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HORROR

Sweetheart: The Panic And Subsequent Calmness Seem Realistic Enough

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Sweetheart(thunder rumbling)
(wind whooshing)
(hammock creaking)
(thunder cracks)
(creature huffing)
(creature snorting)
(creature chittering)
(cries out)
(creature growls)
(screaming)
(creature growling)
(thunder cracks)
(panting)
(roars)
(screams)
(grunts)
(creature hissing)
(growls)
(thunder cracks)
(creature roars)
(thunder rumbling)

 

Let me first make a comment before I start spitting my opinion about “Sweetheart“. How the hell did this kid succeed in reaching the beach of this exotic island? I’m sure that after a few minutes of floating around in the ocean, she’d go down like a stone. That’s not entirely true, of course. Because, when I remember correctly, she was wearing a life jacket (with a backpack over it). I just wanted to point out that she had the most disastrous-looking swimming technique I’ve ever seen in my life. And the fact that not all tropical islands were used in commercials about “Bounty”, but are also the territory of evil, dark creatures from the ocean. And since shipwrecks don’t wash up on this island regularly, the creature was presumably on a fish diet before it could drag some human meat to his hole in the ocean once again. But this aside. “Sweetheart” is a fairly simple story about surviving.

 

Sweetheart

 

Not an amorous fish friend.

Take the well-known story of “Robinson Crusoe” and mix it with the story from “Cold Skin” and you’ll get “Sweetheart” as a result. The difference with the Crusoe story is the key player. Here it’s someone of the female gender who’s being washed ashore on a beach. And also, she isn’t joined by a friendly native (such as Friday) but a scaly and life-threatening sea monster. And no, this ocean dweller doesn’t have the same amorous intentions as our gilled friend from “The shape of water“. In that case, the film would have gotten a more frivolous character and our survivor’s stay would have been much more enjoyable.

 

Sweetheart

 

What to do when you arrive on an island.

Unfortunately, this film doesn’t have much to offer. Actually, as much as Jenn (Kiersey Clemons) was wearing when she woke up there in the saltwater, feeling beach sand scraping between her toes. Nothing much. Only short jeans and a t-shirt. Fortunately, her knowledge of survival techniques was abundantly present. Without hesitation, this young lady runs through the checklist of the “Tasks to be performed when you wash up on an uninhabited island” list and starts installing herself on the island as well and as badly as possible. The first part is, therefore, a concatenation of moments where you can see Jenn handling these tasks. Estimating the perimeter of the island, developing hunting techniques, ensure a decent place to spend the night and thoroughly explore the island itself. Only the nocturnal threat was not on the list. Something for which she has to use her own personal inventiveness.

 

Sweetheart

 

There’s not much talking here.

Most of the film consists of Clemons doing a solo performance. The success or failure of such kinds of films (as in “Mine” for example) is therefore entirely in the hands of that specific person. Should her acting be bad or unbelievable, the film will suffer a figurative shipwreck (how appropriate). Fortunately, that’s not the case here. She acts solidly and is convincing enough. The panic and subsequent calmness seem realistic enough. Eloquence isn’t necessary here either. Most of the time the film is dialogue-free. Well, it’s hard to have in-depth conversations when you’re on an island on your own. And when an inflatable rescue boat appears on the horizon, with Jenn’s friends on board, it briefly creates some tension. Not for you as a viewer but for the participating actors themselves.

 

Sweetheart

 

Not an exciting movie for me.

What remains is the aquatic creature. Yes, could this monster ensure some tense moments? Unfortunately, the creature is allergic to sunlight. In short, it’s only in pitch darkness (and an uninhabited island without artificial lighting is simply pitch dark) that you can see this rogue (partially). There are nevertheless some successful scenes in the film in which it shows how supreme it is in water. But except for a little growling and hissing, the monster is a bit disappointing. All in all, I didn’t think it was an exciting movie. Since it’s an exotic island, the film is peppered with breathtaking images of beaches and azure blue water. And isn’t that something an average earner can only dream of?

