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HORROR

Child’s Play: A Creditable Attempt To Breathe New Life Into The Chucky Franchise

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What’s your name?
Andy. ‘Sup?
Hi, Andysup.

It seems like a lifetime ago since I saw the original film with the demonic pop Chucky dangerously swinging around with a razor-sharp butcher knife. Well, It’s not a hundred years, but thirty years is a long time as well. That’s how long it’s been since I went to get the VHS of this movie in the local video store. Apparently several sequels have been made after the initial release. Somehow I’ve missed that. Me and sequels. It remains an eternal struggle. Because there wasn’t anything better to choose from and I had nothing to do, I still took the risk and watched this modern version. Apart from the fact that the doll looks slightly different, has been given a different name and the reason for its malicious behavior has changed slightly, it was exactly as if I went back in time. “Child’s Play” has the same 80s horror mood.

 

Child's Play

 

A pimped version.

But first of all a big compliment to the makers of this pimped version. Most reboots or remakes just seem like a duplicate of the original. Here they really deviate from the original story. It’s not the soul of a serial killer that transforms the doll into a bloodthirsty, diabolical murderous toy. Here it’s an aggrieved and irritated Chinese factory worker who starts to mess with the security software out of revenge. To be honest, I felt like giving up at that moment. A ragged and clearly unkempt Chinese guy reprogramming the source software was, in my eyes, completely absurd and exaggerated. Fortunately, I persisted. Because all in all “Child’s Play” wasn’t so bad.

 

Child's Play

 

Don’t expect creepiness.

What disappointed me a bit, was the doll itself. Especially the transformation from good to evil. In the original film, Chucky did get a diabolical and cruel expression. In this movie, they wanted to achieve the same effect by providing Buddi (as this child-friendly babysitter is now called) with red-glowing eyes. Well, it wasn’t really scary. And to be honest, this film isn’t creepy at all. I thought it was rather entertaining horror material, suitable for the novice horror enthusiast. Don’t expect any nasty-looking killings either. You’ll see clichéd situations where circular saws and a lawnmower (or something like that) are used in. The favorite murder instruments from the 80s.

 

Child's Play

 

Acceptable acting.

The acting was generally acceptable. Only Aubrey Plaza as Andy’s mother wasn’t really convincing. To be honest, she seemed to be the sister of Andy (Gabriel Bateman), the introverted boy with a hearing problem. David Lewis played the most annoying character. That means you can say that his acting was successful. The most light-hearted and comical part was provided by Brian Tyree Henry as police officer Mike, who lives with his mother. It’s not only the mother-son correlation that sometimes causes hilarious moments. There are also slapstick-like scenes, such as the gift-wrapped item (Well, I try to stay vague about this) that falls into the hands of Mike’s mother by mistake. Most surprising in this film was the fact that Mark Hamill (Yes, Luke Skywalker himself) was responsible for Chucky’s dialogues.

 

Child's Play

 

A nice time-killer.

In the end, this was a creditable attempt to breathe new life into the Chucky franchise. This modernized version is not an epic film but is anything but bad. It even tries to portray a failing A.I. and point out the dangers of a robotic society. And actually, what Chucky is doing, is simply the result of a learning process that he undergoes in the company of Andy. If the latter makes a remark that he would rather get rid of the cat Mickey Rooney, you already know the verdict. In the end, Chucky is nothing more than an electronic gadget that ignores the robotics laws of Asimov. It’s not really impressive or exciting at all. But “Child’s Play” was a nice time-killer.

 

My rating 6/10
Links: IMDB

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HORROR

Prey | 20th Century Studios | Hulu

The origin story of the Predator in the world of the Comanche Nation 300 years ago. Naru, a skilled female warrior, fights to protect her tribe against one of the first highly-evolved Predators to land on Earth.

