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IO: An Orgasmic Experience For Global Environmentalists And Defeatists

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Sam, we have to leave this place.
Sooner or later you’ll have to.

 

IO” will certainly be an orgasmic experience for global environmentalists and defeatists. Supporters of global protest movements about global warming and the destruction of our balanced eco-system will certainly use this film as an example to reinforce their apocalyptic disaster scenarios. Can you already imagine it? Such a television program where they put a microphone under the nose of such an environmental adept? You can bet that comments such as “You see. Any idea what misery we’ll get into if we don’t intervene now?” will be flung at the interviewer. In my humble opinion, all this is a storm in a glass of water (And no, global warming didn’t cause that storm). I blame it on the natural evolution that our planet is undergoing. An evolution in cycles in which we as humans only speed up the process because of our polluting behavior. Soit. I should stick to just one particular thing I’m good at. And that’s to write down a review of the movie in question. Short and concise: the film is as boring as any environmental debate of today.

 

 

IO

 

Planet Earth on the brink of destruction.

For those who didn’t know yet, “IO” shows us for the umpteenth time a deserted, uninhabitable planet Earth. This concept has been used to a great extent in multiple films with a different cause each time. Either it’s because of a zombie outbreak like in “World War Z” and similar zombie movies. Or it’s prehistoric creatures like in “The Silence” that cause a global slaughter. And let’s not forget aliens? They appear all the time to plunder our blue planet because they themselves are without resources. Viruses, impulses via mobile telephones, an innocent text message, a computer virus or simply a world war. An enormous number of causes have already been used to create chaos with an extinct planet as a result.

 

 

IO

 

Everybody left. Sam stayed.

Here in “IO“, it’s toxic fumes that cause the population to die en masse. Choking and blood transforming into a black liquid. Scientists claim the reason is an unexpected change in atmospheric composition. Smart people with common sense realize that it’s only Mother Earth who is thoroughly sick and tired of us and tries to get us off this planet with a well-aimed ecological kick in the butt. The result is a massive exodus to IO, a planet floating around somewhere near Jupiter. But that doesn’t apply to teenage girl Sam (Margaret Qualley) who stayed behind on Mother Earth, living in a house somewhere on a mountain where the toxic fumes can’t reach. When she looks over the valley, this smothering smog hangs like fog in the valley. Even a storm cannot blow these toxic fumes over the ridge. What the storm surely did, was blowing away a bee colony, necessary for the scientific research Sam and her father, who initiated this research and apparently didn’t survive the disaster, were doing. Or he went up in smoke. I cannot judge what this scientific research actually meant or if it made sense. That’s probably due to my limited intelligence.

 

 

IO

 

Dullness and slowness.

All in all, the beginning of the film wasn’t bad. Sam wearing an oxygen mask, traveling through the deserted streets of some American city with the help of a quad (equipped with a trailer). Images of a dead city and horribly dark underground corridors where rainwater drips from the ceiling. And the realization that her visiting time is limited to the content of the oxygen bottles. A miscalculation and she falls prey to the toxic fumes. Exciting. Captivating. But at the same time, it’s not groundbreaking. Even when Micah (AnthonyFalconMackie) arrives in a Jules Verne-like balloon, it doesn’t get much more fascinating. What follows is a conflict between these two main characters. Sam wants to continue her father’s life’s work and prove that life on Earth could be possible in the future. Micah wants to board the last spaceship that leaves for IO but needs some extra help. When the romantic get-together comes into play, I immediately thought of “Z for Zachariah“. A similar film that starts interesting but is characterized by a general dullness and slowness.

 

 

IO

 

Dissappointing.

The two main characters weren’t the problem. Margaret Qualley is a good-looking appearance and shows in a solid way how determined the character Sam is. Only the decisions she made were a bit implausible. Anthony Mackie manages to play the unsympathetic balloonist with a self-control problem effortlessly. The script was too nihilistic for me. The pace was irritatingly low. And the story itself was extremely boring. Many technically perfect still lifes. Lots of musing and breaks full of drama. Even the hopeful ending with a mythological-religious message couldn’t raise the level. Well, “IO” was a bit of a disappointment for me. I didn’t expect a “Lucas Arts” kind of movie where everything “explodes and blasts and bleeps”. But in terms of dullness, this Netflix Original still beats many competitors.

You can watch “IO” on Netflix now!

 

My rating 4/10
Links: IMDB

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Why ‘Return to Oz’ is one of my favorite films now

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I have said it once and I’ll say it again. Nothing could match the sheer brilliance of the 1939 Judy Garland-led film The Wizard of Oz, but there is another film that was flown under the radar that was forgotten by many Oz fans after its release. That film was Return to Oz.

The movie is the unofficial sequel to the 1939 classic film. It follows a young Dorothy Gale six months after she came back from the Land of Oz. She is sent a key by the scarecrow via a shooting star and gets back to the magical land of Oz using a raft on a floating river. She is accompanied by a talking chicken, a metalhead named Tik-Tok, a Gump and Jack Pumpkinhead. 

The gang battles the evil Princess Mombi and her boss the Nome King. They must find the Scarecrow and unfreeze all of the inhabitants of the Emerald City. 

The film bombed at the box-office and only received mixed reviews, but, over the years, it has gained popularity, thanks to the internet and other Oz fans. 