 

My rating 5/10
Links: IMDB

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HORROR

Longlegs: An Atmospherically Distressing Exploration of Evil

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Longlegs [credit: neon]

Longlegs has been the talk of the town with early screening reactions terming it as “the scariest movie of the decade”, which not only raises eyebrows but also significantly raises expectations. Neon is backing it with a strong marketing campaign that has got many horror fans extremely excited about it. Oz Perkins’ latest horror feature stars Maika Monroe, Nicolas Cage, Blair Underwood and Alicia Witt.

 

The official synopsis says “In pursuit of a serial killer, an FBI agent uncovers a series of occult clues that she must solve to end his terrifying killing spree.” Maika Monroe plays Lee Harker, the FBI agent on the hunt for Longlegs, described as highly intuitive and sensitive, while Nic Cage who also produces the movie, plays the horrifying serial killer. Perkins sets the standard right off the bat with the very first scene of the movie, which proves to be just an appetizer for what’s to come.

 

Longlegs [credit: neon]

The movie is divided into 3 parts that act as the standard three acts in a feature. The first two acts are heavily focused on Lee as we get to know her and follow the FBI’s pursuit of a serial killer on a spree. Lee is a single child, lives alone in a cabin in the woods, and is highly intuitive, maybe even psychic. She is able to decode the clues left behind by Longlegs at the locations of the murders. Her performance is restrained yet penetrative and often symbolizes how the viewer feels while watching Longlegs.

 

Nicolas Cage is horrifyingly creepy as our serial killer. He is the best horror villain since Bill Skarsgaard’s Pennywise in my opinion. His screen time is limited but, highly impactful. The makeup and costume design deserves a lot of credit for his extremely gross appearance and at times you won’t be able to recognize that it’s Cage under that wig. He has a certain mannerism that is extremely distressing and just his words are enough to scare the hell out of you. Perkins manages to get the best out of both his leads, while the supporting cast is decent as well.

 

When it comes to the visuals, this is a very aesthetically strong film. Perkins manages to create atmospheric tension and fear with constantly changing aspect ratios and his color grading choices which are supported by a crisp sound design. Where he falls short is the writing. The movie is too slow at times which causes it to lose its intensity. Some of the dialogues also feel very generic or amateur, with jokes that feel abrupt and unnecessary.

Longlegs [credit: neon]

The movie also slips into multiple genres, most of which are intentional but do not necessarily work. It is a horror movie at the outset but also a serial killer crime drama, an investigative thriller with shades of noir and supernatural. The writing really falls off a cliff in the third act, with a twist that makes sense, but massively underwhelmes. That said, the way it explores evil is intriguing and offers a lot of food for thought. I would suggest going into this movie without any knowledge, the lesser you know the better.

 

Longlegs may not be the scariest movie of the decade but has more than enough to crawl under your skin and deliver pulsating chills. It has strong lead performances, effective jumpscares, and a beautifully unnerving aesthetic and works best when it explores evil and focuses on its characters. Horror fans should definitely experience this suffocating and haunting ride. Perkins’ latest feature is his best so far, but that said, it gets buried under its immense expectations.

Longlegs will be released in cinemas on July 12.

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HORROR

The Exorcism | Official Trailer

A troubled actor begins to unravel while shooting a horror film. His estranged daughter wonders if he’s slipping back into his past addictions or if there’s something more sinister at play.

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Genre:

Horror, Thriller

Release Date:

June 7, 2024

Director:

Joshua John Miller

Cast:

Russell Crowe, Sam Worthington, Samantha Mathis

Plot Summary:

A troubled actor begins to unravel while shooting a horror film. His estranged daughter wonders if he’s slipping back into his past addictions or if there’s something more sinister at play.

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HORROR

Trap | Official Trailer

A father and teen daughter attend a pop concert, where they realize they’re at the center of a dark and sinister event.

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Genre:

Crime, Horror, Mystery

Release Date:

August 9, 2024

Director:

M. Night Shyamalan

Cast:

Josh Hartnett, Hayley Mills, Marnie McPhail

Plot Summary:

A father and teen daughter attend a pop concert, where they realize they’re at the center of a dark and sinister event.

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