Connect with us

HORROR

Charismata (2017)

Published

on

Even if you never had to learn police work like the rest of us plebs,
anybody with a TV knows that it takes three bodies to make a serial killer.
You know what I’m saying, you’re just being pedantic.

Take the brilliant movie “Se7en” and replace the two inspectors Somerset and Mills with a duo that can’t get along and where one of them is female, then you get something similar as “Charismata“. Only it’s far from brilliant in terms of acting and the narrative. And even though Mills was a bit cocky and a wiseass in “Se7en,” there was also mutual respect. That doesn’t really apply to Rebecca (Sarah Beck Mather) and Eli (Andonis Anthony). Eli is an arrogant and obnoxious guy who always sees an opportunity to belittle his partner.

 

 

The movie is filled with unfriendly people.

But honestly, most people in this film are blessed with an ugly personality. The two inspectors, who assist in the investigation, constantly spit sexist statements and never take Rebecca seriously. She’s the daughter of the commissioner. So remarks about her job being dropped in her lap, are commonplace. Even the pharmacists are terribly unfriendly and snippy. I’m starting to believe the U.K. is inhabited with bad-tempered and unfriendly people. But believe me, the constantly unfriendly atmosphere started to annoy me.

 

 

First, it’s a genuine war-movie

Also in “Charismata“, they have to deal with an insane serial killer. The victims follow each other rapidly. The one murder even more horrifying than the other. Unfortunately, the first one shown, is the only one that’s off the same level as those in “Se7en“. A dark room in a dilapidated building where the rats have feasted on a half-decayed corpse. This looked fairly realistic and horrifying. The satanic images and carved numbers in the wall make it mysterious. Unfortunately, the design of the following victims wasn’t so successful. They were just stand-ins covered with lots of fake blood. Probably the budget for special effects was already exhausted after the first corpse.

 

 

Michael Sweet. Such a charming person.

What are the most successful aspects of “Charismata“? First, there’s Jamie Satterthwaite, who plays the snobbish Michael Sweet. A yuppie and partner of a company trading in real estates. And their estates are mostly the location where a victim is discovered. Michael Sweet is for me the most sublime appearance in this movie. His charisma and mysterious smile. He’s as innocent as a lamb and laughs off every accusation. A character who could easily play the role of Bateman in “American Psycho“.

 

 

Hallucinations? Or not?

The next positive point in this movie is the way in which Rebecca’s mental instability is portrayed. The reason why she has a psychological problem is solidly substantiated. A messy divorce. A brutal ex. Selling her apartment goes awry. Unfriendly colleagues who treat her disrespectfully. And then also a stressful case with a serial killer with nauseating crime scenes as a result. Then there’s the fact that she takes antidepressant medication with a lot of alcohol. So it’s no surprise she’s having hallucinations. And those hallucinations are worked out magnificently. No exaggerated effects and some adequately executed scare moments. Or aren’t these hallucinations?

 

 

It had potential.

Is “Charismata” a decent film you should definitely watch? Looking at the plus and the negative points, you’d say that it’s well balanced. Such that it can be called an average film. Indeed. Even though the acting is sometimes of a “Coronation Street” level and the story is rather superficial, you can’t say it’s extremely bad. But that feeling is completely undermined by the terrible, meaningless ending. It’s flat n’inane beyond belief. The run-up to this wasn’t bad. It even became gross at a certain moment. But the denouement creates some forehead-frowning, after which you wonder why on earth you’ve watched it. It seemed as if the makers realized they needed an end and there was no creative inspiration left. Too bad, because the film surely had potential.

 

My rating 4/10
Links: IMDB 

Thank You For The Support!

 

 

FILM RATING
$
Personal Info

Donation Total: $1.00

FILM RATING
Continue Reading
Advertisement
Click to comment
Subscribe
Notify of
guest
0 Comments
Inline Feedbacks
View all comments

HORROR

X | Official Trailer – A24

At a secluded farmhouse in Texas, a film crew arrives to shoot an adult film. Their hosts, a reclusive elderly couple, take a special interest in their young guests. As night falls the couple’s leering interest turns violent.

