You’re not my coach anymore, dad.
That top predator crap doesn’t help.
Did you think the last “Lake Placid” episode from the eponymous franchise was downright worthless, stupid and nonsensical (like I did)? Well, let me put your mind at ease. Despite some laughable facts, this reptile-horror “Crawl” isn’t bad at all. You can even call it exciting at times. And compared to “Lake Placide“, the bite-sized animals are frequently in the picture and the CGI ensures that they look frighteningly realistic. You just have to use the same ritual as with “Hobbs & Shaw“. Namely, give your brain for safekeeping when entering the movie theater. It’s not of the same absurd level as “Sharknado“, but if you don’t do that, you will be annoyed about multiple idiocies.
How stupid can you be?
There are of course many “How stupid can you be?“-moments. For example. You can’t blame the day-trippers in “Jaws“. They were just enjoying the summer sun on the beach and the refreshing water. Did they know that this giant white shark was planning to consume a few splashing bathers? It’s a pity they ended up as lunch. But, you can’t say the same about Haley (Kaya Scodelario), who, after a disappointing swimming performance, comes up with the grandiose idea to see if everything is okay with her father Dave (Barry Pepper). Nothing earth-shattering, were it not for her to enter a restricted area controlled by the authorities because of a destructive hurricane of category 5. Even a roadblock by the local police didn’t stop her.
It doesn’t take long before the suspense begins.
The advantage of “Crawl” is the short playing time (87 minutes). Nowadays it’s perfectly normal for decent films to exceed the 2-hour limit. It seems that quality nowadays depends on the total duration of a film. Fortunately, there are exceptions to that rule. Not that “Crawl” is of high quality, but an advantage is they don’t spend too much time to bring the necessary suspense. After around 20 minutes, Haley and her father are already in a difficult situation in the basement of the parental home. Dave is badly injured. And three giant alligators are impatiently waiting for their feeding-time. Time for the second “How stupid can you be?” moment. What would you do if you had to leave your safe hiding place to recover a lost item? In any case, after getting hold of the trinket, I would return to that safe place again. Logical reasoning is certainly not Haley’s strongest characteristic. She does the opposite, with all its consequences.
Not a complicated film.
“Let’s not make it too complicated!“. That’s what the creators of “Crawl” thought apparently. Everything takes place at one claustrophobic location. And the entire film is carried by just two main characters. Occasionally, a few additional characters appear. But their function is limited to playing live fish food. In other words, they usually do not remain intact for long. And for the lessons “Logical reasoning”, these good-for-nothings didn’t get high grades either. And the way in which they involved the alligators in the story is also simple. A hurricane that causes rising water and you are stuck with a whole swarm of those bloodthirsty monsters in your backyard. Only the discovery that Haley made in the basement wasn’t 100% correct in my opinion. Coincidentally there was a pregnant alligator who used the flood to shamelessly dump her eggs in Dave’s basement at lightning speed. Well, in this way there was also an explanation for the aggressive attitude of the nest of primitive reptiles.
A nerve-racking horror.
There were a few things in the movie that really annoyed me. First, there was the contrived and corny father-daughter relationship. They are both sitting there with torn limbs and shattered bones, and still, they need to philosophize about what went wrong in the past. I also thought it was a bit unbelievable how they endured the brutal attacks (with the necessary injuries) and apparently afterward had absolutely no problems with this. Even after a heart massage and mouth-to-mouth breathing, one jumps back into action in a short time. And I will never bet my money on a swimming competition between an alligator and a trained swimmer. I’m sure that the streamlined body of the reptile will ensure that it wins effortlessly. Even without a swim cap and aerodynamic Speedo swimming trunks. But still, “Crawl” is a nerve-racking horror in which the perfectly computer-generated alligators scare you. Most original in the film I found the bathroom scene. Believe me, after this film, hearing the song “See you later Alligator” by Bill Haley will scare the hell out of you.
Ever since Lionsgate greenlit this series in early 2017, fans of the franchise have been eagerly anticipating to see how the John Wick universe expands. 4 movies in, the John Wick franchise is widely known as one of the greatest action movie franchises of all time with our titular character (a.k.a Baba Yaga) becoming one of the most iconic and bad-ass figures ever in Hollywood. The Continental: From The World of John Wick is a prequel series that tells the story of Winston Scott and how he became the manager of New York’s The Continental branch.
The miniseries was developed by Greg Coolidge, Kirk Ward and Shawn Simmons. It is executive produced by Paul Wernick, Rhett Reese, Derek Kolstad, David Leitch and Chad Stahelski, the director of all four John Wick movies. It is structured as a 3-night event told through three 90-minute episodes. The series was originally supposed to air on Starz, but the network sold it to Peacock in 2022. After 6 years in development, it finally aired on Peacock this September.
A lot has been made of the subtitle of the project ever since it was announced. The fact that the makers needed to include it says a lot about the show. It almost felt like the prime marketing asset for it many times as the other promotional material didn’t necessarily create a lot of hype for the show. Albert Hughes directed the first and third episodes, while Charlotte Branstrom directed the second, and disappointingly both directors do not bring the same novelty or creative prowess that Chad Stahelski managed to bring in the John Wick movies.
The Continental [credit: Peacock]
The show also surprisingly lacks any real star power. This franchise is one of Lionsgate’s most prized assets, so you would imagine that they would make sure to get a big cast and crew for this prequel miniseries, but they didn’t. Colin Woodell as Winston Scott is the clear standout among the cast despite delivering only a decent performance, which says a lot about the acting standards in this 3-episode miniseries. Many have criticized the casting of Mel Gibson in the series, but I personally had no issue with his performance and he’s also the most recognizable member of the cast despite having no real audience pull anymore.
The writing doesn’t offer too much to ponder upon or any seriously shocking turns in the story as most of the focus is on making the product as epic, badass and action-packed as possible. Some of the characters had some interesting layers to them, especially Charon (Ayomide Adegun) and Lou (Jessica Allain). Lemmy (Adam Shapiro) provides some much-needed comic relief with his witty dialogues. The structuring of the story works really well as a 3-night event which sets the high stakes and sets a standard of intensity for the narrative.
The Continental [credit: Peacock]
But the thing that people were most looking forward to, was the action and how it fared against John Wick. Unfortunately, that department was inconsistent as well. Ben Robson’s fight sequence in the early part of the first episode was great and it makes you optimistic that the action would get better from here on, but it never does. Most of the action blocks here involve explosions and guns rather than the hand-to-hand combat John Wick franchise is known for. Some of the action was awesome and some of it sadly wasn’t.
The Continental: From the World of John Wick brings a lot of glamour as it tries to expand its world but fails to engage with its paper-thin plot. The characters are mostly dull with a formulaic villain and misses the presence of a magnetic protagonist like Wick. A prequel about Wick’s backstory would’ve been much more interesting than this inconsistent prequel event saved by its style and some great action. It has almost enough to be its own thing but doesn’t quite have enough to match its parent movies.
The Continental: From the World of John Wick premieres on Peacock in the US and Prime Video in the UK and Australia on 22 September, with new episodes weekly.