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Wildling

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Film Review : Wildling

Do you want to hear a story?
Do you want me to tell you about the Wildling?

Wildling” is a peculiar film. It’s hard to put a specific label on it. One moment it feels like a teenage movie about a freshly emerging love. On the other hand, you can’t call it a teenage film per se. It’s a kind of coming of age film with an alternative twist. You could also call it a horror film with influences from werewolf films. But a “Wildling” actually belongs to a different kind of family of mythological creatures. And then there’s the moment Anna (Bel Powley) enters our civilization after years of isolation. She suddenly faces our way of behaving and living. Immediately I thought of films such as “Mama” and “Pete’s Dragon” where something similar happened. Add to this the hunting scenes in a wooded area and you can immediately conclude that this film cannot be classified directly under one specific genre. In that respect, it can already be called unique.

 

 

Let me enumerate the positive things first.

Let me first praise some elements of this movie. I found the choice of youthful actresses playing Anna amazingly successful. Aviva Winick, Arlo Mertz and Bel Powley each play a different period in Anna’s life. There wasn’t one moment that I thought there was something wrong with the appearance of Anna. They fit perfectly in the timeline. Subsequently, the transformation Anna underwent was well portrayed. Compliments for the make-up department. And finally a pat on the back for Brad Dourif who plays Daddy wonderfully, the person who takes care of and educates Anna in a sealed room. Still, strange I didn’t immediately recognize Brad Dourif. His role as Wormtongue from “The Lord of the Rings” is nevertheless engraved in my memory. How he can display so many emotions in that limited span of time is simply genius. Unfortunately, I found the ultimate role of him in the entire story less convincing.

 

 

 

Some unanswered questions.

But as usual, you’ll find a number of improbabilities in addition to the positive points. Not that “Wildling” drops to a miserably bad level, but it bothered me a little bit. The intro of the film is simply beautiful. Mysterious, intriguing and shocking at the same time. You constantly wonder which direction it wants to go and what’s the ultimate objective. Is Anna a prisoner of a network of morbid perverts? Is the outside world uninhabitable as in so many apocalyptic films? Or is there an element of truth in the story Anna hears for years already about the “Wildling“? And when Daddy starts giving injections, it’s really puzzling. And then there comes that turning point. An event I had questions about. During the film, you’ll see that the person Daddy was an experienced hunter. Well, this is probably the first time that he simply misses his target.

 

 

The 30s vibe.

It also seemed unlikely that Anna, after being isolated from the outside world for many years without any interaction with other individuals, adapted so quickly. Wasn’t it better for such a unique person to be protected from the surrounding world? How is it possible Anna could go to a public school without any problem. A hostile environment, full of unknown emotions. I can imagine that this is very confusing for her. Let alone to let her go to a party with deafening booming music and liters of alcohol. She struggles like a fish on dry land. Another laughable moment was when Ellen (Liv Tyler) deposited a pack of sanitary pads in front of Anna. I suppose Anna had no idea what it was and what it was for. By the way, I also had trouble recognizing Liv Tyler immediately (also a “Lord of the Rings” participant). Maybe I miss her fairytale kind of appearance. Or her beauty starts to fade. But that’s a different kind of reverie from me. And finally, I thought Daddy’s final action during the hunt was terribly exaggerated. How he managed that (you’ll know what I’m talking about when you see it), remains a mystery to me.

 

Wildling

 

“Wildling” is a strange but special flick.

Wildling” certainly isn’t a bad movie. But in hindsight, it’s all rather blurry and superficial. Not that an extensive and detailed explanation is necessary. But I expected some more background information about the origin of these mythical creatures. Maybe it’s also because the film aims at too many genres. The fairytale mixes with horror elements and then transforms effortlessly into drama. “Wildling” can easily be added to other nature documentaries about animal species threatened with extinction. Never thought of seeing this concept in a soft-horror fantasy story. If there’s one thing this film succeeded in with flying colors, it’s the idiosyncratic use of the well-known werewolf concept. In short, a strange but special film.

 

 

My rating 6/10
Links: IMDB

 

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Adventure

‘1883’ Spinoff Series ‘Bass Reeves’ Adds Dennis Quaid to Cast

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Dennis Quaid (Far from Heaven, The Day After Tomorrow) is the latest star to join the cast of Bass Reeves, a new drama series coming from Taylor Sheridan (Yellowstone, Tulsa King) and Paramount+, according to DeadlineBass Reeves was announced as a spinoff to the Yellowstone prequel, 1883 back in May 2022 with David Oyelowo (Selma, A Wrinkle in Time) attached to star as the legendary lawman.

