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Vivarium: An Intriguing Movie With An Exceptional Set-up

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Near enough.
And far enough.
Just the right distance.

 

During this Corona crisis, watching a movie was an impossible task for me. Let alone that I could write down a sensible word to form an opinion. But now three weeks later, the urge to watch a movie once again came back. And I could focus on the movie without my mind wandering off to some disaster scenarios. Apparently, my doom thinking disappeared. And hurray. Even the traditional formulation of an opinion was possible again. Only the choice of film was a bit unfortunate. “Vivarium” isn’t exactly a movie that’ll make you happy. It has many similarities with the situation people in the world are in today. Isolated and tied to one specific living space. No contact with others. And a feeling of powerlessness, fear, and despair. However, it’s not a deadly virus why Gemma (ImogenGreen RoomPoots) and Tom (JesseThe Social NetworkEisenberg) are in this situation.

 

Vivarium

It looks like a painting by Magritte.

Let me warn you first. “Vivarium” isn’t exactly an everyday film. It’s very confusing and probably boring to some. Not only because of the painfully slow pace. But also because of the repetitive character of the film. And mainly, because of the completely surreal and absurd theme of this film. To be honest, from the start I had the feeling that I was looking at a surreal painting by Margritte. Those artificial, unnatural looking perfect clouds against a clear blue sky. The identical row houses in a distasteful green color. Everything looks artificial and unreal. As insignificant and abstract as the name of the neighborhood itself: “Yonder”.

 

Vivarium

How do we get out of here?

Gemma and Tom, a young couple that wants to settle down and are looking for an affordable home, end up at a real estate agency one day. The eerie-sounding and unworldly-reacting real estate agent invites them to visit a house in a suburb that’s just been built. At first sight a well-kept neighborhood. But at the same time a frightening neighborhood where all houses and gardens look identical. While Gemma and Tom visit the house, with house number 9, they’ve actually made a decision already. While viewing the nursery, bright blue and therefore already intended as a boys’ room, they suddenly realize that the real estate agent Martin (Jonathan Aris) has vanished into thin air. And after a while they discover that they’re not getting out of this maze of identical houses in any way. They have to accept that they are forever trapped in this artificial world.

 

Vivarium

What an annoying and strange little boy.

From then on, “Vivarium” becomes an uncomfortable film. As a viewer, you feel the despair and watch the youthful and lively couple evolve into an apathetic and indifferent duo whose daily routine consists of eating tasteless astronaut food and caring for a bizarre child. They found the boy at their front door in a cardboard box. Raising this child would be an opportunity to escape, as the message reads on the box. Only this toddler creates a conflict between Gemma and Tom. Not only does the boy’s behavior create tension. Their relationship with this strange little boy is also different. The little fellow seems to be not of this world, as well. His growth pattern isn’t normal. His behavior and way of communicating (he speaks with the voice of Gemma and Tom) are both absurd and annoying. The psychotic shouting until he gets his way would make me go ballistic for sure. And that’s how Tom responds. While Gemma, as a kindergarten teacher, creates a stronger bond with the nasty little boy, Tom reacts hostile and turns to digging a bottomless pit. Probably to find a way out.

 

Vivarium

I thought it was a captivating movie.

Don’t expect a conclusive explanation at the end of the movie. To be honest, there were as many open questions at the end of the movie as there were at the beginning. The final message was not really clear to me. Is it about the colorless and monotonous, routine life that some of us lead? Is it an indictment of our modernist and materialistic society? Or a satirical view of that society? Or are aliens using humanity to breed their species in an infinite cycle? Like the cuckoo at the beginning. Maybe I expected a little more. But in the end I thought “Vivarium” was an intriguing movie with an exceptional set-up, kind of unusual images and yet some admirable acting. In particular Imogen Poots left a lasting impression. However, I fear that not everyone will share the same opinion.

 

My rating 6/10
Links: IMDB

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Adventure

Cannon Arm and the Arcade Quest

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Cannon Arm and the Arcade Quest is a deadly serious comedy film about friendship and arcade games that’ll surely put a smile on your face and tug at your heartstrings. Set at Bip Bip Bar, it tells the story of a group of unlikely heroes aka friends who help Kim Cannon Arm attempts to be the first in the world to play Gyruss an arcade machine from the early 80s for 100 consecutive hours. The film showcases these heroic outsiders with dreams about becoming legendary world record holders. 

Watching Kim and his friends embark on this quest was certainly like preparing for a marathon as Kim’s friends make him get an annual physical checkup from the doctor, It was easy to get swept up and share their excitement. Director Mads Hedegaard introduces these bunch of endearing misfits who truly make up a kind and supportive community. We learn several details about each of Kim’s friends including careers, favourite games, bands, family life and plenty more. Each are unique and the Documentary made me feel like I’d known this group my whole life. 

The film is also able to capture the gaming atmosphere as it blasts through the 80s with synths and neon lights, which created a stylised, exhilarating journey into Kim’s brain and the world of Gyruss. Montages and Iron maiden tracks also feature and “I Need a Hero” by Bonnie Tyler features, which to me represented each member and the story which was ultimately made for pure entertainment. 