Published

on

Genre:

Drama, Horror, Mystery

Release Date:

March 18, 2022

Director:

Ti West

Cast:

Jenna Ortega, Mia Goth, Brittany Snow

Plot Summary:

At a secluded farmhouse in Texas, a film crew arrives to shoot an adult film. Their hosts, a reclusive elderly couple, take a special interest in their young guests. As night falls the couple’s leering interest turns violent.

FILM RATING
Continue Reading

HORROR

Scream (2022) | Wes Craven Would Be Proud

Published

on

Scream has officially slashed its way into cinemas and brings with it a killer opening as Ghostface returns, serving up a self-deprecating meta buffet of a slasher sequel that relaunches with terrific terror and nostalgic scares which are bloody brutal. Scream has some big shoes to fill, the directors have to fill the shoes of horror icon Wes Craven, which they honourably do, and the screenwriters also have to honour the brilliance of Kevin Williamson and what he brought to this genre and his script for 1996’s Scream.

The fifth entry in the franchise is filled with references to the franchise’s past, movies of the past, present, sequels, remakes, and now Requel, which in itself is part reboot and part sequel. Scream also discusses topics, specifically horror films released throughout the 2000s to now as it’s very self-referential by using Halloween (2018) and Ghostbusters Afterlife, for example, showcasing that these franchises are making requels by setting the film in the same world, at a different time but adding new characters that are in ways related to the “Legacy” characters from the original. Scream knows that it’s a horror movie, and most importantly, it knows this fifth entry is no doubt a “legacy sequel”.

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past. Neve Campbell (“Sidney Prescott”), Courteney Cox (“Gale Weathers”) and David Arquette (“Dewey Riley”) return to their iconic roles in Scream alongside Melissa Barrera, Kyle Gallner, Mason Gooding, Mikey Madison, Dylan Minnette, Jenna Ortega, Jack Quaid, Marley Shelton, Jasmin Savoy Brown, and Sonia Ammar.

Years after the Ghostface killer first struck, teen Tara Carpenter (Jenna Ortega) gets an ominous phone call, whilst home alone, from a stranger asking what her favourite scary movie is. Scream opening sequences are so iconic to the franchise and this new modern take doesn’t disappoint as Tara is attacked and stabbed multiple times by someone wearing the Ghostface outfit from the in-universe “Stab” franchise, based on the Westboro murders committed by Billy Loomis and Stu Macher. The opening is shockingly suspenseful and wholly entertaining. 

Paramount Pictures

The focus here is on a group of young people who certainly have seen enough “Stab” movies to know that the killer could be one of their own including Tara’s estranged sister, Samantha (Melissa Barrera) along with her boyfriend Richie (Jack Quaid), who returns to Woodsboro to be with her.

Paramount Pictures

In any sequel, you hope that the new cast doesn’t fall flat and ultimately works well with the returning cast. Take 2018’s Halloween for example with Jamie Lee Curtis returning brings a new generation of Strode women specifically Laurie’s daughter and granddaughter, showing the audience how well the newcomers mix with the legacy characters. Scream successfully achieves this as all characters are handled well, though the body count, unfortunately, rises as Ghostface has some new tricks up its sleeve.

In passing the torch to fresh blood, this fifth entry showcases that there are layers of meta to uncover, fresh scars, and wicked fun to be had. The highlights were Jenna Ortega, Melissa Barrera, Jack Quaid. All work to drive the narrative along with the help of Sidney (Neve Campbell), Dewey (David Arquette), and Gale (Courteney Cox). The legacy characters truly provide the nostalgia and emotional connection, the filmmakers treat these iconic characters with the utmost respect.

Scream lives up to its slasher roots as Ghostface goes to town with the hapless victims like a butcher skewing his meat. Characters are sliced, stabbed, and ultimately gutted with glee. They’re brutal when happening but gory and glorious for some. However, some kills have impacts attached as many are heartbreaking and some you want Ghostface to go to town on. I was on the edge of my seat, as directors Matt Bettinelli-Olpin and Tyler Gillett who both previously directed Ready or Not, know how to build tension especially with Brian Tyler’s haunting and eerie score that truly intensifies the film.

