The Perfection: It Never Gets Boring
All that time with Anton,
the pressure to be perfect.
Whenever I read newsflashes about films that make people suffer from migraine attacks and even make them sick, my curiosity is immediately awakened. The final verdict can go two ways. Or the film indeed has an ingeniously elaborated story and is provided with images the average stomach can’t bear. Or it’s the umpteenth overrated movie of which you ask yourself afterward “Who on earth made such statements?“. Are those people who’ve never seen a similar film as “The Perfection“? Are they film lovers who limit themselves to innocent rom-coms? Or supporters of superficial films such as “The Sound of Music“? No idea. In any case, I couldn’t find any nauseating fragments or rancid footage in this Netflix Original. But that doesn’t mean I thought it was a terrible movie. On the contrary. “The Perfection” contains a cleverly put together story, some successful acting, and a surprising denouement. So, highly recommended.
A bit suspense. A bit erotism.
I myself thought that “The Perfection” was nothing more than a psychological thriller with a bit of erotism and a few lurid events. Admittedly, the denouement will look pretty disturbing for some. But I assure you that this film will mislead you from the start. The goal that Charlotte (Allison “Get out” Williams) has in mind and the reasons for this are of a very different nature than you would expect. If you realize what a dark secret the Bachoff Institute is hiding, where Charlotte has taken lessons for years as a gifted cellist, it will give you more chills than the bus ride through rural China. The film fits in perfectly with our modern zeitgeist where there’s a “Me too” movement that explicitly tries to draw attention to sexual harassment and sexual assault. How the renowned academy Bachoff can be associated with this is something that you have to discover for yourself in this original film.
A mixed bag of different genres.
It’s quite clear that this film is difficult to catalog when it comes to the genre. It’s actually a mixed bag of different genres. It’s a light-erotic thriller with a dash of horror. For experienced horror enthusiasts, the horror part will be slightly disappointing. You could describe it as an ultra-light version of “I spit on your grave“. But without explicit visual material and a wide variety of horrifying revenge actions. And from the beginning of the film till roughly halfway, it’s a mild drama where you are introduced to the most important protagonists. Charlotte, a talented cellist who, after years of absence (taking care of her sick mother), seeks contact again with her former music teacher Anton (Steven Weber) and his wife Paloma (Alaina Huffman). But especially the meeting with the new star of the academy, cellist Lizzie (Logan Browning), is causing some stir. First of all, you can feel the competition between the two cellists whose finger-fastness and sensitive handling of the fiddlestick create magical sounds the moment they squeeze a cello between their knees. As these two, not bad-looking classical musicians spend more time together, the sexual tension between them increases. And before they know it, they make use of the skills they use while playing the cello, when they are all over each other when lying naked under the sheets.
It’s not perfect but still.
Once this introduction took place and the two lovebirds are sitting on a local bus on their way to some small town in China, the film goes in a higher gear. The frivolous atmosphere makes way for exciting situations and horror elements. It feels rather mysterious. Even the rewind moments won’t really clarify it. On the one hand, I thought this technique was kind of an original approach. On the other hand, it seemed rather pedantic. Let’s say something about acting. There’s actually nothing negative to announce. You can safely state that the two main characters almost reach perfection when it’s about that. The chemistry between the two girls is realistic. The different moods that they struggle through are convincing. Steven Weber and Alaina Huffman also fit perfectly into their role. An illustrious couple consisting of dark personalities. Perhaps it seems as if they have mixed a number of different genres and it feels as if they didn’t know which direction to go. But it never gets boring. No, “The Perfection” is certainly not perfect. But it wasn’t very far from perfection.
You can watch “The Perfection” on Netflix now.
My rating 7/10
Jharrel Jerome and Jennifer Lopez to Headline ‘Unstoppable’ for Ben Affleck & Matt Damon’s Production Company
Hot off the great reviews for the upcoming Air Jordan flick, Air, it seems that Matt Damon and Ben Affleck are already set for their next project, one that will star someone near and dear to the heart of the latter. News comes in from Deadline, that Jennifer Lopez (Hustlers, Out of Sight) will star in the upcoming wrestling drama Unstoppable which comes from the new Artists Equity banner from Affleck and Damon, as well as Amazon. Additionally, in a separate report, we know that Emmy-winning actor Jharrel Jerome (When They See Us, Moonlight) will star as the lead of the film, playing the son of JLo’s character.