Themes of achieving success is a presence in this documentary as it has scenes filled with pure joy, sentimental bliss and deep philosophical moments of the loss of a friend and acceptance. As we watch Kim make his way through hours and hours of his challenge we see his friends are always with him for comfort and to help keep track. They play Iron maiden music to boost his moral but its clear to me that with friends like this, Kim has already won. 

https://youtu.be/d-AidtIZF64

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Reviews

Last Night in Soho – It Lends Itself To The Big Screen Experience That We Have All Craved

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Edgar Wright returns to his British roots with his love letter to 1960’s London…

When the trailer was first released for Last Night in Soho, it looked far removed from anything that Edgar Wright had ever directed and that is proved with the final product. Wright perfectly captures the intense, chaotic energy that is London with its somewhat ‘seedy’ underbelly. It feels like a love letter from Wright to a location that is clearly very close to his heart.

At times thrilling, at times exciting and at times frightening, Last Night in Soho never felt boring nor did it outstay it’s welcome. The screenplay is excellent with some vintage moments of Wright’s comedic style and the soundtrack is fantastic, perfectly reflecting 1960’s in London.

Thomasin McKenzie in Last Night in Soho

When the audience is transported back to London in the 1960’s through the eyes of our protagonist, Eloise (McKenzie), the iconography really does make it feel as though you’re stood in the middle of Soho in the 60’s. Certainly a wonderful, and at times unsettling, experience for both the audience and our lead character.

Anya Taylor-Joy stars as Sandy and Matt Smith as Jack in Edgar Wright’s LAST NIGHT IN SOHO, a Focus Features release. Credit: Parisa Taghizadeh / Focus Features

As for the cast, they all fit perfectly into their designated roles. Youngsters Thomasin McKenzie and Anya Taylor-Joy are our leading ladies and they perfect their roles to a tee. McKenzie goes from strength to strength with every role she does and Anya Taylor-Joy is beginning to find herself as the go to actress for horror. It will certainly be interesting to see the types of performances these two actresses put in for their next films.

Thomasin McKenzie, Anya Taylor-Joy and Matt Smith in Last Night in Soho.

Matt Smith is also very good here, his career trajectory since Doctor Who has been a very interesting one and he really is beginning to find his feet now. Acting greats Terence Stamp and the late great Diana Rigg play a crucial part in the films proceedings. It was wonderful to see Rigg back on the big screen for one final time.

The last ten minutes did begin lose the immersion that was felt during the rest of the runtime however the twist is a very good one. It’s great to see Wright experimenting more with his filmmaking and it would be wonderful to see more of this style from him, he is clearly a filmmaker who is not adverse to taking risks with his craft. Definitely catch this in cinemas if you get the opportunity, it certainly lends itself well to the big screen experience that we have all craved!

Last Night in Soho is released in UK cinemas on the 29th of October.

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Drama

Mothers of the Revolution – They’ve Challenged World Leaders, Altered The Course Of History And Truly Inspired Millions

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Mothers of the Revolution tells the story of one of the longest protests in history. Between 1981 and 2000, thousands of women from around the world came together at Greenham Common to take a rightful stand against nuclear proliferation. This remarkable group of fearless women were shunned by the press and the media. Director Briar March reveals the women as the cold war heroes they truly were, she tells the story of these women through their eyes and though reenactments as they persisted arrests, condemnation and scorn. 



In the early 1980s, a young mother in Wales was alarmed like many about the UK government’s Campaign called “Protect And Survive”, which advised people to use the four minutes between the warning and a nuclear strike to stack suitcases full of objects like books to absorb the radiation. The Pressure and rising threat to their own families’ safety called for action and thus the Women for Life on Earth group was born.

From the conversation around the kitchen table in Wales, Karmen Thomas took action. She was instrumental in organising the initial protest which on the 5th of September 1981 these women marched from Wales too Berkshire to protest over the nuclear weapons being kept at RAF Greenham Common. Over 120 miles they become a living protest against the British Governments decision. The protest surly gathered momentum as when the reached Greenham Common permanent camps were set up. 

Many women joined the camp such as Chris Drake, a single mother and millworker who truly felt like she belonged and felt like she was born again. Young mothers were not a group who traditionally had their voices heard at the time and the press moved on to other issues they deemed more important, So the women organised Embrace The Base. A day in which the camp and women across the country who travelled up joined hands to form a human chain around the entire military base. 

This documentary is a celebration of Greenham such as its spirit and the effects, which were all worth celebrating. However the film also shows the difficult aspects such as the brutal evictions and assaults by the police force and soldiers. It truly was a Cold War drama/thriller with the tension of a soviet spy novel. It’s also the story of love especially for family and children , and of the commitment these women made to a higher cause. 



They’ve challenged world leaders, altered the course of history and truly inspired millions, it’s an emotional and empowering documentary. 

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