Connect with us

Crime

In the Shadow of the Moon: You Get That Feeling That You’ve Seen It All Before

Published

on

If you kill me now…
the world as you know it will end
in a very short time.

Yeah. Once again a movie about time traveling. Always interesting to see how they incorporated the paradox of time travel. And there’s always going to be someone who claims something isn’t right. Not that I really care about that because I still don’t know anyone who has actually traveled through time to provide proof whether changes in the past may or may not affect the future. Perhaps that would provide proof of whether the grandfather paradox is plausible or not. So, for me, it’s still pure Sci-Fi. And that results in enjoyable films such as “About Time“, “I’ll follow you down” or “Predestination“. And this Netflix Original certainly wasn’t that bad either.

 

In the Shadow of the Moon

 

Not a complicated movie.

This film differs enormously from one like “Predestination“. And this in terms of simplicity. It’s not all that complicated. Don’t expect such an immense “mindfuck” as in the latter. You don’t need an immense manual or walk-through here. And furthermore, it’s a pleasant mixture of detective-movie and Sci-Fi. The tracing of a serial killer (active in Philadelphia) by the ambitious police officer Locke (Boyd Holbrook) is the common thread throughout the film. The apparently randomly selected innocent victims, die a terrible death in which decomposing brains are the cause of the sudden death. Locke discovers that all the victims have scars in the neck area. Soon it’s said that an isotope is the cause of them ending up dead in a rapidly spreading blood pool. And when a fourth victim manages to give an accurate description of the person, a massive search is being conducted. Locke ends up face to face with a young, colored teenager (with a thorough knowledge of combat techniques) in a blue jogging suit (Cleopatra Coleman). The biggest shock for Locke is that she knows a lot of facts about Locke. Facts she couldn’t have known. And before you know it, it’s 9 years later …

 

In the Shadow of the Moon

 

Not a typical detective story.

The film is divided into time periods of 9 years. Starting in the year 1988. The year that the first murders happen. It’s actually the most action-rich part. And also the most realistic. The way in which a cook, concert pianist and female bus driver meet their end, has been portrayed enormously realistic. Don’t expect an ordinary cause of death. It’s pretty bloody. And in the case of the bus driver, quite spectacular. But when the phenomenon of the returning teenager reveals itself and you finally begin to understand what’s going on, realism slowly but surely fades away and gives way to pure fiction. And gradually you realize that this isn’t a typical detective film, with inspectors (like in “Se7en“) chasing a crazy serial killer. No way. It gradually transforms into a thoughtful sci-fi and then ends in a corny drama about family issues.

 

In the Shadow of the Moon

 

Excellent acting by Holbrook.

To be honest, I thought the acting performance of Boyd Holbrook as the wayward Locke wasn’t bad at all. Perseverance and drivenness were exceptionally well portrayed. Because of his obsession to solve the mystery, he loses control of reality. It destroys his family relationships and interferes with his work. Gradually Locke turns into an unkempt tramp, without work and living in his car. Therefore, let me praise the make-up department of this production. And although Holbrook’s acting was outstanding, you can’t say he out-sings the rest of the cast. They weren’t bad, but you can’t speak of spectacular interpretations either. Only the action-rich fight scenes with Cleopatra Coleman as an unleashed fury pleased me as well.

 

In the Shadow of the Moon

 

Well worth a watch.

No, “In the shadow of the Moon” certainly wasn’t a disastrous film. Although the story was essentially not too original. And you get that feeling that you’ve seen it all before. Probably because of that, the denouement wasn’t really surprising. Perhaps the opening scene was too revealing as well. The question of whether you can avoid disaster by drastically changing something in the past is and remains fascinating. I bet that the event they tried to undo, will be the subject of discussion once again. Just look at the politically charged opinions on other websites. Even the word “propaganda” is used all too often. The patronizing tone and the explanatory nature of the film was no obstacle for me to enjoy this film. Don’t expect a groundbreaking movie. But it surely was entertaining enough. So, it’s definitely well worth a watch, this Netflix Original.

