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Fast & Furious Presents: Hobbs & Shaw (2019)

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I’m not working with this guy.
I’ve been there, done that.
The minute he gets involved, you can kiss goodbye to any finesse
because She-Hulk here only knows how to smash.
Yeah, Mr. Arson here only knows how to blow shit up.

When I was at the cinema with my family and close friends (with little kids in our company) and had to choose between “The Lion King” and “Hobbs & Shaw“, I was facing a dilemma. On the one hand, you have the live-action remake of a Disney classic with a story I know thoroughly (Not difficult when you have children and you’ve already seen the original cartoon a trillion times) but one I still love to see. On the other hand, you have an action movie with Dwayne Johnson and Jason Statham. And apparently, it has something to do with the “Fast & Furious” universe. The presence of Jason Statham was very hope-giving. I like Statham. His reserved attitude. That subdued calmness. That characteristic, juicy accent. And the explosive power that bursts out time and again. Well, apparently I’m a fan (even though I thought the movie “Crank: High Voltage” was absolutely worthless). Dwayne Johnson has surprised me several times in recent years. Especially with “Jumanji: Welcome to the jungle” and “Rampage“. Unfortunately, there are also a large number of crap movies in his filmography. But what worried me the most, was the “Fast & Furious” reference in the movie title. Not something that makes me feel excited. In short, it was a terrible dilemma.

 

Hobbs & Shaw

 

A programmable super-virus.

Eventually, I opted for the Johnson and Statham movie, even though I knew I could give my brain to someone for safekeeping when entering the screening room. In other words, you let your mind go blank and certainly try not to get irritated because of improbabilities and absurd ridiculousness. And yes, the story itself is paper-thin and non-meaningful. You have the deadly, programmable super-virus “Snowflake”, the MI6 agent Hattie (Vanessa Kirby) who steals the virus from a terrorist organization and the bad guy Brixton (Idris “The Dark Tower” Elba) whose genetically manipulated body is crammed with high-tech trinkets. Compared to him, Robocop looks like a Playmobil toy. And wait until Brixton places his butt on an impressive motorcycle. A vehicle that functions autonomously, is immensely flexible and with which Brixton does inhumane acrobatic tricks. Batman, eat your heart out. These are the first introduced protagonists.

 

Hobbs & Shaw

 

It’s not really related to F&F.

When will Hobbs and Shaw turn up? Well, when it goes terribly wrong. Let me reveal the main storyline. Hattie injects herself with the virus so Brixton can’t get his bionic hands on it. Brother Shaw (Jason Statham) is summoned to protect her. And he has to do that together with his arch-enemy Hobbs (Dwayne Johnson). That’s it. Not a really impressive story, but enough to come up with an action-rich feature film. And this film certainly is action-packed. Fans of straightforward fistfights and flashy chases will definitely enjoy themselves. For them, this flick is worth a watch. I had to conclude that it didn’t remind me of the F&F franchise. Apparently, Hobbs and Shaw once appeared in this successful series. And yes, there’s the McLaren with which Shaw is racing through the streets of London. You have that impressive motorcycle Brixton uses to make the pedestrian crossings unsafe. And there’s even a moment when nitro is injected into the motor of an old-looking truck. But that’s the only thing that can be related to F&F.

 

Hobbs & Shaw

 

Hobbs and Shaw bickering all the time.

The strongest point in this film is the interaction between the two main characters Hobbs and Shaw of course. Mainly because their personalities are the exact opposite. There’s the constant bickering and the sharp oneliners go back and forth. Not that I was laughing out loud all the time, but now and then some really comical situations caused a chuckle. For example, the scene where digital face recognition is an important issue. Hilarious. And Hobb’s derogatory comments about Shaws’ height are absolutely funny. Perhaps at some point, I had this “OK, it’s-enough-already” feeling. And the changeover from being arch-enemies to fighting buddies who respect each other was a bit too obvious. The action part also reached a saturation point after a certain time. It’s always fun to see how Statham, with the help of a number of random objects lying around, eliminates a lot of opponents while Johnson uses his impressive muscle mass to beat them to a pulp. But at a certain moment, the over-the-top feeling is a bit too much.

 

Hobbs & Shaw

 

Although exaggerated, it was fun watching.

