineering the fake deaths of witnesses that leaves no trace of their existence.

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