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Emma Roberts Shines in the Feminist Fantasy ‘Paradise Hills’



Genre : Scifi-Fantasy
Rating : Unrated
Director: Alice Waddington

Emma Roberts
Milla Jovovich
Eiza Gonzalez
Danielle Macdonald

In the not-so-distant future the rebellious Uma (Emma Roberts) suddenly finds herself on an isolated island known as Paradise. Part reform school and part conversion therapy Paradise is a re-education camp run by the The Duchess (Milla Jovovich) and her all-male staff. Greeting Uma as she wakes are her roommates, the overweight Chloe (Patty Cake$‘s Danielle Macdonald) and metalhead Yu (Awkwafina). With her friends by her side she is forced into several different regiments ranging from make overs and yoga to “mirror therapy” with The Duchess and brainwashing sessions meant to turn Uma into the kind of subservient wife her mother and her rich suitor dream of. Things seem bleak for Uma and her companions until they get to know Amarna (Baby Driver‘s Eiza Gonzalez). Sent to Paradise for her lesbian tendencies she has concocted a plan to escape.



Perhaps the most noticeable part of Paradise Hills is how absolutely gorgeous it is. Opening to a lavish reception for newlyweds Uma and sleazy socialite Son (Arnaud Valois) you are immediately sucked in by its mix of tradition and opulence as revelers twirl around Uma with streams of white chiffon creating abstract shots as beautiful as a painting. All of which is topped when Uma reaches Paradise. With obvious inspiration from Alice in Wonderland and 1960’s television show The Prisoner it’s pastel flowers and deep primary colors are able to make the film look idyllic without ever really losing that bit of magic. Even as trouble begins to rear its head you can’t help but marvel at Waddington and production designer Laia Colet were able to do on their limited budget. As much as Paradise Hills excels visually its story can feel lacking at times.


With writing duties handled by author Brian DeLeeuw (Some Kind of Hate) and Spanish director Nacho Vigalondo (Colossal, Time Crimes) high expectations are to be expected. Vigalondo in particular has done a great job playing with sci-fi tropes in films such as Colossal. Instead what get is a pretty thin science fiction tale. Vaguely mentioning a class system and insight any attempts at commentary are brief. For the most part it follows a cliché-ridden story more appropriate for a YA novel than some of the more imaginative minds in genre film today with most of the story being fairly underwritten. Our world lacking any detail with hints like why The Duchess runs Paradise or the background of Uma’s new friends being vague and quickly glossed over. Instead most of the focus is on Uma who follows the same heroes journey we’ve seen a thousand times over.



Despite being given a role Emma Roberts could sleepwalk through she does an admirable job as Uma. Her evolution from rebellious prisoner to the leader of a prison escape never feeling forced thanks to her relationship with Amarna. Bonding over their need to break free of Paradise their companionship builds naturally with any hints of Amarna’s romantic tendencies never feeling too exploitative with their sisterhood taking a much bigger role. Unfortunately, I can’t say the same of Chloe and Yu. Despite being brought to life by the always good Danielle Macdonald, Chloe never really rises above playing supportive friend before blending into the background. Yu is given more to do but not much. Sent to the island by her family for anti-social tendencies before moving to mainland China. Whether intended or not it could have been a particularly poignant role had a the always game Awkwafina been given more screen time.


There’s no denying how beautiful Paradise Hills is. Showing herself to be a real visionary director Alice Waddington and production designer Laia Colet use a mix of Elizabethan glamour and futuristic technology to create a gorgeous world that looks unlike anything in movies today. Sadly, the same can’t be said for the story which feels like it came from the YA novel starter pack. With a story carried by some great performances Paradise Hills ends up being an engrossing, if somewhat hollow, experience.

Rating 7/10
Links : IMDB

Paradise Hills is now in theaters and on VOD

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‘The Witcher’ Season 3 Part 1 Review: An Epic and Riveting Adventure Continues



In 2019, Netflix struck gold with the epic fantasy series ‘The Witcher’ and viewers started thinking that the streaming platform might be close to getting a show as massive as ‘Game of Thrones’. The first season turned out to be successful, but it was the second edition that made everyone realize how the live-action series had laid the perfect foundation for something special. Almost two years after getting a glimpse of what Ciri could do with her powers, ‘The Witcher’ is back with another action-packed season that will captivate viewers with its masterful storytelling, thrilling battles, and impeccable performances.

Season 3 of ‘The Witcher’ picks up where the previous season left off, with Geralt of Rivia (Henry Cavill), the enigmatic monster hunter, embarking on a new set of adventures, along with Ciri (Freya Allan) and Yennefer (Anya Chalotra). This season, Geralt finds himself caught in a web of political intrigue as he navigates the treacherous world of the Northern Kingdoms. From the royal intrigues of Nilfgaard to the exploration of the elven past, the show seamlessly weaves together multiple narratives, keeping viewers on the edge of their seats and adding layers of depth to the already intricate plot. Apart from that, Geralt and Yennefer continue to do anything and everything to keep Ciri safe from the bad people.