Bass Reeves will follow Oyelowo as someone who is known to many as “the greatest frontier hero” in American history in his own series on Paramount+. The streamer already houses so many Sheridan-fronted programs, most recently, Mayor of Kingstown starring Jeremy Renner returned for its second season while CIA drama, Lioness added to its cast with Nicole Kidman and Morgan Freeman. Some believe that Reeves served inspiration to “The Lone Ranger” having worked as a peace officer for Indian territory capturing over 3,000 criminals on that land. Quaid will play Sherrill Lynn, a Deputy U.S. Marshall within the show.

Quaid most recently voiced the character Jaeger Clade in Disney’s animated feature Strange World which is currently available to stream on Disney+. He’ll also star in Steven Soderbergh’s upcoming HBO Max series Full Circle alongside Zazie Beetz, Claire Danes and Emmy-winner Jharrel Jerome. 

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Drama

Amy Winehouse Biopic ‘Back to Black’ Adds to Cast with Jack O’Connell, Eddie Marsan and Lesley Manville

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Let the casting of music biopics commence! As we’ve been hammered with news of superstar musician biopics each and every week, we have more news of one that is filming currently with Back to Black about the late, great Amy Winehouse. While it was reported back in January that Industry star, Marisa Abela will be leading as Winehouse, we now have details courtesy of Deadline on who will be joining the British pop star’s life story on screen. 

The report indicates that Jack O’Connell (Unbroken, ’71), Lesley Manville (Phantom Thread, Another Year) and Eddie Marsan (Ray Donovan, The World’s End) will all appear alongside Abela in Back to Black. O’Connell is set to play Blake Fielder-Civil, the love of Winehouse’s life who she was married to from 2007 until 2009, just a few years prior to her death as their love was unfortunately addled by prescription drug abuse and alcohol as well as multiple stints in rehab for both of them. Marsan will play Winehouse’s father while Manville will play Winehouse’s maternal grandmother in the film.

Back to Black will follow the life of one of the greatest singer-songwriters of all-time in Amy Winehouse. Her sophomore album (which the film is named after) won her 5 Grammy Awards all at the young age of 25 just before her untimely death in 2011 at age 27. The film will focus on Amy’s creativity, genius and upbringing at Camden High School in the UK before she propelled into stardom.

The film will be written by Matt Greenhalgh and directed by Sam Taylor-Johnson reuniting the two of them after their 2009 film Nowhere Boy, which chronicled John Lennon’s formative years and adolescence. Taylor-Johnson is coming off directing episodes of Hunters and Solos for Amazon but is best known for helming Fifty Shades of Grey

O’Connell had a big 2022 starring in Netflix’s Lady Chatterly’s Lover and MGM+’s new original series, SAS Rogue Heroes. He’ll next star as professional race car driver Peter Collins in Ferrari. Manville most recently starred as Princess Margaret in the recent season of The Crown for Netflix and in Mrs. Harris Goes to Paris for which she earned a Golden Globe nomination. Marsan is best known for playing Ray Donovan‘s brother, Terry in the hit Showtime series but will next appear in the film, Fair Play with Alden Ehrenreich and Phoebe Dynevor.

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Action

Anthony Hopkins to Lead Peacock Gladiator Drama ‘Those About to Die’

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Peacock is one of the streamers that has yet to break through in terms of their original content getting recognized for awards contention. One such series that might change that fate for the streaming service is Those About to Die and it’s starting to build out its cast. According to Variety, 2-time Oscar winner Anthony Hopkins (The Silence of the Lambs, The Father) is the first to join the drama series which comes from Roland Emmerich (Independence Day, The Day After Tomorrow). Saving Private Ryan screenwriter Robert Rodat will script the series.

Hopkins will play the character known as Emperor Vespasian in the series which is set in the world of gladiatorial battle. It will be an ensemble drama following many different Roman characters that will set forth for violent affairs in the arena among other complexities such as political power and corruption so expect a starry cast for this Peacock drama. Hopkins’ character is described as “despised by the Patricians jockeying for position in the Empire and looking to supplant his heirs to the throne the first chance they get. Vespasian became the Roman emperor after a ten-year civil war. We expect to get more casting news soon as the show will begin filming in Rome in March.

Anthony Hopkins is coming off a terrific performance in James Gray’s Armageddon Time in 2022 after winning his second Academy Award for his role in The Father the year prior. He’ll next voice a character in Zack Snyder’s Rebel Moon for Netflix and also will star in British drama One Life alongside Helena Bonham Carter and Jonathan Pryce. Emmerich is coming off directing the sci-fi disaster film, Moonfall in 2022.

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