You can watch “In the Shadow of the Moon”  on Netflix now!

 

My rating 6.5/10
Links: IMDB

FILM RATING
Continue Reading
Advertisement
Click to comment
Subscribe
Notify of
guest

0 Comments
Inline Feedbacks
View all comments

Crime

Netflix’s Bodies Review: Stephen Graham’s Mind-Twisting Series Related To Dark?

Published

on

Netflix's Bodies

If you are a fan of time travel, crime, and mind-bending suspense then Netflix’s Bodies is perfect to binge-watch this weekend. Directed by Haolu Wang and Marco Kreuzpaintner, Bodies is based on DC’s graphic novel by Si Spencer – who has been tributed in the first episode. The story follows four detectives in four different timelines and they discover a naked man’s body with one eye gouged out, surprisingly it’s the body of the same person in different timelines!

Shira Haas and Stephen Graham

Shira Haas and Stephen Graham in Netflix’s ‘Bodies’

The 8-episode series parallelly shows four detectives – DS Hasan (Amaka Okafor) in 2023, DS Whiteman (Jacob Fortune-Lloyd) in 1941, DI Hillinghead (Kyle Soller) in 1890, and DC Maplewood (Shira Haas) in 2053 twisted in the same case discovering facts that are beyond their understanding. DS Hasan from the year 2023 discovers that the case she has been working on has happened before, not once but twice decades ago. Much to her suspicion, the evidence aligns with her own case which leads her confused more than ever.

Stephen Graham is not limited to one timeline, his intense performance deepens the storyline, leaving viewers jumpy. Amaka Okafor, Shira Haas, Kyle Soller, and Jacob Fortune-Lloyd’s distinctive acting and effective dialogue delivery are appreciated but Fortune-Lloyd deserves a standing ovation for his shining performance. Graham and Soller’s costumes and makeup are on point in the show.

Jacob Fortune-Lloyd

Jacob Fortune-Lloyd as DS Whiteman in Bodies

With each episode comes mind-blowing twists that keep you on edge all the time. Each detective’s personal story and connection to people close to them adds more depth to their character and the choices they make. Even till the end of the last episode, the series holds your attention profoundly. Different timelines connected to one another may cause confusion at first but it only adds more fun to the story that leaves us in shock.

Now, if it reminds you of Netflix’s other popular German series Dark, directed by Baran bo Odar, then we can’t blame you. Bodies and Dark are not related to each other but they draw strong parallels to one another and it’s mainly due to different timelines, time travel, and hard-to-understand relations between the two characters. Although characters in Bodies are not connected to each other deep and twisted like in Dark but you need to keep a close eye to understand their connection. Dark, starring German actors Louis Hofmann and Lisa Vicari, is Netflix’s one of the most popular supernatural twists series and it is safe to assume that Bodies is no less than the 3-season German series.

Time portal in 'Dark' vs 'Bodies'

Time Portal in ‘Dark’ vs ‘Bodies’

Stephen Graham’s Bodies is a mind-bending, thriller series full of brilliant performances. Its captivating narrative and depth keep the viewers engaged and entertained.

Bodies is available to stream on Netflix.

FILM RATING
Continue Reading

Crime

Killers Of The Flower Moon: Scorsese Expertly Crafts A True American Tragedy

Published

on

Martin Scorsese directing a Western crime drama starring Leonardo Dicaprio and Robert De Niro, a combination like that would immediately make this project the most highly anticipated movie of the year for most movie lovers. I have been looking forward to this project ever since it was announced to be happening in 2017, and 6 years later it is finally here.

 

Killers of the Flower Moon is based on the non-fiction book of the same name by David Grann and is adapted by Eric Roth. It also stars Lily Gladstone, Jesse Plemons, Brendan Fraser, and John Lithgow alongside De Niro and DiCaprio. Martin Scorsese has been delivering top-quality cinema for almost six decades now and although I didn’t love his last feature The Irishman, expectations were still high from this project, which also happens to be his first western.

