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IO: An Orgasmic Experience For Global Environmentalists And Defeatists

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Sam, we have to leave this place.
Sooner or later you’ll have to.

 

IO” will certainly be an orgasmic experience for global environmentalists and defeatists. Supporters of global protest movements about global warming and the destruction of our balanced eco-system will certainly use this film as an example to reinforce their apocalyptic disaster scenarios. Can you already imagine it? Such a television program where they put a microphone under the nose of such an environmental adept? You can bet that comments such as “You see. Any idea what misery we’ll get into if we don’t intervene now?” will be flung at the interviewer. In my humble opinion, all this is a storm in a glass of water (And no, global warming didn’t cause that storm). I blame it on the natural evolution that our planet is undergoing. An evolution in cycles in which we as humans only speed up the process because of our polluting behavior. Soit. I should stick to just one particular thing I’m good at. And that’s to write down a review of the movie in question. Short and concise: the film is as boring as any environmental debate of today.

 

 

IO

 

Planet Earth on the brink of destruction.

For those who didn’t know yet, “IO” shows us for the umpteenth time a deserted, uninhabitable planet Earth. This concept has been used to a great extent in multiple films with a different cause each time. Either it’s because of a zombie outbreak like in “World War Z” and similar zombie movies. Or it’s prehistoric creatures like in “The Silence” that cause a global slaughter. And let’s not forget aliens? They appear all the time to plunder our blue planet because they themselves are without resources. Viruses, impulses via mobile telephones, an innocent text message, a computer virus or simply a world war. An enormous number of causes have already been used to create chaos with an extinct planet as a result.

 

 

IO

 

Everybody left. Sam stayed.

Here in “IO“, it’s toxic fumes that cause the population to die en masse. Choking and blood transforming into a black liquid. Scientists claim the reason is an unexpected change in atmospheric composition. Smart people with common sense realize that it’s only Mother Earth who is thoroughly sick and tired of us and tries to get us off this planet with a well-aimed ecological kick in the butt. The result is a massive exodus to IO, a planet floating around somewhere near Jupiter. But that doesn’t apply to teenage girl Sam (Margaret Qualley) who stayed behind on Mother Earth, living in a house somewhere on a mountain where the toxic fumes can’t reach. When she looks over the valley, this smothering smog hangs like fog in the valley. Even a storm cannot blow these toxic fumes over the ridge. What the storm surely did, was blowing away a bee colony, necessary for the scientific research Sam and her father, who initiated this research and apparently didn’t survive the disaster, were doing. Or he went up in smoke. I cannot judge what this scientific research actually meant or if it made sense. That’s probably due to my limited intelligence.

 

 

IO

 

Dullness and slowness.

All in all, the beginning of the film wasn’t bad. Sam wearing an oxygen mask, traveling through the deserted streets of some American city with the help of a quad (equipped with a trailer). Images of a dead city and horribly dark underground corridors where rainwater drips from the ceiling. And the realization that her visiting time is limited to the content of the oxygen bottles. A miscalculation and she falls prey to the toxic fumes. Exciting. Captivating. But at the same time, it’s not groundbreaking. Even when Micah (AnthonyFalconMackie) arrives in a Jules Verne-like balloon, it doesn’t get much more fascinating. What follows is a conflict between these two main characters. Sam wants to continue her father’s life’s work and prove that life on Earth could be possible in the future. Micah wants to board the last spaceship that leaves for IO but needs some extra help. When the romantic get-together comes into play, I immediately thought of “Z for Zachariah“. A similar film that starts interesting but is characterized by a general dullness and slowness.

 

 

IO

 

Dissappointing.

The two main characters weren’t the problem. Margaret Qualley is a good-looking appearance and shows in a solid way how determined the character Sam is. Only the decisions she made were a bit implausible. Anthony Mackie manages to play the unsympathetic balloonist with a self-control problem effortlessly. The script was too nihilistic for me. The pace was irritatingly low. And the story itself was extremely boring. Many technically perfect still lifes. Lots of musing and breaks full of drama. Even the hopeful ending with a mythological-religious message couldn’t raise the level. Well, “IO” was a bit of a disappointment for me. I didn’t expect a “Lucas Arts” kind of movie where everything “explodes and blasts and bleeps”. But in terms of dullness, this Netflix Original still beats many competitors.

You can watch “IO” on Netflix now!

 

My rating 4/10
Links: IMDB

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The Unbearable Weight of Massive Talent Review | A Meta Lucid-Trip

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Nicholas Cage stars as Nick Cage in the action-comedy The Unbearable Weight of Massive Talent. Creatively unfulfilled and facing financial ruin, the fictionalised version of Cage must accept a $1 Million offer to attend the birthday of a dangerous superfan (Pedro Pascal). Things take a wildly unexpected turn when Cage is recruited by a CIA operative (Tiffany Haddish) and forced to live up to his own legend, channelling his most iconic and beloved on-screen characters in order to save himself and his loved ones. With a career built for this very moment, the seminal award-winning actor must take on the role of a lifetime: Nick Cage.