Henry Cavill (Geralt), Freya Allan (Ciri), and Anya Chalotra (Yennefer) in ‘The Witcher’ Season 3 (Netflix)

However, one of the standout aspects of Season 3 is its exceptional character development. The fantasy series continues to explore the complexities of its main characters, especially Geralt, Yennefer, and Ciri. All the aforementioned characters undergo significant transformation throughout the season, allowing viewers to connect with them on a deeper level. Kudos to the writing team of ‘The Witcher’ who have done an exceptional job in fleshing out the backstories of all these characters and making them feel more relatable. Themes like destiny and the consequences of one’s choices are prevalent throughout the season. Some moments will make people realize the thin line between right and wrong by looking deep into the moral ambiguity of its characters.

Once again, the show is packed with epic action sequences that will keep viewers on the edge of their seats. From extraordinary sword fights to magical showdowns, the battles are nothing short of thrilling this time around. Visually, it’s stunning, and storytelling-wise, it’s more riveting than ever.

As far as performances are concerned, Freya Allan delivers another remarkable performance as Ciri and strikes a perfect balance between vulnerability and resilience. Meanwhile, Anya Chalotra as Yennefer displays how much she has grown as an actor. Season 3 explores the emotional depths of her character most effectively and gives Chalotra the bandwidth of showing her range. However, it is Henry Cavill who takes your breath away with a scintillating performance as Geralt of Rivia. From the very first season, Cavill has successfully embodied the larger-than-life character and this time around, he just knocks it out of the park by effortlessly embodying the brooding yet compassionate nature of The Witcher.

Also, the chemistry between the three leads drives the emotional core of the show.

Henry Cavill as Geralt of Rivia in ‘The Witcher’ Season 3 (Netflix)

All in all, Part One of ‘The Witcher’ Season 3 raises the bar, and every aspect of the show has improved significantly from its predecessors. Season 3 proves to be a worthy addition to the beloved series and if you are a fan of the fantasy series, ‘The Witcher’ Season 3 is a much-watch.

Come and immerse yourself in the magical world of Geralt of Rivia.

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‘Kingdom of the Planet of the Apes’ Adds Oscar-Nominee William H. Macy



The Planet of the Apes trilogy headlined by Andy Serkis from the 2010s can be argued as one of the best trilogies of all-time. The technological advances made from motion capture helped actors completely transform into the apes with their interactions with human characters making the story rawer and more emotional. Now, 20th Century Studios will jump back into the world of apes with their latest, Kingdom of the Planet of the Apes. Deadline reports that William H. Macy (Shameless, Fargo) will round out the cast for the newest chapter of the franchise.

Kingdom of the Planet of the Apes takes place many years after the conclusion of War for the Planet of the Apes being led by an entirely new cast that includes Owen Teague, Freya Allan and Peter Macon. Details are currently unknown on whether Macy will be playing a human character or an ape. The film series has grossed almost $2 billion dollars for the studio so it’s no surprise that they’re aiming to make more Apes fims. 

Macy is coming off his biggest role ever in Showtime’s series, Shameless for which he played Frank Gallagher and was nominated for 6 Emmy Awards for his performance over 11 seasons. Macy is also a former Oscar-nominee for his lead role in the Coen Brothers classic, Fargo. Since then, he’s amassed tons of parts including most recently in Hulu’s The Dropout and a guest spot on the ABC sitcom, The Conners. Macy will next appear in the film, Maybe I Do with Emma Roberts, Diane Keaton, Richard Gere and Susan Sarandon. 

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Rawson Marshall Thurber to Headline ‘Dungeons & Dragons’ Series for Paramount+



Dungeons & Dragons seems to be the next major IP finding itself across multiple media formats. The move of bringing the iconic fantasy franchise will start in March on the big screen with the release of Dungeons & Dragons: Honor Among Thieves, however, the TV series which has been in development has found its new streaming home. According to Deadline, the Dungeons & Dragons series will head to Paramount+ with Rawson Marshall Thurber (Red Notice, Skyscraper) writing the pilot and directing the first episode of the eight-episode season order.

The fantasy role-playing game has been ripe for an adaptation for years with many celebrities and actors being fans of the property since its inception. Honor Among Thieves already boasts a starry cast led by Chris Pine, Hugh Grant, Rege-Jean Page and Michelle Rodriguez, but there are no details on whether the streaming series would feature any of their characters crossing over. Dungeons & Dragons is yet another franchise starter over at Paramount in the game of streaming supremacy which will join Halo on their streaming service having done great numbers for Paramount+.

Dungeons & Dragons features multiple creatures, elves, human warriors and other fantastical entities engaging in campaigns, wars and quests to build out their respective armies. The massive Hasbro property was acquired by eOne to develop a media universe across film and television making it a priority due to its popularity and fan base that features over 50 million players. 

Rawson Marshall Thurber most recently directed the Netflix action film, Red Notice starring Dwayne Johnson, Gal Gadot and Ryan Reynolds. He previously teamed with Johnson for Skyscraper and Central Intelligence, but his career began in comedy helming popular films such as Dodgeball and We’re the Millers. Before moving into features, he also directed the very popular online short, Terry Tate, Office Linebacker. The filmmaker has also been attached to Netflix’s video game adaptation of The Division which will star Jake Gyllenhaal and Jessica Chastain.

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