Robert De Niro and Leonardo DiCaprio in “Killers of the Flower Moon,” coming soon to Apple TV+.

Killers of the Flower Moon is set in the 1920s in the oil-rich lands of the Osage in Fairfax, Oklahoma. Ernest Burkhart (Leonardo DiCaprio), a World War 1 veteran with no prospects arrives in town to live with his uncle Bill ‘King’ Hale (Robert De Niro), who claims to be a friend to the Osage people. Ernest falls in love with an Osage woman Mollie (Lily Gladstone), who sees through his greed, but a genuine romance eventually blossoms between the two.

 

The plot thickens when Mollie’s family starts dying under suspicious circumstances and they struggle to find justice through the local authorities. Gladstone’s performance is elegant and powerful and she shows her ability to act through her eyes for most of her screen time. She is subtle and often silent, but she makes sure to convey the exact emotions that her character is going through. Robert De Niro as Uncle Bill does what he does best. Scorsese always seems to manage to bring out the best of him. He is calculative, cunning and sharp and shines as the scheming businessman. DiCaprio also gives one of his career-best performances as the charming underling of King Hale.

 

Though the story is about the murderers, it keeps the romance between Mollie and Ernest at its center and for the first two acts, their relationship is the primary driving force of the narrative. The third act focuses more on the investigation and the consequences of the killings. The direction is masterful throughout and it follows similar themes from Scorsese’s previous works like greed, betrayal, and murder. The cinematography is also one of the finest of the year, with the sheer scale of the canvas a sight for sore eyes. The production design and costumes are also stellar.

Robert De Niro and Jesse Plemons in “Killers of the Flower Moon,” coming soon to Apple TV+.

A lot has been said about the runtime of the movie, which goes over the 200-minute mark, but it never feels too long. There are stretches that feel slow and could have been edited to make it crisper, but the run-time was not a major issue for me. I did feel that the screenplay did not provide enough perspective to the viewer, especially about some of the characters’ motivations. Some of the depth feels unexplored. Jesse Plemons was massively underused, while Brendan Fraser and John Lithgow feel wasted. I also felt that there was scope for blood and violence and the script also holds back on language.

 

Killers Of The Flower Moon is A True American Tragedy that further cements Martin Scorsese as one of the greatest filmmakers of all time. He shows off his craftsmanship and delivers a riveting Western epic that is self-reflective, thought-provoking and thoroughly captivating. AppleTV and Paramount have a masterpiece on their hands with knockout performances and masterful storytelling.

Killers of the Flower Moon releases in cinemas on October 20. 

FILM RATING
Continue Reading

Crime

The Kingpin of Gotham Has Arrived | The Penguin – Teaser

The Penguin is an upcoming American television miniseries created by Lauren LeFranc for the streaming service Max. Based on the DC Comics character Penguin, it is a spin-off from the film The Batman that explores the Penguin’s rise to power in Gotham City’s criminal underworld.

Published

on

By

Genre:

Crime, Drama, Fantasy

Release Date:

2023

Director:

Max

Cast:

Collin Farrell, Clancy Brown, Cristin Milioti,

Plot Summary:

The Penguin is an upcoming American television miniseries created by Lauren LeFranc for the streaming service Max. Based on the DC Comics character Penguin, it is a spin-off from the film The Batman that explores the Penguin’s rise to power in Gotham City’s criminal underworld.

FILM RATING
Continue Reading
Advertisement

Popular Now

Advertisement
Advertisement

TRENDING NOW

Trending

CoastalHouseMedia.com is a property of Coastal House LLC. © 2012 All Rights Reserved. Images used on this website are registered trademarks of their respective companies/owners.

0
Would love your thoughts, please comment.x
()
x