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Wildling

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Film Review : Wildling

Do you want to hear a story?
Do you want me to tell you about the Wildling?

Wildling” is a peculiar film. It’s hard to put a specific label on it. One moment it feels like a teenage movie about a freshly emerging love. On the other hand, you can’t call it a teenage film per se. It’s a kind of coming of age film with an alternative twist. You could also call it a horror film with influences from werewolf films. But a “Wildling” actually belongs to a different kind of family of mythological creatures. And then there’s the moment Anna (Bel Powley) enters our civilization after years of isolation. She suddenly faces our way of behaving and living. Immediately I thought of films such as “Mama” and “Pete’s Dragon” where something similar happened. Add to this the hunting scenes in a wooded area and you can immediately conclude that this film cannot be classified directly under one specific genre. In that respect, it can already be called unique.

 

 

Let me enumerate the positive things first.

Let me first praise some elements of this movie. I found the choice of youthful actresses playing Anna amazingly successful. Aviva Winick, Arlo Mertz and Bel Powley each play a different period in Anna’s life. There wasn’t one moment that I thought there was something wrong with the appearance of Anna. They fit perfectly in the timeline. Subsequently, the transformation Anna underwent was well portrayed. Compliments for the make-up department. And finally a pat on the back for Brad Dourif who plays Daddy wonderfully, the person who takes care of and educates Anna in a sealed room. Still, strange I didn’t immediately recognize Brad Dourif. His role as Wormtongue from “The Lord of the Rings” is nevertheless engraved in my memory. How he can display so many emotions in that limited span of time is simply genius. Unfortunately, I found the ultimate role of him in the entire story less convincing.

 

 

 

Some unanswered questions.

But as usual, you’ll find a number of improbabilities in addition to the positive points. Not that “Wildling” drops to a miserably bad level, but it bothered me a little bit. The intro of the film is simply beautiful. Mysterious, intriguing and shocking at the same time. You constantly wonder which direction it wants to go and what’s the ultimate objective. Is Anna a prisoner of a network of morbid perverts? Is the outside world uninhabitable as in so many apocalyptic films? Or is there an element of truth in the story Anna hears for years already about the “Wildling“? And when Daddy starts giving injections, it’s really puzzling. And then there comes that turning point. An event I had questions about. During the film, you’ll see that the person Daddy was an experienced hunter. Well, this is probably the first time that he simply misses his target.

 

 

The 30s vibe.

It also seemed unlikely that Anna, after being isolated from the outside world for many years without any interaction with other individuals, adapted so quickly. Wasn’t it better for such a unique person to be protected from the surrounding world? How is it possible Anna could go to a public school without any problem. A hostile environment, full of unknown emotions. I can imagine that this is very confusing for her. Let alone to let her go to a party with deafening booming music and liters of alcohol. She struggles like a fish on dry land. Another laughable moment was when Ellen (Liv Tyler) deposited a pack of sanitary pads in front of Anna. I suppose Anna had no idea what it was and what it was for. By the way, I also had trouble recognizing Liv Tyler immediately (also a “Lord of the Rings” participant). Maybe I miss her fairytale kind of appearance. Or her beauty starts to fade. But that’s a different kind of reverie from me. And finally, I thought Daddy’s final action during the hunt was terribly exaggerated. How he managed that (you’ll know what I’m talking about when you see it), remains a mystery to me.

 

Wildling

 

“Wildling” is a strange but special flick.

Wildling” certainly isn’t a bad movie. But in hindsight, it’s all rather blurry and superficial. Not that an extensive and detailed explanation is necessary. But I expected some more background information about the origin of these mythical creatures. Maybe it’s also because the film aims at too many genres. The fairytale mixes with horror elements and then transforms effortlessly into drama. “Wildling” can easily be added to other nature documentaries about animal species threatened with extinction. Never thought of seeing this concept in a soft-horror fantasy story. If there’s one thing this film succeeded in with flying colors, it’s the idiosyncratic use of the well-known werewolf concept. In short, a strange but special film.

 

 

My rating 6/10
Links: IMDB

 

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Drama

The Fabelmans | Official Trailer | Steven Spielberg

Growing up in post-World War II era Arizona, a young man named Sammy Fabelman discovers a shattering family secret and explores how the power of films can help him see the truth.

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Genre:

Drama

Release Date:

November 23, 2022

Director:

Steven Spielberg

Cast:

Michelle Williams, Paul Dano, Seth Rogen

Plot Summary:

Growing up in post-World War II era Arizona, a young man named Sammy Fabelman discovers a shattering family secret and explores how the power of films can help him see the truth.

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Comedy

Heartstopper Review | An Irresistible Gay Teen Drama

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Heartstopper

Based on Alice Oseman’s beloved graphic novels, Netflix’s bite-sized adaptation of Heartstopper continues to kick the door wide open for queer stories on the small screen. In the same vain as Young Royals and Dear Victor, Heartstopper’s exploration of queer teen romance is just as endearing, if not made more real and lovable by some incredible performances by Joe Locke and Kit Connor who play the show’s main high-school sweethearts.

Heartstopper owes its incredible binge-factor to its main focus on the story of two British teens at Truham Boys School, Charlie (Locke) and Nick (Connor) and how their entanglement perfectly represents the highs and lows of young romance. Manoeuvring alongside our main characters’ connection are some other, deeply adorable queer-centric stories – from a pair of secret lesbians at the nearby all-girls grammar school, to the perspective of a trans girl navigating life outside Truham; all of which tangle throughout the show’s eight chapters, giving a genuine take on teen love and friendship during the digital age.