‘Nicolas Cage’ (Nicolas Cage) greets ‘Javi Gutierrez’ with a ‘Palm Hold Fist’ salute as he arrives in Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

From filmmakers, Tom Gormican and Kevin Etten, The Unbearable Weight of Massive Talent is a sincere, authentic, and hilarious love letter to Nicholas Cage. It’s also an absolute hoot and delightfully bonkers as we take a rollercoaster ride through his iconic filmography. Full of quirky and heartfelt moments, the film showcases the most uncaged performance from the man himself as, after all, it’s the role he was born to play.

Nicholas Cage is nothing less than a screen legend whose iconic pictures include The Rock, Face/Off, Con Air, Moonstruck, Honeymoon in Vegas, and Academy Awarding winning turn in Leaving Las Vegas. The Unbearable Weight of Massive Talent builds upon that renowned work and twists and turns it with an imagined “Nick Cage”. He’s able to do any genre from romantic comedies, avant-garde films like Mandy and Wild at Heart, and big tentpole franchises such as National Treasure.

The film is a homage to his body of work and the genres that he’s worked in. He’s a man known for taking risks early in his career that paid off handsomely but in the later years, he’s taken to independent film work some heading straight to streaming. Mandy, Joe, Prisoners of Ghostland and Pig are among my favourites. Each is interesting ranging from unusual to insane.

In the movie “Nick Cage” is a fictionalised version of the star, imagined as a once-highly respected actor who has fallen on hard times and is craving a return to box office glory and prestige. But his waning career is only one of his problems. The faux Cage’s megalomania has poisoned his relationships with his ex-wife Olivia (Sharon Horgan) and daughter Addy (Lily Sheen), unfortunately, though he can’t see it as the fictional Cage is feeling unfulfilled and rejected. This is in contrast with the real Nicholas Cage who recently received his best reviews for his performance in Pig

Photo Credit: Katalin Vermes/Lionsgate

Nick becomes frustrated and a little unhinged, when he loses out on a role that he’s desperate to inhabit so when his smarmy agent played by Neil Patrick Harris extends him a lifeline with an offer to attend a birthday party for a cool payday of one million dollars, Nick despite his instincts reluctantly agrees, and hops on a plane to meet the birthday boy/ cage superfan in picturesque Mallorca, Spain.

Upon arriving in Mallorca and being greeted personally by Javi, Nick is completely checked out until he discovers that he and his host have much in common and begin to bond. Both are cinephiles and share a love of everything from The Cabinet of Dr Caligari to Paddington 2.

That’s not all they have in common. The wealthy man is just as neurotic as his guest of honour and they both find themselves looking for inspiration from the actor’s famously bold audacious characters.

The Unbearable Weight of Massive Talent is an intriguing change of pace for Pascal, he inhabits the role of Javi, but as neurotic as he is the character turns out to be an international arms dealer and crime boss. Both Cage and Pascal have incredible chemistry together and truly form a bromance. They are so much fun together and unapologetic about their shared admiration. It is infectious.

Javi Gutierrez’ (Pedro Pascal, left) and ‘Nicolas Cage’ (Nicolas Cage, right) zooming through the mountains of Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

VERDICT

The Unbearable Weight of Massive Talent was such a hoot & delightfully BONKERS!! a rollercoaster ride through Cage’s iconic filmography & full of quirky & heartfelt moments The most uncaged performance was suave in this meta lucid trip.

 

 

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Sonic the Hedgehog 2: Review | A Nostalgic Next-Level Adventure

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The world’s favourite blue hedgehog is back for a next-level adventure in Sonic The Hedgehog 2. After settling in Green Hills, Sonic is eager to prove he has what it takes to be a true hero. His test comes when Dr Robotnik returns, this time with a new partner, Knuckles, in search of an emerald that has the power to destroy civilizations. Sonic teams up with his sidekick, Tails, and together they embark on a globe-trotting journey to find the emerald before it falls into the wrong hands.

The first Sonic movie only opened in February of 2020, and it turned out to be far better than expected and a faithful video-game adaptation. The Blue Blur raced towards a box office record when the pandemic hit. But fast forward two years, and we already have a sequel. A sequel in fact that is bigger and bolder, takes every endearing aspect of the original and cranks it up to the next level which makes it a worthy successor.

Previously Jim Carrey’s Dr Robotnik vowed revenge after being banished to the Mushroom Planet, while high-flying fox Tails (Colleen O’Shaughnessey) appears through a ring portal above Sonic’s new home of Green Hills. The first film also began with baby Sonic, back in his universe, being hunted by a tribe of Echidnas, which felt like a hint that red-fisted Knuckles wasn’t far behind. Sonic The Hedgehog 2 showcases these previous events and has taken the foundation laid from Sega’s second Sonic game from 1992. The 16-bit platform sequel showcased a newly revamped Sonic with new controls and a two-tailed fox friend that aids him. With the new upgrades also came more threats from Sonic’s nemesis evil Dr Robotnik, who is once again planning world domination. Paramount’s sequel expands the story of the platform game and delivers a nostalgic themed ride with laugh-out-loud moments and valuable life lessons.