I really had fun while watching this movie. That is, three-quarters of the film. Even though it’s sometimes extremely exaggerated and unbelievable. Unfortunately, the absurdity grew to such an extent that I couldn’t suppress a “Yeah, right!”, while shaking my head. The movie dropped to a dubious and worrying level the moment the three heroes arrived on the island of Samoa, home of Hobbs. The improbabilities followed each other at a quick pace, with a showdown between Hobbs and a helicopter as the highlight. And the famous motto of the three musketeers, “One for all, all for one”, is being clarified in a grotesque final. Just one small thing to mention. There also two guest roles for both Helen Mirren and Ryan Reynolds. One role equally meaningless as the other. Even though I had my doubts and prejudices, “Hobbs and Shaw” succeeded in presenting an entertaining and fun movie after all. And when I left the cinema, I neatly asked for my brain. I still need it for other movies in the future.

 

 

My rating 7/10
Links: IMDB

 

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Christopher Nolan Delivers the Definitive Cinematic Epic

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Matt Damon, The Odyssey [credit: Universal Pictures]

There are great movies, there are unforgettable movies, and then there are films that redefine what blockbuster filmmaking can be. Christopher Nolan’s The Odyssey firmly belongs in the latter category. With breathtaking visuals, career-defining performances, and an emotional core that never loses sight of Homer’s timeless story, The Odyssey isn’t simply one of the year’s best films. It stands among the finest achievements of Nolan’s extraordinary career.

Rather than treating Homer’s epic as nothing more than an excuse for massive action sequences and mythical creatures, Nolan crafts a deeply human story about perseverance, family, identity, and the emotional cost of war. Every impossible obstacle Odysseus faces feels meaningful because the journey has always been about one thing: finding his way home.

The Odyssey [credit: Universal Pictures]

Matt Damon delivers one of the most restrained performances of his career. His Odysseus isn’t portrayed as an invincible action hero, but as a weathered man carrying years of physical and emotional scars. The performance perfectly complements Nolan’s vision, showing a legendary warrior whose greatest battle is simply surviving long enough to return to the people he loves.

Anne Hathaway shines as Penelope, bringing remarkable strength and quiet resilience to every scene. Tom Holland delivers one of his strongest dramatic performances as Telemachus, whose own journey becomes just as compelling as his father’s. Robert Pattinson nearly steals every scene he’s in with an unforgettable performance that provides just enough unpredictability to keep audiences on edge.

Visually, The Odyssey is simply astonishing.

Shot entirely for IMAX, Nolan and cinematographer Hoyte van Hoytema create images that demand to be experienced on the biggest screen possible. From towering cliffs and endless oceans to mythical encounters that feel both terrifying and beautiful, every frame reminds viewers why practical filmmaking still matters. There is a tangible scale and realism here that computer-generated spectacle rarely achieves.

Ludwig Göransson’s score deserves equal praise. The music elevates every triumph, every loss, and every quiet moment of reflection, becoming the emotional heartbeat of the entire film.

Perhaps Nolan’s greatest accomplishment is balancing spectacle with intimacy. While audiences will undoubtedly remember the Cyclops, the Sirens, and the film’s massive action sequences, it’s the quieter moments between family members that leave the deepest impression. The relationship between Odysseus, Penelope, and Telemachus gives the film genuine emotional weight that continues long after the credits roll.

The Odyssey [credit: Universal Pictures]

The film’s nearly three-hour runtime never feels excessive. Every chapter serves a purpose, allowing the audience to fully experience the trials that shaped one of literature’s greatest heroes. Nolan’s signature nonlinear storytelling is present but never distracting, adding depth without sacrificing clarity.

If there’s any criticism to be made, it’s only that some supporting characters deserved more time to breathe. With a cast this talented, a few memorable performances inevitably disappear sooner than audiences might hope. Yet even this feels less like a flaw and more like the unavoidable reality of adapting one of history’s greatest epics into a single film.

Critics have been nearly unanimous in their praise. The New York Times named it a Critic’s Pick, calling it “a classic in every sense” and “a transporting affirmation of the art and a work of pure cinema.” The Associated Press similarly praised the film’s emotional depth and breathtaking spectacle, while early reactions have hailed it as one of Nolan’s most ambitious accomplishments.

Christopher Nolan has spent decades pushing the boundaries of blockbuster filmmaking with films like Memento, The Dark Knight, Inception, Interstellar, Dunkirk, and Oppenheimer. Somehow, The Odyssey feels like the culmination of everything he has learned along the way. It is visually magnificent, emotionally resonant, intellectually engaging, and endlessly cinematic.

This is exactly why people go to the movies.

