A place to bury our pets and remember them.
It might seem scary, but it’s not.
It’s perfectly natural.
In the distant past, I was an avid reader and devoured books constantly. That has been considerably reduced over the years. But, occasionally I grab a reading book. Generally, that only happens during a well-deserved summer vacation on one or another beach. Stephen King‘s oeuvre has always enchanted me. This summer vacation I read his book “Elevation” in one go. Not that it was high-quality literature, but King is such a wonderful storyteller whose stories grab you and don’t let go. That actually applies to most of his books. Of course, there are also film versions of his books that are worth seeing. Personally, “Christine” and “Carrie” are movies (horror-related) I enjoyed the most (but I can easily name a few more). And the film “Pet Sematary” from 1989 can also be counted with films that had a huge impact on me. The only question I first asked myself (and many others too, I guess) was: “Is it really necessary to release a remake of this film?“.
I really, really, really hate remakes.
Those who know me a little have read already a few times that I hate remakes, reboots and so on. I admit that cinematographically and when it’s about acting, it’s most likely to be an improvement compared to the original. But the story, the content, the soul of the film, as it were, will remain the same. And isn’t that a bit too easy? But then again, they could also rigorously change the content or storyline. But don’t you think this would create a completely different movie? And is there really someone who has the guts to thoroughly change a movie classic? Well, Kelvin Kölsch and Dennis Widmyer were brave enough and succeeded in retaining the spirit of the story, despite the drastic plot changes. Only, it didn’t impress me as much as the original did.
A drastic plot change.
Some elements from the old movie escaped my memory. For example, there’s Zelda (Alyssa Brooke Levine). Either her part wasn’t explicitly emphasized in the first film. Or the number of years have begun to take its toll on me. In any case, this was actually the most creepy image used in this remake. The most crucial adjustment they have made is the choice of the victim. In the original, the youngest son Gage (Hugo / Lucas Lavoie) can’t avoid a rushing truck. I remember this fact as very shocking to me. That sweet-looking little guy, the kite falling down and the tumbling children’s shoe. I can picture it right now. Not that the choice in this remake is less terrible. But it didn’t shock me as much as it did in the original film.
There’s the initial question again.
This choice not only gave the whole thing a different turn, but the scaryness of the film also suffered a major blow. I found the role Gage played in the first film, more creepy than that of Ellie (Jeté Laurence) here. On the other hand, the cat Church looks more ominous and evil, than its alter ego in the original film. And the dead student Victor Pascow (Obssa Ahmed) also came into the picture more explicitly. Broadly speaking, the film remains true to the original idea. The concept of a father’s all-embracing love for his child. And the will to cross borders to reverse it all. There are no surprises in that area. Which in turn leads to the initial question: “Why a remake?“.
My rating 5/10
M. Night Shyamalan | Old – Official Trailer
A thriller about a family on a tropical holiday who discover that the secluded beach where they are relaxing for a few hours is somehow causing them to age rapidly reducing their entire lives into a single day.
July 23, 2021
M. Night Shyamalan
Rufus Sewell, Thomasin McKenzie, Embeth Davidtz, Eliza Scanlen, Abbey Lee, Alex Wolff, Gael García Bernal
A Quiet Place Part II | Review
This review is spoiler-free.
It’s not often that a film comes along and demands to be seen on the big screen, creating a cinematic experience unlike any other and that’s something the Quiet Place films definitely do. I may have learnt this the hard way, by watching the first film on a plane and not really enjoying it, only to re-watch it again at home and really like it. But now, seeing A Quiet Place Part II in an IMAX cinema, having not been in a cinema for months, it is truly a spectacular cinematic event.
After a brief flashback sequence to when the creatures first arrived, A Quiet Place Part II picks up exactly where the first film left off. If you’ve seen the first, you’ll know that it ended in a very exciting position and now we witness the Abbott family struggling to navigate and struggling to survive in the post-apocalyptic world, ravaged by monsters that hunt by sound.
AQP2 is a really tense and engaging thriller film however it never quite reaches the heights that its predecessor did. The first film managed to create a level of immense tension and sustain that pretty much the entire way through the film’s runtime. Here, it feels like there were certain scenes that were very tense and have you squirming in your seat but the bits between these scenes lack the same sense of dread and fear that the first did and in that sense the sequel is not quite as tight as the first.
At just 97 minutes long, it’s only 7 minutes longer than the first but it does feel quite a bit longer. The first film goes by in a flash and it’s over before you know it and whilst AQP2 doesn’t feel overly long, the pacing of it makes you notice the runtime that bit more than the first film.
There are a few very suspenseful and scary moments in it, particularly the opening flashback scene to the Abbott family’s first encounter with the creatures. In fact, even that pesky nail from the first film makes a small cameo here but what stands out so much and what makes it a real ‘cinema film’ is the fantastic sound design. Every single time one of the creatures is even remotely near one of the main characters or any time that the creatures just might be nearby, the sound design completely draws you into it and makes you feel like you’re there and that’s what makes these frightening moments all the more impactful.
A lot of the criticisms and faults with A Quiet Place Part II do largely come from the fact that it’s not as good as the first and it’s weaker by comparison, but it’s still a very smart and entertaining film that provides some genuine chills. The concept of creatures that hunt on sound is such a great idea and it plays out on screen so well. Every single time one of the main characters make even the slightest noise your heart stops and your hold your breath, waiting to see if the creatures are going to show up and if our heroes will meet their untimely demise.
One issue I had with the film was that you could always tell where the next scare was going to come from. The film is by no means predictable, it just sticks to some generic tropes and it’s clear where it’s going. Everyone knows in a scary situation in a horror movie you don’t split up. But that doesn’t stop our protagonists from doing so and it’s small details like that that when they happen you can immediately tell the consequences of certain actions will crop up again a few scenes later. But even when that payoff comes it’s still shocking and the film still delivers in the thrills and scares that you want from a film like this.
A Quiet Place Part II is a riveting and frightening film and whilst it doesn’t quite match the level of tension achieved in the first, it is nonetheless a hugely entertaining film and one that you absolutely must see on the biggest screen you can.
A Quiet Place Part II is released in UK cinemas on June 3
A Quiet Place Part 2 – Movie Review
Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realise the creatures that hunt by sound are not the only threats lurking beyond the sand path. Luke Hearfield gives his thoughts on the long-awaited sequel once again directed by John Krasinski and starring his real life wife Emily Blunt. It’s time to head back to the cinema and enjoy the experience of sitting in a room full of strangers and sharing the collective feeling of deliciously uncomfortable silence.
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