As a child, I have always been fascinated with the idea of a person or a group of people traveling to a distant and fantastical land of wonder and amazement. That’s why I love movies like Alice In Wonderland, The Wizard of Oz and The Chronicles of Narnia but this Walter Murch film from 1985 seems to capture my attention whenever I’m on Disney+ trying to kill some time. 

The story is so simple that it takes the journey of the hero and breathes new life into the marvelous land of Oz and the films that inspired it. It has a certain kinship to the nostalgic movies that I previously watched as a child in the 2000s. 

Another reason that I love this film so much is because of the magnificent score by David Shire. His music is so beautifully crafted that it makes one weak in the knees and the heart. Each note is a transformative thrill into Murch’s vision of what L. Frank Baum’s Oz was. The film uses every single strand of filmmaking techniques that the 1939 film originally hosted. 

Since its release, it has been acclaimed as a cult classic and its nostalgic charm is what makes it so likable and watchworthy. 

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Five Reasons To Love ‘The Amazing Spider-Man 2’ 

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Back in 2014, The Amazing Spider-Man 2 opened into theaters with a mixed reception from critics and audiences and has been deemed as the least desirable of the Spidey movies. In the film, Peter Parker (Andrew Garfield) must face off against another villain who has been given the name Electro. Moreover, our brave hero uncovers some bizarre mysteries surrounding his parents.

Many fans of the series view the film as an overcrowded mess, but I think it might be the most entertaining of all the Spidey films, until No Way Home arrived, and here are five reasons why that remains true.

Andrew Garfield

The Amazing Spider-Man 2 [Credit: Sony Pictures]

First and foremost, Garfield is always a delight to have in the Spidey outfit. His charisma and witty banter is almost what makes the film truly great. I have always said that he was the best Spider-Man and this movie proves it with his ability to elevate any scene from dull slog to a comedic venture. 

Spidey, in this particular movie, embodies the hero in the original comics with his incessant need to make a fast-talking quip to one of his enemies. There is nothing better than a comic-book character sticking true to his essence and spirit of its source material.

Electro

The Amazing Spider-Man 2 [Credit: Sony Pictures]

Despite what many people say about the villains, Jamie Foxx as the supercharged baddie Electro proves to be a formidable opponent for the web-head, with his omnipotent powers and overly-powered nature. More than that, Max Dillon is depicted as a quiet, shy loner who is invisible to other people. He is essentially a nobody, until he falls into a vat of electrically-charged eels and becomes the sinister villain Electro. 

To better understand a villain, you must understand their plight and Electro’s plight is that of a rags-to-riches success story and the visual effects are certainly something to marvel at. 

Action Sequences

The Amazing Spider-Man 2 [Credit: Sony Pictures]

This article wouldn’t be complete if I decided not to talk about the exhilarating action that embodied the film. Whether we see Spidey chasing down a truck with Oscorp’s product or a massive fight inside a grid that seems like a colossal feat for any Marvel film, the film can take a lot of pride in its action sequences. 

One can also never forget the massive and iconic battle sequence between Electro and Spidey in Time Square that seems impossible to be made. 

Green Goblin

The Amazing Spider-Man 2 [Credit: Sony Pictures]

While he remains a secondary villain, Dane Dehaan’s Green Goblin is still noteworthy. Dehaan portrays Harry Osborne who is left with his dead father Norman’s life work and stumbles upon a Goblin serum that enhances his speed, strength, and intelligence. 

His little spat with Spider-Man is certainly befitting for the dark, moody tone of the film and entertaining for plenty of comic fans with zippy action and certified intensity. In the end, he is also responsible for the death of Spidey’s girlfriend Gwen Stacy. 

Gwen Stacy Death

The Amazing Spider-Man 2 [Credit: Sony Pictures]

Speaking of Gwen Stacy, this is the only Spidey film that features his love interest dying. As he battles the Green Goblin, Spidey attempts to hold on to Stacy, literally, by a thread in the clocktower. However, when the thread snaps, Spidey is able to snag her in mid-air but the whiplash of the fall snaps her neck, killing her. 

What might be the saddest moment in any Spider-Man film, was brought to life in this extraordinary scene that silenced an entire generation of Spider-Man fans. 

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Adventure

‘1883’ Spinoff Series ‘Bass Reeves’ Adds Dennis Quaid to Cast

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Dennis Quaid (Far from Heaven, The Day After Tomorrow) is the latest star to join the cast of Bass Reeves, a new drama series coming from Taylor Sheridan (Yellowstone, Tulsa King) and Paramount+, according to DeadlineBass Reeves was announced as a spinoff to the Yellowstone prequel, 1883 back in May 2022 with David Oyelowo (Selma, A Wrinkle in Time) attached to star as the legendary lawman.

Bass Reeves will follow Oyelowo as someone who is known to many as “the greatest frontier hero” in American history in his own series on Paramount+. The streamer already houses so many Sheridan-fronted programs, most recently, Mayor of Kingstown starring Jeremy Renner returned for its second season while CIA drama, Lioness added to its cast with Nicole Kidman and Morgan Freeman. Some believe that Reeves served inspiration to “The Lone Ranger” having worked as a peace officer for Indian territory capturing over 3,000 criminals on that land. Quaid will play Sherrill Lynn, a Deputy U.S. Marshall within the show.

Quaid most recently voiced the character Jaeger Clade in Disney’s animated feature Strange World which is currently available to stream on Disney+. He’ll also star in Steven Soderbergh’s upcoming HBO Max series Full Circle alongside Zazie Beetz, Claire Danes and Emmy-winner Jharrel Jerome. 

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