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Genre:

Action, Drama, Horror

Release Date:

20222 (Hulu)

Director:

Dan Trachtenberg

Cast:

Amber Midthunder, Dane DiLiegro, Stefany Mathias

Plot Summary:

The origin story of the Predator in the world of the Comanche Nation 300 years ago. Naru, a skilled female warrior, fights to protect her tribe against one of the first highly-evolved Predators to land on Earth.

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HORROR

Choose or Die – A Miss For Netflix

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Netflix’s home page suggestions can always be hit or miss, and unfortunately its latest release ‘Choose or Die’ falls into the category of the latter. Captivated by Asa Butterfield on the poster, I was curious to see what this film had to offer and begrudgingly it didn’t have a lot.

We follow Kayla, a broke student who has a lot to deal with in terms of her family situation and being the sole provider for herself and her mum. She then stumbles upon a retro video game from the 80s which forces her to choose and ultimately leads to various chain reactions of horrific events involving people close to her.

Lola Evans as Kayla and Asa Butterfield as Isaac

The premise of the film sounds interesting, however, I think it swings and misses quite early into the film’s first act. Eddie Marsan sets the tone and trail of interest for Choose or Die as we are introduced to this sadistic game and the chain of events it will inevitably pursue. 

Choose or Die doesn’t make it easy to empathise with its characters, finding any connection to Kayla or Isaac was difficult. This ‘are they aren’t they’ subplot lingers throughout the film’s narrative but adds nothing to the overarching story. The supporting characters, such as Thea and Laura, are much more interesting and genuinely have you intrigued as to what decisions they will make.

What stood out to me was the violent and gore-like scenes of 80s horrors, with some pretty good stomach churning special effects make-up. Those intense scenes, one involving a rat, had me genuinely glued to the screen, anticipating what may happen next. Choose or Die’s strongest component are the early moral decisions Kayla has to make and ultimately demonstrate Meakin’s passion for the horror genre.

Ioanna Kimbook as Grace in Choose or Die, seen here in the diner in one of the more grotesque decisive moments for Kayla

The way in which this film is shot, felt very “student-esque” with its lackluster camera movements and setting. The set design lacked little depth, except for Isaac’s room which is full of detail, therefore making the world feel small and less three dimensional. An element which pulled me out of this cinematic experience, was the fact that this was evidently filmed in the United Kingdom, and the cast contained predominantly a lot of British actors doing an American accent so I wasn’t fully immersed into this world. 

Meakins clearly uses his passion for the horror genre to influence this film’s dark tone, from it’s leading characters’ moral compass as well as the gorey visuals that inevitably come with those decisions. The whole world feels cold and derelict, be it the place in which Kayla cleans or the housing estate of which she lives in, this is an unwelcoming world that no-one wants to comfort you in. 

Choose or Die isn’t a film that will stick out as one that defined 2022, however I’m sure someone will take something away from this film, be it’s reference to 80s gaming or the violent and graphic elements that the director is clearly passionate about. 

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HORROR

Off Season – To Premiere Exclusively on Shudder

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Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, announced that OFFSEASON will be available exclusively to stream on the platform starting on Friday, June 10, 2022. As a Shudder exclusive, the platform will be the only subscription service that will carry the film in the U.S., Canada, the United Kingdom, Ireland, Australia and New Zealand.

Upon receiving a mysterious letter that her mother’s gravesite has been vandalized, in OFFSEASON, Marie (Donahue) quickly returns to the isolated offshore island where her late mother is buried. When she arrives, she discovers that the island is closing for the offseason with the bridges raised until Spring, leaving her stranded. One strange interaction with the local townspeople after another, Marie soon realizes that something is not quite right in this small town. She must unveil the mystery behind her mother’s troubled past in order to make it out alive.

Check out the film’s trailer below and read our review HERE as it debuted during SXSW 2021

Written and directed by Mickey Keating (Psychopaths), OFFSEASON stars Jocelin Donahue (Doctor Sleep), Joe Swanberg (The Rental, “Easy”), Richard Brake (3 From HellMandy), Melora Walters (The Pale Door, “Pen15”) and Jeremy Gardner (After MidnightThe Mind’s Eye).

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