Final Verdict

The Odyssey is an extraordinary achievement that honors one of history’s greatest stories while firmly establishing itself as one of the defining films of modern cinema. It is epic in scale, intimate in emotion, and unforgettable from beginning to end. Christopher Nolan has once again reminded audiences why he remains one of the greatest filmmakers of his generation.

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Millie Bobby Brown Reveals Secret Pact With the Duffer Brothers Over Eleven’s Fate in Stranger Things

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Even months after Stranger Things concluded its five-season run, fans continue to debate one lingering mystery: What really happened to Eleven?

According to Millie Bobby Brown, she actually knows the answer but she isn’t allowed to tell anyone.

Brown Swore to Keep the Secret

While appearing on the Happy Sad Confused podcast, Millie Bobby Brown revealed that Matt and Ross Duffer made her swear to secrecy about Eleven’s true fate.

“They were like, ‘Do not tell anyone. Because we made it a secret kind of pledge,'” Brown said. “No one else knows. It’s just us three. And what we do with that information, it’ll be up to them.”

Brown explained that the Duffer Brothers entrusted her with the truth behind Eleven’s ending, making her the only cast member who knows exactly what happened to the beloved character after the series finale.

Stranger Things Season 5 [credit: Netflix]

The Ending Was Meant to Stay Open to Interpretation

The ambiguous finale has sparked countless fan theories since Stranger Things wrapped up, with viewers questioning whether Eleven survived, sacrificed herself, or if the truth lies somewhere in between.

The Duffer Brothers have intentionally left the ending open to interpretation, allowing fans to decide for themselves what Eleven’s future ultimately looks like. Brown’s comments suggest that while the creators have a definitive answer, they have no plans to reveal it publicly.

That means fans hoping Brown might accidentally spill the secret during an interview probably shouldn’t hold their breath.

A Mystery That Will Continue

For many viewers, the uncertainty surrounding Eleven’s fate has become one of the defining talking points of the series finale. While some fans would prefer a concrete answer, others appreciate the mystery and the freedom to interpret the ending for themselves.

For now, Brown appears committed to honoring the promise she made to the Duffer Brothers, ensuring that one of Stranger Things’ biggest mysteries remains exactly that—a mystery.

As the franchise moves forward with new projects, including the upcoming animated series Stranger Things: Tales From ’85’, it appears the secret of Eleven’s ultimate fate will remain safely locked away between Millie Bobby Brown and the Duffer Brothers.

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Shang-Chi 2 Gets Promising Update as Director Destin Daniel Cretton Confirms Sequel Is Still Moving Forward

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Shang-Chi [credit: Marvel Studios]

Marvel fans have been waiting nearly five years for news on Shang-Chi 2, and now director Destin Daniel Cretton has finally provided a promising update on the long-awaited sequel.

Despite taking on the massive responsibility of directing Spider-Man: Brand New Day, Cretton confirmed that Shang-Chi 2 remains very much alive at Marvel Studios. During a recent interview, the filmmaker assured fans that development is ongoing and that the creative team is taking its time to make sure the sequel lives up to the expectations set by the original film.

“We’re working on it,” Cretton said. “The first film’s reception was incredible, and we want to honor that. It’s evolving in a way we’re excited about.”

The update comes as welcome news for Marvel fans who have questioned the future of the franchise after years of limited information. The original Shang-Chi and the Legend of the Ten Rings debuted in 2021 to strong reviews and impressive box office results, grossing more than $432 million worldwide while introducing audiences to one of the MCU’s most beloved new heroes.

Shang-Chi [credit: Marvel Studios]

Much of the uncertainty surrounding the sequel stemmed from Cretton’s increasingly busy Marvel schedule. After stepping away from what eventually became Avengers: Doomsday, the director shifted his focus to projects including Wonder Man, Spider-Man: Brand New Day, and the Shang-Chi sequel itself.

While Marvel has yet to announce an official release date, the latest comments suggest the studio is prioritizing quality over speed. Cretton remained tight-lipped about plot details, but he did tease that the emotional core of the original film remains an important part of the sequel’s development.

“I can’t say specifics, but the emotional core is very important to us,” he explained.

Star Simu Liu has also repeatedly stated that he expects to return as Shang-Chi, and earlier this year reaffirmed that the project is still in active development.

For now, Marvel fans may have to wait a little longer before Shang-Chi finally returns to the big screen. But after years of uncertainty, one thing is now clear: the Master of the Ten Rings hasn’t thrown his final punch just yet.

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