The first movie was all about Sonic finding his place in a lonely world, while the sequel uses these life lessons by challenging the titular character to slow down and think of others. Having found a home and family we find Sonic restless for adventure. Tom (James Marsden) his adopted father figure helps to guide this blue justice (trademark pending) urging him to be more responsible after his short-lived stint as a vigilante.

Sonic is still the sarcastic and absurdly obsessed with contemporary pop culture Hedgehog we know and love. Voiced once again brilliantly by Ben Schwartz, he imbues an energetic childlike performance. Much like a child-friendly version of Deadpool, Sonic cracks jokes about Vin Diesel and busts some moves to some old-school classic hip-hop.

The additions of Tails (Colleen O’Shaughnessey) and Knuckles (Idris Elba) was a welcoming one as they inject a surprising amount of humour and heart into the story and feel like faithful live-action adaptations as you would expect from their game appearances. Tails is the brains of the trio, with his gadgets and smarts are made use of during many of the action sequences. Tails is a young, anthropomorphic fox cub with two distinct tails, which allow him to fly. He idolises Sonic as a hero and ring portals into Green Hills having tracked Sonic and takes off to find him, hoping that he’s not too late. Watching the pair’s friendship develop on-screen was adorable, there are genuinely sweet moments between these two.

O’Shaughnessey is the one voice cast member from the sonic games to reprise her role for the film. She’s spent eight years voicing Tails and has an endearing understanding of Sonic’s best friend.

Elba channels the little red wrecking ball with deadpan humour which contrasts Sonic’s speedy energetic snark. An anthropomorphic red Echidna warrior with super-strength is the sole survivor of his tribe after they were wiped out. His entire existence is about honour and being a warrior, describing him as a force of nature who collaborates with Robotnik to find the master emerald and defeat Sonic. The chemistry between the three main video game characters is a genuine highlight.

Jim Carrey is diabolical and even more unhinged in the sequel, he delivers one of his most over-the-top performances and fully embraces his respective role with exaggerated deliveries and elastic slapstick humour only he can provide. When teamed up with Knuckles this creates a juxtaposition between brains and brawn and with the return of Latte loving Agent Stone (Lee Majdoub) creates entertaining sequences and dialogue scenarios that are hilarious for children and adults alike.

With a speedy pacing, dance number, and a Hawaiian subplot featuring characters and arcs outside the main storyline, the movie tends to exert itself but made up for it with a bridezilla rampage and an escape sequence. The story picks up the speed with the CGI characters as Sonic and Tails embark on an adventure to retrieve the emerald before Robotnik can get his hands on it. Along the way, we’re treated to high-octane action sequences, easter eggs, and plenty of gags. The sequel takes them on a globe-trotting journey through an exhilarating snowboarding sequence and many familiar moments featured in the game, seeing the Tornado biplane brought to life truly put a smile on my face. The scope and scale of the sequel are immense as we portal across the globe to hot, cold, and hostile environments.

Sonic the Hedgehog 2 is a more confident sequel and a more enjoyable family film, that delivers heart and authenticity for fans of the game. With elements that set up a third entry, I can’t wait to see what’s next in the franchise as it expands with a mid-credits sequence and an already-confirmed streaming show on Paramount Plus starring Knuckles. The Sonic Cinematic Universe is a franchise I can’t wait to see grow, with decades of characters to appear, it’s gonna be an exciting time, especially since Sonic the Hedgehog is celebrating his 30th Anniversary.

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Paramount Drops New Character Posters For The Lost City

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With just twenty-four days until The Lost City drops in cinemas in America and 13th of April in the UK Paramount Pictures has kicked into gear their promotional material as earlier this afternoon they dropped brand new character posters for the film along with early tickets for Fandango Early Access screenings.

Official Synopsis for the film reads:

Brilliant, but reclusive author Loretta Sage (Sandra Bullock) has spent her career writing about exotic places in her popular romance-adventure novels featuring handsome cover model Alan (Channing Tatum), who has dedicated his life to embodying the hero character, “Dash.” While on tour promoting her new book with Alan, Loretta is kidnapped by an eccentric billionaire (Daniel Radcliffe) who hopes that she can lead him to the ancient lost city’s treasure from her latest story. Wanting to prove that he can be a hero in real life and not just on the pages of her books, Alan sets off to rescue her. Thrust into an epic jungle adventure, the unlikely pair will need to work together to survive the elements and find the ancient treasure before it’s lost forever.

The new character posters showcase the main cast of The Lost City Surrounded by the jungle and the concept is truly creative as it toys with the idea of Bullock’s character’s book of fiction becoming a reality. the Tagline’s for example Bullock’s character Loretta is “not a real adventurer”, Tatum’s character is “not a real hero”. Following the trend, Radcliffe’s character is “not a real evil genius. There are also character posters for Da’Vine Joy Randolph, Patti Harrison, and Oscar Nuñez.

The Lost City is directed by Adam Nee and Aaron Nee, with a screenplay by Oren Uziel, Dana Fox and the Nee brothers, based on a story by Seth Gordon. Liza Chasin, Sandra Bullock, and Seth Gordon all serve as producers, alongside executive producers JJ Hook, Dana Fox, Julia Gunn, and Margaret Chernin.

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