Photo: Netflix

While Euphoria is a ridiculously over-the-top representation of high school life with actors well-in their twenties playing teens, Heartstopper instead follows leads and supporting characters that feel like real teenagers, which doesn’t help the waterworks when it comes to some incredibly emotional moments in the show.

What the show decides not to focus on is sex and swearing, which is usual when it comes to these kinds of stories. Instead, Heartstopper goes down a more wholesome route, diluting some of the web comic’s more serious topics in favour of a more family-friendly teen drama. That’s more than acceptable, but it may leave the show not exactly suitable for everyone for how young it is leaning, despite how charming it is. It’ll be interesting to see how the web comic’s strong fanbase take to these changes, but it feels like a good move for the most part.

That being said, Heartstopper brilliantly doesn’t leave out realistic aspects that come to growing up queer in Britain; our main characters are never far from bullies or trolls. With how young the show’s audience is targeting towards, this feels like a great move on showing how to approach these pressures that make-up everyday life for teenagers.

Overall, Heartstopper is easily destined to prove a success for Netflix; from the authentic feel of all the friendships and relationships depicted to the enjoyable ride that comes with all eight chapters, this show is a welcome addition to the increasingly queer canon that is flying into the mainstream.

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Drama

Belfast review | A Magical Adaptation On The Town I Know and Love

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Belfast is directed by Kenneth Branagh and stars Jude Hill (Buddy), Lewis McAskie (Will), Caitriona Balfe (Ma), Jamie Dornan (Pa), Judi Dench (Granny) and Ciarán Hinds (Pop). A very big Irish cast that makes the film ever so better with everyone doing exceptional jobs but we’ll get to that later.

Branagh retells his story of childhood in a city of magic called Belfast. With this he details what it was like to be a Protestant during The Troubles a historical event that people from Belfast like me will always be reminded of and the horror that went down during it. I’m happy people can learn more about it through this adaption of the town because I remembered my Granny and Grandad’s stories while watching this, it helped me to immerse myself into the film and be brought back to the days of when my family was getting to know each other. It was nice to hear these stories of how accurate Branagh took The Troubles and put it on screen well.

The family aspect in this film was top notch, it showed the stress a protestant family would go through, especially this family. The pressure of paying bills and keeping the house and even being pressured to move across the water (something a lot of family’s had to for their kid’s sake) and I applaud Branagh for that because I know this film will hit audiences in Ireland and they’ll be happy with the adaptation. I was told people have been applauding the end, something that never happens in Ireland from my experiences but on to the performances.

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The entire cast do a phenomenal job with the script, they all looked to have fun during filming and in interviews. It’s great to see Irish representation in a film like this. Branagh was definitely the man for the job and the cast were the people for it. What makes me happy with these performances is how they work with the time period with the generic accent the actors have and it’s beautiful to see and hear and with the audio, they decided to use was immaculate and the aspect ratio they went with was great to see the on the big screen with the cinematography being a highlight.

Jude Hill was a standout in this film, he gives a brilliant performance as Buddy. He’s genuinely really funny in this and his emotional acting is top-notch and for a first-timer. He’s going to have a bright future ahead of him and I can’t wait to see him in more because he deserves it. Jamie Dornan also standouts out aswell with him taking loads of awards home which he deserves and it’s great to see him back in his home town for this because you can tell he’s trying hard in the role and in interviews he says he hopes people from the town like the film because he put his heart and soul into the performance and that’s always great to see.

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SPOILERS FROM NOW ONWARD

The beauty of Branagahs Belfast is so many things that happened during this film, happened to my family. I find that beautiful because I’ve never seen anything like it. One scene in particular, the grandad’s death that hit me like a bus because that exact situation has happened to me but with my granny and that exact singing scene was something we use to do to honour them. The number of tears I had during that scene was mad.

Now I’m going to discuss heavier themes of the film, the religion side of it. I want to give more info on that, so let’s get the thing you all probably know already. There are two sides in Ireland Catholic and Protestant and while Branagh was on the Protestant side it’s interesting to see that story of someone going through that because I can’t name a film that does it better. The story of The Troubles is something in the history books and I recommend you do more research on the topic because it is intriguing and the events that happen are shocking.

Now I’m gonna talk about the final scene, the singing scene again because of how great it is. It only reminds me of another fantastic film with heavy messages and near the same ending and that’s ‘Another Round’ but just how the cinematographer captures the two and then the others in the crowd is beautiful and I know I’m going on and on but I love this movie and I’ve talked about everything in it.

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AWARD CHANCES

Before I wrap this review up let’s talk about Belfast and if it has a chance at the big boy Oscars and I believe so it should win Best Picture and when it does I’m gonna be here screaming my head off and applauding the entire cast and Branagh because it’s a masterpiece and deserves everything it gets and in terms of acting I don’t think it’ll win much they’re some powerhouses competing this year, and that’s a shame.

For The One’s That Stayed, The One’s We Lost, And The One’s We Left Behind

KenNeth Branagh

Belfast is a magical film that captures Belfast in such an impressive way the film is instantly gonna become a classic and I cant wait to see it again and check this one out to learn about the beautiful city I know and I love thank you to the entire cast and crew you have made something that has hit me emotionally and made me want more from the story that is already over.

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