Unstoppable will star Jerome as three-time All-American wrestler Anthony Robles, an athlete born with one leg who persevered through his inspiring story to win a National Championship at Arizona State University. Lopez is set to play his supportive mother, Judy Robles. Robles, himself, is expected to be heavily involved in the production process of the film, which again, is set to stream on Amazon and produced by Amazon Studios. The latter news makes a lot of sense, following the early success of Air and the partnership forged between Amazon and Artists Equity on that particular project. Production on Unstoppable is expected to start sometime this Summer.
Lopez appeared on screen in two romance films last year with Amazon’s Shotgun Wedding and Marry Me which got a same day release in theaters and on Peacock. She’ll next appear in The Mother on Netflix which is directed by Mulan director Niki Caro.
Jerome is best known for his Emmy-winning role as Korey Wise in the limited Netflix series When They See Us based on the Central Park Five which was directed by Ava DuVernay. He’ll soon be seen in Steven Soderbergh’s HBO Max series Full Circle before leading Amazon’s I’m a Virgo from Sorry to Bother You filmmaker Boots Riley.
‘1883’ Spinoff Series ‘Bass Reeves’ Adds Dennis Quaid to Cast
Dennis Quaid (Far from Heaven, The Day After Tomorrow) is the latest star to join the cast of Bass Reeves, a new drama series coming from Taylor Sheridan (Yellowstone, Tulsa King) and Paramount+, according to Deadline. Bass Reeves was announced as a spinoff to the Yellowstone prequel, 1883 back in May 2022 with David Oyelowo (Selma, A Wrinkle in Time) attached to star as the legendary lawman.
Bass Reeves will follow Oyelowo as someone who is known to many as “the greatest frontier hero” in American history in his own series on Paramount+. The streamer already houses so many Sheridan-fronted programs, most recently, Mayor of Kingstown starring Jeremy Renner returned for its second season while CIA drama, Lioness added to its cast with Nicole Kidman and Morgan Freeman. Some believe that Reeves served inspiration to “The Lone Ranger” having worked as a peace officer for Indian territory capturing over 3,000 criminals on that land. Quaid will play Sherrill Lynn, a Deputy U.S. Marshall within the show.
Quaid most recently voiced the character Jaeger Clade in Disney’s animated feature Strange World which is currently available to stream on Disney+. He’ll also star in Steven Soderbergh’s upcoming HBO Max series Full Circle alongside Zazie Beetz, Claire Danes and Emmy-winner Jharrel Jerome.
Amy Winehouse Biopic ‘Back to Black’ Adds to Cast with Jack O’Connell, Eddie Marsan and Lesley Manville
Let the casting of music biopics commence! As we’ve been hammered with news of superstar musician biopics each and every week, we have more news of one that is filming currently with Back to Black about the late, great Amy Winehouse. While it was reported back in January that Industry star, Marisa Abela will be leading as Winehouse, we now have details courtesy of Deadline on who will be joining the British pop star’s life story on screen.
The report indicates that Jack O’Connell (Unbroken, ’71), Lesley Manville (Phantom Thread, Another Year) and Eddie Marsan (Ray Donovan, The World’s End) will all appear alongside Abela in Back to Black. O’Connell is set to play Blake Fielder-Civil, the love of Winehouse’s life who she was married to from 2007 until 2009, just a few years prior to her death as their love was unfortunately addled by prescription drug abuse and alcohol as well as multiple stints in rehab for both of them. Marsan will play Winehouse’s father while Manville will play Winehouse’s maternal grandmother in the film.
Back to Black will follow the life of one of the greatest singer-songwriters of all-time in Amy Winehouse. Her sophomore album (which the film is named after) won her 5 Grammy Awards all at the young age of 25 just before her untimely death in 2011 at age 27. The film will focus on Amy’s creativity, genius and upbringing at Camden High School in the UK before she propelled into stardom.
The film will be written by Matt Greenhalgh and directed by Sam Taylor-Johnson reuniting the two of them after their 2009 film Nowhere Boy, which chronicled John Lennon’s formative years and adolescence. Taylor-Johnson is coming off directing episodes of Hunters and Solos for Amazon but is best known for helming Fifty Shades of Grey.
O’Connell had a big 2022 starring in Netflix’s Lady Chatterly’s Lover and MGM+’s new original series, SAS Rogue Heroes. He’ll next star as professional race car driver Peter Collins in Ferrari. Manville most recently starred as Princess Margaret in the recent season of The Crown for Netflix and in Mrs. Harris Goes to Paris for which she earned a Golden Globe nomination. Marsan is best known for playing Ray Donovan‘s brother, Terry in the hit Showtime series but will next appear in the film, Fair Play with Alden Ehrenreich and Phoebe Dynevor.
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