Paramount pictures

Scream is about deconstructing the genre and pop culture of the day and aims at filmmaking with killing commentary that’ll make you scream with laughter, whilst still containing the known tropes of a slasher movie. Its squeal-inducing traps and false alarms are so well-earned.

Overall, I believe Wes Craven would be proud of this movie and what it does for fans of the slasher genre. It strikes a visual cord with its toxic fandom commentary and provides a phenomenal entry to the 21st century of modern horror. It’s entertaining with laughter and brutal deaths as Scream continues to reinvent itself and still manages to remain a consistent franchise 25 years later since it started it all.

FILM RATING
Continue Reading

Classics

Reel Recommendations: Possession – One Restoration You Do Not Want To Miss

Published

on

One of my favorite elements in the horror genre is taking a contemporary story and somehow implementing the genre’s core elements. Take the film Cure (1997) directed by Kiyoshi Kurosawa; the film is about a detective who is investigating a series of grizzly attacks by a serial killer. On the film’s surface, it is your simple crime-thriller ala David Fincher’s Se7en (1995) or his 2007, Zodiac. However, throughout the film, the viewer gets inside of the mind of his victims in a psychological battle between light and dark; understanding the killer’s motivations and way of attack. Enough talk about Cure (1997), that is for another time.

I hold this element of the genre close to my creative heart because the genre does not always need a monster or killer or the loose, the genre is about set-up, execution, and the atmosphere in which those two elements listed are contained. If you are looking for more horror films like that, that are not about unstable detectives, look no further than Andrzej Żuławski’s Possession.

This 40-year-old lost film has recently been gaining a cult following and the film distributor Metrograph has graced film fans with a restoration. My thoughts on that are listed below the review.

Isabelle Adjani, Sam Neill @ Possession (Andrzej Żuławski, 1981

Possession is a film about how division; division of two people who seem to be at odds and have fallen out of love for one another amidst the middle of the Berlin Wall, a division of communication between a couple and the affair that has brought them down as well as a division of body and state. Possession is about the breaking point between a couple as they’re in the very early stages of a divorce. They both have simply fallen out of love with one another and have started sleeping with other people, mainly Isabelle Adjani’s Anna. As Sam Neil’s Mark understands the situation unfolds, the more angry and sickly he becomes. There are points where he will look like he has not eaten in days and looks incredibly pale-skinned. There is a moment throughout the first 25 minutes where Neil is having a seizure in a cold sweat.

While Possession is a body horror in terms of visual effects, its a body horror from the performances given. We see both of the films leads reach sadistic and stomach-churning when it ocmes to range. The first half being dedicated to Sam Neil’s perspective of the situation and how he is treating himself during this change, where he goes from calm to physically abusive. Then as the story unfolds, Żuławski pays more attention to Adjani’s Anna, as an audiences we are opening the curtain to what she has been up to when the camera is not focused on her. The camera work works in one takes with very abrupt takes in its editing. Żuławski wants everything to feel like one fluid motion rather than have multiple takes for one single scene. The subway scene in particular roughly has about two-three takes and you do not evne notice because of how hypnotized you are to Adjani’s otherworldly performance. I am treading lightly on the plot due ot the genius of this film is to go in knowing nothing.

Isabelle Adjani, Sam Neill @ Possession (Andrzej Żuławski, 1981

Possession is one of those horror films that were lost in time but recently have been gaining a resurgence through word of mouth and many clamoring for a Criterion blu-ray release, and for good reason. Possession includes some of the best performances I have ever witnessed with direction that is unpredictable and keeps the audience on the edge of their seats. If there is one restoration you should have eyes on it is this one.

Restoration Review

Possession not only is a wonderful film but is also one of the best restorations I have seen recently. Metrograph elevates the horror film and at times looks like it was made from the last decade. The stark blue color pallette shines due to how cold and emotionally distant the characters are. The sound design is wonderful, every whisper is heard and understood, every scream feels like a scare, every tension-building moment plays like gangbusters. This is one restoration you do not want to miss especially for cult-genre fans.

FILM RATING
Continue Reading
Advertisement

Popular Now

Advertisement
Advertisement

TRENDING NOW

Trending

0
Would love your thoughts, please comment.x
()
x